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Frank Norris Collection of Papers and Related Materials, [Ca
http://oac.cdlib.org/findaid/ark:/13030/tf6g500585 No online items Guide to the Frank Norris Collection of Papers and Related Materials, [ca. 1889-1930] Processed by The Bancroft Library staff The Bancroft Library. University of California, Berkeley Berkeley, California, 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu © 1997 The Regents of the University of California. All rights reserved. Note This finding aid has been filmed for the National Inventory of Documentary Sources in the United States (Chadwyck-Healey Inc.) Note Arts and Humanities --Literature --American Literature Guide to the Frank Norris BANC MSS C-H 80 1 Collection of Papers and Related Materials, [ca. 1889-1930] Guide to the Frank Norris Collection of Papers and Related Materials, [ca. 1889-1930] Collection number: BANC MSS C-H 80 The Bancroft Library University of California, Berkeley Berkeley, California Contact Information: The Bancroft Library. University of California, Berkeley Berkeley, California, 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu Processed by: The Bancroft Library staff Date Completed: ca. 1969 Encoded by: Charlotte Gerstein © 1997 The Regents of the University of California. All rights reserved. Collection Summary Collection Title: Frank Norris Collection of Papers and Related Materials, Date (inclusive): [ca. 1889-1930] Collection Number: BANC MSS C-H 80 Creator: Norris, Frank, 1870-1902 Extent: Number of containers: 6 boxes, 2 portfolios, 1 volume and 1 oversize folder Repository: The Bancroft Library Berkeley, California 94720-6000 Physical Location: For current information on the location of these materials, please consult the Library's online catalog. -
The Twilight Zones of Microbiology John Postgate
The twilight zones of microbiology John Postgate Professor John In 1674, Antoni Leeuwenhoek first described happy with that? Nor am I. But the probabilities are that Postgate, FRS, ●to the Royal Society his microscopic animal- we shall have to come to terms with it, just as mid- author of the well cules, creatures so small as to be invisible to the twentieth-century microbiologists had eventually to known book naked eye. His findings were received with lively accept that, contrary to the orthodoxy of the time, Microbes and Man, interest, but they made no radical impact, because bacteria possessed chromosomes. creatures close to the limits of optical resolution were So, are prions alive? That may seem a silly question, Honorary Member already known, and his protozoa were on the margin of because it has long been obvious that linguistically the and former President that limit. It was his letter of October, 1676, which borders of animate and inanimate matter are fuzzy, and of the Society, astonished the Society, for the ‘tiny eels’ he saw, which we that around those borders the term ‘living’ becomes looks at why the now call bacteria, were vastly smaller than even those imprecise. Yet fuzzy terminology leads to fuzzy ‘twilight zones of earlier creatures. The subsequent story is now history. thinking; we cannot wait for a precise definition of life, microbiology’ should Suddenly, size-range of living things had been extended so we need an operational consensus on how elementary not be ignored. downwards by two orders of magnitude of length. It was a biological entity can be and still be regarded as alive. -
Germs 201: Microbes And
GERMS 201:MICROBES vs. MAN RICHARD S. NEIMAN, M.D. “THE GERM” • A MIGHTY CREATURE IS THE GERM, ‘THO SMALLER THAN A PACHYDERM • ITS CUSTOMARY PLACE IS DEEP WITHIN THE HUMAN RACE • ITS CHILDISH PRIDE IT OFTEN PLEASES BY GIVING PEOPLE STRANGE DISEASES • DO YOU, MY POPPET, FEEL INFIRM? • YOU PROBABLY CONTAIN A GERM! OGDEN NASH HANS ZINSSER, “RATS, LICE AND HISTORY” • “INFECTIOUS DISEASE IS ONE OF THE FEW GENUINE ADVENTURES LEFT IN THE WORLD. THE DRAGONS ARE ALL DEAD AND THE LANCE GROWS RUSTY IN THE CHIMNEY CORNER. ABOUT THE ONLY SPORTING PROPOSITION THAT REMAINS UNIMPAIRED BY THE RELENTLESS DOMESTICATION OF A ONCE FREE-LIVING HUMAN SPECIES IS THE WAR AGAINST THOSE FEROCIOUS LITTLE CREATURES WHICH LURK IN THE DARK CORNERS AND STALK US IN THE BODIES OF RATS, MICE AND ALL KINDS OF DOMESTIC ANIMALS; WHICH FLY AND CRAWL WITH THE INSECTS, AND WAYLAY US IN OUR FOOD AND DRINK AND EVEN IN OUR LOVE.” THE