DOCSLIB.ORG

North Carolina School of the Arts Bulletin [2000-2002]

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
North Carolina School of the Arts Bulletin [2000-2002] ARTS THE OF SCHOOL CAROLINA NORTH DANCE DESIGN £* PRODUCTION DRAMA FILMMAKING MUSIC VISUAL ARTS GENERAL STUDIES This bulletin is published biennially and provides the basic information you will need to know about the North Carolina School of the Arts. It includes admission standards and requirements, tuition and other costs, sources of financial aid, the rules and regulations which govern student life and the School's matriculation requirements. It is your responsibility to know this information and to follow the rules and regulations as they are published in this bulletin. The School reserves the right to make changes in tuition, curriculum, rules and regulations, and in other areas as deemed necessary. North Carolina. School oi the Ari s Training America's new generation of artists BULLETIN 2000-2002 Dance Design & Production Drama Filmmaking Music Visual Arts Graduate, undergraduate and secondary education for careers in the arts One of the 16 constituent institutions of the University of North Carolina Accredited by the Commission on Colleges of the Southern Association of Colleges and Schools to award the Bachelor of Fine Arts in Dance, Design & Production, Drama, and Filmmaking and the Bachelor of Music; the Arts Diploma; and the Master of Fine Arts in Design & Production and the Master of Music. The School is also accredited by the Commission on Secondary Schools to award the high school diploma with concentrations in dance, drama, music, and the visual arts. 1533 S. Main St. Winston-Salem, NC 27127-2188 Telephone 336-770-3399 www.ncarts.edu l TABLE OF CONTENTS Academic Calendar 2000-2002 pg . 4 Mission Statement pg . 6 History of North Carolina School of the Arts pg . i Arts and Academic Programs School of Dance Pg . 9 School of Design & Production Pg . 23 Visual Arts Pg . 55 School of Drama Pg . 61 School of Filmmaking Pg . 73 School of Music Pg . 101 Division of General Studies Pg . 143 Summer Session Pg . 167 Student Life pg . 171 Institutional Information pg . 179 Semans Library Pg. 181 Enrollment Services Admissions Pg. 182 Tuition and Fees Pg. 188 Registrar Pg. 191 Financial Aid Pg. 196 Administration and Boards NCSA Administration Pg. 201 NCSA Boards Pg. 202 University of North Carolina History Pg. 204 UNC General Administration Pg. 205 UNC Board of Governors Pg. 205 Institutional Policies Probation, Suspension, Dismissal, Readmission Pg. 206 Privacy of Records Pg- 208 Residency Requirements Pg- 209 Policy on Illegal Drugs Pg- 211 2 To Students and Prospective Students: As the new chancellor of the North Carolina School of the Arts, it is my pleasure to welcome our new students to campus, and to introduce the campus to those individuals considering additional training and a professional educa- tion in the arts. I was attracted to the North Carolina School of the Arts because of its commitment to excellence, its one-on-one training with students and to the success of its alumni. It is clear that the education they received - and that you will receive - will be second to none. The North Carolina School of the Arts has established a reputation as the premier institution for advanced and comprehensive study in the arts beginning at the high school level through graduate study. The faculties are recog- nized professionals, scholars, educators and practitioners. Studies in general education and in specialized courses will excite and motivate given the small class size, quality faculty and professional focus within the arts school. We enhance that experience with more than 300 performances annually, and with numerous guest artists and our resident companies. Many of our dance, drama, film and music students extend their education through trips to New York, Los Angeles, Washington and Europe as part of their education at the School of the Arts. Our Design & Production students