A Cultural History of Dutch Orangism During The
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Tulip Symbolism in the Seventeenth-Century Dutch Emblem Book
Tulip symbolism in the seventeenth-century Dutch emblem book 0 Tulip symbolism in the seventeenth-century Dutch emblem book Research Master’s Thesis Utrecht University Faculty of the Humanities Art History of the Low Countries Emily Campbell 6114563 Supervisor: Prof. dr. Thijs Weststeijn Second reader: Prof. dr. Els Stronks Date: 10 July 2019 Title page illustration: Roemer Visscher, Emblem V, Sinnepoppen, I. Amsterdam, by W. Iansz., 1614, p. 5., shelfmark: OTM: OK 62-9148. Collection of Allard Pierson. 1 Table of Contents Introduction 4 Why study the tulip in Dutch emblem books? 4 Relevance to the Field 7 Research Questions 8 Theoretical Context 9 Methodology 20 Chapter Overview 23 Chapter 1: What is the historiography relating to the symbolic function of the tulip in seventeenth-century Dutch art? 24 1.1 The Emergence of Emblematics 24 1.2 Tulip Symbolism in Dutch Flower Paintings 26 1.3 Confusing Accounts: The Phases of the Tulipmania 29 Chapter 2: The Tulip as a Symbol of Virtue 39 2.1 Devotion 39 2.2 Chastity and Honorable Industry 44 2.3 The Multiplicity of Creation 49 Chapter 3: The Tulip as a Symbol of Vice in Roemer Visscher’s Sinnepoppen 57 3.1 Pre-iconographic Analysis 57 3.2 Iconographic Analysis 58 3.3 Iconological Analysis 61 Conclusion 70 Images 73 Appendix: List of Tulips in Dutch Emblem Books (1600-1700), in chronological order 84 Bibliography 105 2 Acknowledgements Writing this thesis has been the largest undertaking of my life. First, thanks are due to my thesis supervisor, prof. dr. Thijs Weststeijn, for assisting me with this, my first, thesis. -
Family Tree Chart Template
Family Tree Chart Template Primrose Hamilton cried some batfish and decontrol his pandemias so beneficently! Pigeon-toed and deuced Ramsay saltate her Yoruba infuses while Rikki tremors some shyer edgeways. Pepper-and-salt and azonal Shaun never plane-table patiently when Ronen forspeak his cerographist. It can click the tree chart Mainly, a lot of interviews have to be performed. Get started on your family tree PPT for the next family gathering. Keep arranging your shapes to form a family tree. Although family tree diagrams were used for a long time they became extremely popular with the release of television series like Game of Thrones. And how to learn more about Romance Scams. Any cookies that may not be necessary for the website to function and are used specifically to collect user personal data via analytics, ads and other embedded contents. Sustantivo de género exclusivamente masculino, que lleva los artÃculos el o un en singular, y los o unos en plural. Then it will ask if you want to change the paths to all the multimedia links in the file to the new path you specified. The post has been moved to a new category. Free family tree forms and charts are provided for download to assist in ancestry research and documentation. The Plum Tree is a app to track your sims legacies via a family tree. Every column on the chart represents a generation. Creating Microsoft Word family tree templates is the easiest to make changes, add new additions, and edit your family tree branches. Family tree charts are very personal, and people often develop their own themes. -
Evolution and Ambition in the Career of Jan Lievens (1607-1674)
ABSTRACT Title: EVOLUTION AND AMBITION IN THE CAREER OF JAN LIEVENS (1607-1674) Lloyd DeWitt, Ph.D., 2006 Directed By: Prof. Arthur K. Wheelock, Jr. Department of Art History and Archaeology The Dutch artist Jan Lievens (1607-1674) was viewed by his contemporaries as one of the most important artists of his age. Ambitious and self-confident, Lievens assimilated leading trends from Haarlem, Utrecht and Antwerp into a bold and monumental style that he refined during the late 1620s through close artistic interaction with Rembrandt van Rijn in Leiden, climaxing in a competition for a court commission. Lievens’s early Job on the Dung Heap and Raising of Lazarus demonstrate his careful adaptation of style and iconography to both theological and political conditions of his time. This much-discussed phase of Lievens’s life came to an end in 1631when Rembrandt left Leiden. Around 1631-1632 Lievens was transformed by his encounter with Anthony van Dyck, and his ambition to be a court artist led him to follow Van Dyck to London in the spring of 1632. His output of independent works in London was modest and entirely connected to Van Dyck and the English court, thus Lievens almost certainly worked in Van Dyck’s studio. In 1635, Lievens moved to Antwerp and returned to history painting, executing commissions for the Jesuits, and he also broadened his artistic vocabulary by mastering woodcut prints and landscape paintings. After a short and successful stay in Leiden in 1639, Lievens moved to Amsterdam permanently in 1644, and from 1648 until the end of his career was engaged in a string of important and prestigious civic and princely commissions in which he continued to demonstrate his aptitude for adapting to and assimilating the most current style of his day to his own somber monumentality. -
