Peter Gouldthorpe— CV
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Peter Gouldthorpe— CV
peter gouldthorpe— CV handmark SOLO EXHIBITIONS 2020 'Wild Heart' Handmark Gallery, Hobart, Tasmania 2018 'Dragon's Veins', Handmark Gallery, Evandale, Tasmania 2017 'High Places', Handmark Gallery, Hobart, Tasmania 2011 'To The Island', Colville Gallery, Hobart, Tasmania 2007 'A Change in the Weather', Colville Street Gallery, Hobart, Tasmania 2005 'Tasmanian Landscapes', Colville Street Gallery, Hobart, Tasmania 2000 'Lost Diamonds of Killiekrankie' Exhibition, Queen Victoria Museum and Art Gallery, Launcestion, Tasmania 1999 Retrospective Exhibition, Dromkeen, Victoria 1998 Exhibition of 'Norton’s Hut' originals, Fremantle Children’s Literature Centre, Fremantle Western Australia Exhibition of 'Norton’s Hut', originals and retrospective, Books Illustrated, Port Melbourne, Victoria 1996 Exhibition of finished art and working drawings from 'The Lost Diamonds of Killiecrankie' and 'The Wonder Thing' 1994 'First Light', finished art and working drawings, Fremantle Arts Centre, Western Australia 1992 Originals from 'Hist!' and 'Grandad’s Gifts', Books Illustrated, Port Melbourne, Victoria 1990 Originals from 'Sheep Dogs and earlier titles', Gallery Cimitiere, Launceston, Tasmania 1989 Exhibition of illustrations and working drawings, Queen Victoria Museum and Art Gallery, Launceston, Tasmania 1987 Paintings and drawings, Cockatoo Gallery, Launceston, Tasmania 1985 Work from 'Jonah and the Manly Ferry' and 'Don’t Get Burnt', Manly Art Gallery, Manly, N.S.W. 1976,79,81 Paintings and Drawings, Little Gallery, Devonport, Tasmania 1975 B&W Drawings, -
To the Westward’
‘To The Westward’ Meander Valley Heritage Study Stage 1: Thematic History Prepared by Ian Terry & Kathryn Evans for Meander Valley Municipal Council October 2004 © Meander Valley Municipal Council Cover. Looking west to Mother Cummings Peak and the Great Western Tiers from Stockers Plains in 1888 (Tasmaniana Library, State Library of Tasmania) C O N T E N T S The Study Area.......................................................................................................................................1 The Study ...............................................................................................................................................2 Authorship ..............................................................................................................................................2 Methodology ..........................................................................................................................................2 Acknowledgments ..................................................................................................................................2 Abbreviations .........................................................................................................................................3 Historical Context .................................................................................................................................4 Introduction ............................................................................................................................................4 -
Royal Tasmanian Botanical Gardens
Annual Report 2006-2007 Department of Tourism, Arts and the Environment The Department of Tourism, Department of Tourism, Arts and the Environment Annual Report 2006-07 Arts and the Environment Working together co-operatively to celebrate the value of place in Tasmania 1 Department of Tourism, Arts and the Environment Annual Report 2006-07 Contents Submission to the Minister 3 Workforce information 61 Secretary’s foreword 4 Human Resource Management Policies 61 Recruitment and selection 61 Organisational chart 6 Occupational health and safety performance 62 About us 7 Leave management 62 Who we are 7 Organisation and employee development 62 What we do 7 Managing diversity 63 Where we are going 8 Employee relations 63 Governance 8 Human Resource Management statistics 63 Strategic directions 9 Supporting Information 65 Management Boards 10 Policies to help manage our business 65 Creating strong communities 11 Asset management 65 Tasmania Together 11 Pricing policies 66 Our contribution to Tasmania Together 14 Risk management 66 Disability Framework for Action 17 Legislation administered by the Department 66 Business Unit Reports 19 Statutory and non-statutory bodies 67 Tourism Tasmania 20 Publications 67 Parks and Wildlife Service 24 Tenders and Consultancies 68 Heritage Tasmania 29 Freedom of Information 70 Aboriginal Heritage Office 33 Superannuation Certificate 71 Arts Tasmania 37 Financial statements 73 Tasmanian Museum and Art Gallery 42 Table of Contents 74 Royal Tasmanian Botanical Gardens 45 Auditor General’s Report 76 Environment -
Artist Statements
Artists Statements & Curriculum Vitae Contents Steven Alderton 01 Tony Pepe 22 Joshua Andree 02 Rodney Pople 23 Anne Brennan 03 Jennifer Riddle 24 Jane Burton Taylor 04 Darryl Brian Rogers 25 Faridah Cameron 05 Luisa Romeo 26 Tim Coad 06 Otto Schmidinger 27 Jason Cordero 07 the naughty see monkey 28 Richard Dunlop 08 V.I.D Singh 29 Josh Foley 09 Peta-Jayne Smith 30 Sebastian Galloway 10 Paul Snell 31 Fabien Garcia 11 Neil Taylor 32 Peter Gouldthorpe 12 Thomas Thorby-Lister 33 Elaine Green 13 Irene Torres 34 Leanne Halls 14 Guy Trinquet 35 Karen Hammat 15 Annette van Betlehem 36 Robyn Harman 16 Craig Waddell 37 Rachel Howell 17 James Walker 38 Melissa Kenihan 18 John Waller 39 Laurence King 19 Peter Watts 40 Keith Lane 20 Anthony White 41 Robert O’Connor 21 Lee Wilkes 42 Glover Prize 2021 Steven Alderton NSW 01 Little Blue Lake Pigmented inks and acrylic on canvas 172 x 190 cm $11,000 My work is about the enduring horizon line and the visual environment. When you are in nature you are looking, absorbing, seeing and experiencing the vast complex surrounds. Within the landscape, you always have a point of focus and direction, yet everything else that is not part of your focus forms part of the visual environment - these paintings are about rolling up the experience of the whole visual environment, beyond your focus, and looking to the horizon line beyond the immediate. The energy of nature, great beauty and the sublime are found at the horizon line; it is limitless and ongoing, and linked to the definition of nature keeps changing, then it was turned into a mine, future and to destiny. -
Chapter Eight
TO MARKET TO MARKET: THE DEVELOPMENT OF THE AUSTRALIAN CHILDREN’S PUBLISHING INDUSTRY Robyn Sheahan-Bright BA, UQ, GradDipLibSc, QUT, Master of Letters (Distinction) UNE Submitted in fulfillment of the requirements of the Degree of Doctor of Philosophy School of Arts, Griffith University December 2004 1 SYNOPSIS If Fools Went Not To Market, Bad Wares Would Not Be Sold Dictionary of Proverbs The aim of this study is to examine the tension between ‘commerce and culture’ in the dynamic development of the Australian children’s publishing industry, within the wider context of international children’s publishing history. It aims to refute a commonly stated ‘truism’ – that the conflict between the cultural value of a book and the need to market it threatens the integrity of the authors, publishers and the books themselves. Instead, it demonstrates that the tension between cultural and commercial definitions of the book publisher’s role lies at the heart of the dynamism which has fuelled the development of a publishing climate, and created really innovative publishing. Publishing has too often been examined as if the sole motive of the publisher should be to produce books of quality, and though this is certainly the primary objective of the publishers which are the focus in this study, it is imperative to recognize that the dissemination of ‘quality’ literature and cultural product has always been dependent upon the recognition of commercial strategies which are often naively dismissed as being opportunistic and even extraneous to the publisher’s purpose. As this thesis endeavours to show, the pioneering efforts of John Newbery, the Religious Tract Society, E.W.