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Lari Pittman Bibliography

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Lari Pittman Bibliography LARI PITTMAN BIBLIOGRAPHY Selected Monographs: 2019 Arizmendi, Vanessa, George Baker, Connie Butler, Donatien Grau, Helen Molesworth, and Duro Olowu, Lari Pittman: Declaration of Independence, published by Hammer Museum, Los Angeles, CA, and Prestel, New York, NY, 2019 [forthcoming] 2013 Melandri, Lisa, Helen Molesworth, and Kelly Shindler, A Decorated Chronology, published by Contemporary Art Museum St. Louis, St. Louis, MO, 2013 Colombo, Paolo, Lari Pittman, published by Bernier/Eliades Gallery, Athens, Greece, 2013 Lari Pittman, published by Le Consortium, Dijon, France, 2013 2011 Koestenbaum, Wayne, Helen Molesworth, Lisa Phillips, and Robert Storr, Lari Pittman, published by Skira Rizzoli, New York, NY, 2011 2008 Kertess, Klaus, and Anthony Vidler, Lari Pittman: Paintings and Works on Paper, published by c/o – Atle Gerhardsen, Berlin, Germany, Gladstone Gallery, New York, NY, and Regen Projects, Los Angeles, CA, 2008 2005 Bonami, Francesco, Doug Harvey, and Alison M. Gingeras, Lari Pittman, published by Villa Arson, Nice, France, 2005 1998 Bayley, Paul, Paolo Colombo, and Alex Farquharson, and Christopher Knight, Lari Pittman, published by Cornerhouse, Manchester, UK, and Spacex, Exeter, UK, 1998 1996 Fox, Howard, Dave Hickey, and Paul Schimmel, Lari Pittman: A Survey: 1982 - 1996, published by Los Angeles County Museum of Art, Los Angeles, CA, 1996 Amalfitano, Lelia, Social Fictions: Lari Pittman/Andrea Zittel, published by The Grossman Gallery, School of the Museum of Fine Art, Boston, MA, 1996 Brown, Elizabeth, and Laurence Rickels, Lari Pittman: Drawings, 1982 to 1985, published by University Art Museum, University of California Santa Barbara, Santa Barbara, CA, 1996 1992 Knight, Christopher, Lari Pittman Paintings 1992, published by Galerie Krinzinger, Vienna, Austria, 1992 Selected Catalogues and Publications: 2021 Beatrice, Luca, ed., Los Angeles (State of Mind), published by Edizioni Gallerie d’Italia and Skira, 2021, pp. 118 – 123 [ill.] 2020 Beckwith, Naomi, Valerie Steele, Ekow Eshun, Valerie Steele, Lynette Yiadom- Boakye, and Thelma Golden, Duro Olowu: Seeing, published by the Museum of Contemporary Art Chicago and Prestel, 2020 2017 Manné, Jamie G., ed., and Christine Robinson, Unpacking: The Marciano Collection, published by The Maurice and Paul Marciano Art Foundation, Los Angeles, CA, and Prestel, New York, NY, 2017, pp. 198 – 201 [ill.] 2015 Beck, Chelsea, The Broad Collection, published by The Broad, Los Angeles, CA, and Prestel, New York, NY, 2015, pp. 350 – 355 [ill.] Hushka, Rock, and Jonathan David Katz, Art AIDS America, published by Tacoma Art Museum, Tacoma, WA, and University of Washington Press, Seattle, WA, 2015, pp. 208 [ill.] Miller, Dana, and Adam D. Weinberg, Whitney Museum of Art: Handbook of the Collection, published by Whitney Museum of American Art, New York, NY, and Yale University Press, New Haven, CT, 2015, p. 307 [ill.] Baker, George, Ann Goldstein, Michael Maltzan, and Shaun Caley Regen, Regen Projects 25, published by Prestel, New York, NY, 2015 2012 Decade, published by Albright-Knox Art Gallery, Buffalo, NY, 2012, p. 209 This Will Have Been, published by Yale University Press, New Haven, CT, 2012, pp. 219 – 221 2011 Alexander, Darsie, The Spectacular of Vernacular, published by the Walker Art Center, Minneapolis, MN, 