ART 2005-2011 SCHOLARSHIP

BOOKS: Clark, William W. Medieval Cathedrals, Greenwood Guides to Historic Events of the Medieval World, Greenwood Press, 2006. Hoshino, M., Designer and Editor. “Double Up,” Photographs by Jules Allen. Texts by James Mtume, Herb Boyd, Jules Allen. QCC Art Gallery. Marinis, Vasileios, Journal of Modern Hellenism 2008 (editor) Lane, Barbara Hans Memling: Master Painter in Fifteenth-Century Bruges. Turnhout: Brepols for Harvey Miller, 2009. Lin, Xiaoping. Book: Children of Marx and Coca-Cola: Chinese Avant-garde Art and Independent Cinema (University of Hawaii Press, 2010), 312 pages, in print. Nelson, Michael Book The Architecture of Epano Englianos, Greece. BAR/Archeopress, 2009. James M. Saslow Scholars, Explorers, and Priests: How the Renaissance Gave Us the Modern World. Exhibition catalogue, New York: Godwin-Ternbach Museum, Queens College, February 2010. Sholette, G., Dark Matter: Art and Politics in the Age of Enterprise Culture, Pluto Press, London, November 2011, Second edition.

PEER-REVIEWED PUBLICATIONS: Christopher Atkins Visual Arts Editor for Oxford Bibliographies Online: Renaissance and Reformation, Oxford University Press. [www.oxfordbibliographies.com] Atkins, C., “Seventeenth-Century Dutch Art” and “Rembrandt,” Oxford Bibliographies: Renaissance and Reformation, Margaret King, editor in chief, Oxford University Press (two 10,000 word annotated bibliographies and historiographies). Chave, Anna C. "Revaluing Minimalism: Patronage, Aura, and Place,” In Art Bulletin 90, no. 3 (September 2008), 466-86 Chave, Anna C. “Dis/Cover/ing the Quilts of Gee’s Bend, Alabama,” In The Journal of Modern Craft (Victoria and Albert Museum, London) 1, no. 2 (July 2008), 221-54 Chave, Anna C “‘I Object’: Hannah Wilke’s Feminism,” Art in America, March 2009, 104-109+ Anna Chave “Sculpture, Gender, and the Value of Labor,” American Art 24, no. 1 (spring 2010): 26-30 Chave, A., “The Guerrilla Girls’ Reckoning,” Art Journal 70, no. 2 (summer 2011): 102-11 Chave, A., Reply to Letter to the Editor regarding “The Guerrilla Girls’ Reckoning,” Art Journal 70, no. 3 (Fall 2011), 113 Clark, William W. "Jean d'Orbais: Window and Wall at Reims Cathedral." In Architektur und Monumentalskulptur des 12.-14. Jahrhunderts. Produktion un Rezeption. Festschrift fur Peter Kurmann zu. 65. Geburtstag, edited by Stephan Gasser, Christian Freitag and Bruno Boerner, 87-96, Bern, 2006. Clark, William W. 9 entries in exhibition catalogue, Set in Stone: The Face in Medieval Sculpture, edited by Charles T. Little. Metropolitan Museum of Art, New York, 2006 Clark, William W. "Context, Continuity and the Creation of National Memory in Paris, 1130-1160. A Critical Commentary." In Gesta, XLV/2 (2006), 161-175. Connor, Maureen, “SOS Peace Pentagon”, Where We Are Now. http://wherewearenow.org/ Spring 2010, edited by Marisa Jahn Lane, Barbara G. “Memling’s Impact on the Early Raphael.” In Cultural Exchange between the Netherlands and Italy, 1400-1600, edited by Ingrid Alexander-Skipnes, 179-92. Turnhout, 2007. Lin, Xiaoping, “Challenging the Canon: Socialist Realism in Traditional Chinese Painting Revisited.” In Third Text, No. 84, vol. 21, issue 1 (2007), 41-53. Lin, Xiaoping, “Wu Shi’en’s Liang Hong and Meng Guang: A Misreading.” In Myriad Points of View: New Research on Ming and Qing Paintings in the Roy and Marilyn Papp Collection, Phoebus 9, edited by Claudia Brown, 79-99. Arizona State University Press, 2006. Xiaoping Lin "From Venice to Beijing: Art, Politics, Commerce," Paradoxa, no. 23 (December 2010), 299-322. Marinis, Vasileios, “Wearing the Bible: An Early Christian Tunic With New Testament Scenes,” Journal of Coptic Studies 9 (2007), 95-109. Marinis, Vasileios, “The vita of St. Anna/Euphemianos. A 9th-century Transvestite Nun” In Journal of Modern Hellenism (2008) Nelson, M., Horbat ‘Omrit – 2009, Preliminary Report. Hadashot Arkheologiyot – Excavations and Surveys in Israel. Vol. 123, 2011, http://www.hadashot-esi.org.il/report_detail_eng.asp?id=1638. Sholette, Gregory, Whither Tactical Media? special journal issue co-edited with Gene Ray, In Third Text, Vol. 22, Issue 5 (9/08). Sholette Gregory, “Minus 273 Celsius,” In Third Text, Vol. 22; No. 4 (2008), 495-499. Gregory Sholette Encyclopedia Entry: “Critical Art Ensemble,” Grove Art Online, http://www.oxfordartonline.com Sholette, G., “Empire of Happiness,” a report on the Guggenheim Museum in Abu Dhabi, November- December issue (in print and online at: http://artasiapacific.com/Magazine/76/EmpireOfHappiness). P. 43. Sund, Judy. “Middleman: Antoine Watteau and Les Charmes de la vie,” Art Bulletin, XCI, 2009, Judy Sund “City Man/Country Man: Dichotomy and Hybridity in Van Gogh’s Figure Paintings” in Van Gogh: Timeless Countryside, Modern City (Rome: Complessa Vittoriana, 2010).

BOOK CHAPTERS: Chave, Anna C. “Framing Imagery: At the Intersection of Geometry and the Social,” In George Tooker, edited by Robert Cozzolino, Marshall N. Price, and M. Melissa Wolfe, 70-81. Columbus Museum of Art, 2008. Chave, Anna C. "'Normal Ills': On Embodiment, Victimization, and the Origins of Feminist Art." In Trauma and Visuality in Modernity, edited by Eric Rosenberg and Lisa Saltzman, 132-57. University Press of New England, 2006. Chave, Anna C. "Outlaws: Women, Abstraction, and Painting in New York, 1965-1975." In High Times, Hard Times: New York Painting 1967-75, edited by Katy Siegel. D.A.P., 2006. Chave, Anna C. "Figuring the Origins of the Modern at the Fin de Siècle: The Trope of the Pathetic Male." In Making Art History, edited by Elizabeth Mansfield, 207-21. Routledge, 2007. Anna Chave, “’Is this good for Vulva?’: Female Genitalia in Contemporary Art,” in Francis Naumann and Anna C. Chave, The Visible Vagina, ex. cat., New York: Francis M. Naumann Fine Art, 2010 Chave, A., Pat Steir, ex. cat., Philadelphia: Locks Gallery, 2011; (essay: “Pat Steir’s Flow”) authored Chave, A., “Brancusi’s Masquerade: Social Standing, Self-Image, and Photographic Im/Posture,” in Constantin Brancusi: Masterpieces from Romanian Museums, ex. cat. (rev. ed.), New York: Gagosian Gallery, 2011 Clark, William W. “Head of the Virgin, Theotokos, in the Godwin-Ternbach Museum, Queens College,” entry in the Census of Gothic Sculpture in American Collections, III, ed. Susan L. Ward and Kathleen Nolan, to be published by Brepols, spring 2009 Clark, William W. “The Twelfth-Century Church of Saint-Victor, State of the Question,” in the collected studies in honor of Grover Zinn, ed. E. Ann Matter, 15 August 2009 Clark, William W. “Gothic as Historicism and as Modernism,” article in History of Religious Architecture: The Middle Ages, ed. Stephen Murray, to be published by Cambridge University Press, 1 September 2009 Connor, Maureen. “(Con)testing Resources.” In Making Art History: a Changing Discipline and its Institutions, edited by Elizabeth C. Mansfield, 245-263, Routledge, 2007. Connor, Maureen, “Aftermaths and Personnel, A Conversation Between Maureen Connor and Marisa Jahn”, Byproduct: On the Excess of Embedded Art Practices, edited by Marisa Jahn, YYZ Books and REV-. 2010 Lin, Xiaoping. “Jia Zhangke’s Cinematic Trilogy: A Journey across the Ruins of Lin, Xiaoping, Post-Mao China.” In Chinese Language Film: Historiograhy, Poetics, Politics, edited by Sheldon Lu and Emilie Yueh-Yeh, 186-209. University of Hawaii Press, 2005. Gonzalez, Tony. In The Book of Alternative Photographic Processes, 2nd edition, edited by Christopher James, 352, 353, 360, 361. Delmar Cengage Learning, 2008. Goodman, Carole. “The Means By Which She Found Her Way.” In The Means By Which We Find Our Way: Observations on Design, Edited by David Gardener and Andrea Wilkinson, 46. Ramp Press, 2008. Goodman, Carole. “United Video.” In The Means By Which We Find Our Way: Observations on Design, Edited by David Gardener and Andrea Wilkinson, 142–143. Ramp Press, 2008. Goodman, Carole. “Think Internationally, Act Locally: Incorporating Internationalization Into Graphic Design Curricula.” In The Means By Which We Find Our Way: Observations on Design, Edited by David Gardener and Andrea Wilkinson, 217–233. Ramp Press, 2008. Lin, Xiaoping. Chapter 8 “Jia Zhangke’s Cinematic Trilogy: A Journey across the Ruins of Post-Mao China,” Chinese Language Film: Historiography, Poetics, Politics, eds. Sheldon Lu and Emilie Yeh, 186- 209. University of Hawaii Press, 2005. Lin, Xiaoping. Chapter 12, “Ning Hao’s Incense: A curious Tale of Earthly Buddhism,” in Sheldon Lu and Jiayan Mi (eds.), Chinese Ecocinema in the Age of Environmental Visibility (Hong Kong University Press, 2009), pp. 235-253. Lin, Xiaoping. Chapter 12, “Amid Crumbling Chinese Walls: the Changing Roles of Family and Women in Wang Chao’s Anyang Orphan,” in Rogers Des Forges et al, (eds.), Chinese Walls in Time and Space: A Multidisciplinary Perspective (Cornell University Press, February, 18, 2010), 496 pages. Lin, Xiaoping. “Behind Chinese Walls: The Uncanny Power of Matriarchy in Wang Chao’s The Orphan of Anyang,” Third Text, vol. 97 (April 2009), pp. 195-208. Nelson, M., “A Preliminary Overview of the Architectural Remains at Omrit.” In Schowalter, D. and J.A. Overman (eds), The Roman Temple Complex at Horvat Omrit: An Interim Report. Oxford: British Archaeological Reports, No. 2205, 2011, pp. 27-44. Saslow, James M. “Caravaggio,” “Cellini,” “Ganymede,” and “Michelangelo.” In Encyclopedia of Sexuality and Gender. Macmillan Reference USA, 2007. James M. Saslow “Michelangelo’s Love Poetry: Sexual Variance, Textual Variants.” Chapter in a volume of international essays edited for MIRA (German association for Renaissance studies) by Grazia Folliero-Metz and Susanne Gramatski, marking the 50th anniversary of the publication of the definitive Italian edition of the Rime by Enzo Girardi. Munich: Meidenbauer Verlag. In press (submitted 4/10; anticipated publication date Dec. 2010, now delayed). Sholette, Gregory, “Questions from an Artist Who Reads (and Thinks, Writes, and Speaks),” In Oliver Ressler: Alternative Economies, Alternative Societies , preface by Aneta Szlak, 11-20. Institute of Art/Wyspa Progress Foundation, Gdadsk, Poland 2007. (Hungarian and German translated edition, 2008). Gregory Sholette “Speaking Pie to Power,” Imagining Resistance:Visual Culture and Activism in Canada, J.K Cronin and K Robertson, ed, Wilfrid Laurier University Press, Waterloo, Canada Sholette, G., “Not Cool Enough to Catalog,” essay for the publication Peace Press graphics 1967-1987 : art in the pursuit of social change, Carol Wells, Ilee Kaplan, Long Beach : University Art Museum, California State University: Los Angeles : Center for the Study of Political Graphics, 2011, p. 91-107. Sholette, G., Afterword for the book, Revolution as an Eternal Dream: the Exemplary Failure of the Madame Binh Graphics Collective, by Mary Patten, Half Letter Press, Chicago, 2011. Sund J., “City Man/Country Man: Dichotomy and Hybridity in Van Gogh’s Figure Paintings” in Van Gogh: Timeless Countryside, Modern City, exhibition catalogue. Skira: 2011, pp. 73-86. Woodfin, W.T., “Wall, Veil, and Body: Textiles and Architecture in the Late Byzantine Church,” chapter in Kariye Camii, Yeniden / The Kariye Camii Reconsidered, ed. H. Klein, R. Ousterhout, and B. Pitarakis (Istanbul: Istanbul Research Institute, 2011), 369-383, Turkish translation, “Duvar, Örtü ve Beden: Geç Bizans Kiliselerinde Tekstiller ve Mimari,” pp. 339-353, illustrations pp. 354-367.

