ART 2005-2011 SCHOLARSHIP BOOKS: Clark, William W. Medieval Cathedrals, Greenwood Guides to Historic Events of the Medieval World, Greenwood Press, 2006. Hoshino, M., Designer and Editor. “Double Up,” Photographs by Jules Allen. Texts by James Mtume, Herb Boyd, Jules Allen. QCC Art Gallery. Marinis, Vasileios, Journal of Modern Hellenism 2008 (editor) Lane, Barbara Hans Memling: Master Painter in Fifteenth-Century Bruges. Turnhout: Brepols for Harvey Miller, 2009. Lin, Xiaoping. Book: Children of Marx and Coca-Cola: Chinese Avant-garde Art and Independent Cinema (University of Hawaii Press, 2010), 312 pages, in print. Nelson, Michael Book The Architecture of Epano Englianos, Greece. BAR/Archeopress, 2009. James M. Saslow Scholars, Explorers, and Priests: How the Renaissance Gave Us the Modern World. Exhibition catalogue, New York: Godwin-Ternbach Museum, Queens College, February 2010. Sholette, G., Dark Matter: Art and Politics in the Age of Enterprise Culture, Pluto Press, London, November 2011, Second edition. PEER-REVIEWED PUBLICATIONS: Christopher Atkins Visual Arts Editor for Oxford Bibliographies Online: Renaissance and Reformation, Oxford University Press. [www.oxfordbibliographies.com] Atkins, C., “Seventeenth-Century Dutch Art” and “Rembrandt,” Oxford Bibliographies: Renaissance and Reformation, Margaret King, editor in chief, Oxford University Press (two 10,000 word annotated bibliographies and historiographies). Chave, Anna C. "Revaluing Minimalism: Patronage, Aura, and Place,” In Art Bulletin 90, no. 3 (September 2008), 466-86 Chave, Anna C. “Dis/Cover/ing the Quilts of Gee’s Bend, Alabama,” In The Journal of Modern Craft (Victoria and Albert Museum, London) 1, no. 2 (July 2008), 221-54 Chave, Anna C “‘I Object’: Hannah Wilke’s Feminism,” Art in America, March 2009, 104-109+ Anna Chave “Sculpture, Gender, and the Value of Labor,” American Art 24, no. 1 (spring 2010): 26-30 Chave, A., “The Guerrilla Girls’ Reckoning,” Art Journal 70, no. 2 (summer 2011): 102-11 Chave, A., Reply to Letter to the Editor regarding “The Guerrilla Girls’ Reckoning,” Art Journal 70, no. 3 (Fall 2011), 113 Clark, William W. "Jean d'Orbais: Window and Wall at Reims Cathedral." In Architektur und Monumentalskulptur des 12.-14. Jahrhunderts. Produktion un Rezeption. Festschrift fur Peter Kurmann zu. 65. Geburtstag, edited by Stephan Gasser, Christian Freitag and Bruno Boerner, 87-96, Bern, 2006. Clark, William W. 9 entries in exhibition catalogue, Set in Stone: The Face in Medieval Sculpture, edited by Charles T. Little. Metropolitan Museum of Art, New York, 2006 Clark, William W. "Context, Continuity and the Creation of National Memory in Paris, 1130-1160. A Critical Commentary." In Gesta, XLV/2 (2006), 161-175. Connor, Maureen, “SOS Peace Pentagon”, Where We Are Now. http://wherewearenow.org/ Spring 2010, edited by Marisa Jahn Lane, Barbara G. “Memling’s Impact on the Early Raphael.” In Cultural Exchange between the Netherlands and Italy, 1400-1600, edited by Ingrid Alexander-Skipnes, 179-92. Turnhout, 2007. Lin, Xiaoping, “Challenging the Canon: Socialist Realism in Traditional Chinese Painting Revisited.” In Third Text, No. 84, vol. 21, issue 1 (2007), 41-53. Lin, Xiaoping, “Wu Shi’en’s Liang Hong and Meng Guang: A Misreading.” In Myriad Points of View: New Research on Ming and Qing Paintings in the Roy and Marilyn Papp Collection, Phoebus 9, edited by Claudia Brown, 79-99. Arizona State University Press, 2006. Xiaoping Lin "From Venice to Beijing: Art, Politics, Commerce," Paradoxa, no. 23 (December 2010), 299-322. Marinis, Vasileios, “Wearing the Bible: An Early Christian Tunic With New Testament Scenes,” Journal of Coptic Studies 9 (2007), 95-109. Marinis, Vasileios, “The vita of St. Anna/Euphemianos. A 9th-century Transvestite Nun” In Journal of Modern Hellenism (2008) Nelson, M., Horbat ‘Omrit – 2009, Preliminary Report. Hadashot Arkheologiyot – Excavations and Surveys in Israel. Vol. 123, 2011, http://www.hadashot-esi.org.il/report_detail_eng.asp?id=1638. Sholette, Gregory, Whither Tactical Media? special journal issue co-edited with Gene Ray, In Third Text, Vol. 22, Issue 5 (9/08). Sholette Gregory, “Minus 273 Celsius,” In Third Text, Vol. 22; No. 4 (2008), 495-499. Gregory Sholette Encyclopedia Entry: “Critical Art Ensemble,” Grove Art Online, http://www.oxfordartonline.com Sholette, G., “Empire of Happiness,” a report on the Guggenheim Museum in Abu Dhabi, November- December issue (in print and online at: http://artasiapacific.com/Magazine/76/EmpireOfHappiness). P. 43. Sund, Judy. “Middleman: Antoine Watteau and Les Charmes de la vie,” Art Bulletin, XCI, 2009, Judy Sund “City Man/Country Man: Dichotomy and Hybridity in Van Gogh’s Figure Paintings” in Van Gogh: Timeless Countryside, Modern City (Rome: Complessa