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Garden City Gladstone Gordonville Halfway Hannibal Harrisonville
Garden City Harrisonville Jackson KFME-F 80s Hits KCFX Classic Rock KUGT Contemporary Christian / Religious Teaching 105.1 100000W 859ft 101.1 97300w 993ft 1170 250 ND-D +Radio 2000 +Susquehanna Radio Corp. The Light & Power Co., Inc. Managed by: Susquehanna Radio Corp. Sister to: KCMO, KCMO-F 573-243-3100 fax: 573-243-0640 913-514-3000 fax:913-514-3003 913-514-3000 fax:913-514-3001 PO Box 546, 63755,1301 Woodland Dr, 63755 5800 Foxridge Dr Fl 6, Mission KS 66202 5800 Foxridge Dr Fl 6, Mission KS 66202 GM Jane Sandvos PD Wayne Elfrink GM/PD Dave Alexander SM Janel Thiessen GM Pam Malcy SM Steve Sobek CE Palmer Johnson CE Dennis Eversoll PD Don Daniels CE Dennis Eversoll www.e1051.fm www.thefoxrocks.com Kansas City Arbitron 3.2 Shr 7000 AQH Kansas City Arbitron 3.4 Shr 7400 AQH Jefferson City KWOS Talk I News Gladstone High Point 950 5000/500 DA-N +Zimmer Broadcasting Co., Inc. KGGN Black Gospel KMCV Religious Teaching* Sister to: KATI, KCLR-F, KCMQ, KFAL, KKCA, 890 960 DA-D 89.9 18000w 325ft KSSZ, KTGR, KTXY +Mortenson Broadcasting Co. +Bott Broadcasting Co. 573-893-5696 fax:573-893-4137 816-333-0092 fax:816-363-8120 913-642-7770 3109 S 10 Mile Dr, 65109 1734 E 63rd St Ste 600, Kansas City 64110 10550 Barkley St, Overland Park KS 66212 GM Ron Covert SM Stew Steinmetz GM Doris Newman PD Reggie Brown GM Rich Bott SM Trina Phelps PD John Marsh CE Steve Morse Kansas City Arbitron 0.6 Shr 1200 AQH Jefferson City Market www.kwos.com Jefferson City Market Gordonville Hollister KLIK Talk 1240 1000/1000 ND KCGQ-F Rock KBCV cp-new +Premler Marketing Group 99.3 5000w 358ft 1570 5000/3000 DA-2 Sister to: KJMO, KLIK-F, KOQL, KPLA +Zimmer Broadcasting Co., Inc. -
In 193X, Constance Rourke's Book American Humor Was Reviewed In
OUR LIVELY ARTS: AMERICAN CULTURE AS THEATRICAL CULTURE, 1922-1931 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jennifer Schlueter, M.A. ***** The Ohio State University 2007 Dissertation Committee: Approved by Professor Thomas Postlewait, Adviser Professor Lesley Ferris Adviser Associate Professor Alan Woods Graduate Program in Theatre Copyright by Jennifer Schlueter c. 2007 ABSTRACT In the first decades of the twentieth century, critics like H.L. Mencken and Van Wyck Brooks vociferously expounded a deep and profound disenchantment with American art and culture. At a time when American popular entertainments were expanding exponentially, and at a time when European high modernism was in full flower, American culture appeared to these critics to be at best a quagmire of philistinism and at worst an oxymoron. Today there is still general agreement that American arts “came of age” or “arrived” in the 1920s, thanks in part to this flogging criticism, but also because of the powerful influence of European modernism. Yet, this assessment was not, at the time, unanimous, and its conclusions should not, I argue, be taken as foregone. In this dissertation, I present crucial case studies of Constance Rourke (1885-1941) and Gilbert Seldes (1893-1970), two astute but understudied cultural critics who saw the same popular culture denigrated by Brooks or Mencken as vibrant evidence of exactly the modern American culture they were seeking. In their writings of the 1920s and 1930s, Rourke and Seldes argued that our “lively arts” (Seldes’ formulation) of performance—vaudeville, minstrelsy, burlesque, jazz, radio, and film—contained both the roots of our own unique culture as well as the seeds of a burgeoning modernism. -
The Clark Howard Radio Show.Xlsx