PRESENTATIONS: Atkins, Christopher, “The Dutchness of Frans Hals’s Group Portraits,” 14th International Conference on Netherlandic Studies, Chapel Hill, NC, June 6, 2008. Atkins, Christopher, “Humanization and Pathos in the Early Netherlandish and Dutch Traditions,” Invited Lecture, Chapel Art Center, St. Anselm College, Manchester, NH, December 6, 2008. Atkins, Christopher, “Painting as Performance in the Studio,” Renaissance Society of America Annual Conference,Los Angeles, California, 3/09 Atkins, Christopher D.M. “Frans Hals’s Modernity,” The Legacies of Dutch Art in the Age of Rembrandt: A Symposium in Conjunction with The Age of Rembrandt: Dutch Paintings in the Metropolitan Museum of Art, The Graduate Center, CUNY, NY, November 2, 2007. Atkins, Christopher D.M. “Different Strokes for Different Folks: The Rough Manner of Brueghelian Genre Painting,” Symposium on Pieter Brueghel the Younger, Nassau County Museum of Art, Roslyn Harbor, NY, September 29, 2007. Christopher Atkins Panelist, Defining the Field: Renaissance Art History/Visual Culture, The Graduate Center of The City University of New York, sponsored by the Renaissance Society of New York, 10/10 Christopher Atkins “Frans Hals van Antwerpen: A Case Study in Dutch-Flemish Artistic Exchange,” Historians of Netherlandish Art Quadrennial International Conference, Amsterdam, The Netherlands, 5/10. Atkins, C., “Jean Hey and the Martyrdom of St. Hippolytus in Boston,” Renaissance Society of America Annual Conference, Montreal, Canada, 3/11 Atkins, C., “Heinrich Wölfflin, Style, and Netherlandish Art,” College Art Association Annual Conference, New York, New York, 2/11 Atkins, C., “Facial Signatures and Authorial Insertions in Dutch Group Portraiture,” Invited Lecture, Research in Progress Seminar, Ph.D. Program in Art History of The Graduate Center at The City University of New York, New York, NY, 5/17/11 Atkins, C., Review of Ann Jensen Adams, “Public Faces and Private Identities in Seventeenth-Century Holland.” Sehepunkte 11 (2011), Nr. 12 (12/15/11) URL: http://www.sehepunkte.de/2011/12/17619.html Atkins, C., “’The Master’s Touch’: Frans Hals’s Painterly Paintings,” Invited Lecture, Metropolitan Museum of Art, New York, NY, 9/21/11 Atkins, C., “Frans Hals and the Art of Painting in the Dutch Golden Age,” Invited Lectures, Metropolitan Museum of Art, New York, NY, 10/1/11 and 10/2/11 Atkins, C., Invited Discussant, “Caravaggio’s Gypsy Fortune Teller: Virtue and Vice in Post-Tridentine Italy,” Italian Cultural Institute, New York, NY, 5/19/11 Chave, Anna C. “Art in the City,” Fordham University, New York, NY, October 2008. Chave, Anna C. “The New York Contemporary Art Market, 1945-1995,” Symposium, Yale University Art Museum, New Haven, CT, October 2008. Chave, Anna C. Lecture. Bruce Museum, Greenwich, CT., October 2008. Chave, Anna C. Plenary Speaker, Respondent, and Moderator. Philadelphia Symposium of the History of Art, Bryn Mawr College, April 2008. Chave, Anna C. “Mark Rothko,” Montana State University, Bozeman, MT, October 2007. Chave, Anna C. “The ‘F’ Word: Reclaiming Feminism in the Visual Arts,” Rutgers University, New Brunswick, NJ, October 2007. Chave, Anna C. “High Times, Hard Times: New York Painting 1967-75: Painting and Politics,” New School University/Independent Curators International, New York, NY, April 2007. Chave, Anna C. Moderator – “High Times, Hard Times: New York Painting 1967-75: Painting and Politics,” New York Art Worlds, Graduate Center, CUNY, New York, NY, February 2007. Chave, Anna C. Lamar Dodd Visiting Scholar Lecture and Panel, University of Georgia, Athens, GA, November 2006. Chave, Anna C. Art History Distinguished Speaker, Rutgers University, New Brunswick, NJ, October 2006. Chave, Anna C. “Object and Interpretation,” SUNY New Paltz, Art History Association, New Paltz, NY, April 2006. Chave, Anna C. Lecture, City College of New York, CUNY, Art History Club, New York, NY, March 2006. Chave, Anna C. "Minimal Art and the Common Culture," College Art Association Annual Conference, Boston, MA, 2006. Chave, Anna C. Johnson/Connaught Distinguished Speaker, University of Toronto, Toronto, ON, November 2005. Chave, Anna C Yale University, New Haven, symposium on the history of the Art History department, April 2009, lecture/panelist Anna Chave Locks Gallery, Philadelphia, “Conversation with Lynda Benglis,” Dec. 2010 Cooper Union, Interdisciplinary Seminar, lecture, Nov. 2010 Anna Chave American University, Washington D.C., 1st Annual Feminist Art History Symposium: Anna Chave Continuing the Legacy, Nov. 2010, keynote speaker, Pennsylvania Academy of Fine Art, Philadelphia, October 2010, lecture Anna Chave Newark Museum, Women Artists course, May 2010, lecture Anna Chave David Nolan Gallery, New York, panel discussion regarding “The Visible Vagina” exhibition, January 2010, moderator Chave, A., Zimmerli Art Museum, Rutgers University, New Brunswick NJ, “Women, Art and Language” lecture series, lecture, March 2011 Chave, A., CAA 2011, New York, “Art Historical Field Notes: The Experience of ‘The Site’,” session moderator and speaker Clark, William W., “A Look Back at the East End of Saint-Denis,” Memory of Jacqueline Frank II at the 42nd International Congress on Medieval Studies, The Medieval Institute, Western Michigan University, Kalamazoo, MI, May 2008. Connor, Maureen. Lecture, Rinehart School of Sculpture, Maryland Institute College of Art, Baltimore, MD, 2007. Connor, Maureen. “Women and Museums,” Panel discussion, College Art Association, New York, NY, 2007. Connor, Maureen. “Before and After Institutional Critique,” Panel discussion, College Art Association, Boston, MA, 2006. Connor, Maureen. Lecture and Workshop series in Central Asia, Almaty, Khazakstan and Biskek, Kyrgykstan sponsored by CEC Artslink, 2005. Connor, Maureen, Presentation of “SOS Peace Pentagon”, the winning proposal I designed for a new building at 339 Lafayette Street, NYC at the Center for Architecture, NYC Connor, Maureen, Lecture: College of Art and Architecture, Penn State University, State College, PA Connor, Maureen, Presenter: “International Models: Public Art Process and Projects, Public Art Network, Americans for the Arts Conference, Baltimore Connor, Maureen, Presenter: “Art Work: A Local Conversation About Art, Labor and Economics”, Symposium at the University of Texas, Dallas Connor, M., “How to be an Artist in Residence”, lecture, School of Visual Arts, October 6, 2011 Connor, M., “About the Institute for Wishful Thinking”, presentation as part of 3 day symposium To Have and To Own, Platform, Vaasa, Finland, September 23-25, 2011 Connor, M., Artist’s Lecture, IASPIS, Stockholm, Sweden, June 5, 2011 Connor, M., Modeling Alternatives: Art and Social Change Series of 12 events including workshops, screenings, panel discussions and lectures as part of the exhibition Institute for Wishful Thinking Artists in Residence for the US Government (self declared) April 22- May 8, 2011 at Momenta Art 359 Bedford Ave, Brooklyn, NY Connor, M., How Did We Get Here , lecture/presentation at Konstfack University of the Arts, Stockholm, Sweden March 15, 2011 Maureen Connor and her Institute for Wishful Thinking Meadows School of the Arts, Southern Methodist University, Dallas, Texas March 23, 2011 Goodman, Carole. “Incorporating Internationalization—not Globalization—into Graphic Curricula.” Design Education Summit, University and College Design Association. Chicago, IL, 2008

Goodman, Carole. “Think Internationally, Act Locally: Creating a Multi-Cultural Graphic Design Curricula.” Social Studies Conference, American Institute of Graphic Artists. Baltimore, MD, 2008.

Goodman, Carole. “Import/Export: Educating a Multi-Cultural Student Body.” Design, the Arts, and the Political, School of Visual Arts. New York, NY, 2008.

Goodman, Carole. “Culturally-Neutral Curricula Encourage Students to Explore Their Individual Cultural Backgrounds and Personal Beliefs,” International Council of Graphic Design Associations World Design Conference, 2007.

