DOCSLIB.ORG

THE MUSIC Will PLAY

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
THE MUSIC Will PLAY FLEXIBLE TICKET GUARANTEE THE MUSIC PLAY ON! • Donate any unused PERFORMED BY THE NORTHWill CAROLINA SYMPHONY tickets • Refund for any reason You’ll receive a link to access each • Flexible payment plans of these streaming concerts. AN EVENING OF GERSHWIN CELEBRATE 250 YEARS HOLIDAY POPS OF BEETHOVEN & BRANFORD MARSALIS with powerful programs WED, DEC 23, 2020 | 8PM SAT, NOV 7, 2020 | 8PM that illuminate his genius. David Jernigan, organ Lindsay Kesselman, vocals Branford Marsalis, saxophone Christopher James Lees, piano Symphony musicians transport you back to Celebrate the season with classic carols and the roaring ‘20s with George Gershwin’s Suite ZUILL BAILEY PLAYS festive music you know and love, such as Silent from An American in Paris and selections RACHMANINOFF Night, Carol of the Bells, The Twelve Days of from Porgy & Bess. Plus, guest artist Branford SAT, DEC 5, 2020 | 8PM Christmas, the Hallelujah Chorus from Messiah, Marsalis performs Gershwin’s bluesy Second Zuill Bailey, cello and so much more! Prelude and more! Natasha Paremski, piano BERNSTEIN & BARBER Rachmaninoff: Trio élégiaque No. 1 MUSICIANS’ CHOICE Rachmaninoff: Cello Sonata SAT, JAN 16, 2021 | 8PM WITH CAROLINE SHAW Our musicians pick favorites to spotlight their SAT, NOV 21, 2020 | 8PM THE KRUGER BROTHERS virtuosity, with works including Mozart’s Caroline Shaw, host and curator SAT, DEC 12, 2020 | 8PM Oboe Quartet. Jessie Montgomery: Strum The Kruger Brothers Barber: Summer Music Returning to perform with NCS, the Kruger VIVALDI’S FOUR SEASONS Caroline Shaw: Valencia Brothers will infuse classical sounds into folk Valerie Coleman: Red Clay & SAT, JAN 30, 2021 | 8PM Mississippi Delta music to create a unique experience. Simone Porter, violin Bernstein: Dance Suite J.S. Bach: Brandenburg Concerto No. 3 Eric Ewazen: “Tense and Dramatic” Vivaldi: The Four Seasons from Frost Fire VALENTINE’S STREAMING CONCERT IN-PERSON CONCERT ROMANCE & TANGO SAT, FEB 13, 2021 | 8PM Classy and sophisticated for your Valentine— beloved romantic music like Debussy’s Clair de Lune combines with with fiery tangos by Piazzolla. FAMOUS OVERTURES SAT, FEB 27, 2021 | 8PM Timothy Myers, conductor Beethoven: Overture to Egmont ZUILL BAILEY Rossini: Overture to The Barber of Seville Mozart: Overture to The Marriage of Figaro Fanny Mendelssohn: Overture NATASHA PAREMSKI NATASHA FILMED AT BRANFORD MARSALIS ncsymphony.org 919.733.2750 DATES, PROGRAMS, ARTISTS, PRICES, & VENUES ARE SUBJECT TO CHANGE, PENDING CURRENT HEALTH AND SAFETY GUIDELINES STREAMING CONCERT IN-PERSON CONCERT Flex vouchers are redeemable to enjoy the following concerts in-person or streaming. TCHAIKOVSKY BEETHOVEN EROICA CIRQUE DE LA SYMPHONY NO. 4 FRI/SAT, APR 9-10, 2021 | 8PM SYMPHONIE FRI/SAT, MAR 5-6, 2021 | 8PM THUR, APR 15, 2021 | 8PM FRI, MAY 7, 2021 | 8PM THUR, MAR 11, 2021 | 8PM Evan Rogister, conductor SAT, MAY 8, 2021 | 3PM & 8PM Andrew Grams, conductor Caroline Shaw: Entr’acte THUR, MAY 13, 2021 | 8PM Beethoven: Symphony No. 3 “Eroica” Jessie Montgomery: Banner Wesley Schulz, conductor Tchaikovsky: Symphony No. 4 RAGTIME KINGS Cirque de la Symphonie returns for an all-new program with dazzling feats of FRI, APR 16, 2021 | 8PM SWING & BLUES strength and grace. Acrobats, aerial flyers, SAT, APR 17, 2021 | 3PM & 8PM contortionists, and strongmen