The Clark Howard Radio Show State City Time Call Letters Frequency AK Anchorage MoFr 9A-11A KFQD-AM 750 AK Anchorage Sa 10A-12P KFQD-AM 750 AK Anchorage MoFr 6:15A-6:30A KFQD-AM 750 AK Anchorage MoFr 2P-3P KFQD-AM 750 AK Fairbanks MoFr 6A-7P KWLF-FM 98.1 AL Foley MoFr 6:15A-6:30A WHEP-AM 1310 AL Daphne/Mobile Su 2P-5P WAVH-FM 106.5 AL Foley MoFr 12P-2P WHEP-AM 1310 AL Daphne/Mobile Sa 2P-5P WAVH-FM 106.5 AL Fairhope/Mobile MoFr 12P-2P WXQW-AM 660 AL Fairhope/Mobile MoFr 2P-3P WXQW-AM 660 AL Florence/Mus Shoals Su 3P-6P WBCF-AM 1240 AL Florence/Mus Shoals SaSu 4P-7P WBCF-AM 1240 AL Florence/Mus Shoals MoFr 6A-7P WBCF-AM 1240 AL Tuskegee MoFr 9P-10P WQSI-FM 95.9 AL Tuskegee Sa 12P-3P WQSI-FM 95.9 AL Tuskegee MoFr 12P-2P WQSI-FM 95.9 AR Bearden Sa 2P-5P KBEU-FM 92.7 AR Bearden Su 4A-7A KBEU-FM 92.7 AR Hot Springs Su 3P-6P KZNG-AM 1340 AR Farmington/Fayettvl Sa 6A-8A KFAY-AM 1030 AZ Mesa/Phoenix Sa 2P-5P KFNN-AM 1510 AZ Mesa/Phoenix Su 3A-5A KFNN-AM 1510 AZ Mesa/Phoenix MoFr 5:45A-6A KFNN-AM 1510 AZ Mesa/Phoenix MoFr 6:15P-6:30P KFNN-AM 1510 AZ Mesa/Phoenix MoFr 6P-9P KFNN-AM 1510 AZ Prescott Su 10P-1A KYCA-AM 1490 CA Los Angeles Sa 10P-1A KEIB-AM 1150 CA Los Angeles MoFr 5A-7P KEIB-AM 1150 CA Banning/Beaumont MoFr 6A-7P KMET-AM 1490 CA Ventura MoFr 6A-7P KVTA-AM 1590 CA Banning/Beaumont MoFr 6A-8A KMET-AM 1490 CA S Bernardno/Riversd MoFr 10A-12P KKDD-AM 1290 CA Santa Rosa MoFr 6A-7P KSRO-AM 1350 CA Santa Rosa Su 3P-6P KSRO-AM 1350 CA Mendocino/Ukiah MoFr 6A-7P KUNK-FM 92.7 CA Oakland MoFr 12P-3P KKSF-AM 910 CA Oakland Su 7A-10A KKSF-AM 910 -
The Rita Williams Popular Song Collection a Handlist
The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy -
Federal Communications Commission Record FCC 90·136
5 FCC Red No. 15 Federal Communications Commission Record FCC 90·136 national and international leaders into our homes, mak Before the ing us witnesses to hisrory. It entertained us. Each night Federal Communications Commission families and friends gathered around the radio and tuned Washington, D.C. 20554 to AM stations to learn of world. national and local events and to hear the latest episode in their favorite radio show. During the last twenty years, however, channel conges tion, interference and low fidelity receivers have taken MM Docket No. 87·267 their tolL dulling the competitive edge of this once vital service. Not surprisingly, once loyal AM listeners have In the Matter of shifted their allegiance to newer mass media services that offer them higher technical quality. Review of the Technical 2. As a result of these developments, the once preemi Assignment Criteria for the nent AM service is now in critical need of attention. For the past several years the Commission has involved itself AM Broadcast Service in an intensive effort to identify the service's most press ing problems and the sources of and solutions to those problems. In September of last year we challenged broad· NOTICE OF PROPOSED RULE MAKING casters, radio manufacturers and the listening public to tell us how we could revitalize the AM radio service. In Adopted: April 12, 1990; Released: July 18, 1990 an en bane hearing lasting a full day in November they responded to the challenge. Their response reaffirms our By the Commission: Commissioner Barrett issuing a conviction that a concerted effort by this Commission, the separate statement. -
2018 Fall Catalog