Goodman, Carole. 2009 “crossing borders” multi-cultural design conference new york institute of technology new york, new York

Tony Gonzalez , Brown University, Providence, RI Artist talk, 4/10

Gonzalez, A., Nov 2011 Art Institute of Boston, Artist talk and presentation, Boston, MA

Ho, Sin-ying, Lecture. Academy of Ceramic Arts, New Jersey, 2008.

Ho, Sin-ying, Lecture. Sheridan Institute of Technology and Advanced Learning, Ontario, Canada, 2008. Ho, Sin-ying, Lecture. PWS Experimental Factory, Jingdezhen, JiangXi, China, 2008.

Ho, Sin-ying, Lecture. Teachers College Columbia University, New York, NY, 2008.

Ho, Sin-ying, Lecture. Study with the Masters, 92nd Street Y Art Centre, New York, NY, 2008.

Ho, Sin-ying, Lecture. Rhode Island School of Design, Providence, RI, 2008.

Ho, Sin-ying. “Workshop,” PWS Experimental Factory, Jingdezhen, JiangXi, China, 2007.

Ho, Sin-ying. “Pre-conference Workshop,” Fusion Conference, Toronto, ON, Canada, 2007.

Ho, Sin-ying. “Post Millennium Exponent,” 41st NCECA, Louisville, KY, 2007.

Ho, Sin-ying. “’Inner Immensity’: Ceramics and Places” 40th NCECA, Portland, OR, 2006.

Ho, Sin-ying. “Workshop,” Concordia University, Montreal, QC, Canada, 2005.

Ho, Sin-ying. “Workshop,” Louisiana State University, Baton Rouge, LA, 2005.

Ho, Sin-ying. “Workshop,” Peter Valley Craft Centre, Layton, NJ, 2005.

Ho, Sin-ying. “Art Tile,” 39th NCECA, Baltimore, MD, 2005.

Ho, Sin-ying. “Workshop,” The North Mount Pleasant, Calgary, AB, Canada, 2005.

Ho, Sin-ying. ‘Workshop,” The Red Deer College, Red Deer, AB, Canada, 2005.

Ho, Sin-ying. “Ornament and Decoration,” Alberta College of Art and Design, Calgary, AB, 2005.

Kauper, Kurt. Distinguished Fellow in Painting Lecture. San Francisco Art Institute, San Francsico, CA, 2008.

Kauper, Kurt. Panelist, “Conceptual Figures.” Ad Hoc Vox, Deitch Projects, New York, NY 2008.

Kauper, Kurt. Atlantic Lecturer. Claremont Garduate University, Claremont, CA, 2008

Kauper, Kurt. Visiting Artist Lecture, Tyler School of Art and Design, Temple University, Philadelphia, PA, 2008.

Kauper, Kurt. Visiting Artist Lecture. Columbia University, Columbia, New York, NY, 2008.

Kauper, Kurt. Panelist, “Fan Fictions,” organized by Ad Hoc Vox, Bellwether Gallery, New York, NY, 2007

Kauper, Kurt. Visiting Artist Lecture, Hunter College, New York, NY, 2007.

Kauper, Kurt. Visiting Artist Lecture, Washington University, St. Louis, MO, 2006

Kauper, Kurt. Visiting Artist Lecture, The Claire Trevor School of Art, UC Irvine, Irvine, CA, 2006. Kauper, Kurt. Visiting Artist Lecture, Kansas State University, Manhattan, KS, 2006. Kauper, Kurt. Visiting Artist Lecture, Parson School of Design, New York, NY, 2005 Kauper, Kurt. 2009Visiting Artist Lecture, Yale University, New Haven Kauper, Kurt. 2009Visiting Artist Lecture, Boston University, Boston Kauper, Kurt. 2009Visiting Artist Lecture, Lyme Academy, Old Lyme, CT Kauper, Kurt. 2009Visiting Artist Lecture, Hamilton College, Clinton, NY Kauper, Kurt. 2009Visiting Artist Lecture, Washington University, St. Louis, MO Kauper, Kurt. 2009 McGirk, James. “The Q&A: Kurt Kauper, Artist,” moreintelligentlife.com, October Kurt Kauper, 2010, Visiting Artist Lecture, Parsons School of Design, New York Kurt Kauper, 2010, Visiting Artist Lecture, The School of the Museum of Fine Arts, Boston Kurt Kauper, 2010, Visiting Artist Lecture, American University, Washington, DC Kauper, K., 2011. Moderator, George Tooker, Panel Discussion at DC Moore Gallery, New York, NY Lane, Barbara G. “Memling’s Influence on Italian Portraiture from Leonardo to Raphael,” The Frick Collection, New York, NY, October 26, 2005 (in conjunction with the exhibition of Memling’s Portraits).

Lin, Xiaoping, “Zhang Che’s Boxer Rebellion/Ba Guo Lian Jun (1976): Male Potency, National Myth, and Global Politics,” the 37th Annual Conference, Mid-Atlantic Region Association for Asian Studies, “Competition in Asia,” October 24-26, 2008.

Lin, Xiaoping. “A Dispassionate Logic in Contemporary Chinese Art and Cinema: Globalization, Nationalism, and Post-Socialist Trauma,” Asian-Asian American Research Institute/CUNY, New York, NY, June 2, 2006.

Lin, Xiaoping. “Wang Chao’s Anyang Orphan: A Troubled Socialist State, a Broken Traditional Family,” The Roles of Representations of Wall in the Reshaping of Chinese Identity, SUNY Buffalo, Buffalo, NY, October 20-23, 2005.

Marinis, Vasileios, “Holy images or ‘sacred’ art? Perceptions of icons in contemporary society,” Distinguished lecture at St. Vladimir’s Seminary Education Day, October 4, 2008.

Marinis, Vasileios, “Old Wine in New Bottles: The Interrelation of Ritual and Architecture in Byzantium” Paper delivered at the 43rd International Congress of Medieval Studies, May 8-11, 2008, Western Michigan University (Session sponsored by AVISTA)

Marinis, Vasileios, “Tombs and burials in Middle and Late Byzantine Constantinople” University of Pennsylvania, Department of the History of Art, Philadelphia, PA, February 21, 2008.

Nelson, Michael “Omrit: From Roadside Shrine to City?” Greco-Roman Galilee Symposium at Kinneret College and Tel Hai College, Israel, June 21-23, 2009. Nelson, Michael “Explorations Around Karpathos, 1923 and 2008,” With D.J. Begg. 110th Annual Meeting of the Archaeological Institute of America, Philadelphia, Jan. 8-11, 2009. Michael Nelson “Placing the Temple Complex at Omrit: Ancillary Architecture, Decorative and Epigraphic Evidence, and Regional Identity. With J. Andrew Overman and D. Schowalter. 2010 Annual Meeting of the American Schools of Oriental Research, Atlanta, Nelson, M., “The Leukos Survey Project, 2009 and 2010 Field Seasons.” With T. Brenningmeyer and A. Kelly. 2011 Annual Meeting of the Archaeological Institute of America, San Antonio, Jan. 6-9, 2011. Powers, Edward. “Of Soup Cans and Tuna Fish Disasters: Context and Meaning in the Early Works of Andy Warhol”. Invited lecture and panel discussion, moderated by Leonard Lopate, as part of the lecture series “The Evolving Artwork”. New York: The Museum of Modern Art, March 20, 2008. Edward Powers “What Lies Beneath: The Origins of ‘The Art of Assemblage’”: “‘The Art of Assemblage’ at 50”, SECAC / MACAA, Virginia Commonwealth Univ, Oct. 21, 2010. Priestly, Debra, Visiting Artist Lecture, Mead Art Museum, Amherst College, 2008. Priestly, Debra, Gallery tour of “passage,” Jue Kelley Gallery, Sponsored by the Friends of the Museum of Modern Art, New York, NY, 2008 Saslow, James M. “The Paintings of Sodoma: A 'Gay Gaze' in Italian Religious Art, ”Centre for Reformation and Renaissance Studies, Univeristy of Toronto, Canada, October, 2007.

Saslow, James M. “Queen of Arts: Memoirs of a Scholar of Pleasure,” Hood College, Frederick, MD, October 2007.

Saslow, James M. “What's Next? Pedagogy, Politics, and the Post-postmodern,” Renaissance Society of America, Miami, FL, March 2007.

Saslow, James M. “Homosexuality and Italian Art: Finding Our Grandparents, Teaching Our Parents,” College Art Association conference, New York, NY, February 2007.

Saslow, James M. “Marking the Event: The Medici Wedding,” BBC Radio 4, broadcast 2006.

Saslow, James M. “Transformation in Visual Arts and Opera, 1500-1750,” New York City Opera, New York, NY, September 2006.

Saslow, James M. “All the Art's a Stage: Theater as Interdisciplinary Metaphor,” Ohio University, Athens, OH, October 2005.

Saslow, James New York City Opera / 92nd Street YM/YI,VHA Oct. 2009: "Queen Esther in Art, History and Opera."

James M. Saslow Renaissance Society of America, Venice, Italy, Apr. 2010: “Sibenik, a.k.a. Sebenico: Cultural Cross-Currents Between Venice and Its Dalmatian Colonies.” Saslow, J., Columbia University, Feb. 2011: IvyQ conference. “From Oscar Wilde to the Leslie-Lohman Gay Art Foundation: Past, Present, and Future of Queer Visual Expression.” Saslow, J., College Art Association, NY, Feb. 2011: Gianantonio Bazzi, Called “The Sodomite”: Self- Fashioning and the “Gay Gaze” in Art and History.” Saslow, J., University of Vienna, Austria, Sept. 2011: “Michelangelo’s Greek Love in Neoplatonic Art and Modern Oblivion.” To be published in forthcoming volume of conference proceedings, ed. Sergius Kodera, U. of Vienna. Saslow, J., Syracuse University, Oct. 2011, Ray Smith Symposium (Medieval-Renaissance Studies): “Gianantonio Bazzi, Called ‘The Sodomite’: A ‘Gay Gaze’ in Italian Art.” Public lecture, followed by a guest seminar on the poetry of Michelangelo and Sodoma.Saslow, J., Pace University, Nov. 2011: “The Picture of Dorian Gray: Novel, Libretto, Opera.” Multimedia class, guest teacher. Sholette, Gregory, Seminar for Master of Public Art Studies, University Southern California, Los Angeles, CA, February 25, 2009.

Sholette, Gregory, Panelist, College Art Association Annual Conference, Los Angeles, CA, 2/24/09.

Sholette, Gregory, Seminars, University of California Institute for Research in the Arts, UC Santa Barbara, February 23 and 24, 2009.

Sholette, Gregory, Classroom Seminar for Carrie Lambert-Beatty, Dept. Visual & Environmental Studies, Harvard University, November 24, 2008.

Sholette, Gregory, “Art and activism,” guest classroom seminar, for Heather Peterson Steinhart School, New York University, New York, NY, November 12, 2008.

