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The Old Vic Season 4: Part 2
PRESS RELEASE FRIDAY 14 SEPTEMBER THE OLD VIC SEASON 4: PART 2 Matthew Warchus’ fourth season as Artistic Director of The Old Vic completes with an Arthur Miller double-bill, a World Premiere by Lucy Prebble and a special One Voice performance. These productions form Part 2 of the season, and follow the previously announced Part 1 consisting of ZooNation: The Kate Prince Company’s production of SYLVIA; Annie-B Parson’s 17c; Emma Rice’s Wise Children; and A Christmas Carol – for which today we also announce further casting. • Visionary director Rachel Chavkin makes her Old Vic debut directing Arthur Miller’s The American Clock from 4 February • Jeremy Herrin directs Sally Field, Bill Pullman, Jenna Coleman and Colin Morgan in Arthur Miller’s American classic All My Sons in a co-production with Headlong from 15 April • Closing the season is A Very Expensive Poison – a new play by Lucy Prebble based on the book by Luke Harding • A special One Voice performance to mark 100 years since the Armistice, Remembrance curated by Arinzé Kene and directed by Annabel Bolton • Further casting is announced for Jack Thorne’s version of A Christmas Carol directed by Matthew Warchus and starring Stephen Tompkinson as Ebenezer Scrooge. Coming soon: • A musical adaptation of the hit 1983 film, Local Hero, adapted by David Greig and Bill Forsyth, directed by John Crowley and with music and lyrics by Mark Knopfler, will come to The Old Vic in June 2020 following its world premiere at the Royal Lyceum Theatre Edinburgh in 2019. From The Old Vic: • Girl from the North Country opens on 1 October at the Public Theater, New York, and performances have been extended until 9 December. -
Freedaily Paper of the Hay Festival Lionel Shriver What We Talk About
Freedaily paper of the Hay Festival The HaylyTelegraph telegraph.co.uk/hayfestival • 25/05/13 Published by The Telegraph, the Hay Festival’s UK media partner. Printed on recycled paper Lionel Shriver What we talk about when we talk about food Inside GlamFest FreeSpeech StandUp this issue David Gritten Andrew Solomon Dara Ó Briain, Jo gets on the says embrace the Brand, Ed Byrne, Great Gatsby child you have, not Sandi Toksvig, Lee roller coaster the one you want Mack – and more! 2 The Hayly Telegraph SATURDAY, MAY 25, 2013 We need to shut up about size JQ@MNOJMT%@MI@RIJQ@GDN<GG about it. In retrospect, that very obliviousness must have helped to keep me slim. <=JPOA<O =PO)DJI@G0CMDQ@M So perhaps one solution to our present-day <MBP@NDO]NODH@R@NOJKK@? dietary woes is to restore a measure of casualness about daily sustenance. We think J=N@NNDIB<=JPOJPMR@DBCO about food too much. We impute far too much significance, sociologically, Growing up in America, I was a picky eater. psychologically and morally, to how much Lunch was a pain; I’d rather have kept people weigh. Worst of all, we impute too playing. During an athletic adolescence I ate much significance to how much we weigh whatever I liked, impervious to the calorie- ourselves. Unrelenting self-torture over counting anxieties of my classmates. At 17, I poundage is ruining countless people’s summered in Britain with a much heavier lives, and I don’t mean only those with eating girlfriend. After hitting multiple bakeries, disorders. -
Shakespeare Survey: 64: Shakespeare As Cultural Catalyst Edited by Peter Holland Frontmatter More Information
Cambridge University Press 978-1-316-50536-6 - Shakespeare Survey: 64: Shakespeare as Cultural Catalyst Edited by Peter Holland Frontmatter More information SHAKESPEARE SURVEY © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-316-50536-6 - Shakespeare Survey: 64: Shakespeare as Cultural Catalyst Edited by Peter Holland Frontmatter More information ADVISORY BOARD Jonathan Bate Akiko Kusunoki Margreta de Grazia Kathleen McLuskie Janette Dillon Lena Cowen Orlin Michael Dobson Simon Palfrey Andrew Gurr Richard Proudfoot Ton H oe n se la ar s Emma Smith Andreas Hofele¨ Ann Thompson Russell Jackson Stanley Wells John Jowett Assistants to the Editor Catherine Clifford and Ethan Guagliardo (1) Shakespeare and his Stage (35) Shakespeare in the Nineteenth Century (2) Shakespearian Production (36) Shakespeare in the Twentieth Century (3) The Man and the Writer (37) Shakespeare’s Earlier Comedies (4) Interpretation (38) Shakespeare and History (5) Textual Criticism (39) Shakespeare on Film and Television (6) The Histories (40) Current Approaches to Shakespeare through (7) Style and Language Language, Text and Theatre (8) The Comedies (41) Shakespearian Stages and Staging (with an index (9) Hamlet to Surveys 31–40) (10) The Roman Plays (42) Shakespeare and the Elizabethans (11) The Last Plays (with an index to Surveys 1–10) (43) The Tempest and After (12) The Elizabethan Theatre (44) Shakespeare and Politics (13) King Lear (45) Hamlet and its Afterlife (14) Shakespeare and his Contemporaries (46) Shakespeare -