perform WITH BYRON STRIPLING THUR, APR 22, 2021 | 8PM awe-inspiring choreography to orchestral FRI, MAR 19, 2021 | 8PM Wesley Schulz, conductor SAT, MAR 20, 2021 | 3PM & 8PM favorites that will thrill audiences of all ages. Enjoy your Ragtime-era favorites with iconic THUR, MAR 25, 2021 | 8PM music by Scott Joplin and Jelly Roll Morton BEETHOVEN Byron Stripling, conductor, trumpet, including The Entertainer, Maple Leaf Rag, and vocals and King Porter Stomp. SYMPHONY NO. 5 Trumpeter extraordinaire Byron Stripling FRI/SAT, MAY 14-15, 2021 | 8PM showcases the music of blues legends B.B. BEETHOVEN THUR, MAY 20, 2021 | 8PM King and Muddy Waters in an unforgettable Brett Mitchell, conductor performance for all ages. VIOLIN CONCERTO Joan Tower: Chamber Dance FRI/SAT, APR 30-MAY 1, 2021 | 8PM Beethoven: Symphony No. 5 GERSHWIN & DVOŘÁK THUR, MAY 6, 2021 | 8PM FRI/SAT, MAR 26-27, 2021 | 8PM Grant Llewellyn, conductor THUR, APR 1, 2021 | 8PM Augustin Hadelich, violin CELEBRATE 250 YEARS OF BEETHOVEN Ruth Reinhardt, conductor Hilary Purrington: Daylights Beethoven: Violin Concerto with powerful programs Aaron Diehl, piano that illuminate his genius. Gershwin: Piano Concerto Dvořák: Symphony No. 7 AARON DIEHL AUGUSTIN HADELICH CIRQUE DE LA SYMPHONIE BYRON STRIPLING ncsymphony.org FILMED AT THE MUSIC Will PLAY ON! 919.733.2750 DATES, PROGRAMS, ARTISTS, PRICES, & VENUES ARE SUBJECT TO CHANGE, THANK YOU FOR YOUR SUPPORT! PENDING CURRENT HEALTH AND SAFETY GUIDELINES.
Load more

Recommended publications
  • JUNE 27–29, 2013 Thursday, June 27, 2013, 7:30 P.M. 15579Th
    06-27 Stravinsky:Layout 1 6/19/13 12:21 PM Page 23 JUNE 2 7–29, 2013 Two Works by Stravinsky Thursday, June 27, 2013, 7:30 p.m. 15, 579th Concert Friday, June 28, 2013, 8 :00 p.m. 15,580th Concert Saturday, June 29, 2013, 8:00 p.m. 15,58 1st Concert Alan Gilbert , Conductor/Magician Global Sponsor Doug Fitch, Director/Designer Karole Armitage, Choreographer Edouard Getaz, Producer/Video Director These concerts are sponsored by Yoko Nagae Ceschina. A production created by Giants Are Small Generous support from The Andrew W. Mellon Foundation, Clifton Taylor, Lighting Designer The Susan and Elihu Rose Foun - Irina Kruzhilina, Costume Designer dation, Donna and Marvin Matt Acheson, Master Puppeteer Schwartz, the Mary and James G. Margie Durand, Make-Up Artist Wallach Family Foundation, and an anonymous donor. Featuring Sara Mearns, Principal Dancer* Filming and Digital Media distribution of this Amar Ramasar , Principal Dancer/Puppeteer* production are made possible by the generos ity of The Mary and James G. Wallach Family This concert will last approximately one and Foundation and The Rita E. and Gustave M. three-quarter hours, which includes one intermission. Hauser Recording Fund . Avery Fisher Hall at Lincoln Center Home of the New York Philharmonic June 2013 23 06-27 Stravinsky:Layout 1 6/19/13 12:21 PM Page 24 New York Philharmonic Two Works by Stravinsky Alan Gilbert, Conductor/Magician Doug Fitch, Director/Designer Karole Armitage, Choreographer Edouard Getaz, Producer/Video Director A production created by Giants Are Small Clifton Taylor, Lighting Designer Irina Kruzhilina, Costume Designer Matt Acheson, Master Puppeteer Margie Durand, Make-Up Artist Featuring Sara Mearns, Principal Dancer* Amar Ramasar, Principal Dancer/Puppeteer* STRAVINSKY Le Baiser de la fée (The Fairy’s Kiss ) (1882–1971) (1928, rev.
