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Model Commodities: Gender and Value in Contemporary Couture
Model Commodities: Gender and Value in Contemporary Couture By Xiaoyu Elena Wang A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Political Science in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Wendy L. Brown, Chair Professor Shannon C. Stimson Professor Ramona Naddaff Professor Julia Q. Bryan-Wilson Spring 2015 Abstract Model Commodities: Gender and Value in Contemporary Couture by Xiaoyu Elena Wang Doctor of Philosophy in Political Science University of California, Berkeley Professor Wendy L. Brown, Chair Every January and June, the most exclusive and influential sector of the global apparel industry stages a series of runway shows in the high fashion, or, couture capitals of New York, Milan, London and Paris. This dissertation explores the production of material goods and cultural ideals in contemporary couture, drawing on scholarly and anecdotal accounts of the business of couture clothes as well as the business of couture models to understand the disquieting success of marketing luxury goods through bodies that appear to signify both extreme wealth and extreme privation. This dissertation argues that the contemporary couture industry idealizes a mode of violence that is unique in couture’s history. The industry’s shift of emphasis toward the mass market in the late 20th-century entailed divestments in the integrity of garment production and modeling employment. Contemporary couture clothes and models are promoted as high-value objects, belying however a material impoverishment that can be read from the models’ physiques and miens. 1 Table of Contents I. The enigma of couture…………………………………………………………………………..1 1. -
Title Call # Category Lang./Notes
Title Call # Category Lang./Notes K-19 : the widowmaker 45205 Kaajal 36701 Family/Musical Ka-annanā ʻishrūn mustaḥīl = Like 20 impossibles 41819 Ara Kaante 36702 Crime Hin Kabhi kabhie 33803 Drama/Musical Hin Kabhi khushi kabhie gham-- 36203 Drama/Musical Hin Kabot Thāo Sīsudāčhan = The king maker 43141 Kabul transit 47824 Documentary Kabuliwala 35724 Drama/Musical Hin Kadının adı yok 34302 Turk/VCD Kadosh =The sacred 30209 Heb Kaenmaŭl = Seaside village 37973 Kor Kagemusha = Shadow warrior 40289 Drama Jpn Kagerōza 42414 Fantasy Jpn Kaidan nobori ryu = Blind woman's curse 46186 Thriller Jpn Kaiju big battel 36973 Kairo = Pulse 42539 Horror Jpn Kaitei gunkan = Atragon 42425 Adventure Jpn Kākka... kākka... 37057 Tamil Kakushi ken oni no tsume = The hidden blade 43744 Romance Jpn Kakushi toride no san akunin = Hidden fortress 33161 Adventure Jpn Kal aaj aur kal 39597 Romance/Musical Hin Kal ho naa ho 41312, 42386 Romance Hin Kalyug 36119 Drama Hin Kama Sutra 45480 Kamata koshin-kyoku = Fall guy 39766 Comedy Jpn Kān Klūai 45239 Kantana Animation Thai Kanak Attack 41817 Drama Region 2 Kanal = Canal 36907, 40541 Pol Kandahar : Safar e Ghandehar 35473 Farsi Kangwŏn-do ŭi him = The power of Kangwon province 38158 Kor Kannathil muthamittal = Peck on the cheek 45098 Tamil Kansas City 46053 Kansas City confidential 36761 Kanto mushuku = Kanto warrior 36879 Crime Jpn Kanzo sensei = Dr. Akagi 35201 Comedy Jpn Kao = Face 41449 Drama Jpn Kaos 47213 Ita Kaosu = Chaos 36900 Mystery Jpn Karakkaze yarô = Afraid to die 45336 Crime Jpn Karakter = Character -
This Book Is a Compendium of New Wave Posters. It Is Organized Around the Designers (At Last!)