1.1. the Dutch Republic
Cover Page The following handle holds various files of this Leiden University dissertation: http://hdl.handle.net/1887/61008 Author: Tol, J.J.S. van den Title: Lobbying in Company: Mechanisms of political decision-making and economic interests in the history of Dutch Brazil, 1621-1656 Issue Date: 2018-03-20 1. LOBBYING FOR THE CREATION OF THE WIC The Dutch Republic originated from a civl war, masked as a war for independence from the King of Spain, between 1568 and 1648. This Eighty Years’ War united the seven provinces in the northern Low Countries, but the young republic was divided on several issues: Was war better than peace for the Republic? Was a republic the best form of government, or should a prince be the head of state? And, what should be the true Protestant form of religion? All these issues came together in struggles for power. Who held power in the Republic, and who had the power to force which decisions? In order to answer these questions, this chapter investigates the governance structure of the Dutch Republic and answers the question what the circumstances were in which the WIC came into being. This is important to understand the rest of this dissertation as it showcases the political context where lobbying occurred. The chapter is complemented by an introduction of the governance structure of the West India Company (WIC) and a brief introduction to the Dutch presence in Brazil. 1.1. THE DUTCH REPUBLIC 1.1.1. The cities Cities were historically important in the Low Countries. Most had acquired city rights as the result of a bargaining process with an overlord. -
Social Engineering and Family Tree
Social Engineering and Family Tree Name Father/Mother Sons/Daughter Grandson/Granddaughter Sahle Selassie (husband) Wossen Segad/Zenebework Wugire (concubine) Derge Buzuneshe (wife) Haile melekot Menelik II Haile Mikael, Syfe, Amarkegne Tenagnework, Ras Mekonnen Bekineshe, Tinfyelesh HaileMelekot (husband) Sahle SelassieBezunesh Menelik Ijegayehu (wife) Adeyamo Tidenkeyalesh (wife) Menelik (husband)) Alitash (wife) Tewdrowes II/Tewbech Ali Bafona (wife) Tsehaytu (wife) Butle HaileMariam Wossen Regad Wodajo (m) Zenebework Mikael Abechi (concubine) Zewditu (f) Other concubines Shewa Ragad (f) Iyasu Mikael Ali Abba Bula Zewditu (female) Menelik/Abechi Araya Selassie Yohannes (husband) Guga Welle (husband) Ras Mengesha Yohannes/Selass Dimtsu Romanawork Kafay Welle Butle/ Seyum Mengesha, Tigray Shewa Regad (wife) Menelik Iyasu V Mikael Ali abba Bula (husband) Name Father Son/Daughter Grandson/Granddaughter Iyasu V (husband) Mikael Ali Abba Bula Romanework (wife) Mengesha Yohannes/Kafay Sebele Wongel Haile (wife) 13 more concubines Mekonne (husnabd) Welde Mikael Gudessa/Tenagnework Yeshemebet (wife) Ali Abba Jiffar/Wolete Haileselassie Romawork,Tenagework,Assef Giyogis a Wossen,Zenebework,Tshai,M okonnen,Saleselassie Mentewab (wife) Wale Butle Other unknown Yilma Mokennen Yeshework (concubine) Mikael Abba Bula/Fantayhe Itege Menen Asfaw 5 husbands: Dejazmach Ali, Sehin (wife) Fantaye husbad/Gabru Amede Ali, Aba Deyas, Ras Seged, Haileselassie Asfaw Janitirar (husband) Haileselassie (husband) Mokennen/Yeshemebet Ali Altayech (wife) Romanawork -
Simon Thurley, ‘Kensington Palace: an Incident in Anglo-Dutch Architectural Collaboration?’, the Georgian Group Journal, Vol
Simon Thurley, ‘Kensington Palace: an incident in Anglo-Dutch architectural collaboration?’, The Georgian Group Journal, Vol. XVII, 2009, pp. 1–18 TEXT © THE AUTHORS 2009 KENSINGTON PALACE: AN INCIDENT IN ANGLO-DUTCH ARCHITECTURAL COLLABORATION? SIMON THURLEY illiam III was brought up in what is often The second was after the death of Charles II in Wtermed the ‘Golden Age’ of Dutch culture, in when William and Mary became next in line to the a country whose intellectual and artistic singularity throne of England after James II. In this period and creativity were recognised across Europe. William’s court, such as it was, was swelled by He came, as King, to a country that Voltaire saw as English visitors and his palaces were enlarged and having made, since , ‘greater progress in all the made more magnificent, both to entertain them, and arts than in all preceding ages’, and having the to reflect his increased status. These bursts of cultural influence to create in Europe the ‘Age of the architectural activity were triggered by the practical English’. The marriage of the two cultures in the requirements of a prince, rather than being the result person of King William was surely to hold great of a love of building and architectural display such as things for the state of English architecture. Yet, in that which drove his grandparents. In Jacob van reality, the English king who spent more on building der Does wrote of William’s grandfather, Frederik than any other in the seventeenth century led court Hendrik, that he was ‘possessed by such a passion architecture into a cul-de-sac. -
