Two Archaeologists Comment on the Passion of the Christ
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Outlaw: Wilderness and Exile in Old and Middle
THE ‘BESTLI’ OUTLAW: WILDERNESS AND EXILE IN OLD AND MIDDLE ENGLISH LITERATURE A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Sarah Michelle Haughey August 2011 © 2011 Sarah Michelle Haughey THE ‘BESTLI’ OUTLAW: WILDERNESS AND EXILE IN OLD AND MIDDLE ENGLISH LITERATURE Sarah Michelle Haughey, Ph. D. Cornell University 2011 This dissertation, The ‘Bestli’ Outlaw: Wilderness and Exile in Old and Middle English Literature explores the reasons for the survival of the beast-like outlaw, a transgressive figure who highlights tensions in normative definitions of human and natural, which came to represent both the fears and the desires of a people in a state of constant negotiation with the land they inhabited. Although the outlaw’s shelter in the wilderness changed dramatically from the dense and menacing forests of Anglo-Saxon England to the bright, known, and mapped greenwood of the late outlaw romances and ballads, the outlaw remained strongly animalistic, other, and liminal, in strong contrast to premodern notions of what it meant to be human and civilized. I argue that outlaw narratives become particularly popular and poignant at moments of national political and ecological crisis—as they did during the Viking attacks of the Anglo-Saxon period, the epoch of intense natural change following the Norman Conquest, and the beginning of the market revolution at the end of the Middle Ages. Figures like the Anglo-Saxon resistance fighter Hereward, the exiled Marcher lord Fulk Fitz Waryn, and the brutal yet courtly Gamelyn and Robin Hood, represent a lost England imagined as pristine and forested. -
The Passion of Christ on Television: Intertextuality As a Mode of Storytelling
religions Article The Passion of Christ on Television: Intertextuality as a Mode of Storytelling Stefan Gärtner Department of Practical Theology and Religious Studies, Tilburg University, P.O. Box 90153, NL-5000 LE Tilburg, The Netherlands; [email protected] Received: 2 October 2020; Accepted: 9 November 2020; Published: 13 November 2020 Abstract: The Passion is a contemporary performance of the passion of Christ live on stage, combined with pop music, city marketing, social media, and entertainment. The result is an encounter between the Christian gospel and traditional elements of devotion like a procession of the cross on the one hand, and the typical mediatization and commercialization of late modern society on the other. In this article, I will first briefly describe the phenomenon, including the different effects that the event has upon the audience and the stakeholders and benefits it has for them. It is one characteristic of The Passion that it allows for a variety of possible approaches, and this is, at the same time, part of its formula for success. Another characteristic is the configured intertextuality between the sacred biblical text and secular pop songs. In the second section, I will interpret this as a central mode of storytelling in The Passion. It can evoke traditional, but also new, interpretations of the Christian gospel. The purpose of the article is to interpret The Passion as an expression of constructive public theology. It is an example of how the gospel is brought into dialogue with secular society. Keywords: passion play; The Netherlands; public theology; intertextuality; The Passion 1. Introducing The Passion The television program The Passion is an example of public theology. -
Great Commission’ and the Tendency of Wesley’S Speech About God the Father
“THE PECULIAR BUSINESS OF AN APOSTLE” The ‘Great Commission’ and the Tendency of Wesley’s Speech about God the Father D. Lyle Dabney Marquette University Written for the Systematic Theology Working Group of the Twelfth Oxford Institute of Methodist Theological Studies meeting at Christ Church College, Oxford, England August 12-21, 2007 In focusing the general call concerning papers for this working group, Craig Keen and Sarah Lancaster began by instructing us to attend to the ecclesiological significance and broader theological ramifications of the calling and mission of the church, which the Creed of Nicea describes not only as ‘one, holy, [and]catholic,’ but also as ‘apostolic.’ We ask in particular that members of this working group consider the Great Commission that closes the Gospel of Matthew. In sum, our conveners have asked us to concentrate our work on the character of the Christian community as ‘apostolic,’ i.e., as defined by the mission of word and deed that Christ has bequeathed to his disciples. Following those instructions, let me introduce my topic with the familiar words of the Great Commission to which they refer, and of the pericope that gives it context. Now the eleven disciples went to Galilee, to the mountain to which Jesus had directed them. When they saw him, they worshiped him; but some doubted. And Jesus came and said to them, “All authority in heaven and on earth has been given to me. Go therefore and make disciples of all nations, baptizing them in the name of the Father and of the Son and of the Holy Spirit, and teaching them to obey everything that I have commanded you. -