“This book is a compendium of new wave posters. It is organized around the designers (at last!). It emphasizes the key contribution of Eastern Europe as well as Western Europe, and beyond. And it is a very timely volume, assembled with R|A|P’s usual flair, style and understanding.” –CHRISTOPHER FRAYLING, FROM THE INTRODUCTION 2 artbook.com French New Wave A Revolution in Design Edited by Tony Nourmand. Introduction by Christopher Frayling. The French New Wave of the 1950s and 1960s is one of the most important movements in the history of film. Its fresh energy and vision changed the cinematic landscape, and its style has had a seminal impact on pop culture. The poster artists tasked with selling these Nouvelle Vague films to the masses—in France and internationally—helped to create this style, and in so doing found themselves at the forefront of a revolution in art, graphic design and photography. French New Wave: A Revolution in Design celebrates explosive and groundbreaking poster art that accompanied French New Wave films like The 400 Blows (1959), Jules and Jim (1962) and The Umbrellas of Cherbourg (1964). Featuring posters from over 20 countries, the imagery is accompanied by biographies on more than 100 artists, photographers and designers involved—the first time many of those responsible for promoting and portraying this movement have been properly recognized. This publication spotlights the poster designers who worked alongside directors, cinematographers and actors to define the look of the French New Wave. Artists presented in this volume include Jean-Michel Folon, Boris Grinsson, Waldemar Świerzy, Christian Broutin, Tomasz Rumiński, Hans Hillman, Georges Allard, René Ferracci, Bruno Rehak, Zdeněk Ziegler, Miroslav Vystrcil, Peter Strausfeld, Maciej Hibner, Andrzej Krajewski, Maciej Zbikowski, Josef Vylet’al, Sandro Simeoni, Averardo Ciriello, Marcello Colizzi and many more. -
Thing of Beauty: the Tragedy of Supermodel Gia Free
FREE THING OF BEAUTY: THE TRAGEDY OF SUPERMODEL GIA PDF Stephen Fried | 384 pages | 01 Aug 1994 | SIMON & SCHUSTER | 9780671701055 | English | New York, United States Thing of Beauty: The Tragedy of Supermodel Gia by Fried, Stephen Hardback Book | eBay Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Thing of Beauty: The Tragedy of Supermodel Gia cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Preview — Thing of Beauty by Stephen Fried. At age seventeen, Gia Carangi was working the counter at her father's Philadelphia luncheonette, in Hoagie City. Within a year, Gia was one of the top models of the late 's, gracing the covers of Cosmopolitan and Vogue, partying at New York's Studio 54 and the Mudd Club while redefining the industry's standard of beauty. She was the darling of moguls and movie stars, r At age seventeen, Gia Thing of Beauty: The Tragedy of Supermodel Gia was working the counter at her father's Philadelphia luncheonette, in Hoagie City. She was the darling of moguls and movie stars, royalty and rockers. Gia was also a girl in pain, desperate for her mother's approval. Finally blackballed from modeling, Gia entered a vastly different world on the streets of New york and Atlantic City, and later in a rehab clinic. At twenty- six, she became one of the first women in America to die of AIDS; a hospital welfare case visited only by rehab friends and what remained of her family. -
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter -
35 Years of Nominees and Winners 36
