Radio 3 Listings for 25 June – 1 July 2011 Page
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Strauss Elektra Solti SC
Richard Strauss Elektra Elektra: Birgit Nilsson; Klytemnestra: Regina Resnik; Chrysothemis: Marie Collier; Oreste: Tom Krause; Aegistheus: Gerhard Stolze Vienna State Opera Chorus and Vienna Philharmonic Orchestra Georg Solti Recorded June, September and November 1966 at the Sofiensaal, Vienna Recording Engineers: Gordon Parry and James Brown Producers: John Culshaw and Christopher Raeburn Remastered at Air Studios London by Tony Hawkins and Ray Staff Speakers Corner 2LPs Decca SET 354/5 Performance: 5 Strauss's Elektra was premièred in 1909 and marks the highpoint of the composers operatic career. Never again would he compose such searingly dramatic, concise music, replete with startlingly vivid orchestration, and a wealth of highly chromatic (and often atonal) thematic material, centred around decidedly Wagnerian sounding leitmotifs. It is isn't easy to cast. The title role needs a true dramatic soprano who is happy above the stave, and that of Klytemnestra a big-voiced mezzo- soprano. Chrysothemis is written for a lyric soprano, and Oreste for an heroic baritone. Elektra's don't come any better than Birgit Nilsson. She was 48 when the recording was made, and even the most exposed leaps and murderously high tessitura don't bother her. As the greatest Wagnerian soprano since Frieda Leider, she can effortlessly ride the orchestra, while still using a wide dynamic range in quieter passages. There are occasions when her intonation falters in the Recognition Scene, but this is a classic, thrillingly savage performance. Regina Resnik scales the same dramatic heights as Nilsson in her confrontation with Elektra, and her laughter at the end of the scene is gloriously OTT. -
Werksliste Holzkirchner Symphoniker
Werksliste Holzkirchner Symphoniker Jahr der Komponist Werk Solist(en) Leitung Aufführung 2014 Lanner, Joseph Die Schönbrunner, Walzer op. 200 Andreas Ruppert 2014 Brahms, Johannes Ungarischer Tanz Nr. 6 Andreas Ruppert 2014 Mozart, W.A. Türkischer Marsch (Bearb. Andreas Ruppert) Andreas Ruppert 2014 Ketèlbey, Albert W. Auf einem persischen Markt Andreas Ruppert 2014 Siede, Ludwig Chinesische Straßenserenade, Charakterstück Andreas Ruppert 2014 Benatzky, Ralph Der stille Compagnon, Tanzduett aus "Der lachende Andreas Ruppert Dreibund" 2014 Grothe, Franz An der Donau, wenn der Wein blüht, Walzerlied (frei nach Andreas Ruppert Strauß und Lanner) 2014 Verdi, G./Lanner, J. (Ruppert, A.) Benedictus aus der "Schönbrunner-Messe" 1841 Andreas Ruppert 2014 Lazzaro, E. di Das blonde Käthchen, Foxtrott Andreas Ruppert 2014 Kollo, Walter Pauline geht tanzen!, Walzerduett aus "Grosse Rosinen" Andreas Ruppert 2014 Richartz, Willy Waikiki Song op. 56 Andreas Ruppert 2014 Doelle, Franz "Wenn der weisse Flieder wieder blüht", Slow-Fox Andreas Ruppert 2014 Sousa, J.P. Washington Post, Marche Americaine Andreas Ruppert 2014 Strauss, Johann (Vater) Radetzky-Marsch op. 228 Andreas Ruppert 2014 Preil, Paul "Komm mein Schatz, wir trinken ein Likörchen", Foxtrot- Andreas Ruppert Lied 2014 Haydn, Josef Lo Speziale - Sinfonia (Overtura) Hob Ia:10 Andreas Ruppert 2014 Hoffmeister, Franz Anton Konzert für Viola D-Dur Ludwig Schmalhofer Andreas Ruppert 2014 Profofieff, Serge Symphonie Classique Nr. 1 op. 25 Andreas Ruppert 2014 Brahms, Johannes Haydnvariationen op. 56a Andreas Ruppert 2014 Brahms, Johannes Ungarischer Tanz Nr. 3 F-Dur Andreas Ruppert 2013 Strauß, Josef Spähren-Klänge, Walzer op. 235 Andreas Ruppert 2013 Strauss, Johann (Sohn) "Ja, das Schreiben und das Lesen", aus "Der Hans Rainer Andreas Ruppert Zigeunerbaron" 2013 Strauss,Johann (Sohn) Brautschau, Polka op. -