Sholette, Gregory, Lecturer, “Dictionary of War: Taipei Edition,” Taipei Fine Arts Museum, Taiwan, October, 24, 2008. Sholette, Gregory, Class lecture, undergraduate art students in the class of Matei Bejenar, Iasi Romania, October 8, 2010.

Sholette, Gregory, Public Lecture, Central European University, Budapest Hungary. October 9, 2008.

Sholette, Gregory. Panelist, The Future of Visual Culture, Cultural Studies Association Conference, New York University, New York, NY, May 24, 2008.

Sholette, Gregory, Plenary Speaker, Visible Memories Conference, Syracuse University, Syracuse, NY, October 3, 2008.

Sholette, Gregory, Moderator “Signs of Change Symposium” Exit Art, September, 25, 2008.

Sholette, Gregory, Keynote Speaker, VersionFest:DARK MATTER, a multi media exhibition and public program that was based upon the ideas of Gregory Sholette, (4/17-27/08), lecture at Viaduct Theater, Chicago, IL, April 20, 2008.

Sholette, Gregory, Graduate Seminar for Studies in the History and Practices of Exhibition Rhea Anastas and Tatjana von Prittwitz, the Center for Curatorial Studies, (CCS) Bard College, Annandale-on-Hudson, NY, May 2, 2008.

Sholette, Gregory, Lecturer, New York State College of Ceramics/School of Art & Design at Alred University, September 4, 2008.

Sholette, Gregory, Moderator “Collaboration + Context,” the third in a series of four roundtable discussion’s entitled Tracing the Index, organized by Index of the Disappeared (Chitra Ganesh + Mariam Ghani): Art in General, New York, NY, March 26, 2008.

Sholette, Gregory, Participant roundtable discussion “Democracy in America,” produced by Creative Time inc., New York, NY, March 13, 2008.

Sholette, Gregory, Guest Lecturer Debra Levine’s seminar "Radical Street Performance,” Undergraduate Drama Program, February 14, 2008.

Sholette, Gregory, Guest Artist final reviews, Jeanne Jaffe’s Undergraduate Sculpture, University of the Arts, Philadelphia, PA, December 10 and 11, 2008. Gregory Sholette Public Lecture, Soho in Ottakring, Vienna, Austria 5/31/09. Gregory Sholette “Mole Light” an installation and printed piece for gallery Plato’s Cave, Brooklyn, 10/1 – 10/29 Gregory Sholette “The Imaginary Archive,” with invited guests, Enjoy Public Art Gallery, 6/1-29/10, Wellington, New Zealand. Gregory Sholette “Visiting Faculty Exhibition,” Carpenter Center for the Visual Arts, 8/31/10-9/27/10, Harvard U., MA. Gregory Sholette “Environmental Art Group Show,” 1/1/10 – 12/31/10, Santa Fe Art Center, NM. Gregory Sholette “A World Where Many Worlds Fit,” Foreman Art Gallery, Bishop College,1/27 – 3/20/20, Sherbrooke, Quebec, CA. Gregory Sholette Panelist, Historical Materialism Conference, University of London, UK, 11/12/10. Gregory Sholette Lecturer Govett-Brewster Art Gallery, New Plymouth, New Zealand (NZ), 7/29/10. Gregory Sholette Keynote Presentation for Wellington Collaboratorium Seminar, Victoria U. School of Design, NZ, 7/25/10. Gregory Sholette Lecturer, Victoria University of Wellington, School of Art History, NZ, 7/10/10. Gregory Sholette Panelist for “The Model,” Sligo Art Center, Ireland, 5/28/10. Gregory Sholette Moderator and presentation for session on art and education at Home Works 5, Beirut, Lebanon, 4/27/10. Gregory Sholette Panelist Art and Activism conference MACBA, Barcelona, Spain, 3/11/10. Gregory Sholette Lecturer, California College of Art (CCA), Visual & Critical Studies, 3/3/10. Gregory Sholette Lecturer, UC Davis Humanities Institute, University of California, Davis, 3/2/10. Gregory Sholette Seminar, UC Berkeley, Dept. of Film Studies, San Francisco, California, 3/1/10. Gregory Sholette Panelist “Pedagogy of the Periphery,” Three Walls Art Gallery, Chicago, 2/10/10. Gregory Sholette Session Co-Chair, “Collectivism after Collapse,” College Art Association Conference, Chicago, 2/11/10. Sholette, G., Public Lecture, Galway City Museum, Tulca Art Festival, Galway, Ireland, Nov. 5; Keynote lecture, Homework Conference, Broken City Lab, Windsor, Ontario, Canada, Oct. 21; Lecture (and classroom, studio visit), University of Buffalo, New York, Department of Visual Studies, Oct. 3 2011. Sholette, G., Invited summer presentations and public seminars in Europe based on my recent book “Dark Matter”: Berlin, Germany, June 27; The Geneva Univeristy of Art and Design, June 23; Gallery Nova, Zagreb, Croatia, June 18; Teorija koja Hoda alternative space, Belgrade, Serbia, June 16; The Museo Reina Sofia, Madrid, Spain, June 14 &15 (advertised, two-day seminar) 2011 Sholette, G., Keynote speaker for, “In the Name of Art,” Institut National d'Histoire de l'Art. Sorbonne University, Paris, May 30 2011. Sholette, G., Speaker. “Electronic Art on the Waterways,” Boston Harbor, sponsored by the University of Massachusetts, April 22 2011. Sholette, G., Speaker, “Make History Now,” for the Lower Manhattan Cultural Council, Seaport Museum New York, March 9 2011. Sholette, G., Lecturer, “Dark Matter,” The Carpenter Center, Harvard University, Feb. 24 20 2011. Sholette, G., Panelist and Respondent, “Dark Matter of the Art World,” Parts 1 & 2, chaired and organized by historian Susan Ryan based on my research and writings, College Art Association Annual Conference, NYC, Feb. 10 & 12, 2011. Sund, Judy. "Antoine Watteau Between Art and Nature," Duke University, Durham, N.C., October 2007. Sund, Judy. "Van Gogh and the Language of Color," Neue Galerie, New York City, May 2007. Sund, Judy. "Van Gogh Remembering (with)Doré," College Art Association annual meeting, New York City, February 2007. Sund, Judy. “When National Treasure’s Not Treasure Enough: Conglomeration, Displacement and Alchemy on the Silver Screen,” College Art Association, Los Angeles, 2009 Judy Sund “Why So Sad? Pierrot’s Changing Image: 1684-1870,” Symposium Honoring Theodore Reff, Columbia University, New York City, April 2010. Sund J., “Hyacinthe Rigaud’s Young Black Man: painting and servant as objets de luxe,” College Art Association annual meeting, New York, 2011. Weinstein, K., [Socrates] Tech Talk, Dec 13, 2011, Design, Accessibility, and Code: Three Perspectives on the Web, Queens College Woodfin, W.T., “Disjuncture Between Text and Image: Vesting Prayers and Embroidered Iconography in Byzantine Liturgical Vestments,” given at the workshop co-organized with Mateusz Kapustka, “Clothing the Sacred: Workshop on Liturgical Textiles in the Middle Ages,” University of Zurich, May 5, 2011 Woodfin, W.T., “Repetition and Replication: Sacred and Secular Patterned Silks in Byzantium,” given at the Spring Symposium of Byzantine Studies, Universities of Durham and of Newcastle, Newcastle-upon- Tyne, 8 April, 2011 Woodfin, W.T., Respondent to the six papers given in, “An Iconology of the Textile in Art and Architecture,” The Bard Graduate Center, New York, January 18, 2012 Woodfin, W.T., Invited speaker at the roundtable “New Directions in Medieval Scholarship,” CUNY Graduate Center, New York, November 18, 2011