Applause Magazine, Applause Building, 68 Long Acre, London WC2E 9JQ
1 GENE WIL Laughing all the way to the 23rd Making a difference LONDON'S THEATRE CRITI Are they going soft? PIUS SAVE £££ on your theatre tickets ,~~ 1~~EGm~ Gf1ll~ G~rick ~he ~ ~ e,London f F~[[ IIC~[I with ever~ full price ticket purchased ~t £23.50 Phone 0171-312 1991 9 771364 763009 Editor's Letter 'ThFl rul )U -; lmalid' was a phrase coined by the playwright and humourl:'t G eorge S. Kaufman to describe the ailing but always ~t:"o lh e m Broadway Theatre in the late 1930' s . " \\ . ;t" )ur ul\'n 'fabulous invalid' - the West End - seems in danger of 'e:' .m :: Lw er from lack of nourishmem, let' s hope that, like Broadway - presently in re . \ ,'1 'n - it too is resilient enough to make a comple te recovery and confound the r .: i " \\' ho accuse it of being an en vironmenta lly no-go area whose theatrical x ;'lrJ io n" refuse to stretch beyond tired reviva ls and boulevard bon-bons. I i, clUite true that the season just past has hardly been a vintage one. And while there is no question that the subsidised sector attracts new plays that, =5 'ears ago would a lmost certainly have found their way o nto Shaftes bury Avenue, l ere is, I am convinced, enough vitality and ingenuity left amo ng London's main -s tream producers to confirm that reports of the West End's te rminal dec line ;:m: greatly exaggerated. I have been a profeSSi onal reviewer long enough to appreciate the cyclical nature of the business. -
Versailles: French TV Goes Global Brexit: Who Benefits? with K5 You Can
July/August 2016 Versailles: French TV goes global Brexit: Who benefits? With K5 you can The trusted cloud service helping you serve the digital age. 3384-RTS_Television_Advert_v01.indd 3 29/06/2016 13:52:47 Journal of The Royal Television Society July/August 2016 l Volume 53/7 From the CEO It’s not often that I Huw and Graeme for all their dedica- this month. Don’t miss Tara Conlan’s can say this but, com- tion and hard work. piece on the gender pay gap in TV or pared with what’s Our energetic digital editor, Tim Raymond Snoddy’s look at how Brexit happening in politics, Dickens, is off to work in a new sector. is likely to affect the broadcasting and the television sector Good luck and thank you for a mas- production sectors. Somehow, I’ve got looks relatively calm. sive contribution to the RTS. And a feeling that this won’t be the last At the RTS, however, congratulations to Tim’s successor, word on Brexit. there have been a few changes. Pippa Shawley, who started with us Advance bookings for September’s I am very pleased to welcome Lynn two years ago as one of our talented RTS London Conference are ahead of Barlow to the Board of Trustees as the digital interns. our expectations. To secure your place new English regions representative. It may be high summer, but RTS please go to our website. She is taking over from the wonderful Futures held a truly brilliant event in Finally, I’d like to take this opportu- Graeme Thompson. -
Thursday 17 January 2019 National Theatre: February
Thursday 17 January 2019 National Theatre: February – July 2019 Inua Ellams’ Barber Shop Chronicles will play at the Roundhouse, Camden for a limited run from July as part of a UK tour Gershwyn Eustache Jnr, Leah Harvey and Aisling Loftus lead the cast of Small Island, adapted by Helen Edmundson from Andrea Levy’s prize-winning novel, directed by Rufus Norris in the Olivier Theatre Justine Mitchell joins Roger Allam in Rutherford and Son by Githa Sowerby, directed by Polly Findlay Phoebe Fox takes the title role of ANNA in Ella Hickson and Ben and Max Ringham’s tense thriller directed by Natalie Abrahami Further casting released for Peter Gynt, directed by Jonathan Kent, written by David Hare, after Henrik Ibsen War Horse will return to London