A Culture of Recording: Christopher Raeburn and the Decca Record Company
A Culture of Recording: Christopher Raeburn and the Decca Record Company Sally Elizabeth Drew A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities Department of Music This work was supported by the Arts & Humanities Research Council September 2018 1 2 Abstract This thesis examines the working culture of the Decca Record Company, and how group interaction and individual agency have made an impact on the production of music recordings. Founded in London in 1929, Decca built a global reputation as a pioneer of sound recording with access to the world’s leading musicians. With its roots in manufacturing and experimental wartime engineering, the company developed a peerless classical music catalogue that showcased technological innovation alongside artistic accomplishment. This investigation focuses specifically on the contribution of the recording producer at Decca in creating this legacy, as can be illustrated by the career of Christopher Raeburn, the company’s most prolific producer and specialist in opera and vocal repertoire. It is the first study to examine Raeburn’s archive, and is supported with unpublished memoirs, private papers and recorded interviews with colleagues, collaborators and artists. Using these sources, the thesis considers the history and functions of the staff producer within Decca’s wider operational structure in parallel with the personal aspirations of the individual in exerting control, choice and authority on the process and product of recording. Having been recruited to Decca by John Culshaw in 1957, Raeburn’s fifty-year career spanned seminal moments of the company’s artistic and commercial lifecycle: from assisting in exploiting the dramatic potential of stereo technology in Culshaw’s Ring during the 1960s to his serving as audio producer for the 1990 The Three Tenors Concert international phenomenon. -
Johann Strauss Ii Neue Pizzicato Polka Op 449 for Orchestra Sheet Music
Johann Strauss Ii Neue Pizzicato Polka Op 449 For Orchestra Sheet Music Download johann strauss ii neue pizzicato polka op 449 for orchestra sheet music pdf now available in our library. We give you 6 pages partial preview of johann strauss ii neue pizzicato polka op 449 for orchestra sheet music that you can try for free. This music notes has been read 4137 times and last read at 2021-09-30 01:56:02. In order to continue read the entire sheet music of johann strauss ii neue pizzicato polka op 449 for orchestra you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Double Bass, Violin Ensemble: Mixed Level: Intermediate [ READ SHEET MUSIC ] Other Sheet Music Pizzicato Polka Johann Und Josef Strauss Pizzicato Polka Johann Und Josef Strauss sheet music has been read 3565 times. Pizzicato polka johann und josef strauss arrangement is for Intermediate level. The music notes has 1 preview and last read at 2021-09-30 12:13:31. [ Read More ] Pizzicato Polka By Johann Strauss For 4 Violins Ensemble Pizzicato Polka By Johann Strauss For 4 Violins Ensemble sheet music has been read 3510 times. Pizzicato polka by johann strauss for 4 violins ensemble arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-09-30 07:11:59. [ Read More ] Johann Strauss Ii Pizzicato Polka For Clarinet Choir Johann Strauss Ii Pizzicato Polka For Clarinet Choir sheet music has been read 10253 times. Johann strauss ii pizzicato polka for clarinet choir arrangement is for Early Intermediate level. -