MIGHTY CREATURE MICROBES HAVE BEEN RESPONSIBLE FOR MORE HUMAN DEATHS THROUGHOUT HISTORY THAN ALL THE WARS COMBINED. MORE COMBATANTS DIED OF INFECTIOUS DISEASES THAN ENEMY ACTION IN ALL U.S. WARS UNTIL WWII. IN WWII IN THE ASIAN THEATER ALONE THERE WERE OVER 500 THOUSAND CASES OF MALARIA IN US TROOPS. WHY ARE INFECTIOUS DISEASES SO IMPORTANT IN HUMAN HISTORY? • THEY CAN, BY DEFINITION, SPREAD. • THEY DISPROPORTIONALLY INFECT PREVIOUSLY UNEXPOSED PEOPLES. • THEIR PREVENTION AND CONTROL DEPENDS UPON INTERNATIONAL COOPERATION. “THE MICROBE THAT FELLED ONE CHILD IN A DISTANT CONTINENT YESTERDAY COULD REACH YOURS TODAY AND SEED A GLOBAL PANDEMIC TOMORROW” JOSHUA LEDERBERG GERM SYNONYMS: • MICROBE • MICROORGANISM • MICROSCOPIC ORGANISM • INCLUDES BACTERIA, VIRUSES, PROTOZOA AND FUNGI VIRUS • A MICROSCOPIC INFECTIVE AGENT, TOO SMALL TO BE SEEN BY A CONVENTIONAL MICROSCOPE, CONSISTING OF A NUCLEIC ACID MOLECULE (EITHER DNA OR RNA) IN A PROTEIN COAT. -
Orientalist Decoration in Realist Aesthetics from William Dean Howells to Sui Sin Far
Studies in American Fiction is a journal of articles and reviews on the prose fiction of the United States. Founded by James Nagel and later edited by Mary Loeffelholz, SAF was published by the Department of English, Northeastern University, from 1973 through 2008. Studies in American Fiction is indexed in the MLA Bibliography and the American Humanities Index. Studies in American Fiction Volume 36 Spring 2008 Number 1 June Hee Chung, Asian Object Lessons: Orientalist Decoration in Realist Aesthetics from William Dean Howells to Sui Sin Far Copyright © 2008 Northeastern University ISSN 0091-8083 ASIAN OBJECT LESSONS: ORIENTALIST DECORATION IN REALIST AESTHETICS FROM WILLIAM DEAN HOWELLS TO SUI SIN FAR June Hee Chung DePaul University It has been well established that despite differences in American realists’ and naturalists’ political philosophies, these writers nonethe- less shared aesthetic principles that were informed by their interest in representing the nation’s democratic masses. In particular, both move- ments aspired to a simplicity in style and a transparent treatment of their subject matter. Thus William Dean Howells, champion of the United States’ middle class, was also one of the few writers of his day to defend striking immigrant laborers in Chicago’s 1886 Haymarket tragedy. In his December 1887 “Editor’s Study” col- umn for Harper’s New Monthly Magazine, Howells joined his sym- pathies for America’s working and middle classes to his aesthetic values when he asserts that “hitherto the mass of common men have been afraid to apply their own simplicity, naturalness, and honesty to the appreciation of the beautiful.”1 Elitist Frank Norris also advocated a straightforward style, but he did so to apply Social Darwinism’s scientific principles of objectivity to the working and lower-middle classes. -
Mcteague| a Study in Determinism, Romanticism, and Fascism
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1959 McTeague| A study in determinism, romanticism, and fascism Leonard Anthony Lardy The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Lardy, Leonard Anthony, "McTeague| A study in determinism, romanticism, and fascism" (1959). Graduate Student Theses, Dissertations, & Professional Papers. 2944. https://scholarworks.umt.edu/etd/2944 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. COPYRIGHT ACT OF 1976 THIS IS AN UNPUBLISHED MANUSCRIPT IN WHICH COPYRIGHT SUB SISTS, ANY FURTHER REPRINTING OF ITS CONTENTS MUST BE APPROVED BY THE AUTHOR, IV1ANSFIELD LIBRARY UNIVERSITY OF MONTANA DATE: (0 McTeague: A Study in Determinism, Romanticism, and Fascism ty Leonard A. lardy B.S. North Dakota State Teachers College, 19$$ Presented in partial fulfillment of the requirements for the degree of Master of Arts MONTANA STATE UNIVERSITY 1959 Approved ty Dean, Graduate School MB 17 1S59 Date UMI Number: EP34054 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent on the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. -
Adaptation by Erich Von Stroheim Greed (1924)