can boast of one of the highest placement rates in an industry where dozens of companies compete for you as you approach graduation. I think you will find the facilities on campus to be some of the best in the country. In fact, in some disciplines they are the best. The campus is student friendly and its mission is to provide quality service, safety and ultimately to provide the highest level of education offered to make you a successful professional. There will be many challenges along the way because we expect the best from you. If you have talent, commitment and enthusiasm, then the North Carolina School of the Arts is the best place on earth for you to be. This school offers you a once-in-a-lifetime experience and we are delighted that you have selected us to pursue advanced study in the arts. Where else will you find students singing in the cafeteria, performing in the hallways, dancing in the streets, filming in the community and regularly collaborating across arts disciplines? This is a special place and you will sense the excitement, dedication and professionalism the moment you enter your first class. 3 NCSA CALENDAR - 2000-2001 2000 Fall Term (Sun.) August 27 .... New High School Students Arrive (Wed.) August 30 .... Returning High School Students Arrive (Wed.) August 30 .... CLEARANCE & REGISTRATION FOR ALL HIGH SCHOOL STUDENTS (Thurs.) August 31 .... High School General Studies Classes Begin (Mon.) September 4 ....Labor Day -NO CLASSES (Sat.) September 9 .... All New College Students Arrive (Sun.) September 10 .... Residence Halls Open for Returning College Students (Wed.) September 13 .... CLEARANCE & REGISTRATION FOR COLLEGE STUDENTS (Thurs.) September 14 .... All Classes Begin; Special Student Registration (Mon.-Wed.) November 20-22 .... Final Examinations (Wed.) November 22 .... All Classes And Exams End — 6 p.m. (Thurs.-Sun.) November 23-26 .... THANKSGIVING BREAK (Mon.) November 27 .... Intensive Arts Begins (Sun.) December 10* .... Fall Term Ends - Noon (Sun.) December 10 .... Residence Halls Close at Noon (Sun.-Tues.) December 10-January 2 .... .... WINTER BREAK 2001 Winter Term (Tues.) January 2 Residence Halls Open at Noon (Wed.) January 3 REGISTRATION; High School General Studies Classes Will Be Held (Thurs.) January 4 All Classes Begin; Special Student Registration (Mon.) January 15 Martin Luther King Jr.’s Birthday - NO CLASSES (Wed.-Fri.) March 14-16 Final Examinations (Fri.) March 16 All Classes And Exams End - 6 p.m. (Fri.) March 16 Residence Halls Close at 7 p.m. (Sat.-Sun.) March 17-25 SPRING BREAK 2001 Spring Term (Sun.) March 25 (Mon.) March 26 REGISTRATION; High School General Studies Classes Will Be Held (Tues.) March 27 Classes Begin: Special Student Registration (Tues. -Thurs.) May 29-31 Final Examinations (Thurs.) May 31 All Classes And Exams End - 6 p.m.** (Sat.) June 2 COMMENCEMENT (Sat.) June 2 Residence Halls and Apartments Close at 4 p.m. Summer Session 2000 (Sun.) June 24 REGISTRATION (Mon.-Fri.) June 25-July 27 Five-Week Session *Fall Term/Intensive Arts ends on December 10, with the following exceptions: those students involved in “Nutcracker” tour are not free until Sunday night, December 17, for dancers; Monday night, December 18, for technical crew. **Students not involved with graduation must vacate their campus housing within 24 hours of their last exam. 4 NCSA CALENDAR - 2001-2002 2001 Fall Term (Sat.) August 25 .... New High School Students Arrive (Tues.) August 28 .... Returning High School Students Arrive (Tues.) August 28 .... CLEARANCE & REGISTRATION FOR ALL HIGH SCHOOL STUDENTS (Wed.) August 29 .... High School General Studies Classes Begin (Mon.) September 3 .... Labor Day - NO CLASSES (Sat.) September 8 ....All New College Students Arrive (Sun.) September 9 .... Residence Halls Open for Returning College Students (Wed.) September 12 .... CLEARANCE & REGISTRATION FOR COLLEGE STUDENTS (Thurs.) September 13 .... All Classes Begin; Special Student Registration (Mon.