Werksliste Holzkirchner Symphoniker
Werksliste Holzkirchner Symphoniker Aufführungs- Komponist Werk Solist Leitung jahr Strauss, Johann Künstlerleben. Walzer op. 316 2017 Andreas Ruppert (Sohn) Waldteufel, Emil Prestissimo, Galopp 2017 Andreas Ruppert Wagner, J.F. Tiroler Holzhacker-Buab'n, Marsch op. 356 2017 Andreas Ruppert Basny-Richartz Valse Aimée 2017 Andreas Ruppert Strauss, Johann Brautschau, Polka op. 417 nach Motiven der 2017 Andreas Ruppert (Sohn) Operette "Der Zigeunerbaron" Maxim-Marsch, aus der Operette "Die lustige Lehar, Franz 2017 Andreas Ruppert Witwe" Strauss, Johann Du und Du, Walzer op. 367 nach Motiven der 2017 Andreas Ruppert (Sohn) Operette "Die Fledermaus" Ruppert, Andreas Der Urknall 2017 Andreas Ruppert Lincke, Paul Siamesische Wachparade, Charakterstück 2017 Andreas Ruppert Richartz, Willy Serenata in D op. 100 2017 Andreas Ruppert Cantico, J. Träumende Gärten, Tango Cancion 2017 Andreas Ruppert Musik! Musik! Musik!, Foxtrott aus dem Ufa- Kreuder, Peter 2017 Andreas Ruppert Film "Hallo Janine" Strauss, Johann Radetzky-Marsch op. 228 2017 Andreas Ruppert (Vater) Blankenburg, H.L.Abschied der Gladiatoren, Marsch 2017 Andreas Ruppert Saint-Saens, Cello Concerto No. 1 in A Minor, op. 33 2017 Maria Well Andreas Ruppert Camille Saint-Saens, Romance pour cor ou Violoncelle op. 36 2017 Maria Well Andreas Ruppert Camille Brahms, Symphonie Nr. 1 c-moll op. 68 2017 Andreas Ruppert Johannes Brahms, Walzer op. 39 Nr. 15/1 2017 Andreas Ruppert Johannes Haydn, Josef Ouverture zur Oper "Armida", Hob. Ia:14 2017 Andreas Ruppert Konzert für Fagott und Orchester B-Dur, KV Mozart, W.A. 2017 Relja Kalapis Andreas Ruppert 191 Mendelssohn- Symphonie Nr. 5 d-moll, op. 107 2017 Andreas Ruppert Bartholdy, Felix (Reformationssymphonie) Mendelssohn- Hochzeitsmarsch aus der Musik zu 2017 Andreas Ruppert Bartholdy, Felix Shakespears Sommernachtstraum op. -
THE ART of CARLOS KLEIBER Carolyn Watson Thesis Submitted In
GESTURE AS COMMUNICATION: THE ART OF CARLOS KLEIBER Carolyn Watson Thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Conservatorium of Music University of Sydney May 2012 Statement of Originality I declare that the research presented here is my own original work and has not been submitted to any other institution for the award of a degree. Signed: Carolyn Watson Date: ii Abstract This thesis focuses on the art of orchestral conducting and in particular, the gestural language used by conductors. Aspects such as body posture and movement, eye contact, facial expressions and manual conducting gestures will be considered. These nonverbal forms of expression are the means a conductor uses to communicate with players. Manual conducting gestures are used to show fundamental technical information relating to tempo, dynamics and cues, as well as demonstrating to a degree, musical expression and conveying an interpretation of the musical work. Body posture can communicate authority, leadership, confidence and inspiration. Furthermore, physical gestures such as facial expressions can express a conductor’s mood and demeanour, as well as the emotional content of the music. Orchestral conducting is thus a complex and multifarious art, at the core of which is gesture. These physical facets of conducting will be examined by way of a case study. The conductor chosen as the centrepiece of this study is Austrian conductor, Carlos Kleiber (1930-2004). Hailed by many as the greatest conductor of all time1, Kleiber was a perfectionist with unscrupulously high standards who enjoyed a career with some of the world’s finest orchestras and opera companies including the Vienna Philharmonic, La Scala, Covent Garden, the Met and the Chicago Symphony. -