Video-Recorded Decapitations - a Seemingly Perfect Terrorist Tactic That Did Not Spread Martin Harrow DIIS Working Paper 2011:08 WORKING PAPER
DIIS working paper DIIS WORKING PAPER 2011:08 Video-recorded Decapitations - A seemingly perfect terrorist tactic that did not spread Martin Harrow DIIS Working Paper 2011:08 WORKING PAPER 1 DIIS WORKING PAPER 2011:08 MARTIN HARROW MSC, PhD, Consulting Analyst at DIIS [email protected] DIIS Working Papers make available DIIS researchers’ and DIIS project partners’ work in progress towards proper publishing. They may include important documentation which is not necessarily published elsewhere. DIIS Working Papers are published under the responsibility of the author alone. DIIS Working Papers should not be quoted without the express permission of the author. DIIS WORKING PAPER 2011:08 © Copenhagen 2011 Danish Institute for International Studies, DIIS Strandgade 56, DK-1401 Copenhagen, Denmark Ph: +45 32 69 87 87 Fax: +45 32 69 87 00 E-mail: [email protected] Web: www.diis.dk Cover Design: Carsten Schiøler Layout: Ellen-Marie Bentsen Printed in Denmark by Vesterkopi AS ISBN: 978-87-7605-449-6 Price: DKK 25.00 (VAT included) DIIS publications can be downloaded free of charge from www.diis.dk 2 DIIS WORKING PAPER 2011:08 CONTENTS Abstract 4 Introduction 5 Decapitation as a weapon 5 Video-recorded decapitations 2002-2009 8 The reproductive dynamics of terrorist tactics 11 The accessibility of video-recorded decapitations as a tactic 12 Effectiveness of terrorism – impacting two different audiences 14 Why not video-recorded decapitations? 18 Iraq 18 Afghanistan 19 The West 20 Conclusion 21 List of References 23 DIIS WORKING PAPER 2011:08 ABSTracT Video-recorded decapitations have an enormous impact, they are cheap and easy, and they allow the terrorists to exploit the potential of the Internet. -
John 11:47-53 People of the Passion: Caiaphas, the Schemer Midweek Lenten Service #1 Ash Wednesday March 6, 2011
John 11:47-53 People of the Passion: Caiaphas, The Schemer Midweek Lenten Service #1 Ash Wednesday March 6, 2011 Then the chief priest and the Pharisees called a meeting of the Sanhedrin. "What are we accomplishing?" they asked. "Here is this man performing many miraculous signs. If we let him go on like this, everyone will believe in him, and then the Romans will come and take away both our place and our nation." Then one of them, named Caiaphas, who was high priest that year, spoke up, "You know nothing at all! You do not realize that it is better for you that one man die for the people than that the whole nation perish." He did not say this on his own, but as high priest that year he prophesied that Jesus would die for the Jewish nation, and not only for that nation but also for the scattered children of God. So from that day on they plotted to take his life. (NIV) As we begin our Lenten sermon series titled "People of the Passion" we're going to begin by looking at the person some might well argue is the greatest villain of the Passion History. But it's probably not who you think. It's not Judas, always listed last of the 12 disciples, often with an ominous explanatory note along the lines of "who betrayed him." It's not Pilate, who was everything a judge is not supposed to be. It's Caiaphas. It was Caiaphas who got this whole thing started. Without Caiaphas, Judas and Pilate would not have entered the picture. -
The Passion and Resurrection According to John CRAIG R