-Wed.) November 19-21 .... Final Examinations (Wed.) November 21 .... All Classes And Exams End - 6 p.m. (Thurs. -Sun.) November 22-25 .... THANKSGIVING BREAK (Mon.) November 26 .... Intensive Arts Begins (Sun.) December 9* .... Fall Term Ends - Noon (Sun.) December 9 .... Residence Halls Close at Noon (Sun. -Tues.) December 12-January 2 .... .... WINTER BREAK 2002 Winter Term (Wed.) January 2 Residence Halls Open at Noon (Thurs.) January 3 REGISTRATION; High School General Studies Classes Will Be Held (Fri.) January 4 All Classes Begin; Special Student Registration (Mon.) January 21 Martin Luther King Jr.’s Birthday - NO CLASSES (Wed.-Fri.) March 13-15 Final Examinations (Fri.) March 1 5 All Classes And Exams End - 6 p.m. (Fri.) March 15 Residence Halls Close at 7 p.m. (Sat. -Sun.) March 16-24 SPRING BREAK 2002 Spring Term (Sun.) March 24 Residence Halls Open at Noon (Mon.) March 25 REGISTRATION; High School General Studies Classes Will Be Held (Tues.) March 26 Classes Begin: Special Student Registration (Tues. -Thurs.) May 28-30 Final Examinations (Thurs.) May 30 All Classes And Exams End - 6 p.m.** (Sat.) June 1 COMMENCEMENT (Sat.) June 1 Residence Halls and Apartments Close at 4 p.m. Summer Session 2002 (Sun.) June 23 REGISTRATION (Mon.-Fri.) June 24-July 26 Five-Week Session 'Fall Term/Intensive Arts ends on December 9, with the following exceptions: those students involved in “Nutcracker” tour are not free until Sunday night, December 16, for dancers; Monday night, December 17, for technical crew. "Students not involved with graduation must vacate their campus housing within 24 hours of their last exam. 5 MISSION STATEMENT The North Carolina School of the Arts differs from most institutions in that it did not gradually develop over a period of time, but instead started off with its mission and its character fully defined in advance. The Enabling Act which established the School, and the great amount of writings and conversations which preceded its actual commencement, called on it to function as a conservatory quite unlike most other arts schools in existence at the time and unique in terms of state-operated educational institutions anywhere else in the United States.
Load more

Recommended publications
  • MSM WIND ENSEMBLE Eugene Migliaro Corporon, Conductor Joseph Mohan (DMA ’21), Piano
    MSM WIND ENSEMBLE Eugene Migliaro Corporon, Conductor Joseph Mohan (DMA ’21), piano FRIDAY, JANUARY 18, 2019 | 7:30 PM NEIDORFF-KARPATI HALL FRIDAY, JANUARY 18, 2019 | 7:30 PM NEIDORFF-KARPATI HALL MSM WIND ENSEMBLE Eugene Migliaro Corporon, Conductor Joseph Mohan (DMA ’21), piano PROGRAM JOHN WILLIAMS For New York (b. 1932) (Trans. for band by Paul Lavender) FRANK TICHELI Acadiana (b. 1958) At the Dancehall Meditations on a Cajun Ballad To Lafayette IGOR ST R AVINSKY Concerto for Piano and Wind Instruments (1882–1971) Lento; Allegro Largo Allegro Joseph Mohan (DMA ’21), piano Intermission VITTORIO Symphony No. 3 for Band GIANNINI Allegro energico (1903–1966) Adagio Allegretto Allegro con brio CENTENNIAL NOTE Vittorio Giannini (1903–1966) was an Italian-American composer calls upon the band’s martial associations, with an who joined the Manhattan School of Music faculty in 1944, where he exuberant march somewhat reminiscent of similar taught theory and composition until 1965. Among his students were efforts by Sir William Walton. Along with the sunny John Corigliano, Nicolas Flagello, Ludmila Ulehla, Adolphus Hailstork, disposition and apparent straightforwardness of works Ursula Mamlok, Fredrick Kaufman, David Amram, and John Lewis. like the Second and Third Symphonies, the immediacy MSM founder Janet Daniels Schenck wrote in her memoir, Adventure and durability of their appeal is the result of considerable in Music (1960), that Giannini’s “great ability both as a composer and as subtlety in motivic and harmonic relationships and even a teacher cannot be overestimated. In addition to this, his remarkable in voice leading. personality has made him beloved by all.” In addition to his Symphony No.