Rückblick Kulturelle Veranstaltungen 2009 Bis 2005
Stift Melk - Rückblick Kulturelle Veranstaltungen 2009 bis 2005 Donnerstag, Kinderprogramm am Heiligen Abend: 24. Dezember "Auf der Suche nach dem Christkind" 2009 (Für Kinder ab 4 Jahre) 10 Uhr "Die Mäuseweihnacht" (Puppentheater) und danach begeben wir uns auf die Suche nach der Krippe. Um das Warten auf das Christkind zu verkürzen, laden wir euch zu einem Theatervormittag in das Stift Melk ein. Im Anschluss an das Puppentheater begeben wir uns auf die Suche nach der Krippe. Bei der Krippe werden wir zum Abschluss noch gemeinsam Weihnachtslieder singen. "Die Mäuseweihnacht" (eine spannende Wintergeschichte, gespielt von Frau Imagoa) ... die winterliche Erde leidet Hunger und im Kampf ums Überleben beweist der kleine Mäusebruder seinen Mäuseschwestern, dass "Brot allein" nicht genügt ... Anmeldung erforderlich: Tel: 02752-555-232 [email protected] € 5,00 (für alle ab 4 Jahre) Samstag, Kinderprogramm im Advent : 19. Dezember (Für Kinder ab 4 Jahre) 2009 "Die Schneekönigin" (Puppentheater) und 15 Uhr basteln an Krippenfiguren Erlebt mit euren Geschwistern, Freunden und Eltern einen gemeinsamen Theaternachmittag im Stift Melk. Nach dem Puppentheater bastelt ihr gemeinsam an lebensgroßen Krippenfiguren. "Die Schneekönigin" (ein Wintermärchen nach Hans Christian Andersen, gespielt von Frau Imagoa) Kay, den der Splitter des Kobolds getroffen hat, gerät in die Macht der Schneekönigin, die das Herz des Knaben zu Eis erstarren lassen will. Aber Gerda, ein kleines Mädchen, liebt Kay und beschließt den Freund zu retten ... Stift Melk - Rückblick Kulturelle Veranstaltungen 2009 bis 2005 Anmeldung erforderlich: Tel: 02752-555-232 [email protected] € 5,00 (für alle ab 4 Jahre) Donnerstag, „Gedanken zum Stern von Bethlehem – eine theologische, historische und 17. -
Decca Discography
DECCA DISCOGRAPHY >>V VIENNA, Austria, Germany, Hungary, etc. The Vienna Philharmonic was the jewel in Decca’s crown, particularly from 1956 when the engineers adopted the Sofiensaal as their favoured studio. The contract with the orchestra was secured partly by cultivating various chamber ensembles drawn from its membership. Vienna was favoured for symphonic cycles, particularly in the mid-1960s, and for German opera and operetta, including Strausses of all varieties and Solti’s “Ring” (1958-65), as well as Mackerras’s Janá ček (1976-82). Karajan recorded intermittently for Decca with the VPO from 1959-78. But apart from the New Year concerts, resumed in 2008, recording with the VPO ceased in 1998. Outside the capital there were various sessions in Salzburg from 1984-99. Germany was largely left to Decca’s partner Telefunken, though it was so overshadowed by Deutsche Grammophon and EMI Electrola that few of its products were marketed in the UK, with even those soon relegated to a cheap label. It later signed Harnoncourt and eventually became part of the competition, joining Warner Classics in 1990. Decca did venture to Bayreuth in 1951, ’53 and ’55 but wrecking tactics by Walter Legge blocked the release of several recordings for half a century. The Stuttgart Chamber Orchestra’s sessions moved from Geneva to its home town in 1963 and continued there until 1985. The exiled Philharmonia Hungarica recorded in West Germany from 1969-75. There were a few engagements with the Bavarian Radio in Munich from 1977- 82, but the first substantial contract with a German symphony orchestra did not come until 1982. -