    [Show full text]
  • Production Database Updated As of 25Nov2020
    American Composers Orchestra Works Performed Workshopped from 1977-2020 firstname middlename lastname Date eventype venue work title suffix premiere commission year written Michael Abene 4/25/04 Concert LGCH Improv ACO 2004 Muhal Richard Abrams 1/6/00 Concert JOESP Piano Improv Earshot-JCOI 19 Muhal Richard Abrams 1/6/00 Concert JOESP Duet for Violin & Piano Earshot-JCOI 19 Muhal Richard Abrams 1/6/00 Concert JOESP Duet for Double Bass & Piano Earshot-JCOI 19 Muhal Richard Abrams 1/9/00 Concert CH Tomorrow's Song, as Yesterday Sings Today World 2000 Ricardo Lorenz Abreu 12/4/94 Concert CH Concierto para orquesta U.S. 1900 John Adams 4/25/83 Concert TULLY Shaker Loops World 1978 John Adams 1/11/87 Concert CH Chairman Dances, The New York ACO-Goelet 1985 John Adams 1/28/90 Concert CH Short Ride in a Fast Machine Albany Symphony 1986 John Adams 12/5/93 Concert CH El Dorado New York Fromm 1991 John Adams 5/17/94 Concert CH Tromba Lontana strings; 3 perc; hp; 2hn; 2tbn; saxophone1900 quartet John Adams 10/8/03 Concert CH Christian Zeal and Activity ACO 1973 John Adams 4/27/07 Concert CH The Wound-Dresser 1988 John Adams 4/27/07 Concert CH My Father Knew Charles Ives ACO 2003 John Adams 4/27/07 Concert CH Violin Concerto 1993 John Luther Adams 10/15/10 Concert ZANKL The Light Within World 2010 Victor Adan 10/16/11 Concert MILLR Tractus World 0 Judah Adashi 10/23/15 Concert ZANKL Sestina World 2015 Julia Adolphe 6/3/14 Reading FISHE Dark Sand, Sifting Light 2014 Kati Agocs 2/20/09 Concert ZANKL Pearls World 2008 Kati Agocs 2/22/09 Concert IHOUS
    [Show full text]
  • Joan TOWER Violin Concerto Stroke Chamber Dance
    AMERICAN CLASSICS Joan TOWER Violin Concerto Stroke Chamber Dance Cho-Liang Lin, Violin Nashville Symphony Giancarlo Guerrero Joan Tower (b. 1938) Violin Concerto memorializing Oliveira’s love for his sibling. The middle section, with its Ravel-like woodwind murmurings, opens Stroke • Violin Concerto • Chamber Dance The composer first met violinist Elmar Oliveira while she with the opening whole-step idea given particular Like all good composers, Joan Tower brings to her writing capabilities. Her first concerto, Music for Cello and was working as composer-in-residence for the St. Louis poignancy by octave displacement. It reaches great desk life and musical experiences that inform her music in Orchestra, was written for the group’s cellist, and she has Symphony. “The first time he heard my music, he really heights of emotional intensity before segueing effortlessly unique ways. These include her childhood in South since composed concerti for the other four instruments in liked it,” she says. Eventually he told her, “You know, I just into the “finale,” the beginning of which is marked by a America, her formal education and her work as a the ensemble. She has held orchestral residencies with love your music, and I would like you to write a piece for descending whole step from pizzicato strings. professional chamber-music player. A member of the the St. Louis Symphony Orchestra (1985-88), the me.” Tower set out to compose a work that would generation that broke the glass ceiling for female Orchestra of St. Luke’s (1997-2007) and the Pittsburgh highlight traits she greatly admired in Oliveira’s technique.