    [Show full text]
  • CRI 272 VITTORIO GIANNINI the TAMING of the SHREW Opera in Three Acts
    CRI 272 VITTORIO GIANNINI THE TAMING OF THE SHREW Opera in Three Acts An adaptation of Shakespeare's play, with additional texts from his sonnets and “Romeo and Juliet” by the composer and Dorothy Fee presented by the KANSAS CITY LYRIC THEATER Russell Patterson, musical director Cast of Characters (in order of appearance) Lucentio, a young nobleman Lowell Harris Tranio, his servant David Holloway Baptista, a prosperous merchant J. B. Davis Katharina, his eldest daughter Mary Jennings Bianca, Katharina's sister Catherine Christensen Gremio, suitor of Bianca Robert Jones Hortensio, suitor of Bianca Walter Hook Biondello, servant of Lucentio Brian Steele Petruchio, gentleman of Verona Adair McGowen Grumio, his servant Charles Weedman A Tailor Stephen Knott Curtis, Katharina's servant William Latimer Vincentio, Lucentio's father William Powers An Actor Donald Nelson THE STORY Act. I. Strolling with his servant Tranio, the rich, young Lucentio, recently come to Padua to round out his education, secretly witnesses a strenuous argument, between the prosperous merchant Baptista and his two beautiful daughters and two suitors. Katharina, the elder, has such a violent temper that no one will consider marrying her; Bianca, the younger, is so gentle and amiable that she, has two suitors Gremio and Hortensio. Baptista declares that he will not permit Bianca to marry until Katharina has a husband. So Bianca's suitors have to find someone who will marry the shrew Katharina. Promptly, Lucentio also falls in love with Bianca. He devises a scheme to exchange identity and costume with Tranio who will assist his master's wooing while Lucentio will try to be hired as a tutor for Bianca.
    [Show full text]
  • Unifying Elements of John Corigliano's
    UNIFYING ELEMENTS OF JOHN CORIGLIANO'S ETUDE FANTASY By JANINA KUZMAS Undergraduate Diploma with honors, Sumgait College of Music, USSR, 1985 B. Mus., with the highest honors, Vilnius Conservatory, Lithuania, 1991 Performance Certificate, Lithuanian Academy of Music, 1993 M. Mus., Bowling Green State University, USA, 1995 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF MUSICAL ARTS in THE FACULTY OF GRADUATE STUDIES School of Music We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA February 2002 © Janina Kuzmas 2002 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. ~':<c It CC L Department of III -! ' The University of British Columbia Vancouver, Canada Date J/difc-L DE-6 (2/88) ABSTRACT John Corigliano's Etude Fantasy (1976) is a significant and challenging addition to the late twentieth century piano repertoire. A large-scale work, it occupies a particularly important place in the composer's output of music for piano. The remarkable variety of genres, styles, forms, and techniques in Corigliano's oeuvre as a whole is also evident in his piano music.