Postmaster & the Merton Record 2020
Postmaster & The Merton Record 2020 Merton College Oxford OX1 4JD Telephone +44 (0)1865 276310 Contents www.merton.ox.ac.uk College News From the Warden ..................................................................................4 Edited by Emily Bruce, Philippa Logan, Milos Martinov, JCR News .................................................................................................8 Professor Irene Tracey (1985) MCR News .............................................................................................10 Front cover image Merton Sport .........................................................................................12 Wick Willett and Emma Ball (both 2017) in Fellows' Women’s Rowing, Men’s Rowing, Football, Squash, Hockey, Rugby, Garden, Michaelmas 2019. Photograph by John Cairns. Sports Overview, Blues & Haigh Ties Additional images (unless credited) Clubs & Societies ................................................................................24 4: © Ian Wallman History Society, Roger Bacon Society, Neave Society, Christian 13: Maria Salaru (St Antony’s, 2011) Union, Bodley Club, Mathematics Society, Quiz Society, Art Society, 22: Elina Cotterill Music Society, Poetry Society, Halsbury Society, 1980 Society, 24, 60, 128, 236: © John Cairns Tinbergen Society, Chalcenterics 40: Jessica Voicu (St Anne's, 2015) 44: © William Campbell-Gibson Interdisciplinary Groups ...................................................................40 58, 117, 118, 120, 130: Huw James Ockham Lectures, History of the Book -
Cecilia Bartoli and Maria Malibran
Soul sisters: Cecilia Bartoli and Maria Malibran The soprano Cecilia Bartoli is so passionate about Maria Malibran that she's taking her music on the road. Jessica Duchen reports Published: 21 November 2007 Frédéric Chopin had never seen anyone like Maria Malibran. "The queen of Europe. What a marvel," the composer declared. He was right. Malibran was the very first diva, the original female superstar of the music world. She travelled the globe before the invention of trains, never mind planes. She inspired composers to heights of inspiration that flowered into the Romantic movement. Her life changed the way society perceived artists. And though she died at only 28, her legacy is alive and well today. Not least in the guise of the mezzo-soprano Cecilia Bartoli, whose new CD, Maria, is devoted to music written for and by the 19th-century singer. For Bartoli, "La Malibran" borders on an obsession. She's in the middle of an international tour of the CD's repertoire – her London performance on 19 December sold out so fast that the Barbican has scheduled a repeat two days later. I caught up with her in the "Malibran Bus", parked in the Place de la Sorbonne in Paris. It's a juggernaut that has been converted into a bijou museum, displaying Bartoli's collection of Malibran memorabilia: stage jewellery, portraits, letters from her associates including Bellini, Rossini and Malibran's sister, the singer Pauline Viardot, as well as 19th-century souvenirs such as a porcelain pipe bearing her picture. "Nutty collectors are everywhere," Bartoli laughs, "and one is right here in this lorry!" What attracted Bartoli to Malibran? "My record producer, Christopher Raeburn, gave me a portrait of Malibran as a good luck present when I was starting my career," she says. -