    [Show full text]
  • 1969SS0714 FMAC SS.Pdf
    MAE ZENKE ORVIS AUDITORIUM JULY 14, 1969 8:00 P.M. Monday, July 14, 1969 Mae Zenke Orvis Auditorium 8:00 p.m. THE JUILLIARD ENSEMBLE DENNIS RUSSELL DAVIES, conductor Jeanne Baxtresser, flute Max Lifchitz, piano Virgil Blackwell, clarinet Romuald Tecco, violin Charle ussbaum, ba oon Kaaren Phillip, viola Ronald Romm, trumpet Fred Sherry, c llo Garrett Li t, trombone Donald Palma, double ba Richard Fitz, percussion Kathleen Bride, harp William Storandt, percus ion Assisted by: LaVar Krantz, violin Avis Romm, piano I GOLF DAH~, piano Program Berio Due Pezzi (1949) (Revised 1966) (For violin and piano) First Performance in Hawaii Berio Sequenza, o. V (1966) (For solo trombone) First Performance in Hawaii Berio Sequenza (1955) (For solo flute) First Performance in Hawaii Stravinsky Elege (1944) (For unaccompanied viola) Ingolf Dahl Trio (1962) (For piano~ violin and cello Serenata otturno I Rondino Cantabile Notturno II Finale: Variazioni - Recitativo - Coda First Performance in Hawaii Intermission Armand Russell Celebration Pieces and Mourning Music (1969) Celebration Piece 1 Celebration Pieces 2, 3 and 4 with Mourning Music 1 Celebration Piece 5 Celebration Pieces 6, 7 and 8 with Mourning Music 2 Celebration Piece 9 World Premiere Paul Hindemith Kammermusik, Opus 24, 0.1 (1922) (For flute, clarinet, bassoon, trumpet, percussion, two pianos, violins, viola, cello and double bass) Sehr schnell und wild Massigschnell Halbe' Sehr streng im Rhythmu Quartett - Sehr lang am und mit Ausdruck Finale: 1921 - Ausserst lebhaft First Performance in Hawaii Program otes Due Pezzi was given its first performance in revi ed form by Dennis Russell Davies and Romuald Tecco at the Si th International Festival of Contemporary Art in Royan, France in April 1969, and has been recorded by Phillips ..
    [Show full text]
  • Style and Performance Considerations in Three Works Involving Flute by Joan Tower
    Style and Performance Considerations in Three Works Involving Flute by Joan Tower: Snow Dreams , Valentine Trills , and A Little Gift by TAMMY EVANS YONCE (Under the Direction of Angela Jones-Reus and David Haas) ABSTRACT Joan Tower is a highly regarded contemporary composer who is known for her early serial style and subsequent organic style. Her compositional process is most frequently a collaborative one; a performer herself, she prefers to work with the musicians for whom she is writing. In addition to her Hexachords for solo flute (1972) and Flute Concerto (1989), which are her most commonly studied flute works, she has also written seventeen other chamber or solo works involving flute. This document contains a biography of the composer and an analysis of three chamber and solo works involving flute: Snow Dreams , Valentine Trills, and A Little Gift . A listing of Tower’s chamber and solo works involving flute and an interview with the composer are included as appendices. In addition to identifying formal aspects of the works, specific musical elements that are most salient to each work will be discussed. One of these elements in particular, density, will be analyzed in relation to how it creates or dispels intensity. Tower often employs the same compositional features in all three works to create this feeling of motion versus stasis, which is well illuminated through the analysis of the most salient musical elements. INDEX WORDS: Joan Tower, Snow Dreams , Valentine Trills , A Little Gift , A Gift, Flute, Chamber Music, Solo Music
    [Show full text]
  • 9/15/2018 VITAE JOSEPH KOYKKAR 5205 Hammersley Rd. Madison
    9/15/2018 VITAE JOSEPH KOYKKAR 5205 Hammersley Rd. Madison, Wisconsin 53711 email: [email protected] (608) 276-9448 (home) (608) 263-2585 (office) EDUCATION University of Miami Coral Gables, FL Degree: Doctor of Musical Arts (Composition/Theory) (May 1983) Indiana University Bloomington, IN Degree: Master of Music (Conducting) (August 1978) University of Wisconsin-Milwaukee Milwaukee, WI Degree: Bachelor of Music (Composition/Theory) (December 1975) UNIVERSITY/COLLEGE POSITIONS University of Wisconsin-Madison Professor 1987 to Present Music Director/Composer for the Dance Department Promotion to Full Professor: 1999 Promotion to Associate Professor: 1993 University of Wisconsin-Whitewater Lecturer 1985 to 1987 Department of Music (Music Theory/Composition) University of Miami Lecturer 1983 to 1985 School of Music (Music Theory/Composition) Miami-Dade Community College Adjunct Faculty 1981 to 1985 Department of Music (Music Theory/Composition/Humanities) OTHER RELATED POSITIONS HELD University of Miami Graduate Assistant – Music Theory 1980 to 1983 School of Music *Roanoke City Public School System Composer-in-Residence 1 Roanoke, VA May to June 1981 *Montgomery County School System Composer-in-Residence Christiansburg, VA 1979 to 1980 **York County School Division Composer-in-Residence Grafton, VA 1978 to 79 *National Endowment for the Arts, Artists-in-Schools Program; funded through the Virginia Commission for the Arts; selected as the first Composer-in-Residence in Virginia; after a national search in 1978 subsequent positions followed
    [Show full text]
  • Over 100 Opera Makers
    #OPERAHARMONY CREATING OPERAS IN ISOLATION 1 3 WELCOME TO #OPERA HARMONY FROM FOUNDER – ELLA MARCHMENT Welcome to #OperaHarmony. #Opera Harmony is a collection of opera makers from across the world who, during this time of crisis, formed an online community to create new operas. I started this initiative when the show that I was rehearsing at Dutch National Opera was cancelled because of the lockdown. Using social media and online platforms I invited colleagues worldwide to join me in the immense technical and logistical challenge of creating new works online. I set the themes of ‘distance’ and ‘community’, organised artist teams, and since March have been overseeing the creation of twenty new operas. All the artists involved in #OperaHarmony are highly skilled professionals who typically apply their talents in creating live theatre performances. Through this project, they have had to adapt to working in a new medium, as well as embracing new technologies and novel ways of creating, producing, and sharing work. #OperaHarmony’s goal was to bring people together in ways that were unimaginable prior to Covid-19. Over 100 artists from all the opera disciplines have collaborated to write, stage, record, and produce the new operas. The pieces encapsulate an incredibly dark period for the arts, and they are a symbol of the unstoppable determination, and community that exists to perform and continue to create operatic works. This has been my saving grace throughout lockdown, and it has given all involved a sense of purpose. When we started building these works we had no idea how they would eventually be realised, and it is with great thanks that we acknowledge the support of Opera Vision in helping to both distribute and disseminate these pieces, and also for establishing a means in which audiences can be invited into the heart of the process too .
    [Show full text]
  • Sc~Ol Ofmusic ( I PROGRAM
    ' NEW MUSIC AT RICE A program of works by I guest composer JOAN TOWER and by KARIM AL-ZAND I and ~ KURT STALLMANN I Friday, January 23, 2009 8:00 p.m. Lillian H Duncan Recital Hall ~herd RICE UNIVERSITY Sc~ol ofMusic ( I PROGRAM Rain Waves ( 1997) Joan Tower for violin, clarinet, and piano (b. 1938) Kenneth Goldsmith, violin Michael Webster, clarinet Jon Kimura Parker, piano I; Pattern Preludes, Book 1 (2005) Karim Al-Zand for solo piano (b. 1970) I. Moderately; smoothly (after Bach) 2. As quickly as possible, chirring 3. Slowly; delicate thrumming (after Chopin) 4. Very swiftly; restless, agitated 5. Slowly; lyrically ( after Debussy) ~ 6. Quickly; vibrant, full of life Tali Margulis, piano (guest) ~ I Dear Miss Lia (2009, Premiere) Kurt Stallmann ~' for solo performer with electronics (b.1964) Kurt Stallmann, performer Ii Trio Cavany (2007) Joan Tower for violin, cello, and piano Cho-Liang Lin, violin Norman Fischer, cello Jeanne Fischer, piano ) The reverberative acoustics of Duncan Recital Hall magnify the slightest sound made by the audience. Your care and courtesy will be appreciated. ~ The ta/ring ofphotogmphs ond use ofrecord;ng equ;pment are proh;bUed. 1 PROGRAM NOTES Rain Waves . Joan Tower Rain Waves (for violin, clarinet, and piano) was commissioned by Mich­ igan State University for the Verdehr Trio. This work explores the motion of a waveform. Starting with a pointillistic "rain"-type pattern, the notes float upwards and downwards in increasing intensities. In the less "stac­ cato"-like and more flowing sections, there is a sense of a "wind" pushing the notes into longer and wider arched patterns - perhaps like the undulat­ ing sheets of rain created in a light southern tropical rainfall.