2011, pp. 96 – 97 [ill., cover] 2010 Collischan, Judy, Made in the U.S.A.: Modern/Contemporary Art in America, published by iUniverse, Bloomington, IN, 2010 Psychedelic: Optical and Visionary Art Since the 1960s, published by the San Antonio Museum of Art in Association with the MIT Press, Cambridge, MA, p. 76 [ill.] 2008 Paton, Justin, How to Look at a Painting, published by Awa Press, Wellington, New Zealand, 2008, p. 18 [ill.] MoMA: Highlights since 1980, published by The Museum of Contemporary Art, New York, NY, p. 99 [ill.] Heartney, Eleanor, Art & Today, published by Phaidon, London, UK, 2008, pp. 212 – 214 [ill.] This Is Not To Be Looked At: Highlights from the Permanent Collection of The Museum of Contemporary Art, Los Angeles, published by The Museum of Contemporary Art, Los Angeles, Los Angeles, CA, 2008, pp. 234 – 235 [ill.] The Broad Contemporary Art Museum at the Los Angeles County Museum of Art, published by Los Angeles County Museum of Art, Los Angeles, CA, p. 191 [ill.] 2007 Eden’s Edge Fifteen LA Artists, published by the Hammer Museum, Los Angeles, CA, 2007, pp. 28 – 33 [ill.] Imagination Becomes Reality: An Exhibition on the Expanded Concept of Painting, Works from the Goetz Collection: Part VI, published by Sammlung Goetz, Munich, Germany, 2007, pp. 130 – 131 [ill.] Art 21: Art in the Twenty-First Century Vol. 4, published by Abrams, New York, NY, 2007, pp. 194 – 205 [ill.] 2006 Holland Cherene and Amy Milgrub Marshall, eds., Couples Discourse, published by the Palmer Museum of Art, University Park, PA, 2006, pp. 110 – 111 [ill.] Richer, Francesca and Matthew Rosenzweig, eds., No. 1: First Works by 362 Artists, published by D.A.P., New York, NY, 2006, p. 297 [ill.] Infinite Painting, published by Villa Manin Centro d’Arte Contemporanea, Italy, 2006, pp. 132 – 133 [ill.] Grenier, Catherine, Los Angeles 1955-1985, published by Editions du Centre Georges Pompidou, Paris, France, pp. 362 – 363 [ill.] Art of Engagement: Visual Politics in California and Beyond, published by the San Jose Museum of Art, San Jose, CA, 2006, pp. 17, 214 – 215 [ill.] 2005 No. 1: First Works by 362 Artists, published by D.A.P., New York, NY, 2005, p. 297 [ill.] Singular Expressions: Nine Artists in Three Galleries November to February, published by Sheldon Memorial Art Gallery and Sculpture Garden, Lincoln, NE, 2005, pp. 45, 50 – 51 [ill.] CAP Collection, published by Arlène Bonnant et al., Dublin, Ireland, pp. 228 – 231 [ill.] Drawing from the Modern, 1975 – 2005, organized by Jordan Kantor, published by The Museum of Modern Art, New York, NY, pp. 123 [ill.] POPulence, published by Blaffer Gallery, Houston, TX, 2005, pp. 28 – 33 [ill.] Drucker, Johanna, Sweet Dreams: Contemporary Art and Complicity, published by The University of Chicago Press, Chicago, IL, 2005, pp. 138 – 141,144 [ill.] Kraus, Chris, Jane McFadden, and Jan Tumlir, L.A. Artland: Contemporary Art from Los Angeles, published by Black Dog Publishing, London, UK, 2005, p. 54, 89 [ill.] 2004 Duncan, Michael, High Drama: Eugene Berman and the Legacy of the Melancholic Sublime, published by Hudson Hills Press, New York, NY, 2004, pp. 30, 106 – 107 [ill.] Disparities & Deformations: Our Grotesque, published by Site Santa Fe, Santa Fe, NM, 2004, pp. 102 – 103 [ill.] Art At Work: Forty Years of The JP Morgan Chase Collection, published by The Chase Manhattan Corporation, New York, NY, p. 235 [ill.] 2003 Painting Pictures: Painting and Media in the Digital Age, published by Kerber