    [Show full text]
  • The Seventh Season Being Mendelssohn CHAMBER MUSIC FESTIVAL and INSTITUTE July 17–August 8, 2009 David Finckel and Wu Han, Artistic Directors
    The Seventh Season Being Mendelssohn CHAMBER MUSIC FESTIVAL AND INSTITUTE July 17–August 8, 2009 David Finckel and Wu Han, Artistic Directors Music@Menlo Being Mendelssohn the seventh season july 17–august 8, 2009 david finckel and wu han, artistic directors Contents 3 A Message from the Artistic Directors 5 Welcome from the Executive Director 7 Being Mendelssohn: Program Information 8 Essay: “Mendelssohn and Us” by R. Larry Todd 10 Encounters I–IV 12 Concert Programs I–V 29 Mendelssohn String Quartet Cycle I–III 35 Carte Blanche Concerts I–III 46 Chamber Music Institute 48 Prelude Performances 54 Koret Young Performers Concerts 57 Open House 58 Café Conversations 59 Master Classes 60 Visual Arts and the Festival 61 Artist and Faculty Biographies 74 Glossary 76 Join Music@Menlo 80 Acknowledgments 81 Ticket and Performance Information 83 Music@Menlo LIVE 84 Festival Calendar Cover artwork: untitled, 2009, oil on card stock, 40 x 40 cm by Theo Noll. Inside (p. 60): paintings by Theo Noll. Images on pp. 1, 7, 9 (Mendelssohn portrait), 10 (Mendelssohn portrait), 12, 16, 19, 23, and 26 courtesy of Bildarchiv Preussischer Kulturbesitz/Art Resource, NY. Images on pp. 10–11 (landscape) courtesy of Lebrecht Music and Arts; (insects, Mendelssohn on deathbed) courtesy of the Bridgeman Art Library. Photographs on pp. 30–31, Pacifica Quartet, courtesy of the Chamber Music Society of Lincoln Center. Theo Noll (p. 60): Simone Geissler. Bruce Adolphe (p. 61), Orli Shaham (p. 66), Da-Hong Seetoo (p. 83): Christian Steiner. William Bennett (p. 62): Ralph Granich. Hasse Borup (p. 62): Mary Noble Ours.
    [Show full text]
  • Program Book Final 1-16-15.Pdf
    4 5 7 BUFFALO PHILHARMONIC ORCHESTRA TABLE OF CONTENTS | JANUARY 24 – FEBRUARY 15, 2015 BPO Board of Trustees/BPO Foundation Board of Directors 11 BPO Musician Roster 15 Happy Birthday Mozart! 17 M&T Bank Classics Series January 24 & 25 Alan Parsons Live Project 25 BPO Rocks January 30 Ben Vereen 27 BPO Pops January 31 Russian Diversion 29 M&T Bank Classics Series February 7 & 8 Steve Lippia and Sinatra 35 BPO Pops February 13 & 14 A Very Beary Valentine 39 BPO Kids February 15 Corporate Sponsorships 41 Spotlight on Sponsor 42 Meet a Musician 44 Annual Fund 47 Patron Information 57 CONTACT VoIP phone service powered by BPO Administrative Offices (716) 885-0331 Development Office (716) 885-0331 Ext. 420 BPO Administrative Fax Line (716) 885-9372 Subscription Sales Office (716) 885-9371 Box Office (716) 885-5000 Group Sales Office (716) 885-5001 Box Office Fax Line (716) 885-5064 Kleinhans Music Hall (716) 883-3560 Buffalo Philharmonic Orchestra | 499 Franklin Street, Buffalo, NY 14202 www.bpo.org | [email protected] Kleinhan's Music Hall | 3 Symphony Circle, Buffalo, NY 14201 www.kleinhansbuffalo.org 9 MESSAGE FROM BOARD CHAIR Dear Patrons, Last month witnessed an especially proud moment for the Buffalo Philharmonic Orchestra: the release of its “Built For Buffalo” CD. For several years, we’ve presented pieces commissioned by the best modern composers for our talented musicians, continuing the BPO’s tradition of contributing to classical music’s future. In 1946, the BPO made the premiere recording of the Shostakovich Leningrad Symphony. Music director Lukas Foss was also a renowned composer who regularly programmed world premieres of the works of himself and his contemporaries.