PERFORMANCES, EXHIBITIONS, AND OTHER SCHOLARLY WORK: Atkins, Christopher D.M. Co-coordinator and Moderator, The Legacies of Dutch Art in the Age of Rembrandt: A Symposium in Conjunction with The Age of Rembrandt: Dutch Paintings in the Metropolitan Museum of Art, The Graduate Center, CUNY, New York, NY, November 2, 2007. Christopher Atkins Co-organizer (with Prof. Clare Carroll), Defining the Field: Renaissance Art History/Visual Culture, The Graduate Center of The City University of New York, sponsored by the Renaissance Society of New York, 10/10 Chave, Anna C. "l'Art de Louise Bourgeois: Fillette et les Evénements de 1968'" [Bourgeois Art: Fillette and the "Events of 1968"], translated by Nicole Jaborska, In Ligeia: Dossiers Sur l'Art 57-60 (Jan.-Juin 2005): 213-20 (special issue: Brancusi et la Sculpture). Chave, A., Statement in M/E/A/N/I/N/G Online #5, 25th anniversary edition (2011) http://writing.upenn.edu/epc/meaning/05/ Chave, A., “My Asian Students,” in Eunhee Yang, ed., Experiences: Asian Women in Global Culture, Incheon (Korea): Incheon Women Artists’ Biennale Organizing Committee, 2011, 30-33 (in Korean and English) Clark, William W., co-organized (with Dr. Vivian Cameron) two sessions on “Fragmenting the Eighteenth-Century Body” and “The Body and the Gaze,” at the 39th Annual Meeting of the American Society of Eighteenth-Century Studies, Portland, OR, March 2008. Clark, William W., co-organized (with Prof. Robert Bork) and chaired two sessions on “New Methods in the Study of Medieval Architecture,” for AVISTA, at the 43rd International Congress on Medieval Studies, Western Michigan University, Kalamazoo, MI, May 2008. Cohen, Arthur, “Now What?” Jack The Pelican Presents, New York, NY, 2008 (solo exhibition) Cohen, Arthur, “Uncle Bob’s Variety Show,” The Jewish Museum, New York, 2008 (group exhibition) Cohen, Arthur. Jack the Pelican Presents, Brooklyn, NY, 2007 (group exhibition). Cohen, Arthur. “Keeping it Real,” Richmond Center for Visual Arts at Western Michigan University, Kalamazoo, MI, curated by Jerry Kearns, 2007 (group exhibition). Cohen, Arthur. “Scope Fair,” New York, NY, 2006 (group exhibition). Cohen, Arthur. “White Box Live Benefit Auction,” Milk Gallery, New York, NY, 2006 (group exhibition). Cohen, Arthur. “Jack the Pelican Presents,” Brooklyn, NY, 2005 (solo exhibition). Cohen, Arthur. “Scope Fair,” Miami, FL, 2005 (group exhibition). Arthur Cohen group exhibition – Fort Useless, Brooklyn, New York, “Bushwick Open Studios” Connor, Maureen., Curatorial Studies Special Project, Wave Hill, Bronx, NY, 2007. Connor, Maureen, “Disonancias: Artists Collaborations with Industry,” Special Project, San Sebastian, Spain, 2007. Connor, Maureen. “When Artists Say We,” Artists Space, New York, NY, 2006 (group exhibition). Connor, Maureen. “Re-Vision,” Edith-Rus Haus fur Medienkunst, Oldenburg, Germany, 2006 (group exhibition). Connor, Maureen. “Feeding Desire,” Cooper Hewitt Museum, New York, NY, 2006 (group exhibition). Connor, Maureen. “Everyone Dance Now,” EFA Gallery, New York, NY, 2006, (group exhibition). Connor, Maureen. “Inside Out Loud,” Kemper Art Museum, St. Louis, MO, 2005 (group exhibition). Connor, Maureen. “Beautiful Dreamer,” Spaces, Cleveland, OH, 2005 (group exhibition). Connor, Maureen. 2009 “Dress Codes”, Katonah Museum, New York (group exhibition). Connor, Maureen, Received 2010 Anonymous Was a Woman Foundation Grant $25,000 Connor, Maureen, Centre de Recherche en Droit Publique, University of Montreal Law School Connor, Maureen, “The Visible Vagina”, Group Exhibition at David Nolan Gallery, New York Connor, Maureen, “Video Dada”, Group Exhibition at the University Art Gallery, University of California at Irvine Connor, Maureen, “Wellington Collaboratorium: Imaginary Archive”, Group Exhibition at Enjoy Gallery, curated by Gregory Sholette, Wellington, NZ Connor, M., Commissioned Project: Guest Book, a project for IASPIS, International Artists Studio Program, Stockholm, Sweden, researched during a residency from May 22-July 31, 2011 (this project is part of my ongoing series Personnel) Connor, M., The Institute for Wishful Thinking Artists in Residence for the US Government in Residence for the US Government (self declared) Momenta Art, Brooklyn, New York April 1-May 8, 2011; Alernativa, Wyspa Institute, Gdansk, Poland, May 25-Sept. 29, 2011; Open Studio IASPIS, Stockholm, Sweden, September 5- Sept. 30; Imaginary Archive Gallery 126, Galway, Ireland Oct.-Nov. 2011 Goldberg, Glenn. “Secret Place,” Mesaros Gallery, West Virginia University, Morgantown, WV, 2008 (solo exhibition) Goldberg, Glenn. “Sitka Annual Print Exhibition.” Portland, OR, 2008 (group exhibition) Goldberg, Glenn. “Gallery Artists.” Hill Gallery, Birmingham, MI, 2008 (group exhibition) Goldberg, Glenn. “Drawings.” Philip Slein Gallery, St. Louis, MO, 2008 (group exhibition) Goldberg, Glenn. “Home Again.” Art for Humans, Claremont, CA, 2008 (group exhibition) Goldberg, Glenn. “Recent Editions.” Pace Editions, Armory Show, New York, NY, 2008 (group exhibition) Goldberg, Glenn. “In Search of Spring.” Philip Slein Gallery, St. Louis, MO, 2007 (solo exhibition) Goldberg, Glenn. “Together Again.” Art for Humans, Los Angeles, CA, 2007 (solo exhibition) Goldberg, Glenn. “Gallery Artists.” Hill Gallery, Birmingham, MI, 2007 (group exhibition) Goldberg, Glenn. “Opticats.” Cynthia Broan Gallery, New York, NY, 2007 (group exhibition) Goldberg, Glenn. “Monotypes.” Pace Editions, New York, NY, 2007 (group exhibition) Goldberg, Glenn. “Beauty Is.” Honor Fraser Gallery, Venice, CA, 2007 (group exhibition) Goldberg, Glenn. “Personal Forms/Universal Content.” Layton Gallery/MIAD, Milwaukee, WI, 2007 (group exhibition) Goldberg, Glenn. 2009 Luise Ross Gallery “Welcome” New York, N.Y. (One Artist Exhibition) Goldberg, Glenn. 2009 Ed Thorp Gallery “Put It On Paper” New York, N.Y. (Group Artist Exhibition) Goldberg, Glenn. 2009 Luise Ross Gallery “Pretty Strange” New York, N.Y. (Group Artist Exhibition) Goldberg, Glenn. 2009 Galerie Filles Du Calvaire “Primitiv Complique” Brussels (Group Artist Exhibition) Glenn Goldberg 2010 Parrish Museum of Art “Underground Pop” Southampton, N.Y. (catalogue) 8/15- 10/3/10 Glenn Goldberg Marist College Gallery “ 2 Coasts-2 Visions” Poughkeepsie, N.Y. 2/4-3/5/10 Glenn Goldberg Hill Gallery “Gallery Artists Revolving Group Show” Birmingham, MI Summer 2010 Glenn Goldberg Droitcour, Brian Artforum.com 8/25/10 Glenn Goldberg Johnson, Ken N.Y. Times 9/2/10 Glenn Goldberg Lundin, Jenna Vogue.com 8/13/10 Glenn Goldberg Ozler, Levent Dexigner 5/12/10 Glenn Goldberg Parks, Steve LI Newsday.com 8/11/10 Goldberg, G., (one person exhibitions)Hill Gallery “Jungles” Birmingham, MI 2011. Goldberg, G., (group exhibitions) Green and Blue Gallery “Patterns” Stowe, VT. 2011. Goldberg, G., (group exhibitions) Hill Gallery “Structure/Abstraction” Birmingham, Mi 2011. Goldberg, G., (group exhibitions) Silvershed “A New Dimension” New York, N.Y. 2011. Goldberg, G., (group exhibitions) Sam Lee Gallery “Cries and Whispers” Los Angeles, Ca 2011. Goldberg, G., (group exhibitions) Sherman Gallery “Fresh Flowers: Boston,Ma 2011. Goldberg, G., (group exhibitions) Jason McCoy Gallery “After Paradise” New York, N.Y. 2011. Goldberg, G., (group exhibitions) Sideshow Gallery “It’s All Good/Apocalyps Now” Brooklyn, N.Y. 2011. Goldberg, G., (reviews) Frank, Peter Artweek 4/18/11 Goldberg, G., (reviews) Frank, Peter Huffington Post 5/27/11 Gonzalez, Tony, “Down the Shore,” Park Row Gallery, Chatham, NY, September 2008 (solo exhibition) Gonzalez, Tony, “The Bedroom,” Cheryl McGinnis Gallery, New York, NY, September 2008 (solo exhibition) Gonzalez, Tony, “Corpus,” David Bruner Gallery, Hudson, NY, May 2008 (group exhibition) Gonzalez, Tony. “Black+White=Grey Matter”, Cheryl McGinnis Gallery, New York, NY, September, 2007 (group exhibition). Gonzalez, Tony. “EnFoco’s 10th Anniversary of New Works Photography Awards,” Longwood Arts Gallery, Bronx, NY, May, 2007 (group exhibition). Gonzalez, Tony. “Figure Studies & Banyan Trees,” Queens College Art Center Gallery, Flushing, NY, September, 2006 (solo exhibition). Gonzalez, Tony. “Tony Gonzalez,” Illinois Central College, East Peoria, IL, March, 2006 (solo exhibition). Gonzalez, Tony. “Sheer Beauty,” Town Hall, Flushing, NY, December, 2006 (group exhibition). Gonzalez, Tony. “Photographs, 1860-Present”, David Bruner Gallery, Hudson, NY, October, 2006 (group exhibition). Gonzalez, Tony. “Swimmers, Posers, Bathers”, Cheryl McGinnis Gallery, New York, NY, June, 2006 (group exhibition). Gonzalez, Tony. “Alternative Processes Exhibition”, Soho Photo, New York, NY, May, 2006 (group exhibition). Gonzalez, Tony. “Welcome Home”, Cheryl McGinnis Gallery, New York, NY, April, 2006 (group exhibition). Gonzalez, Tony. “Select Encounters,” Broadway Gallery, New York, NY, January, 2006 (group exhibition). Gonzalez, Tony. “Bathers,” Cheryl McGinnis Gallery, New York, NY, September, 2005 (solo exhibition). Gonzalez, Tony. “Through Kids’ Eyes,” Town Hall, Flushing, NY, April, 2005 (group exhibition). Gonzalez, Tony. “Landmarks of New York,” The Urban Center, New York, NY, April, 2005 (group exhibition). Gonzalez, Tony. “This is not an Archive,” Bard College, Annandale-on-Hudson, NY, February, 2005 (group exhibition). Gonzalez, Tony. THE GALLERY at KINDERHOOK GROUP, Salisbury, CT, One Person Show: “Down the Shore”, 4/09 Tony Gonzalez , Cheryl McGinnis Gallery, New York, NY, One Person Exhibit: “NAIADS”, 11/10 Goodman, Carole. “I Profess: An Exhibition of Graphic Design Education.” University of Texas Pan American, Edinburg, TX, 2008 (group exhibition) Goodman, Carole, “The Means By Which We Find Our Way,” Waikato Institute of Technology, Hamilton, New Zealand, 2007-08 (group exhibition). Goodman, Carole, “Cultural Diversity,” Museo Nacional de Bellas Artes, Havana, Cuba, 2007 (group exhibition). Goodman, Carole, “Shared Dreams,” AIGA Center for Cross Cultural Design and International Council of Graphic Design Associations, Havana, Cuba, 2006; Los Angeles, CA, 2006; Seattle, WA, 2007; Vancouver, BC, Canada, 2007; Godwin-Ternbach Museum, Queens College, Flushing, NY, 2007 (group exhibition). Goodman, Carole. Lidia’s Italy, Lidia Bastianich, Alfred A. Knopf, 2007 (book design). Goodman, Carole. The Agony and the Agony, Betty Londergan, Perseus Books, 2007 (book jacket design). Goodman, Carole. Spirit and Power, Godwin-Ternbach Museum, Queens College, 2007 (exhibition announcement, poster, and signage). Goodman, Carole. Prudential Douglas Elliman, New York, NY 2007 (logo). Goodman, Carole. Presidential Doodles, Sina Najafi, Cabinet, 2006 (book design). Goodman, Carole. High Pink, Franco Mondini-Ruiz, D.A.P., 2006 (book design). Goodman, Carole. Coffee, Betty Rosbottom, Chronicle Books, 2006 (book design). Goodman, Carole. Salad Dressings, Lou Siebert Pappas, Chronicle Books, 2006 (book design). Goodman, Carole. What’s Your Food Sign?, Alan Hirsch, m.d., Stewart, Tabori, and Chang, 2006 (book design). Goodman, Carole. Orphic Feast, Galerie Fraich’Attitude, Paris, France, 2006 (exhibition catalogue). Goodman, Carole. Stuff On My Cat: the 2007 Wall Calendar, Chronicle Books, 2006. Goodman, Carole. Stuff On My Cat: the 2007 Daily Calendar, Chronicle Books, 2006. Goodman, Carole. Stuff On My Cat: the Postcard Book, Chronicle Books, 2006. Goodman, Carole. Radiance, Chronicle Books, 2006 (notecard packaging). Goodman, Carole. Good Dog!, Chronicle Books, 2006 (notecard packaging). Goodman, Carole. Emma’s Garden, Chronicle Books, 2006 (notecard packaging). Goodman, Carole. Immortal Cranes, Chronicle Books, 2006 (notecard packaging). Goodman, Carole. Crème Brûlée, Lou Siebert Pappas, Chronicle Books, 2005 (book design). Goodman, Carole. Ice Cream, Lou Siebert Pappas, Chronicle Books, 2005 (book design). Goodman, Carole. Pancakes and Waffles, Lou Siebert Pappas, Chronicle Books, 2005 (book design). Goodman, Carole. Party Appetizers, Tori Ritchie, Chronicle Books, 2005 (book design). Goodman, Carole. The Stripper’s Guide to Looking Great Naked, Jennifer Karsh and Leigh Phillips, Chronicle Books, 2005 (book design). Goodman, Carole. The Striptease Kit, Jennifer Karsh and Leigh Phillips, Chronicle Books, 2005 (book design). Goodman, Carole. Philip and Elizabeth, Gyles Brandreth, W.W. Norton, 2005 (book jacket design). Goodman, Carole. American Civil Liberties Union Bill of Rights Action Fund, New York, NY, 2005 (logo and stationery suite). Goodman, Carole. American Civil Liberties Union Foundation, New York, NY, 2005 (large-scale, full- color catalogue and accompanying folder). Goodman, Carole. American Civil Liberties Union, New York, NY, 2005 (5 full-color reports each year, each approximately 50 pages). Goodman, Carole. 