Verlag, Bielfeld, Germany, pp. 80, 143 170 – 171 [ill.] Dreams and Conflicts: The Dictatorship of the Viewer, la Biennale di Venezia, 50th International Art Exhibition, published by Marsilio Editori, Venice, Italy, 2003, p. 462 The Not-So-Still-Life: A Century of California Painting and Sculpture, published by San Jose Museum of Art, San Jose, CA, 2003, p. 152 [ill.] Reverie: Works from the Collection of Douglas S. Kramer, published by The Speed Art Museum, Louisville, KY, 2003, p. 16 Codeluppi, Vanni, Il Potere del Consumo, published by Bollati Boringhieri, Torino, Italy, 2003 [ill., cover] 2002 White Cube, Volume I, published by Steidl Publishers, Göttingen, Germany, 2002 [ill.] American Visionaries: Selections from the Whitney Museum of American Art, introduction by Maxwell L. Anderson, published by Abrams, New York, NY, 2002, p. 241 [ill.] 2001 The Mystery of Painting, published by Sammlung Goetz, Munich, Germany, 2001, p. 192 [ill.] 2000 Lyons, Lisa, Departures: 11 Artists at the Getty, published by J. Paul Getty Museum, Los Angeles, CA, 2000, pp. 40 – 43 [ill.] Made in California: Art, Image, and Identity, 1900-2000, published by University of California Press, Berkeley, CA, 2000, pp. 256 – 257 [ill.] Reading Caifornia: Art, Image and Identity, 1900-2000, published by University of California Press, Berkeley, CA, 2000, p. 300 [ill.] 1999 Flintridge Foundation Awards for Visual Artists, published by Flintridge Foundation, Pasadena, CA, 1999 – 2000, p. 36 [ill.] 1998 Secret Victorians: Contemporary Artists and a 19th-Century Vision, essays by Susan Ferleger Brades, Melissa E. Feldman, and Ingrid Schaffner, published by Hayward Gallery, London, UK, 1998 Bonami, Francesco, ed., L.A. Times: Art e da Los Angeles nella Collezione Re Rebaudengo Sandretto, published by Fondazione Sandretto Re Rebaudengo, Turin, Italy, 1998 [ill.] Shimbun, Asahi, American Stories: Amidst Displacement and Transformation, published by Setagaya Art Museum, Tokyo, Japan, 1998 [ill.] American Art 1975-1995 from the Whitney Museum: Multiple Identity, published by Castello di Rivoli, Museo d'Arte Contemporanea, Edizioni Charta, Milan, Italy, 1998 Torres, Jose Alvaro Perdice, Cruising L.A., Galeria Soledad Lorenzo, Madrid, Spain, 1998 [ill.] Crenzien, Helle and Lars Nittve, Sunshine & Noir: Art in L.A. 1960-1997, Louisiana Museum of Modern Art, Humlebaek, Denmark, 1998 [ill.] Fernand Leger, “Imagining Cities: Lari Pittman's Urban Groove” by Jodi Hauptman, published by The Museum of Modern Art, New York, NY, 1998, pp. 83 – 90 [ill.] 1997 Fleming, Jeff, Women's Work: Examining the Feminine in Contemporary Painting, published by Southeastern Center for Contemporary Art, Winston-Salem, NC, 1997, p. 6 [ill.] Neri, Louise and Lisa Phillips, 1997 Biennial Exhibition, published by Whitney Museum of American Art and Abrams Publishers, New York, NY, 1997 [ill.] Elusive Paradise: Los Angeles Art from the Permanent Collection, published by Museum of Contemporary Art, Los Angeles, Los Angeles, CA, p. 3, 1997 [ill.] 1996 Art at the End of the 20th Century: Selections from the Whitney Museum of American Art, essay by Johanna Drucker, published by Whitney Museum of American Art, New York, NY, 1996, p. 22 [ill.] a/drift, curated by Joshua Decter, published by Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 1996 [ill.] 1995 Stereo-Tip, published by Soros Center for Contemporary Art, Ljubljana, Slovenia, 1995, pp.
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