as part of the 2019 UK and international tour, playing at a new venue, Troubadour Wembley Park Theatre, for a limited run in October Olivier Theatre SMALL ISLAND adapted by Helen Edmundson based on the novel by Andrea Levy Previews from 17 April, press night 1 May, in repertoire until 10 August Andrea Levy’s epic, Orange Prize-winning novel bursts into new life on the Olivier Stage. A cast of 40 tell a story which journeys from Jamaica to Britain through the Second World War to 1948, the year the HMT Empire Windrush docked at Tilbury. Adapted for the stage by Helen Edmundson Small Island follows the intricately connected stories of two couples. Hortense yearns for a new life away from rural Jamaica, Gilbert dreams of becoming a lawyer, and Queenie longs to escape her Lincolnshire roots. -
Testament of Youth Is a 2014 British Film Basen the First World War
Testament of Youth is a British drama film released in 2014 and based on the First World War memoirs written by Vera Brittain. “They'll want to forget you. They'll want me to forget. But I can't. I won't. This is my promise to you now. All of you.” Vera Brittain This film retraces the story of Vera Brittain during the first world war. Her life before the war started and her experiences during the war are fabulously interpreted by Alicia Vikander. The actors Kit Harington, Taron Egerton and Colin Morgan also make her story even more touching. Vera wants to become a writer even if it goes against her father's expectations. She passes the entrance examination for Oxford to join her brother Edward and his friends Roland and Victor. Before going there, with Roland, who shares his interest for her poetry and writing, they begin a romance. But war is declared and it changes all their plans. Roland, Victor and her brother decide to join the British army and are sent to the western front. To get closer to them Vera decides to volunteer as nurse in the hospital... This film is really emotional. It shows how war can affect people, not only physically but a lso mentally. War destroys families, innocence and future. As Vera Brittain said : “Our generation would never be new again. Our youth has been stolen from us.” The fact that she really lived those moments makes you watch the film in a different way and that is one of the reasons why I liked this film and why I recommend it.. -
Guardian-2May2018
Interview Noel Fielding: 'Everything Salvador Dalí did was funny' Stuart Jeffries The comedian stars as one of his heroes, goth-rocker Alice Cooper, in Sky’s latest Urban Myths romp – so why did he pitch to play its other lead character, the clown prince of surrealism? Wed 2 May 2018 12.17 BST oel Fielding was born, or so you’d think, to play Alice Cooper. The eyeliner, the dangling black locks, the camped-up goth vibe, the way the comedian and Bake Off host dresses more outlandishly than anyone in any room, with the possible N exception of Prue Leith. Cooper has long been one of Fielding’s heroes. His parents were fans and inducted their son into the rock musician’s oeuvre, perhaps even instilling into little Noel the subversive philosophy of Cooper’s School’s Out. “I love his music. He was a punk before punk.” The Adventures of Alice and Noel, from the Guardian’s Guide, 2012. Illustration: Noel Fielding And then one day, Cooper appeared as a guest on the pop quiz show Never Mind the Buzzcocks, on which Fielding was a team captain. Their relationship blossomed. “He invited me to his show and then I did a cartoon strip about him in the Guardian.” He also interviewed his hero for the paper. So when Fielding went to audition for a role in a new drama for Sky Arts’ Urban Myths series about the time the glam rocker met the venerable shock artist Salvador Dalí, Fielding was a shoo-in to play Cooper. But he had other ideas. -
Case Study on the United Kingdom and Brexit Juliane Itta & Nicole Katsioulis the Female Face of Right-Wing Populism and Ex