2009 group exhibition women outside design: the measure of women florida atlantic university fort lauderdale, florida Created measurement in the form of a personal daily calendar: The Great Depression. Ho, Sin-ying, Pop The Global Citizen, Visual Arts Centre of New Jersey, Summit, NJ, 2008 (group exhibition) Ho, Sin-ying, Meeting Places: Recent Works, Gardiner Museum, Toronto, Ontario, Canada, 2008 (solo exhibition) Ho, Sin-ying, Engineering Asia and New World, Asian Contemporary Art Fair, Jamaica Centre for Arts & Learning, Pier 92, New York, NY, 2008 (group exhibition) Ho, Sin-ying, Splendid, Gallery I&ll, Texas State University, San Marcos, TX, 2008 (group exhibition) Ho, Sin-ying, Aesthetics of Diversity, Flushing Council on Culture and the Arts, Flushing Town Hall, Flushing, NY, 2008 (group exhibition) Ho, Sin-ying, Island Clay, Adele and Herbert J. Klapper Centre for the Fine Arts, Adelphi University, Garden City, NY, 2008 (group exhibition) Ho, Sin-ying, 2nd Annual ceramics area exhibition at Queens College, CUNY, Flushing, NY, 2008 (group exhibition) Ho, Sin-ying, 42nd National Council on Education for the Ceramic Arts, Concurrent Exhibition, Lingua Franca, the Ellis Armory, Pittsburgh, PA, 2008 (group exhibition) Ho, Sin-ying, 42nd National Council on Education for the Ceramic Arts, After China: The politics of Fabrication, the Ellis Armory, Pittsburgh, PA, 2008 (group exhibition) Ho, Sin-ying. “Art Now,” Miami Beach Art Fair, Repetti Gallery, Long Island City, NY, 2007 (group exhibition). Ho, Sin-ying. “What’s going on?,” Project Diversity Queens, Repetti, Long Island City, NY, 2007 (group exhibition). Ho, Sin-ying. “It’s a Beauty,” Pearson International Airport, Toronto, ON, Canada, 2007 (group exhibition). Ho, Sin-ying. “4th Biennale World Ceramics Exhibition in Korea, Reshaping Asia,” Korea, 2007 (group exhibition). Ho, Sin-ying. “41st NCECA Exhibition Post Millennium Exponent,” Louisville, KY, 2007 (group exhibition). Ho, Sin-ying. “Sin-ying Ho,” Centre De Ceramique Bonsecours, Montreal, QC, 2006 (solo exhibition). Ho, Sin-ying. “Telling Tales – celebrating the narrative,” Dashwood Galleries, Calgary, AB, 2006 (group exhibition). Ho, Sin-ying. “Post Millennium Exponent 2006-2007 exhibition series,” Art and Design Gallery, University of Kansas, Lawrence, KS, 2006 (group exhibition). Ho, Sin-ying. “Matter of Clay II - Repeats and the Occasional Pots,” Jonathon Bancroft-Snell Interiors, London, ON, Canada, 2006 (group exhibition). Ho, Sin-ying. “The New Utilitarian: Examining our place on the motherboard of technology,” 40th NCECA Invitational Exhibition, Portland, OR, 2006 (group exhibition). Ho, Sin-ying. “Meeting Places,” KOA Gallery, University of Pittsburgh, Bradford, PA, 2005 (solo exhibition). Ho, Sin-ying. “Contemplations, Gallery 371, Alberta College of Art and Design, Calgary, AB, 2005 (solo exhibition). Ho, Sin-ying. “Invitation Solo Exhibition,” Southeastern Louisiana State University, Hammond, LA, 2005 (solo exhibition). Ho, Sin-ying. “Crossing Boundaries,” Dashwood Gallery, Calgary, AB, Canada, 2005 (group exhibition). Ho, Sin-ying. “Familiar and Reconsidering: Everyday life,” Glenbow Museum, Calgary, AB, 2005 (group exhibition). Ho, Sin-ying. “44th Annual Toronto Outdoor Art Exhibition,” Toronto, ON, Canada, 2005 (group exhibition). Ho, Sin-ying. “Fresh Green,” LSU School of Art Gallery, Shaw Centre, Baton Rouge, LA, 2005 (group exhibition). Ho, Sin-ying 2009The Jingdezhen Contemporary International Ceramics Exhibition, Jingdezhen Ceramic Art Gallery, Jingdezhen, JiangXi, P.R. China (Group Exhibition) Ho, Sin-ying 2009 (Catalouue) Unity and Diversity, Canadian Pavilion at the Cheongju International Craft Biennale, Cheongiu, Korea (Group Exhibition) Ho, Sin-ying 2009 (Catalogue) DIASPORArt: Strategy and Seduction by Canadian Artists from Culturally Diverse Communities in works from the collection of the Canada Council Art Bank, Ambassadors Room, Rideau Hall, the official residence of Her Excellency the Right Honourable Michaelle Jean, Governor General of Canada, Ottawa, Canada (Group Exhibition) Ho, Sin-ying 2009 (Catalogue) The 21st Century, the Feminine Century, and the Century of Diversity and Hope, the Incheon Women Artists’ Biennale, Icheon, Korea (Group Exhibition) Ho, Sin-ying 2009 Solar Eclipse, Meiwan Fire Pleasure International Ceramic Festival Series Exhibition, Jiaxing, Zheijiang, P.R.China (Group Exhibition) Ho, Sin-ying 2009 Room for Eleven, RJP Nomadic Gallery, 43rd NCECA, National Juried Ceramics Exhibition, Phoenix, Arizona (Group Exhibition) Ho, Sin-ying 2009 (Catalogue) Queens International 4, Queens Museum of Art, Queens, New York (Group Exhibition) Sin-yin g Ho Introspective Expeditions-Journeys to the Self, Canadian Clay & Glass Gallery, Waterloo, Ontario, Canada (Jan. 17 – March 21, 2010); exhibited eight 6’-7’ tall vessels in a Gallery space that created an intimate relationship with viewers Sin-yin g Ho Courtyard Installation, Burlington Art Centre, Burlington, Ontario, Canada (June 6 – Aug 26, 2010) exhibited the same tall vessels in addition to 5 new sculptures in a natural garden environment Sin-yin g Ho Eden, Queens College Art Centre of Benjamin S. Rosenthal Library, Flushing, NY (September 8-Oct 26, 2010) this show includes the same tall vessels as well as 5 sculptures and one additional sculpture. Sin-yin g Ho 2010 Making the Leap: Crossing Borders, A.I.R. Gallery, Brooklyn, NY Sin-yin g Ho 2010 Boom and Bust: Ceramic Commentary, Lyons Wier Gallery, New York, NY Sin-yin g Ho 2010 Eight Artists: From the Asian American Arts Centre Archive, Cuchifritos Gallery, New York, NY Sin-yin g Ho 2010 West meets East, Harbinger Gallery, Waterloo, Ontario, ON Sin-yin g Ho 2010 Beyond the Colony of Kitsch, Crossing Art Gallery, Flushing, NY Sin-yin g Ho 2010 A Postproduction Moment: On Appropriation and Authenticity, 44th National Council on Education for the Ceramics Arts Conference, Philadelphia, PA Sin-yin g Ho “Here & Now at the Lyons Wier Gallery,” reviewed by Philip McCluskey, Scallywag &Vagabond, January 11, 2011. Sin-yin g Ho “Wonder Women: A.I.R. Gallery’s Opening Night Trifecta,” reviewed by Angela Basile, Brooklyn The Borough, The Art, December 9, 2010. Sin-yin g Ho “Queens College to Hold China Events Thru 2011,” reviewed by Anna Gustafson, New York Post, Story, September 24, 2010. Sin-yin g Ho “Express the Collision of the Eastern and Western Culture, Exhibition of Vases at Queens College, Created by Sin-ying Ho,” reviewed by Stella Chan, Sing Tao Daily, September 17, 2010. “Sin-ying Ho - Garden of Eden,” reviewed by Chiho Tokita, Fusion, a Magazine for Clay and Glass, Vol. 34, no.3, Autumn, 2010, pp. 16-20. Sin-yin g Ho “Big and Beautiful,” reviewed by Jeff Mahoney, A&E, The Hamilton Spectator, June 09, 2010. Sin-yin g Ho “Transformation,” reviewed by Robert Reid, Waterloo Region Record, Arts & Life, February 17, 2010, p. C4. Sin-yin g Ho “Beyond Kitsch,” reviewed by Elizabeth Daley, Queens Chronicle, April 29, 2010, pp. 27 & 31. Sin-yin g Ho “A Post-production Moment – On Appropriation and Authenticity,” by Anat Shiftan, National Council on Education for the Ceramics Arts Journal vol. XXXI, 2010, p. 99. Sin-yin g Ho 2010 Princeton Institute for International and Regional Studies (PIIRS), Princeton University, Princeton, New Jersey Sin-yin g Ho 2010 Thunder Bay Potter’s Guild, Lakehead University, Thunder Bay, Ontario, Canada Ho, SY., 2011 Inter Mediate: Selected Contemporary Chinese American Art, TCNJ Gallery, the College of New Jersey, Ewing, NJ Ho, SY., 2011 Terra Nova: Canadian ‘Ground-Breakers’ in Ceramic Art, Canadian Clay and Glass Gallery, Waterloo, ON Ho, SY., 2011 East West Ceramics Collaboration V, University of Hawaii Art Gallery, Manoa, Honolulu, HI Ho, SY., 2011 Views of the Orient: Contemporary Expressions of Asian-Pacific Art in a Global Culture, UBS CAN 2011 Asian Pacific Heritage Month Art Exhibition, UBS Cultural Fine Art Gallery, Stamford, CT Ho, SY., 2011 Composite Voices: Contemporary Asian American Craft, ARTspace at The Shops at Woodlake, Kohler, WI Ho, SY., 2011 14th Sculpture Objects and Functional Arts (SOFA), New York, Armory, New York, NY Ho, SY., 2011 Tidal Forces: The Next Wave, 2011 National Council on Education for The Ceramic Arts, Biennial Jury Exhibition, The Tampa Museum of Art, Tampa, FL Ho, SY., 2011 (Catalogue) Making Thinking, Thinking Making, Main Gallery in York Quay Centre, Harbourfront Center, Toronto, ON Ho, SY., 2011 Prints and Transfers, Galerie Handwerk, Munich Ho, SY., 2011 Here and Now, Lallery, Lyons Wier Gallery, New York, NY Ho, SY., “Cultures Colliding, New Work by Sin-ying Ho,” article reviewed by Jane Marshall, Ceramics Art and Perception, issue 84, June 2011. p.8 – p.10 Ho, SY., “Art & Design in the 21st Century Converge at 14th SOFA New York, reviewed by Artfixdaily Artwire, Artfix Daily, April 11, 2011. http://www.artfixdaily.com/artwire/release/9968-art-and-design-in- the-21st-century-converge-at-14th-sofa-new-york Ho, SY., “At the Galleries: Urban Affairs,” reviewed by Leah Sandals, National Post, February 10, 2011. http://news.nationalpost.com/2011/02/10/at-the-galleries-urban-affairs/ Ho, SY., “Figures – Branded and Trapped in Eden,” reviewed by T.M. Chartrand, Urbanely Urban, Arts, Contemporary, February 3, 2011. http://urbanelyurban.ca/2011/02/03figures-branded-and-trapped/ Ho, SY., “Here & Now at the Lyons Wier Gallery,” reviewed by Philip McCluskey, Scallywag &Vagabond, January 11, 2011. http://www.scallywagandvagabond.com/2011/01here-now-at-the-lyons- wier-gallery/2/ Ho, SY., in “Along the Silk Road,” essays on History, Literature, and Culture in China, edited by M. Darrol Bryant, YanLi & Judith Maclean Miller, Pandora Press, 2011, pp.23-27 & pp. 191-193 Ho, SY., in “Art Story,” by Bang Chang-Hyun, Monthly Ceramic Art, November 2011, pp.86-87 Ho, SY., in “East-West Ceramics Collaboration V (2),” article by Dustin Miyakawa, Monthly Ceramic Art, November 2011, pp. 92-93 Ho, SY., in“ NCECA 2011Biennial ,” catalogue statement by Linda Ganstrom, 2011 National Council on Education for the Ceramic Arts, p.9, p.55 Ho, SY., in“Craft and Its Histories,” by Julia Krueger, University of Western Ontario, starting in January 2011. Hoshino, Marvin. Designer, Picture Editor, and Associate Editor, Ballet Review, edited by Francis Mason and published quarterly by the Dance Research Foundation, Inc., New York, 1982-present. Hoshino, Marvin. Adviser to Helen Levitt, including planning for exhibitions organized by: FOAM, Amsterdam, Holland, 2008, Sprengel Museum, Hannover, Germany, 2008, Henri Cartier-Bresson Foundation, Paris, 2007, Baltimore Museum of Art, Maryland, 2005. Hoshino, Marvin. House Calls with William Carlos Williams, M.D. Text by Robert Coles. Photographs by Thomas Roma. Poetry by William Carlos Williams, Powerhouse Books, Brooklyn, NY, 2008 (book design). Hoshino, Marvin: Designer and editor, Helen Levitt. Introduction by Walker Evans, Sprengel Museum (publication sponsored by the Spectrum Prize of the Foundation for Lower Saxony), Hatje Cantz (German trade edition), Powerhouse Books, Brooklyn, NY (English-language edition), 2008. Hoshino, Marvin. Designer and Editor, Helen Levitt. Introduction by Walker Evans, Sprengel Museum (publication sponsored by the Spectrum Prize of the Foundation for Lower Saxony), Hatje Cantz (German trade edition), Powerhouse Books, Brooklyn, NY (English-language edition), 2008. Hoshino, Marvin. On Three Pillars: Torah, Worship, and the Practice of Loving Kindness --The Synagogues of Brooklyn, Photographs by Thomas Roma, Commentary by Philip Lopate, Powerhouse Books, Brooklyn, NY, 2007 (book design). Hoshino, Marvin. Designer and Editor, Slide Show, Color Photographs by Helen Levitt, Foreword by John Szarkowski, Powerhouse Books, New York, 2005. Hoshino, Marvin. In Prison Air, Photographs by Thomas Roma, Introduction by John Szarkowski, Powerhouse Books, New York, 2005 (book design). Hoshino, Marvin Francis Mason (1921-2009), Ballet Review, Winter 2009-10 Hoshino, Marvin “Two-Part inventions” (review of Awaji Puppet Theater Company at Japan Society), Ballet Review, Summer 2009. Marvin Hoshino, Editor and Designer of “Ballet Review” Marvin Hoshino, Designer, “Dear Knights and Dark Horses,’’ Photographs by Thomas Roma, powerHouse Books, Brooklyn, NY Marvin Hoshino, Adviser, Helen Levitt retrospective, PhotoEspanã, Madrid (and tour) Hoshino, M., Editor and Designer, “Ballet Review,” published quarterly by the Dance Research Foundation, Inc., New York. Marinis, Vasileios. Organizer, The First Kallinikeion Conference of New York Byzantinists, The Center for Byzantine and Modern Greek Studies, Queens College, CUNY, New York, NY, April 21, 2007. Kauper, Kurt. “Kurt Kauper: Paintings 2001-2007.” Deitch Projects, New York, NY, 2008 (solo exhibition, with catalogue by Wayne Koestenbaum and Pepe Karmel) Kauper, Kurt. “Out of Shape.” Frances Lehman Loeb Art Center, Poughkeepsie, NY, 2008 (group exhibition) Kauper, Kurt. “Everybody Knew That Canadians were the Best Hockey Players,” Deitch Projects, New York, 2007 (solo exhibition).