    [Show full text]
  • Department of Music Programs 1968 - 1969 Department of Music Olivet Nazarene University
    Olivet Nazarene University Digital Commons @ Olivet School of Music: Performance Programs Music 1969 Department of Music Programs 1968 - 1969 Department of Music Olivet Nazarene University Follow this and additional works at: https://digitalcommons.olivet.edu/musi_prog Part of the Fine Arts Commons, and the Music Performance Commons Recommended Citation Department of Music, "Department of Music Programs 1968 - 1969" (1969). School of Music: Performance Programs. 1. https://digitalcommons.olivet.edu/musi_prog/1 This Book is brought to you for free and open access by the Music at Digital Commons @ Olivet. It has been accepted for inclusion in School of Music: Performance Programs by an authorized administrator of Digital Commons @ Olivet. For more information, please contact [email protected]. 7 8 0 . 7 3 9 O M p 1 9 6 8 - 6 9 PROGRAMS 1968-69 7 $ e . DEPARTMENT OF MUSIC i u M a OLIVET NAZARENE COLLEGE DEPARTMENT OF MUSIC presents SENIOR RECITAL GEORGENE FISH PIANO AND CALBERT HOLSTE I N TENOR PHYLLIS HOLSTEIN/ ACCOMPANIST Lasciatemi morire, "Ariana"0oe.....0Claudio Monteverdi Dove sei, amato bene?, "Rodelinda".0o.George F 0 Handel If With All Your Hearts, "Elijah"....Felix Mendelssohn Prelude and Fugue, No. 3.0o...o..Johann Sebastian Bach Fantasia in D minor 0 D 0«».,«5.«.Wolfgang Amadeus Mozart Viens Aurore..ooooooooooooooooooooooooooo.c.o Arro A o L . F el d e m s a m k e i t oooooooo..o.o.oooo..oo.. odohannes Brahms Du bist wie Eine BlumeDo,...t.t....o««Anton Rubenstein M*appari tut" amor, "Martha".....Friedrich von Flowtow Mouvements Perpetuels for Piano........Francis Poulenc I.
    [Show full text]
  • Download on to Your Computer Or Device
    Underwood New Music Readings American Composers Orchestra PARTICIPATING COMPOSERS Andy Akiho Andy Akiho is a contemporary composer whose interests run from steel pan to traditional classical music. Recent engagements include commissioned premieres by the New York Philharmonic and Carnegie Hall’s Ensemble ACJW, a performance with the LA Philharmonic, and three shows at the Kennedy Center in Washington DC featuring original works. His rhythmic compositions continue to increase in recognition with recent awards including the 2014-15 Luciano Berio Rome Prize, a 2012 Chamber Music America Grant with Sybarite5, the 2011 Finale & ensemble eighth blackbird National Composition Competition Grand Prize, the 2012 Carlsbad Composer Competition Commission for Calder Quartet, the 2011 Woods Chandler Memorial Prize (Yale School of Music), a 2011 Music Alumni Award (YSM), the 2010 Horatio Parker Award (YSM), three ASCAP Plus Awards, an ASCAP Morton Gould Young Composers Award, and a 2008 Brian M. Israel Prize. His compositions have been featured on PBS’s “News Hour with Jim Lehrer” and by organizations such as Bang on a Can, American Composers Forum, and The Society for New Music. A graduate of the University of South Carolina (BM, performance), the Manhattan School of Music (MM, contemporary performance), and the Yale School of Music (MM, composition), Akiho is currently pursuing a Ph.D. at Princeton University. In addition to attending the 2013 International Heidelberger Frühling, the 2011 Aspen Summer Music Festival, and the 2008 Bang on a Can Summer Festival as a composition fellow, Akiho was the composer in residence for the 2013 Chamber Music Northwest Festival and the 2012 Silicon Valley Music Festival.