Vittoriana, 2010). BOOK CHAPTERS: Chave, Anna C. “Framing Imagery: At the Intersection of Geometry and the Social,” In George Tooker, edited by Robert Cozzolino, Marshall N. Price, and M. Melissa Wolfe, 70-81. Columbus Museum of Art, 2008. Chave, Anna C. "'Normal Ills': On Embodiment, Victimization, and the Origins of Feminist Art." In Trauma and Visuality in Modernity, edited by Eric Rosenberg and Lisa Saltzman, 132-57. University Press of New England, 2006. Chave, Anna C. "Outlaws: Women, Abstraction, and Painting in New York, 1965-1975." In High Times, Hard Times: New York Painting 1967-75, edited by Katy Siegel. D.A.P., 2006. Chave, Anna C. "Figuring the Origins of the Modern at the Fin de Siècle: The Trope of the Pathetic Male." In Making Art History, edited by Elizabeth Mansfield, 207-21. Routledge, 2007. Anna Chave, “’Is this good for Vulva?’: Female Genitalia in Contemporary Art,” in Francis Naumann and Anna C. Chave, The Visible Vagina, ex. cat., New York: Francis M. Naumann Fine Art, 2010 Chave, A., Pat Steir, ex. cat., Philadelphia: Locks Gallery, 2011; (essay: “Pat Steir’s Flow”) authored Chave, A., “Brancusi’s Masquerade: Social Standing, Self-Image, and Photographic Im/Posture,” in Constantin Brancusi: Masterpieces from Romanian Museums, ex. cat. (rev. ed.), New York: Gagosian Gallery, 2011 Clark, William W. “Head of the Virgin, Theotokos, in the Godwin-Ternbach Museum, Queens College,” entry in the Census of Gothic Sculpture in American Collections, III, ed. Susan L. Ward and Kathleen Nolan, to be published by Brepols, spring 2009 Clark, William W. “The Twelfth-Century Church of Saint-Victor, State of the Question,” in the collected studies in honor of Grover Zinn, ed. E. Ann Matter, 15 August 2009 Clark, William W. “Gothic as Historicism and as Modernism,” article in History of Religious Architecture: The Middle Ages, ed. Stephen Murray, to be published by Cambridge University Press, 1 September 2009 Connor, Maureen. “(Con)testing Resources.” In Making Art History: a Changing Discipline and its Institutions, edited by Elizabeth C. Mansfield, 245-263, Routledge, 2007. Connor, Maureen, “Aftermaths and Personnel, A Conversation Between Maureen Connor and Marisa Jahn”, Byproduct: On the Excess of Embedded Art Practices, edited by Marisa Jahn, YYZ Books and REV-. 2010 Lin, Xiaoping. “Jia Zhangke’s Cinematic Trilogy: A Journey across the Ruins of Lin, Xiaoping, Post-Mao China.” In Chinese Language Film: Historiograhy, Poetics, Politics, edited by Sheldon Lu and Emilie Yueh-Yeh, 186-209. University of Hawaii Press, 2005. Gonzalez, Tony. In The Book of Alternative Photographic Processes, 2nd edition, edited by Christopher James, 352, 353, 360, 361. Delmar Cengage Learning, 2008. Goodman, Carole. “The Means By Which She Found Her Way.” In The Means By Which We Find Our Way: Observations on Design, Edited by David Gardener and Andrea Wilkinson, 46. Ramp Press, 2008. Goodman, Carole. “United Video.” In The Means By Which We Find Our Way: Observations on Design, Edited by David Gardener and Andrea Wilkinson, 142–143. Ramp Press, 2008. Goodman, Carole. “Think Internationally, Act Locally: Incorporating Internationalization Into Graphic Design Curricula.” In The Means By Which We Find Our Way: Observations on Design, Edited by David Gardener and Andrea Wilkinson, 217–233. Ramp Press, 2008. Lin, Xiaoping. Chapter 8 “Jia Zhangke’s Cinematic Trilogy: A Journey across the Ruins of Post-Mao China,” Chinese Language Film: Historiography, Poetics, Politics, eds. Sheldon Lu and Emilie Yeh, 186- 209. University of Hawaii Press, 2005. Lin, Xiaoping. Chapter 12, “Ning Hao’s Incense: A curious Tale of Earthly Buddhism,” in Sheldon Lu and Jiayan Mi (eds.), Chinese Ecocinema in the Age of Environmental Visibility (Hong Kong University Press, 2009), pp. 235-253. Lin, Xiaoping. Chapter 12, “Amid Crumbling Chinese Walls: the Changing Roles of Family and Women in Wang Chao’s Anyang Orphan,” in Rogers Des Forges et al, (eds.), Chinese Walls in Time and Space: A Multidisciplinary Perspective (Cornell University Press, February, 18, 2010), 496 pages. Lin, Xiaoping. “Behind Chinese Walls: The Uncanny Power of Matriarchy in Wang Chao’s The Orphan of Anyang,” Third Text, vol. 97 (April 2009), pp. 195-208. Nelson, M., “A Preliminary Overview of the Architectural Remains at Omrit.” In Schowalter, D. and J.A. Overman (eds), The Roman Temple Complex at Horvat Omrit: An Interim Report. Oxford: British Archaeological Reports, No. 2205, 2011, pp. 27-44. Saslow, James M. “Caravaggio,” “Cellini,” “Ganymede,” and “Michelangelo.” In Encyclopedia of Sexuality and Gender. Macmillan Reference USA, 2007. James M. Saslow “Michelangelo’s Love Poetry: Sexual Variance, Textual Variants.” Chapter in a volume of international essays edited for MIRA (German