Britain and the Dutch Revolt 1560–1700 Hugh Dunthorne Frontmatter More Information
Cambridge University Press 978-0-521-83747-7 - Britain and the Dutch Revolt 1560–1700 Hugh Dunthorne Frontmatter More information Britain and the Dutch Revolt 1560–1700 England’s response to the Revolt of the Netherlands (1568–1648) has been studied hitherto mainly in terms of government policy, yet the Dutch struggle with Habsburg Spain affected a much wider commu- nity than just the English political elite. It attracted attention across Britain and drew not just statesmen and diplomats but also soldiers, merchants, religious refugees, journalists, travellers and students into the confl ict. Hugh Dunthorne draws on pamphlet literature to reveal how British contemporaries viewed the progress of their near neigh- bours’ rebellion, and assesses the lasting impact which the Revolt and the rise of the Dutch Republic had on Britain’s domestic history. The book explores affi nities between the Dutch Revolt and the British civil wars of the seventeenth century – the fi rst major challenges to royal authority in modern times – showing how much Britain’s chang- ing commercial, religious and political culture owed to the country’s involvement with events across the North Sea. HUGH DUNTHORNE specializes in the history of the early modern period, the Dutch revolt and the Dutch republic and empire, the his- tory of war, and the Enlightenment. He was formerly Senior Lecturer in History at Swansea University, and his previous publications include The Enlightenment (1991) and The Historical Imagination in Nineteenth-Century Britain and the Low Countries -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Righteous Citizens: The Lynching of Johan and Cornelis DeWitt,The Hague, Collective Violens, and the Myth of Tolerance in the Dutch Golden Age, 1650-1672 Permalink https://escholarship.org/uc/item/2636q95m Author DeSanto, Ingrid Frederika Publication Date 2018 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Righteous Citizens: The Lynching of Johan and Cornelis DeWitt, The Hague, Collective Violence, and the Myth of Tolerance in the Dutch Golden Age, 1650-1672. A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Ingrid Frederika DeSanto 2018 ABSTRACT OF DISSERTATION Righteous Citizens: The Lynching of Johan and Cornelis DeWitt, The Hague, Collective Violence, and the Myth of Tolerance in the Dutch Golden Age, 1650-1672 by Ingrid Frederika DeSanto Doctor of Philosophy in History University of California, Los Angeles Professor Margaret C Jacob, Chair In The Hague, on August 20 th , 1672, the Grand Pensionary of Holland, Johan DeWitt and his brother Cornelis DeWitt were publicly killed, their bodies mutilated and hanged by the populace of the city. This dissertation argues that this massacre remains such an unique event in Dutch history, that it needs thorough investigation. Historians have focused on short-term political causes for the eruption of violence on the brothers’ fatal day. This work contributes to the existing historiography by uncovering more long-term political and social undercurrents in Dutch society. In doing so, issues that may have been overlooked previously are taken into consideration as well. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. JOHANNES SWARTENHENGST (1644-1711): A DUTCH CARTESIAN IN THE HEAT OF BATTLE ESTER BERTRAND PHD THESIS UNIVERSITY OF EDINBURGH & FREE UNIVERSITY OF BRUSSELS 2014 2 JOHANNES SWARTENHENGST (1644-1711): A DUTCH CARTESIAN IN THE HEAT OF BATTLE ESTER BERTRAND The painting on the title page, entitled The Stallion, is by the accomplished Dutch painter of equestrian scenes, Philips Wouwerman (1619-1668). In agreement with the Creative Commons Licence this copy was retrieved from the following website: http://www.wouwerman.org/ PHD THESIS UNIVERSITY OF EDINBURGH & FREE UNIVERSITY OF BRUSSELS JUNE 2014 Funded by the Research Foundation Flanders (FWO), the Free University of Brussels, and the University of Edinburgh I, Ester Bertrand, hereby certify that this thesis, which is approximately 95.000 words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. -
Anneke Jans' Maternal Grandfather and Great Grandfather