Konzertchronik Haydnorchester Eisenstadt
Konzertchronik Haydnorchester Eisenstadt 1965 - 2014 Bearbeitung: Roland Graschitz, Katrin Gstöttenbauer, Stefanie Rechnitzer und Christian Weisz Stand: Jänner 2014 Mit freundlicher Unterstützung der Abt. 7 der burgenländischen Landesregierung Inhaltsverzeichnis Jahr Seite Jahr Seite 1965 1 1990 36 1966 1 1991 38 1967 2 1992 40 1968 3 1993 42 1969 3 1994 44 1970 4 1995 47 1971 4 1996 49 1972 5 1997 52 1973 5 1998 54 1974 6 1999 56 1975 6 2000 58 1976 7 2001 62 1977 9 2002 64 1978 10 2003 69 1979 11 2004 72 1980 12 2005 75 1981 13 2006 78 1982 15 2007 81 1983 18 2008 84 1984 21 2009 86 1985 25 2010 91 1986 28 2011 92 1987 31 2012 94 1988 33 2013 96 1989 34 2014 99 Inhaltsverzeichnis Seite i Konzertchronik, Haydnorchester Eisenstadt KONZERTE 1965 30. Mai Haydn-Gedächtniskonzert, Festsaal des Bundesrealgymnasiums Eisenstadt Solistin: Dorothea Gradwohl, Violine Leitung: Eduard Ehrenreich 19. Dez. Adventkonzert, Festsaal des Bundesrealgymnasiums Eisenstadt Ausführende: Haydnchor des Volksbildungswerks Eisenstadt Kammerorchester Joseph Haydn Eisenstadt Leitung: Otto Strobl 1966 19. Mai Musikalische Vesper, Redemptoristenkirche Oberpullendorf Leitung: Stefan Kocsics 2. Juni Haydn-Gedächtniskonzert, Haydnsaal Schloss Esterházy Leitung: Eduard Ehrenreich 2. Juli Kammerkonzert, Bad Sauerbrunn Leitung: Eduard Ehrenreich 28. Aug. Konzert anlässlich der Feierlichkeiten „40 Jahre Stadt Neusiedl am See“ Leitung: Eduard Ehrenreich 29. Okt. Konzert, Güssing Leitung: Eduard Ehrenreich 1965/1966 Seite 1 von 102 Konzertchronik, Haydnorchester Eisenstadt 1967 26. Feber Konzert, Neusiedl am See Leitung: Eduard Ehrenreich 12. März Konzert, Oberpullendorf J. Haydn: „Die sieben Worte des Erlösers am Kreuze“ Ausführende: Mittelburgenländischer Lehrerchor Kammerorchester Joseph Haydn Eisenstadt Leitung: Stefan Kocsics 25. -
Dame Joan Sutherland, Pavarotti, Richard Bonynge
Verdi Sutherland Pavarotti Manuguerra Verdi La Traviata Bonynge mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Sutherland Pavarotti Manuguerra Verdi La Traviata Bonynge Country: US Released: 1981 Style: Opera MP3 version RAR size: 1646 mb FLAC version RAR size: 1106 mb WMA version RAR size: 1286 mb Rating: 4.8 Votes: 988 Other Formats: AHX WAV MIDI MPC MP2 APE MP3 Tracklist A1 Overture - Act 1 (Part 1) 19:50 B1 Act 1 (Conclusion) 11:11 B2 Act 2 Scene 1 (Part 1) 07:37 C1 Act 2 Scene 1 (Continued) 20:21 D1 Act 2 Scene 1 (Conclusion) 14:11 E1 Act 2 Scene 2 21:57 E2 2 Act 3 (Part 1) 08:29 F1 Act 3 (Conclusion) 28:10 Companies, etc. Manufactured By – London Records Record Company – The Decca Record Company Limited Credits Composed By – Giuseppe Verdi Conductor – Richard Bonynge Engineer – James Lock , Kenneth Wilkinson Libretto By – Francesco Maria Piave Orchestra, Chorus – London Opera Chorus, National Philharmonic Orchestra Producer – Andrew Cornall, Christopher Raeburn Notes Comes with a 12'' sized booklet incl. lyrics and the complete libretto. (Track-titles are in german and have been translated into english for the discogs community) First performed at the Teatro Fenice Venice, March 6, 1853. Penguin Guide says : "Sutherland's second recording of the role of Violetta has a breadth and exuberance beyond her achievement in the earlier version of 1963...Bonynge's conducting is finely sprung, the style direct, the speeds often spacious in lyrical music...The digital recording is outstandingly vivid” Sung in italian. Library