    [Show full text]
  • (And Residency) for Composer Joan Tower
    The ARTery A Boston Birthday Celebration (And Residency) For Composer Joan Tower February 07, 2018 By Keith Powers NewNew EnglandEngland ConservatoryConservatory is calling it a residency for composer Joan Tower, but New England Conservatory it feels more like a birthday party. And it is — just a bit premature. The esteemed American composer turns 80 this September, and NEC, along with the BostonBoston ModernModern OrchestraOrchestra ProjectProject, has organized an early acknowledgement of the milestone. BMOP goes first, with an Boston Modern Orchestra Project all-Tower program Friday evening at Jordan Hall. NEC plays host for the whole week, which includes a women-in-leadership conference, a masterclass and seminar, and a chamber music concert on Feb. 13 as well. Story continues below More From The ARTery Robot-HumanRobot-Human Relationships?Relationships? CellphoneCellphone Sofas?Sofas? AA LookLook AtAt TheThe 1414 'Art'Art ++ Tech'Tech' ExhibitionsExhibitions InIn TheThe BostonBoston AreaArea Robot-Human Relationships? Cellphone Sofas? A Look At The 14 'Art + Tech' TheThe ARTeryARTery 12 hours ago Exhibitions In The Boston Area The ARTery HaneefahHaneefah WoodWood AndAnd TheThe HuntingtonHuntington TheatreTheatre CompanyCompany MakeMake 'Bad'Bad Dates'Dates' AA RewardingRewarding NightNight OutOut Haneefah Wood And The Huntington Theatre Company Make 'Bad Dates' A TheThe ARTeryARTery Feb 5, 2018 Rewarding Night Out The ARTery Tower is prolific, and already well honored. In 1990, she was the first woman to win composition’s largest financial prize, the Grawemeyer Award, for her orchestral piece “Silver Ladders.” Her “Made in America” might be the most frequently performed piece of contemporary music: a commission consortium of 65 orchestras funded it, and it has been performed in all 50 states.
    [Show full text]
  • Intermedial Modernism: Music, Dance, and Sound
    Intermedial Modernism: Music, Dance, and Sound Patrick Milian A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2019 Reading Committee: Leroy Searle, Chair Sydney Kaplan Brian Reed Program Authorized to Offer Degree: English ©Copyright 2019 Patrick Milian University of Washington Abstract Intermedial Modernism: Music, Dance, and Sound Patrick Milian Chair of Supervisory Committee: Leroy Searle English Intermedial Modernism: Music, Dance, and Sound examines how twentieth-century combinations of literature with sound-based arts like music, dance, and radio emerged from aesthetic negotiations with new media technologies. Such technologies—specifically phonography, electric amplification, modern stagecraft, and radiophonic broadcast—practically and conceptually integrated multiple artistic mediums and their meaning-making potentialities. I use the framework of intermediality, especially as utilized in word and music studies, to describe such integrations. Intermediality is a centuries-old practice of “making it new,” but what sets its twentieth-century iterations apart from those of Aeschylus or Monteverdi, I argue, is that they interpolate the acoustic effects, cultural practices, and expanded perceptual vocabularies affiliated with new media. By fully contextualizing case studies of opera, musicalized literature, expressive dance, and radio programs within a broader media ecology and by understanding the role of stipulated sense modalities and listening practices,
    [Show full text]
  • Jordan College of the Arts