Anneke Jans’ Maternal Grandfather and Great Grandfather By RICIGS member, Gene Eiklor I have been writing a book about my father’s ancestors. Anneke Jans is my 10th Great Grandmother, the “Matriarch of New Amsterdam.” I am including part of her story as an Appendix to my book. If it proves out, Anneke Jans would be the granddaughter of Willem I “The Silent” who started the process of making the Netherlands into a republic. Since the records and info about Willem I are in the hands of the royals and government (the Royals are buried at Delft under the tomb of Willem I) I took it upon myself to send the Appendix to Leiden University at Leiden. Leiden University was started by Willem I. An interesting fact is that descendants of Anneke have initiated a number of unsuccessful attempts to recapture Anneke’s land on which Trinity Church in New York is located. In Chapter 2 – Dutch Settlement, page 29, Anneke Jans’ mother was listed as Tryntje (Catherine) Jonas. Each were identified as my father’s ninth and tenth Great Grandmothers, respectively. Since completion of that and succeeding chapters I learned from material shared by cousin Betty Jean Leatherwood that Tryntje’s husband had been identified. From this there is a tentative identification of Anneke’s Grandfather and Great Grandfather. The analysis, the compilation and the writings on these finds were done by John Reynolds Totten. They were reported in The New York Genealogical and Biographical Record, Volume LVI, No. 3, July 1925i and Volume LVII, No. 1, January 1926ii Anneke is often named as the Matriarch of New Amsterdam. -
Alcohol, Tobacco, and the Intoxicated Social Body in Dutch Painting
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 2-24-2014 Sobering Anxieties: Alcohol, Tobacco, and the Intoxicated Social Body in Dutch Painting During the True Freedom, 1650-1672 David Beeler University of South Florida, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the History Commons Scholar Commons Citation Beeler, David, "Sobering Anxieties: Alcohol, Tobacco, and the Intoxicated Social Body in Dutch Painting During the True Freedom, 1650-1672" (2014). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/4983 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Sobering Anxieties: Alcohol, Tobacco, and the Intoxicated Social Body in Dutch Painting During the True Freedom, 1650-1672 by David Beeler A thesis submitted in partial fulfillment of the requirements for the degree of Master of Liberal Arts Department of Humanities and Cultural Studies College of Arts and Sciences University of South Florida Major Professor: Annette Cozzi, Ph.D. Cornelis “Kees” Boterbloem, Ph.D. Brendan Cook, Ph.D. Date of Approval: February 24, 2014 Keywords: colonialism, foreign, otherness, maidservant, Burgher, mercenary Copyright © 2014, David Beeler Table of Contents List of Figures .................................................................................................................................ii -
Year 7 Issue 7 October 2016 a Monthly National
A Monthly National Review October 2016 “Let us all work for the Greatness of India.” – The Mother Year 7 Issue 7 The Resurgent India 1 October 2016 The Resurgent India English monthly published and printed by Smt. Suman Sharma on behalf of The Resurgent India Trust Published at C/o J.N. Socketed Cement Pipes Pvt. Ltd., Village Bhamraula Post Bagwara, Kichha Road, Rudrapur (U.S Nagar) email: [email protected], [email protected], URL : www.resurgentindia.org Printed at : Priyanka Printing Press, Hotel Krish Building, Janta Inter College Road, Udham Nagar, Rudrapur, Uttarakhand Editor : Ms. Garima Sharma, B-45, Batra Colony, Village Bharatpur, P.O. Kaushal Ganj, Bilaspur Distt. Rampur (U.P) The Resurgent India 2 October 2016 THE RESURGENT INDIA A Monthly National Review October 2016 SUCCESSFUL FUTURE (Full of Promise and Joyful Surprises) Botanical name: Gaillardia Pulchella Common name: Indian blanket, Blanket flower, Fire-wheels Year 7 Issue 7 The Resurgent India 3 October 2016 CONTENTS Surgical Strikes Reveal the Reality of Our Politicians ...................................................... 6 Straight from the Horse’s Mouth ...........................................7 An End to Politics ................................................................... 8 The Overwhelming Evidence in Favour of the Traditional Indian Date for the Beginning of the Kaliyuga and the Mahabharata War .........10 1. The Aihole Inscription of King Pulakesin II and Its Implications for the Modern Historical Dating of the Mahabharata War ........ 10 2. The Superfluity of the Arguments Against the Historicity of the Kaliyuga Era and Their Repudiation ..................... 13 3. The Brihatsamhita of Varahamihira .................................. 18 4. Alberuni’s Indica and the Rajatarangini of Kalhana .......... 23 5. The Records in the Annual Indian Calendars – The Panchangas ....