Triumph of The women? The Female Face of Right-wing Populism and Extremism 02 Case study on the United Kingdom and Brexit Juliane Itta & Nicole Katsioulis 01 Triumph of the women? The study series All over the world, right-wing populist parties continue to grow stronger, as has been the case for a number of years – a development that is male-dominated in most countries, with right-wing populists principally elected by men. However, a new generation of women is also active in right-wing populist parties and movements – forming the female face of right-wing populism, so to speak. At the same time, these parties are rapidly closing the gap when it comes to support from female voters – a new phenomenon, for it was long believed that women tend to be rather immune to right-wing political propositions. Which gender and family policies underpin this and which societal trends play a part? Is it possible that women are coming out triumphant here? That is a question that we already raised, admittedly playing devil’s advocate, in the first volume of the publication, published in 2018 by the Friedrich-Ebert-Stiftung Triumph of the women? The Female Face of the Far Right in Europe. We are now continuing this first volume with a series of detailed studies published at irregular intervals. This is partly in response to the enormous interest that this collection of research has aroused to date in the general public and in professional circles. As a foundation with roots in social democracy, from the outset one of our crucial concerns has been to monitor anti-democratic tendencies and developments, while also providing information about these, with a view to strengthening an open and democratic society thanks to these insights. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
Merlin Season One Trivia Quiz
MERLIN SEASON ONE TRIVIA QUIZ ( www.TriviaChamp.com ) 1> In season one, Merlin arrives in Camelot and is the apprentice to the town's physician. What was his name? a. Uther b. John c. Elyan d. Gaius 2> In episode two, Valiant, what creature is painted on the shield of the knight that is facing Arthur? Hint - The creature(s) come to life. a. Gargoyles b. Demons c. Dragons d. Serpents 3> What is the name of Morgana's servant? a. Hunith b. Morgose c. Nimueh d. Gwen 4> Who was the sorceress responsible for the plaque/sickness that swept Camelot as the result of a dragon egg? a. Morgose b. Sophia c. Mordred d. Nimueh 5> What creature is half eagle and half lion that was seen in episode 5 of Season 1? a. Griffin b. Cyclops c. Hippogriff d. Narvick 6> Which character suffers extreme and terrible nightmares? a. Morgana b. Uther c. Gaius d. Arthur 7> Who tried to replace Gaius as court physician by tricking everyone into thinking he had a "cure all" for any form of sickness? a. Edwin b. Cenred c. Mardan d. Aulfric 8> Who warns Merlin of Mordred? a. Sir Percival b. Morgana c. Gaius d. The Dragon 9> Who killed a unicorn? a. Guinevere b. Merlin c. Uther d. Arthur 10> Which "knight" of Camelot had a forged nobility statement? a. Euan b. Percival c. Lancelot d. Davis 11> Which actor plays the role of Merlin? a. Bradley James b. Richard Wilson c. Rupert Young d. Colin Morgan 12> Which of the following practices is banned by King Uther Pendragon in Camelot? a. -
Mccready Dale Elena
McKinney Macartney Management Ltd DALE ELENA McCREADY NZCS - Director of Photography GRACE Director: John Alexander Producer: Kiaran Murray-Smith Starring: John Simm Tall Story Pictures / ITV TIN STAR (Series 3, Episodes 5 & 6) Director: Patrick Harkins Producer: Andy Morgan Starring: Tim Roth, Genevieve O’Reilly and Christina Hendricks Kudos Film and Television BELGRAVIA Director: John Alexander Producer: Colin Wratten Starring: Tamsin Greig, Philip Glenister and Alice Eve Carnival Film and Television BAGHDAD CENTRAL Director: Ben A. Williams Producer: Jonathan Curling Starring: Waleed Zuaiter, Corey Stoll and Bertie Carvel Euston Films TIN STAR (Series 2, Episodes 2, 5, 6 & 7) Directors: Gilles Bannier, Jim Loach and Chris Baugh. Producer: Liz Trubridge Starring: Tim Roth, Genevieve O’Reilly and Christina Hendricks Euston Films THE LAST KINGDOM (Series 3, Episodes 2 & 4) Director: Andy de Emmony Producers: Cáit Collins, Howard Ellis, Adam Goodman and Chrissy Skinns. Starring: Alexander Dreymon, Eliza Butterworth and Ian Hart. Carnival Film and Television THE SPLIT (Series 1) Director: Jessica Hobbs Producer: Lucy Dyke Starring: Nicola Walker, Stephen Mangan and Annabel Scholey. Sister Pictures Best TV Drama nomination – National Film Awards 2019 Gable House, 18 – 24 Turnham Green Terrace, London W4 1QP Tel: 020 8995 4747 E-mail: [email protected] www.mckinneymacartney.com VAT Reg. No: 685 1851 06 DALE ELENA McCREADY Contd ... 2 THE TUNNEL (Series 3, Episodes 1-2) Director: Anders Engstrom Producer: Toby Welch Starring: Clémence