3635 Years of Nominees and Winners 2021 Nominees (Winners in bold) BEST FEATURE JOHN CASSAVETES AWARD BEST MALE LEAD (Award given to the producer) (Award given to the best feature made for under *RIZ AHMED - Sound of Metal $500,000; award given to the writer, director, *NOMADLAND and producer) CHADWICK BOSEMAN - Ma Rainey’s Black Bottom PRODUCERS: Mollye Asher, Dan Janvey, ADARSH GOURAV - The White Tiger Frances McDormand, Peter Spears, Chloé Zhao *RESIDUE WRITER/DIRECTOR: Merawi Gerima ROB MORGAN - Bull FIRST COW PRODUCERS: Neil Kopp, Vincent Savino, THE KILLING OF TWO LOVERS STEVEN YEUN - Minari Anish Savjani WRITER/DIRECTOR/PRODUCER: Robert Machoian PRODUCERS: Scott Christopherson, BEST SUPPORTING FEMALE MA RAINEY’S BLACK BOTTOM Clayne Crawford PRODUCERS: Todd Black, Denzel Washington, *YUH-JUNG YOUN - Minari Dany Wolf LA LEYENDA NEGRA ALEXIS CHIKAEZE - Miss Juneteenth WRITER/DIRECTOR: Patricia Vidal Delgado MINARI YERI HAN - Minari PRODUCERS: Alicia Herder, Marcel Perez PRODUCERS: Dede Gardner, Jeremy Kleiner, VALERIE MAHAFFEY - French Exit Christina Oh LINGUA FRANCA WRITER/DIRECTOR/PRODUCER: Isabel Sandoval TALIA RYDER - Never Rarely Sometimes Always NEVER RARELY SOMETIMES ALWAYS PRODUCERS: Darlene Catly Malimas, Jhett Tolentino, PRODUCERS: Sara Murphy, Adele Romanski Carlo Velayo BEST SUPPORTING MALE BEST FIRST FEATURE SAINT FRANCES *PAUL RACI - Sound of Metal (Award given to the director and producer) DIRECTOR/PRODUCER: Alex Thompson COLMAN DOMINGO - Ma Rainey’s Black Bottom WRITER: Kelly O’Sullivan *SOUND OF METAL ORION LEE - First -
Testimony of Janice Dickinson
IN THE COURT OF COMMON PLEAS IN AND FOR THE COUNTY OF MONTGOMERY, PENNSYLVANIA CRIMINAL DIVISION COMMONWEALTH OF PENNSYLVANIA: vs. NO. 3932-16 WILLIAM H. COSBY, JR. TESTIMONY OF JANICE DICKINSON Courtroom A Thursday, April 12, 2018 Commencing at 11:27 a.m. Virginia M. Womelsdorf, RPR Official Court Reporter Montgomery County Courthouse Norristown, Pennsylvania BEFORE: THE HONORABLE STEVEN T. O'NEILL, JUDGE AND A JURY COUNSEL APPEARED AS FOLLOWS: KEVIN R. STEELE, ESQUIRE District Attorney M. STEWART RYAN, ESQUIRE KRISTEN GIBBONS-FEDEN, ESQUIRE Assistant District Attorneys for the Commonwealth LANE L. VINES, ESQUIRE THOMAS A. MESEREAU, JR., ESQUIRE KATHLEEN BLISS, ESQUIRE JASON HICKS, ESQUIRE BECKY S. JAMES, ESQUIRE RACHAEL ROBINSON, ESQUIRE JAYA GUPTA, ESQUIRE for the Defendant ALSO PRESENT: JONATHAN PERRONE, Computer Operations Supervisor Montgomery County District Attorney's Office INDEX COMMONWEALTH'S EVIDENCE Witness VDire Direct Cross Redir Recr JANICE DICKINSON 4 37 83 EXHIBITS COMMONWEALTH'S Number Description Marked Rec'd C-11 Photograph 19 20 C712 Photograph 19 20 C-13 Photograph 19 20 C-14 Declaration of Pablo Fenjvez 87 Ct-15 Declaration of Judith Regan 94 4 1 JANICE DICKINSON - DIRECT 2 THE COURT: Okay. You may call your 3 next witness. 4 MR. RYAN: Thank you, Your Honor. 5 Janice Dickinson. 6 - - - 7 JANICE DICKINSON, having been duly 8 sworn, was examined and testified as 9 follows: 10 DIRECT EXAMINATION 11 By MR. RYAN: 12 Q Good morning, Janice. 13 A Good morning. 14 Q Can you tell me where you live? 15 A I live in Tarzana, California. 16 Q And who do you live with? 17 My husband, Rocky Gerner. -
Fall 2021 Catalog Download
Fall 2021 Contents New Titles 5 Collector’s Editions 29 Toiletpaper 51 Backlist 57 Photography 58 Contemporary Art 70 Fashion & Lifestyle 72 Architecture & Design 74 Antiques & Collectibles 74 Distributors 76 Contacts & Press Office 78 New Titles 6 Photography Mike Mandel Zone Eleven Photographs by Ansel Adams Zone Eleven is a reference to Ansel Adams’ Zone System, a method to control exposure of the negative in order to obtain a full range of tonality in the photographic print from the deepest black of Zone 0 to the brightest highlight in Zone 10. Zone Eleven is a metaphor coined by artist Mike Mandel in his challenge to create a book of Adams’ photographs outside of the bounds of his personal work. Many of these photographs were found in the archives of his commercial and editorial assignments, and from his