FILM McTeague (1899) Frank Norris (1870-1902) adaptation by Erich von Stroheim Greed (1924) ANALYSIS “What von Stroheim produced in Greed was a very lengthy, visual translation, in effect a cinema-novel whose working script attempted a page-for-page transcription of McTeague. In his wish to respect and preserve the authenticity of the novel, von Stroheim organized a series of production methods that stressed his idea of a faithful adaptation. He filmed Greed on location, without using a single studio set. In San Francisco, he reconstructed the pre-earthquake scenes of the novel and required his principal actors to sleep in the building where most of the early portions of the story were filmed, so that they could ‘really feel inside the characters they were to portray.’ The Death Valley episodes were shot at the peak of summer, when the wildly intense heat drove the actors to their limits, and made them authentically hate each other. Von Stroheim managed to reopen the Big Dipper Mine and made everyone—camera and light crews included—go down three thousand feet to shoot the Sierra mining sequences. Von Stroheim’s identification with Norris is evident in these complicated maneuvers, as in his presumption to speak for the author in the design of the film. Later he wrote, ‘I was given plein de pouvoir to make the picture as the author might have wanted it’; and he complained that these terms of artistic freedom soon changed. As it turned out, Louis Mayer and Irving Thalberg of Metro-Goldwyn-Mayer ‘did not care a hoop about what the author or I…had wanted.’…Von Stroheim eventually found that a commercially viable film would not allow the telling of the whole ‘truth’ as perceived by Norris and himself…. -
Naturalist Smellscapes and Environmental Justice 789
American Literature Hsuan L. Naturalist Smellscapes and Hsu Environmental Justice Abstract This essay considers naturalist and neonaturalist deployments of smell as a means of mapping uneven and potentially toxic atmospheres in the contexts of Progressive Era urbaniza- tion and twentieth-century environmental “slow violence.” After showing how the description of noxious “smellscapes” structures Norris’s Vandover and the Brute (1914), I move on to con- sider the use of smell in key scenes in the writings of Ann Petry and Helena Viramontes. While environmental justice novels extend Norris’s interest in connections between smell, health, and stratified air, they also explore how these issues intersect with racially uneven geographies in the twentieth century. Keywords naturalism, smell, ecocriticism, geography, environment, race, risk In an effort to counteract an affliction that gradually transforms him into a “brute,” the protagonist of Frank Norris’s Vand- over and the Brute (1914) turns to the uplifting influence of art. But, despite his “natural” talents as an artist, Vandover has trouble concen- trating in his life-drawing class: “Vandover was annoyed at his ill success—such close attention and continued effort wearied him a little—the room was overheated and close, and the gas stove, which was placed near the throne to warm the model, leaked and filled the room with a nasty brassy smell” (Norris 2015, 82). Although Norris only mentions this art studio’s gas leak in passing, its smell evokes a range of tensions that I argue are central -
Frank Norris's "Mcteague" and Popular Culture
UNLV Retrospective Theses & Dissertations 1-1-1996 Frank Norris's "McTeague" and popular culture Ruby M Fowler University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Fowler, Ruby M, "Frank Norris's "McTeague" and popular culture" (1996). UNLV Retrospective Theses & Dissertations. 3158. http://dx.doi.org/10.25669/ye6a-teps This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter 6ce, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. -
Jack London's South Sea Narratives. David Allison Moreland Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1980 Jack London's South Sea Narratives. David Allison Moreland Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Moreland, David Allison, "Jack London's South Sea Narratives." (1980). LSU Historical Dissertations and Theses. 3493. https://digitalcommons.lsu.edu/gradschool_disstheses/3493 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. -
Gussin Spiritan Chronicle Robert & Patricia Gussin Spiritan Division of Academic Programs – Fall 2010 S P I R I T a N U S S I N G