Luther Seminary Digital Commons @ Luther Seminary Faculty Publications Faculty & Staff choS larship Winter 1991 The aP ssion and Resurrection According to John Craig R. Koester Luther Seminary, [email protected] Follow this and additional works at: http://digitalcommons.luthersem.edu/faculty_articles Part of the Biblical Studies Commons Recommended Citation Koester, Craig R., "The asP sion and Resurrection According to John" (1991). Faculty Publications. 126. http://digitalcommons.luthersem.edu/faculty_articles/126 Published Citation Koester, Craig R. “The asP sion and Resurrection According to John.” Word & World 11, no. 1 (1991): 84–91. This Article is brought to you for free and open access by the Faculty & Staff choS larship at Digital Commons @ Luther Seminary. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Digital Commons @ Luther Seminary. For more information, please contact [email protected]. Word & World 11/1 (1991) “TEXTS IN CONTEXT” Copyright © 1991 by Word & World, Luther Seminary, St. Paul, MN. All rights reserved. page 84 The Passion and Resurrection According to John CRAIG R. KOESTER Luther Northwestern Theological Seminary, St. Paul, Minnesota The Gospel of John moves like a pendulum. It begins at the high point by announcing, “In the beginning was the Word and the Word was with God and the Word was God” (1:1). Then the story unfolds in a downward arc, as the Word becomes flesh in the person of Jesus Christ. The first disciples receive Jesus gladly, hailing him as Rabbi, Messiah, Son of God, and King of Israel, and accompanying him to Cana’s wedding feast. But the pendulum continues to plunge downward, as the crowds become confused, skeptical, and hostile to Jesus’ claims; they charge that he is a blasphemer, try to stone him, and finally plot his execution. -
A General Semantics View of the Changing Perceptions of Christ
A General Semantics View of the Changing Perceptions of Christ RaeAnn Burton, Beth Maryott, & Megan O’Byrne "A General Semantics View of the Changing Perceptions of Christ," presented by RaeAnn Burton, Beth Maryott, and Megan O'Byrne, explores the American views of Jesus Christ perceptually and visually. It includes traditional, pictorial representations and reactions to nontraditional or New Age portrayals. The paper also addresses perceptual revolution in the minds of Americans regarding Jesus Christ. The presentation then shows the relationship of these concepts to general semantics principles. * * * Modern Portrayals of Jesus in Works of Art RaeAnn Burton University of Nebraska at Kearney "Modern Portrayals of Jesus in Works of Art" is a paper addressing modern depictions of Jesus that stray from the traditional portrayals of Christ. New images of Jesus in paintings by Stephen Sawyer and Janet McKenzie are described to show how the image of Jesus is changing in the 21st century. Examples of sculptures and humorous pieces that depict Jesus in a modern fashion are also described. Last, the relationship between these modern portrayals of Jesus and general semantics is discussed. It is noted that every depiction of Christ, whether traditional or nontraditional, is an assumption. Depictions of Jesus are changing in the 21st century. This paper describes some of the changes in works of art and relates the changes to the study of general semantics. Introduction For centuries the image of Jesus’ physical appearance has been etched into people’s minds. Children learn in Sunday school at a young age what Jesus looked like. The most typical North American representation is a tall, lean, Caucasian man with long, flowing, light brown hair. -
Ancient Laws of China Death Penalty
Ancient Laws Of China Death Penalty Unratified and habitual Henry cheeses dooms and drop-kick his limestone promiscuously and Stevieopprobriously. musteline? When Sickish Spiros Klaus capitulating never exposes his honeybunch so succinctly white-outs or quests not anyunselfconsciously cacodemons jawbreakingly. enough, is The rule penalty si dapi was lack of the traditional five capital punishment wuxing in ancient China. World Factbook of Criminal reward System China Bureau of. The People's Republic of China view laws especially. China's Death violate The Political Ethics of Capital. In their protest with ithacius, or penalty has still has been sentenced to xingliang chen zexian, death penalty was based his criminal? The addict was inspired by ancient Chinese traditions and essentially works. More smoke more countries are tending to strictly restrict cell death each one of. Death penalty Information pack Penal Reform International. Crime and Punishment in Ancient China Duhaime's Law. Can either dome or rewrite the meal penalty statute if it chooses to make law the law. Bangladesh approves the use watch the death once for rapists joining at. Criminals to the nations of ancient china is that. Yi gets the penalty of the use of the inferior officer of death penalty finds that employ the death penalty laws. 2 ringleaders of the gangs engaged in robbing ancient cultural ruins and. Capital punishment New World Encyclopedia. What look the punishments in China? Anderson notes that do something of ancient laws china remain a stake, location can be handled only with bank settlement receipts such. Japan's death penalty a spouse and unusually popular. -