experimentation with the new Polaroid material of the times. For this book, Mandel has unearthed images that are unexpected for Adams, and created a new context of facing Text by Erin O'Toole page relationships, and sequence. Zone Eleven is the product 28 x 23 cm | 11 x 9 inches of Mike Mandel’s research of over 50,000 Adams images 112 pages, 83 b&w, hardbound located within four different archives to present a body of ISBN 978-88-6208-748-3 Fall 2021 Adams’ work that was unknown until now. $55 | €50 | £45 Mike Mandel is well known for his collaboration with Larry Sultan in the 1970s - 1990s. They published 'Evidence' in 1977, a collection of 59 photographs chosen from more than two million images that the artists viewed at the archives of government agencies and tech-oriented corporations. -
AIDS in 25 Years of Cinema
António Pais de Lacerda J Med Mov 2 (2006): 102-113 JMM Cinema as an Historical Document: AIDS in 25 years of Cinema António Pais de Lacerda Asignatura de Introducción a la Medicina, Facultad de Medicina de Lisboa, UCI Polivalente, Servicio de Medicina Intensiva, Hospital de Santa Maria, Lisboa (Portugal). Correspondence: António Pais de Lacerda, Servicio de Medicina Intensiva, Hospital de Santa Maria 1649-035 Lisboa (Portugal). e-mail: [email protected] Received 14 July 2006; accepted 24 July 2006 Summary It was 25 years ago, in the summer of 1981, when society as a whole and particularly the scientific community was faced with an unknown disease that came later to be known as Acquired Immunodeficiency Syndrome (AIDS). Several films have sufficiently reflected the initial fears and uncertainty, the responses of the different social groups, the fight against ignorance, the urge of having access to treatment and the suffering of the infected individuals and their families that were due to this disease. Taking into account that these movies were fil- med when these epidemics took place they can actually be considered as true historical documents that deserve being analysed by the genera- tions to come. Films such as And The Band Played On; Long time Companion; Common Threads: Stories from the Quilt; Les Nuites Fauves; Angels in America; Yesterday and My Brother... Nikhil have marked 25 years of AIDS history that should not be forgotten by the world. Keywords: AIDS, HIV, Antiretrovirals, History of Medicine, Cinema. “This is not a political issue. This is a health issue. This is nate hearts and minds. -
167558354.Pdf
ngelina Jolie (/dʒoʊˈliː/ joh-LEE, born Angelina Jolie Voight; June 4, 1975) is an American actress, film director, and screenwriter. She has received an Academy Award, two Screen Actors Guild Awards, and three Golden Globe Awards, and was named Hollywood's highest-paid actress by Forbes in 2009 and 2011.[2][3] Jolie promotes humanitarian causes, and is noted for her work with refugees as a Special Envoy and former Goodwill Ambassador for the United Nations High Commissioner for Refugees (UNHCR). She has often been cited as the world's "most beautiful" woman, a title for which she has received substantial media attention.[4][5][6][7] Jolie made her screen debut as a child alongside her father Jon Voight in Lookin' to Get Out (1982), but her film career began in earnest a decade later with the low-budget production Cyborg 2 (1993). Her first leading role in a major film was in the cyber- thrillerHackers (1995). She starred in the critically acclaimed biographical television films George Wallace (1997) and Gia (1998), and won an Academy Award for Best Supporting Actress for her performance in the drama Girl, Interrupted (1999). Jolie achieved wide fame after her portrayal of the video game heroine Lara Croft in Lara Croft: Tomb Raider (2001), and established herself among the highest-paid actresses in Hollywood with the sequel The Cradle of Life (2003).[8] She continued her action star career with Mr. & Mrs. Smith (2005), Wanted (2008), and Salt (2010)—her biggest live-action commercial successes to date[9]—and received further critical acclaim for her performances in the dramas A Mighty Heart (2007) and Changeling (2008), which earned her a nomination for an Academy Award for Best Actress. -