    [Show full text]
  • Acquisitions Edited.Indd
    1998 Acquisitions PAINTINGS PRINTS Carl Rice Embrey, Shells, 1972. Acrylic on panel, 47 7/8 x 71 7/8 in. Albert Belleroche, Rêverie, 1903. Lithograph, image 13 3/4 x Museum purchase with funds from Charline and Red McCombs, 17 1/4 in. Museum purchase, 1998.5. 1998.3. Henry Caro-Delvaille, Maternité, ca.1905. Lithograph, Ernest Lawson, Harbor in Winter, ca. 1908. Oil on canvas, image 22 x 17 1/4 in. Museum purchase, 1998.6. 24 1/4 x 29 1/2 in. Bequest of Gloria and Dan Oppenheimer, Honoré Daumier, Ne vous y frottez pas (Don’t Meddle With It), 1834. 1998.10. Lithograph, image 13 1/4 x 17 3/4 in. Museum purchase in memory Bill Reily, Variations on a Xuande Bowl, 1959. Oil on canvas, of Alexander J. Oppenheimer, 1998.23. 70 1/2 x 54 in. Gift of Maryanne MacGuarin Leeper in memory of Marsden Hartley, Apples in a Basket, 1923. Lithograph, image Blanche and John Palmer Leeper, 1998.21. 13 1/2 x 18 1/2 in. Museum purchase in memory of Alexander J. Kent Rush, Untitled, 1978. Collage with acrylic, charcoal, and Oppenheimer, 1998.24. graphite on panel, 67 x 48 in. Gift of Jane and Arthur Stieren, Maximilian Kurzweil, Der Polster (The Pillow), ca.1903. 1998.9. Woodcut, image 11 1/4 x 10 1/4 in. Gift of Mr. and Mrs. Frederic J. SCULPTURE Oppenheimer in memory of Alexander J. Oppenheimer, 1998.4. Pierre-Jean David d’Angers, Philopoemen, 1837. Gilded bronze, Louis LeGrand, The End, ca.1887. Two etching and aquatints, 19 in.
    [Show full text]
  • 1998 Acquisitions
    1998 Acquisitions PAINTINGS PRINTS Carl Rice Embrey, Shells, 1972. Acrylic on panel, 47 7/8 x 71 7/8 in. Albert Belleroche, Rêverie, 1903. Lithograph, image 13 3/4 x Museum purchase with funds from Charline and Red McCombs, 17 1/4 in. Museum purchase, 1998.5. 1998.3. Henry Caro-Delvaille, Maternité, ca.1905. Lithograph, Ernest Lawson, Harbor in Winter, ca. 1908. Oil on canvas, image 22 x 17 1/4 in. Museum purchase, 1998.6. 24 1/4 x 29 1/2 in. Bequest of Gloria and Dan Oppenheimer, Honoré Daumier, Ne vous y frottez pas (Don’t Meddle With It), 1834. 1998.10. Lithograph, image 13 1/4 x 17 3/4 in. Museum purchase in memory Bill Reily, Variations on a Xuande Bowl, 1959. Oil on canvas, of Alexander J. Oppenheimer, 1998.23. 70 1/2 x 54 in. Gift of Maryanne MacGuarin Leeper in memory of Marsden Hartley, Apples in a Basket, 1923. Lithograph, image Blanche and John Palmer Leeper, 1998.21. 13 1/2 x 18 1/2 in. Museum purchase in memory of Alexander J. Kent Rush, Untitled, 1978. Collage with acrylic, charcoal, and Oppenheimer, 1998.24. graphite on panel, 67 x 48 in. Gift of Jane and Arthur Stieren, Maximilian Kurzweil, Der Polster (The Pillow), ca.1903. 1998.9. Woodcut, image 11 1/4 x 10 1/4 in. Gift of Mr. and Mrs. Frederic J. SCULPTURE Oppenheimer in memory of Alexander J. Oppenheimer, 1998.4. Pierre-Jean David d’Angers, Philopoemen, 1837. Gilded bronze, Louis LeGrand, The End, ca.1887. Two etching and aquatints, 19 in.
    [Show full text]
  • Information to Users
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9406692 Kenneth Erazelle's "Blue Ridge Airs I" and Sonata for Cello and Piano: A synthesis of music, poetry, and nature Inkman, Joanne Elizabeth, D.M.A.