Kauper, Kurt. “NeoIntegrity,” Derek Eller Gallery, New York, NY, 2007 (group exhibition).

Kauper, Kurt. “Celebrity,” Scottsdale Museum of Contemporary Art, Scottsdale, AZ, 2007 (group exhibition).

Kauper, Kurt. “Fung Wah,” Howard Yezerski Gallery, Boston MA, 2007 (group exhibition).

Kauper, Kurt. “Frieze,” ACME. booth, London England, 2006 (group exhibition).

Kauper, Kurt. “ArtBasel,” Deitch Projects, Basel Switzerland, 2006 (group exhibition).

Kauper, Kurt. “Stiff,” Gallery 40000, Chicago, Illinois, 2006 (group exhibition).

Kauper, Kurt. “Superstar,” Kunsthalle, Wien, 2005 (group exhibition).

Kauper, Kurt. “Postmodern Portraiture,” The Logan Collection, Vail CO, 2005 (group exhibition).

Kauper, Kurt. “Tete a Tete,” Greenberg Van Doren Gallery, New York, 2005 (group exhibition).

Kauper, Kurt. “Honeymoon with Romeo,” Groeflin/Maag Galerie, Basel, 2005 (group exhibition).

Kauper, Kurt. “Image/Text,” G.A.S.P., Boston, 2005 (group exhibition).