Media Reception, Sexual Identity, and Public Space
Copyright by Bryan Ray Fruth 2007 The Dissertation Committee for Bryan Ray Fruth Certifies that this is the approved version of the following dissertation: MEDIA RECEPTION, SEXUAL IDENTITY, AND PUBLIC SPACE Committee: Janet Staiger, Supervisor Mary Kearney Lisa Moore Thomas Schatz Karin Wilkins MEDIA RECEPTION, SEXUAL IDENTITY, AND PUBLIC SPACE by Bryan Ray Fruth, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2007 Acknowledgements I wish to thank Janet Staiger for her incredible patience and support during this process. I want to also thank my other committee members—Mary Kearney, Lisa Moore, Tom Schatz, and Karin Wilkins—for sharing their insights and generous comments and for helping me end this experience on what felt like a high note. I also wish to thank my family and friends—Brad in particular—for pushing me to complete this chapter of my life. Finally, thanks to the kind folks at the GLBT Historical Society of Northern California for digging up and dusting off the “Stop the Movie Cruising File” for me and for assisting me while I researched their incredibly rich archives. iv Media Reception, Sexuality Identity, and Public Space Publication No._____________ Bryan Ray Fruth, Ph.D. The University of Texas at Austin, 2007 Supervisor: Janet Staiger In an attempt to trace the ongoing process of forming and negotiating gay identities in response to historical events and media texts, this dissertation explores the intersections between gay men, media reception, and public space in relation to a number of historically and socially significant film and television texts: Cruising (1980), Parting Glances (1986), Longtime Companion (1990), Philadelphia (1993), and Any Mother’s Son (1997). -
Modeling Tips
Modeling Tips: Expert Modeling Advice “Not one top model I’ve worked with in 20 years went to modeling school.”1 — Susan Wehmann, Wehmann Agency “The best advice I can give is to check out an agency before going for an interview, and during the interview ask who their major clients are and what their success rate is in placing children in jobs.”2 — Elisabeth Smith, Elisabeth Smith Model Agency (Child Model Agent since 1960) “You never write the agency a check for your marketing materials, pictures, etc.”3 — Dominick Palazzo, IMI Talent Management “Children under 5 don’t need professional photographs to get started in modeling, according to a 40-page report on modeling scams issued by the New York City Department of Consumer Affairs. Snapshots also suffice for adult models at “open calls” held by legitimate modeling agencies, during which anyone is able to walk in and hear an honest evaluation of his or her modeling potential.”4 — Kiplinger’s Personal Finance “They come to me after spending two, three, four thousand dollars on classes, pictures and attending conventions and expect me to take them on, but I can tell right away that there’s no potential.”5 — Liz Bell, Liz Bell Agency “The Association of Model Agents has a list of reputable agents. Check their websites out, never go to a private address and never pay money upfront.”6 — Sarah Doukas, Managing Director, Storm Model Management “Another common scheme comes from firms that charge people hundreds or even thousands of dollars to be listed in their “talent directories,” which are then mailed to agents and producers.