    [Show full text]
  • Dragon Magazine #100
    D RAGON 1 22 45 SPECIAL ATTRACTIONS In the center: SAGA OF OLD CITY Poster Art by Clyde Caldwell, soon to be the cover of an exciting new novel 4 5 THE CITY BEYOND THE GATE Robert Schroeck The longest, and perhaps strongest, AD&D® adventure weve ever done 2 2 At Moonset Blackcat Comes Gary Gygax 34 Gary gives us a glimpse of Gord, with lots more to come Publisher Mike Cook 3 4 DRAGONCHESS Gary Gygax Rules for a fantastic new version of an old game Editor-in-Chief Kim Mohan Editorial staff OTHER FEATURES Patrick Lucien Price Roger Moore 6 Score one for Sabratact Forest Baker Graphics and production Role-playing moves onto the battlefield Roger Raupp Colleen OMalley David C. Sutherland III 9 All about the druid/ranger Frank Mentzer Heres how to get around the alignment problem Subscriptions Georgia Moore 12 Pages from the Mages V Ed Greenwood Advertising Another excursion into Elminsters memory Patricia Campbell Contributing editors 86 The chance of a lifetime Doug Niles Ed Greenwood Reminiscences from the BATTLESYSTEM Supplement designer . Katharine Kerr 96 From first draft to last gasp Michael Dobson This issues contributing artists . followed by the recollections of an out-of-breath editor Dennis Kauth Roger Raupp Jim Roslof 100 Compressor Michael Selinker Marvel Bullpen An appropriate crossword puzzle for our centennial issue Dave Trampier Jeff Marsh Tony Moseley DEPARTMENTS Larry Elmore 3 Letters 101 World Gamers Guide 109 Dragonmirth 10 The forum 102 Convention calendar 110 Snarfquest 69 The ARES Section 107 Wormy COVER Its fitting that an issue filled with things weve never done before should start off with a cover thats unlike any of the ninety-nine that preceded it.
    [Show full text]
  • WILLIAM PERRY TOUJOURS PROVENCE Music for Stage and Screen
    WILLIAM PERRY TOUJOURS PROVENCE Music for Stage and Screen Slovak Philharmonic Orchestra Paul Phillips, Conductor Michael Chertock, Piano William Perry (b. 1930) Toujours Provence: Music for Stage and Screen Toujours Provence: A Musical Guidebook Toujours Provence: A Musical Guidebook for for Orchestra and Piano (2018) 20:47 Orchestra and Piano 1 Part One: A Brief History 6:55 William Perry has been a frequent visitor to the Provence 2 Part Two: Lavender Fields and Vineyards 5:11 region of Southern France and has thoroughly embraced 3 Part Three: Café Terrace at Night 4:26 the history and culture of this most picturesque part of the world. Says Perry: ‘I had long considered writing a suite 4 Part Four: Market Day 4:11 about Provence, and it all came together with the 5 Fiona (2016) 4:13 encouragement of the late Peter Mayle (1939–2018), author of A Year in Provence, who kindly loaned me the title of his Wind in the Willows: Ballet Suite (2018) 34:32 sequel, Toujours Provence. His spirit inhabits every note.’ 6 Overture 4:00 Perry continues: ‘Musically, I describe the piece as being for 7 Mole’s Waltz 3:35 Orchestra and Piano. It’s not quite a concerto, but the piano 8 Gasoline Can-Can 2:49 does have a prominent role representing modern-day 9 Along the River (Pas de Deux) 4:01 Provence. The four movements are linked by a solo clarinet 0 Evil Weasel 2:31 who serves as our guide. I’ve incorporated some less usual symphonic instruments including an alto saxophone, a pair ! Toad’s Dance 2:30 of oboe d’amores (also playable on regular oboes) and a @ March of the Rabbits 3:44 long Provençal drum sometimes called a tambourin.’ # Wind in the Willows (Pas de Deux) 3:39 $ Weasel Gavotte 3:28 1 Part One: A Brief History % The Fight 1:34 The opening music marked From a Distant Past begins in ^ Finale 2:29 low strings and gradually works its way up through the woodwinds to a solo piano entrance and a ‘Welcome to & (2017) Swordplay! 5:06 Provence’ theme.
    [Show full text]