GUSSIN SPIRITAN DIVISION OF ACADEMIC PROGRAMS DUQUESNE UNIVERSITY 600 FORBES AVENUE PITTSBURGH, PA 15282 WWW.DUQ.EDU/SPIRITAN-DIVISION RETURN SERVICE REQUESTED CHRONICLE Gussin Spiritan Chronicle Robert & Patricia Gussin Spiritan Division of Academic Programs – Fall 2010 SPIRITAN USSIN G Staff Judith R. Griggs, Ph.D., Founder and Publisher Carol Cantini, M.S. Ed., Reader Uhuru Hotep, Ed.D., Managing Editor Marty Sivitz, M. Ed., Reader Jeff Meader, B.A., Editorial Assistant Michael Dern, B.A., Editorial Assistant Alaina Webber, Editorial Assistant Vol. 9, No. 15 Table of Contents Nnamunga, Father Gerard Duquesne University: Where Knowledge and Relationships Meet .............1 Bronder, Steve A Look into the Effects of Video Game Addiction ......................................2 Capuzzi, Sonja Old Enough to Serve, but not Old Enough to be Served ...........................3 Coleman, Randall A History of Hip Hop as Literature Review ...............................................5 Cultrera, Sean Inequality in A Good Man is Hard to Find ................................................6 Desena, Roberto Poetry Explication: Love Calls Us to the Things of This World ...................8 Gilliam, Charaye The Essence of Poetry .............................................................................9 Table of Contents Table Gratton, Sarah Most Like an Arch This Marriage ...........................................................11 Gregory, Kristen When is Enough Truly Enough? .............................................................12 Hughes, -
FRANK NORRIS and F. Scorr FITZGERALD AS ROMANTIC REBELS
Revista de Estudios Norteamericanos, 11 9 2 ( 1993). pp. 75-85 FRANK NORRIS AND F. scorr FITZGERALD AS ROMANTIC REBELS SATYAM S. MOORTY Southern Utah University Critics have often considered Frank Norris as «naturalist» and Scott Fitzgerald as «romanticist. » Both writers have. on the other hand, «romantic awareness,» an awareness that informs their works. In his essay, «A Plea for Romantic Fiction,» Norris emphasizes that «the true Romance is a more serious business than» «moonlight and golden hair.» It is «the red, living heart of things.» 1 Moreover, he views Romance and Realism exist «not so much in things as in point of view of the people who see things.»2 Frank Norris is a romanticist because of the «point of view» with which he observes life and sees things. The difficult thing is to get at the life inmediately around you - the very life in which you move. No romance in it? No romance in you. poor fool. As much romance on Michigan Avenue as there is realism in King Arthur's court. lt is as you choose to see it. The important thing to decide is, which formula is the best to help you grip the Real Life of this or any other age ...· 1 The reason why one claims so much for Romance, and quarrels so pointedly with Realism, is that Realism stultifies itself. It notes only the surface l. Norris, The Responsibilities of the No\'e/íst. a collection of critica! essays and articles by Frank Norris. published along with William Dean Howells' Crítícísm and Fictíon (New York: Hill and Wang, 1967). -
Music and the Brain Course Guidebook
Topic Subtopic Science Neuroscience & Psychology Music and the Brain Course Guidebook Professor Aniruddh D. Patel Tufts University PUBLISHED BY: THE GREAT COURSES Corporate Headquarters 4840 Westfields Boulevard, Suite 500 Chantilly, Virginia 20151-2299 Phone: 1-800-832-2412 Fax: 703-378-3819 www.thegreatcourses.com Copyright © The Teaching Company, 2015 Printed in the United States of America This book is in copyright. All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior written permission of The Teaching Company. Aniruddh D. Patel, Ph.D. Professor of Psychology Tufts University rofessor Aniruddh D. Patel is a Professor of Psychology at Tufts University. After Pattending the University of Virginia as a Jefferson Scholar, he received his Ph.D. in Organismic and Evolutionary Biology from Harvard University, where he studied with Edward O. Wilson and Evan Balaban. His research focuses on the cognitive neuroscience of music. Prior to arriving at Tufts, Professor Patel was the Esther J. Burnham Senior )HOORZ DW 7KH 1HXURVFLHQFHV ,QVWLWXWH D VFLHQWL¿F UHVHDUFK RUJDQL]DWLRQ founded by the late Nobel laureate Gerald M. Edelman. Professor Patel’s major contributions have included research on music-language relations, the processing of musical rhythm, cross-species comparisons, and relations between musical training and neural plasticity. Professor Patel is the author of Music, Language, and the Brain, which won a Deems Taylor Award from the American Society of Composers, Authors and Publishers in 2008.