Kauper, Kurt. 2009 Bedford, Christopher. Mixed Signals, essay published in the catalogue for the Exhibition, Mixed Signals: Artists Consider Identity in Sports, Cranbrook Art Museum, Bloomfield Hills, MI, pp. 26-27 Kauper, Kurt. 2009 Casual Male, Sherman Gallery, Boston University, Boston (Group Exhibition) Kauper, Kurt. 2009 Prescriptions, ACME., Los Angeles (Group Exhibition) Kauper, Kurt. 2009 private(dis)play, COCA, St. Louis, MO; travelled to Emerson Gallery, Hamilton College, Clinton, NY; and The New York Academy of Art, New York (Group Exhibition) Kauper, Kurt. 2009 Mixed Signals: Artists Consider Identity in Sports, Cranbrook Art Museum, Bloomfield Hills, MI (Group Exhibition) Kauper, Kurt. 2009 Superficiality and Superexcrescence: Surface and Identity in Recent California Art, Ben Maltz Gallery, Otis College of Art and Design, Los Angeles (Group Exhibition) Kauper, Kurt. 2009 Barack and Michelle Obama, Deitch Projects, New York (Solo) Kurt Kauper, 2010 Private Future, Mark Jancou Gallery, New York Gallery Artists, ACME. Gallery, Los Angeles Kurt Kauper, 2010 Finch, Charlie. “My Favorite Fifty,” Artnet.com, May Kauper, K., 2011 Cinematic Bodies, Zolla Lieberman Gallery, Chicago, GOLDMINE: Works from the Collection of Sirje and Michael Gold, University Art Museum, California State University at Long Beach, Long Beach Mitchell, Tyronne. Juror and Panelist. Joan Mitchell Foundation/New Orleans Council for the Arts, 2008. Mitchell, Tyronne. “Works in Progress.” G.R.N’Namdi Gallery, New York, NY (solo exhibition) Mitchell, Tyrone. “Nature, Culture, Blues,” Delaware Art Museum, Wilmington, DE, 2007 (group exhibition) Mitchell, Tyrone. “From Taboo to Icon,” Crane Arts/Tyler School of Art, Philadelphia, PA, 2007, (group exhibition) Mitchell, Tyrone. “25th Anniversary/Forms of Abstractions,” G.R. Namdi Gallery, New York, NY, 2007 (group exhibition). Mitchell, Tyrone. Artist in Residence/Lecturer, Vermont Studio Center for the Arts, Johnson, VT, 2007. Mitchell, Tyrone. “Resisting Arrest,” G.R. Namdi Galleries; New York, NY; Detroit, MI; and Chicago, IL; 2005-2007 (solo exhibition). Mitchell, Tyrone, Artist in Residence, Vermont Studio Center for the Arts, Johnston, VT, 2006 Mitchell, Tyrone. “Sculpt Something,” G.R. Namdi Galleries, Chicago, IL and Detroit, MI, 2005 (group exhibition). Priestly, Debra. Panelist for the New York Foundation for the Arts Fellowships, Painting, 2008. Priestly, Debra. “Reimaagining the Distaff Toolkit, Bennington Museum, VT, 2008 (group exhibition). Priestly, Debra. “From Taboo to Icon: Africanist Turnabout.” Ice Box Project Space, Crane Arts, Philadelphia, PA 2008 (group exhibition and catalog). Priestly, Debra. “Beyond These Walls: Department of Art Biennial Alumni Exhibition,” Hopkins Hall Gallery, The Ohio State University, Columbus, OH, 2008 (group exhibition). Priestly, Debra. “passage,” June Kelly Gallery, New York, NY, 2007 (solo exhibition). Priestly, Debra. “Debra Priestly,” Bronx River Art Center, New York, NY curated by Jose Ruiz, 2007 (solo exhibition). Priestly, Debra. “Preserves,” 7th and 2nd Street Photo Gallery, New York, NY, curated by Becket Logan, 2006 (solo exhibition). Priestly, Debra. “somewhere listening,” June Kelly Gallery, New York, NY, 2005 (solo exhibition). Debra Priestly. “5 Contemporary Voices: Nanette Carter, Chandra Cox, Lisa Corinne Davis, Debra Priestly and Philemona Williamson, Celebrating the Opening of the Delta Arts Center,” Delta Arts Center, Winston-Salem, NC, 2005 (group exhibition). Priestly, Debra, 2009 Infinite Mirror: Images of American Identity, curated by Black Bradford, sponsored by Artrain USA; (traveling exhibition) Debra Priestly 2010 Knowing Forms, Wilmer Jennings Gallery at Kenkeleba, New York, NY; catalog Debra Priestly 2010 “Visiting Artist”, Bowling Green State University, OH. This was in conjunction with the traveling exhibition, 2008-2012, “Reimagining the Distaff Toolkit”, curated by Rickie Solinger Debra Priestly 2010 “Queens: Multiple Visions - Demonstrating the Multiplicity of Relationships between Queens Art Teachers and Students”, an exhibition organized by Rikki Asher, Director Art Education, Secondary Education and Youth Services, Queens College, CUNY and the Queens Museum of Art, Flushing. Priestly, D., Group Exhibitions: Reimaging the Distaff Toolkit, curated by Rickie Solinger (Traveling exhibition) 2011 Priestly, D., Group Exhibitions: Handwerker Gallery, Ithaca College, NY, January 4 - March 6, 2011 Priestly, D., Group Exhibitions: Swope Museum, Terre Haute, IN, October 16 -December 24, 2011 Priestly, D., Group Exhibitions: Infinite Mirror: Images of American Identity, curated by Blake Bradford, sponsored by International Arts & Artist. (Traveling exhibition) Priestly, D., Group Exhibitions: Syracuse University Art Galleries, Syracuse, NY, January 25, 2011 - March 20, 2011 Priestly, D., Group Exhibitions: Thorne-Sagendorph Art Gallery, Keene State College, Keene, NH, September 9, 2011 - December 11, 2011 Priestly, D., Group Exhibitions: United Negro College Fund: The Art of Giving Back, Exhibition and Auction Visual Arts Gallery, School of Visual Arts, New York, NY, September 27 – October 31, 2011 Priestly, D., Stained Glass Art Commissions, Designed, fabricated and installed two stained glass windows in the historic Second Missionary Baptist Church, Springfield, Ohio. Priestly, D., Group Exhibitions: Reimaging the Distaff Toolkit, curated by Rickie Solinger (Traveling exhibition) Priestly, D., Group Exhibitions: Handwerker Gallery, Ithaca College, NY, January 4 - March 6, 2011 Priestly, D., Group Exhibitions: Swope Museum, Terre Haute, IN, October 16 -December 24, 2011 Priestly, D., Group Exhibitions: Infinite Mirror: Images of American Identity, curated by Blake Bradford, sponsored by International Arts & Artist. (Traveling exhibition) Priestly, D., Group Exhibitions: Syracuse University Art Galleries, Syracuse, NY, January 25, 2011 - March 20, 2011 Priestly, D., Group Exhibitions: Thorne-Sagendorph Art Gallery, Keene State College, Keene, NH, September 9, 2011 - December 11, 2011 Priestly, D., Group Exhibitions: United Negro College Fund: The Art of Giving Back, Exhibition and Auction Visual Arts Gallery, School of Visual Arts, New York, NY, September 27 – October 31, 2011 Priestly, D., Stained Glass Art Commissions, Designed, fabricated and installed two stained glass windows in the historic Second Missionary Baptist Church, Springfield, Ohio. Saslow, James "Mission Statement: The Joy of Looking, Fear of Eyeing." Essay in Peter Weiermair, d. Leslie-Lohmon Gay Art Foundation: Highligh*from the Permonent Collection. Berlin: Tascher L 2009. Selected Lectures and Presentations James M. Saslow “Jock of All Trades: Jonathan Weinberg at Mid-Career.” The Archive: The Journal of the Leslie-Lohman Gay Art Foundation, 36 (Fall 2010): 4-7. Saslow, J., Opera libretto, for The Picture of Dorian Gray, based on the novel by Oscar Wilde. Music by Jeffrey Brody. Premiere performances by Longwood Opera Company (Boston, MA area), June 3-5, 2011. Saslow, J., “Putting the ‘Gay’ Back into Gala.” Gay and Lesbian Review Worldwide 18:1 (Jan-Feb. 2011), pp. 34-35. (Original title: “Capital Gains: A Cultural Weather Report.”) Report and commentary on the opening of the exhibition “Hide/Seek: Difference and Desire in American Portraiture” at the National Portrait Gallery, Washington, DC; for the LGBT equivalent of the New York Review of Books. Saslow, J., Film, "Of An Armed Cavalier," produced and directed by Nathan Gillock (Southern Illinois University). Consultant and on-camera interview, film about Michelangelo. August 2011. Sholette, Gregory,“A World Where Many Worlds Fit,” Taipei International Art Biennial, Taipei, September 13 and 14, 2009. (exhibition) Sholette, Gregory, Periferic 8: Art as Gift, Biennial for Contemporary Art, Curator: Dora Hegyi Iasi with the Institute for Wishful Thinking, (IWT), Iasi, Romania October 3 – 18, 2008. (group exhibition) Sholette, Gregory, “Still Life with Dead Fascists” a miniature site-specific installation for the exhibition, Unnamable Name, organized by Todd Ayoung, the Tompkins County Public Library, Ithaca, NY, January- March 2008. Exhibition travels to Copenhagen Main Library, September-December. Sholette, Gregory, “Reading Lenin with Corporations,” PS122 Art Gallery, New York, NY, September 2008. (group exhibition) Sholette, Gregory, “Recipe,” video screening for program 1800 FRAMES | Take4: The VideoState of the Global Union, Work Space, Newark, NJ, September 2008. Sholette, Gregory, “Abecedarium for Our Times,” Apex art gallery, organized by Radhika Subramaniam, June 12, 2008. (group exhibition) Sholette, Gregory, “Gifts of Resistance,” commissioned essay for catalog Periferic 8: Art as Gift, Biennial for Contemporary Art, Curator: Dora Hegyi Iasi ROMANIA 2008, 129.-137. Sholette, Gregory, A Guide to Democracy in America, contributing author, pub. by Creative Time inc., New York, Ny, 2008, p 74. Sholette, Gregory, Unnamable Name, exhibition catalog with essay “About the Library: The Fine Art of Camouflage” by art historian Jelena Stojanovic, Blackout Ink Press, (forthcoming, April, 2008). Sholette, Gregory, “State of the Union,” In Artforum (April 2008), 181-192. Sholette, Gregory, “Swampwalls, Dark Matter, and the Lumpen Army of Art,” feature in Proximity magazine, Chicago , IL., (April 2008), 33-43. Sholette, Gregory. “We, The Feared, Unnamable” In Journal of Aesthetics and Protest, Issue 6, Vol. 2, No 2, 2008, pp. 300–306. Sholette, Gregory, “Gregory Sholette:,” a response to questions on art and politics posed by the editors,” October, Winter, No.123 (2008), MIT Press, 2008, 135-138. Sholette, Gregory, “12 Notes on Collectivism” published in English and Croatian in Continental Drift, a compendium of writings from the conference Continental Drift (New York City 2005, 06, and NY/Zagreb, 2008), edited by Brian Holmes and the Zagreb-based curatorial collective WHW (Who How and for Whom) Collective, Zagreb, May 16, Sholette, Gregory, “Disciplining the Avant-Garde: the United States Vs Critical Art Ensemble,” published in English and Croatian for a special issue of Frakcija magazine, 43-44 (2008), Zagreb, Croatia, 130-138. Sholette, Gregory, “Twelve notes on collectivism and dark matter,” in Art Lies magazine, Texas, Issue 56 (Summer 2008),18 and 19. Gregory Sholette 2009 “Collective Pedagogies and Spatial Politics: REPOhistory,” Centro José Guerrero, Grenada, Spain Gregory Sholette 2008 Taipei International Art Biennial, “A World Where Many Worlds Fit,” 9/13/08- 14/09. Gregory Sholette “Preview: Tim Rollins and K.O.S.,”Artforum, XLVII, No. 5, 1/09 (online). Gregory Sholette“Preview: Emory Douglass at New Museum,” Artforum, XLVII, No. 9, 05/09 (online) Gregory Sholette Whither Tactical Media? a special issue of the journal co-edited with Gene Ray, 9/08.Third Text, Vol. 22, Issue 5. Gregory Sholette “Critical Transformations in Site Specific Art: 1989–2008” essay for the Jamaica Arts Center exhibition catalog, “JamaicaFlux: Windows and Works,” 2009, pp 12-20. Gregory Sholette Double book review, Group Material: Show & Tell & Tim Rollins & K.O.S., Oxford Art Journal, UK, Winter, 2010 Gregory Sholette Review of the Istanbul Biennial for the publication The Arts Politic, Issue No. 2, Winter, 2010 (online). Gregory Sholette Interview series for Huffington Post “Creative Time: Artists on the News,” including: Gregory Sholette Catalog reproduction of art: Transducers: Collective Pedagogies and Spatial Politics, ed. Rodrigo & Collados, Barcelona, Spain, 2010, pp 101-104. Gregory Sholette Peer review reader for 2 College Art Association Art Journal articles, Fall, 2010. Gregory Sholette Peer review evaluator for a contemporary art history book to be published by Duke University Press, Spring 2010. Sholette, G., Imaginary Archive Galway, solo exhibition at 126 Art Gallery with invited guests, commissioned by the Tulca Arts Festival, Galway, Ireland, Nov. 4th - Nov. 20th. Sholette, G., “Half-Life,” Two Person exhibition at the Santa Fe Art Center, NM, September 12-October 16. Sholette, G., The Teeth of the Archive, individual exhibition booth commissioned by Temporary Services for Creative Time’s exhibition “Living as Form,” Lower East Side Essex Market, NYC, September 24-26. Sholette, G., “Artists in Residence for the US Government,” with the Institute for Wishful Thinking (IWT), at the Momenta Art gallery, Brooklyn, NYC, May 1st – April 8th Sholette, G., Seminar leader, Programme Master De Recherche Critical Cross-Cultural Cybermedia (CCC), Geneva University of Art and Design, Genève, Switzerland, June 22 – 26. Kathryn Weinstein Design Projects, Websites, Nonprofit Outsourcing Clearinghouse, Harlem Children’s Zone Asthma Initiative Kathryn Weinstein Website Re-design, Brooklyn Community Services Website Kathryn Weinstein Branding and collateral, Sloan Public Service Awards Kathryn Weinstein, Book Design, Studying Hunger Journals by Bernadette Mayer