    250 BUTLER UNIVERSITY JORDAN COLLEGE OF THE ARTS Jordan College of the Arts has a distinguished Briscoe, Ph.D.; Davis Brooks, D.M.A.; Lisa tradition extending from the year 1895, when the Brooks, D.M.A.; Ronald Caltabiano, D.M.A.; Metropolitan School of Music was founded. That Marek Cholewa; Nikolai Rimsky-Korsakov school merged in 1928 with the Indiana College Conservatory; Richard Clark, M.M.; Stanley of Music and Fine Arts to become the Arthur E. DeRusha, M.M.; Penny Dimmick, D.A.; Jordan Conservatory of Music. In 1951, after 23 William Fisher, B.A.; Jeffrey Gillespie, Ph.D.; years of close affiliation, the conservatory became Robert Grechesky, Ph.D.; Michelle Jarvis, a part of Butler University as Jordan College of M.A.; Stephan Laurent, M.F.A.; James Music. The name was changed to Jordan College Mulholland, M.M.; David Murray, M.M.; of Fine Arts in 1978, and in 2012 the name was Cynthia Pratt, M.F.A.; Owen W. Schaub, again changed to Jordan College of the Arts. Ph.D.; Michael Schelle, Ph.D.; Laurence Jordan College of the Arts is committed to Shapiro, M.M.; Douglas E. Spaniol, D.M.A.; the highest quality arts education by providing Eric Stark, D.M.A.; Diane Timmerman, M.F.A. focused professional study and fostering an Associate Professors understanding of the interrelatedness of all the Larry Attaway, B.M.; Elaina Artemiev, Ph.D.; arts in a liberal arts environment. Through this Daniel Bolin, Ed.D.; Kathleen Boyd, D.M.A.; integration we develop artist-citizens who are Frank Felice, Ph.D.; William Grubb, D.M.A.; actively engaged in the community.
    [Show full text]
  • MAY FESTIVAL the PHILADELPHIA ORCHESTRA WILLIAM SMITH, Assistant Conductor
    1962 Eighty-fourth Season 1963 UNIVERSITY MUSICAL SOCIETY THE UNIVERSITY OF MICHIGAN Charles A. Sink, President Gail W. Rector, Executive Director Lester McCoy, Conductor Third Concert Complete Series 3388 Seventieth Annual MAY FESTIVAL THE PHILADELPHIA ORCHESTRA WILLIAM SMITH, Assistant Conductor SOLOISTS ANTHONY GIGLIOTTI, Clarinetist BERNARD GARFIELD, Bassoonist SATURDAY AFTERNOON, MAY 11, 1963, AT 2:30 HILL AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM Variations on a Theme by Haydn, Op, 56a BRAHMS Andante Poco pili animato Pili vivace Con moto Andante con moto Vivace Vivace Grazioso Presto non troppo Finale: andante Duet-Concertante for Clarinet and Bassoon, with Harp and Strings STRAUSS ANTHONY GIGLIOTTI and BERNARD GARFIELD INTERMISSION *Symphonie fantastique, Op . 14A BERLIOZ Largo; allegro agitato e appassionato assai Valse: allegro non troppo Adagio Allegretto non troppo Larghetto; allegro assai; allegro * Columbia Records The Steinway is the official piano of the University Mllsical Society, The Baldwin Piano is the official piano of the Philadelphia Orchestra. A R S LON G A V I T A BREVIS 1963 - UNIVERSITY MUSICAL SOCIETY PRESENTATIONS - 1964 All presentations are at 8:30 P.M. unless otherwise noted. Choral Union Series NEW YORK PHILHARMONIC . VVednesday, September 11 GYORGY SANDOR, Pianist Tuesday, September 24 JEROME HINES, Bass Monday, October 7 BULGARIAN NATIONAL ENSEMBLE Friday, October 18 THE CLEVELAND ORCHESTRA Thursday, November 7 Don Giovanni (NEW YORK CITY OPERA CO.) Sunday, November 17 PHILHARMONIA HUNGARICA Monday, January 20 Tossy SPIVAKOVSKY, Violin Soloist MAZOWSZE DANCE COMPANY (from Poland) Thursday, January 30 TERESA BERGANZA, Coloratura mezzo-soprano. VVednesday, February 26 CHICAGO OPERA BALLET . Friday, March 13 * Season Tickets: $24.00---$20.00---$17.00-$14.00-$12.00 Extra Series Tosca (GOLDOVSKY OPERA THEATER) Thursday, October 10 BALLET FOLKLORICO OF MEXICO Friday, November 1 Madama Butterfly (NEW YORK CITY OPERA CO.) (2:30) Sunday, November 17 VIENNA SYMPHONY ORCHESTRA .
    [Show full text]