Pelican Publishing Company People are talking about our books! 2018 FALL CATALOG 2018 Fall Catalog FINAL.indd 2 4/6/2018 10:51:58 AM New Release “If you put a seed in the ground, the seed doesn’t stop growing. You put it in the soil, and that bulb grows every second that it’s attached to the earth. That’s why I think that every minute we are attached to the earth, we should be doing something.” —Ruth Asawa Ruth Asawa: A Sculpting Life By Joan Schoettler • Illustrated by Traci Van Wagoner “Art will make people better, more highly skilled in thinking and improving whatever business one goes into. It makes a person broader.” —Ruth Asawa Ruth Asawa believed in making the world a better place. She understood that exposing children to art was one path toward that goal. From the Japanese American internment camps to the creation of the Ruth Asawa San Francisco School of the Arts, Asawa’s life journey is one filled with family, art, injustice, inner strength, education, and arts activism. She drew upon her transformative life experiences and worked with unconventional mediums—using lines, space, and wire—to create sculptures that move people to this day. Touched by the celebration of Asawa’s life, author Joan Schoettler viewed exhibitions, studied Asawa’s creations, and consulted many who knew Asawa in a quest to portray the life of this remarkable woman. In a perfect complement, the thorough research by illustrator Traci Van Wagoner is vividly apparent in the quietly compelling depictions of Asawa and her life. -
Visionary Calculations Inventing the Mathematical Economy in Nineteenth-Century America
Visionary Calculations Inventing the Mathematical Economy in Nineteenth-Century America By Rachel Knecht B.A., Tufts University, 2011 M.A., Brown University, 2014 Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History at Brown University. Providence, Rhode Island May 2018 © Copyright 2018 by Rachel Knecht This dissertation of Rachel Knecht is accepted in its present form by the Department of History as satisfying the dissertation requirement for the degree of Doctor of Philosophy. Date __________________ ______________________________________ Seth Rockman, Advisor Recommended to the Graduate Council Date __________________ ______________________________________ Joan Richards, Reader Date __________________ ______________________________________ Lukas Rieppel, Reader Approved by the Graduate Council Date __________________ ______________________________________ Andrew Campbell, Dean of the Graduate School iii Vitae Rachel Knecht received her B.A. in History from Tufts University, magna cum laude, in 2011 and her M.A. in History from Brown University in 2014. Her research has been supported by the Program in Early American Economy and Society at the Library Company of Philadelphia, the American Philosophical Society, the American Antiquarian Society, and the member institutions of the New England Regional Consortium, as well as the Department of History and Graduate School at Brown University. In 2017, she received a Deans’ Faculty Fellowship from Brown and joined the History Department as a Visiting Professor in 2018. iv Acknowledgements This dissertation is the product of many years of help, support, criticism, and inspiration. I am deeply indebted not only to the following people, but also to many others who have encouraged me to see this project to its completion. -
1 This Was the Year That the Shadows Appeared As Singers Before a Pan
1975 This was the year that The Shadows appeared as singers before a pan-European audience. The earlier 1973 initiative had not produced the desired outcome and by 1974 they were in the wilderness and did not exist as a viable group. They got together to perform at the Palladium on 27 October of that year as a personal tribute to and for the benefit of the widow of BBC producer Colin Charman. BBC boss Bill Cotton heard them and suggested that they might like to represent the UK at the Eurovision Song Contest the following year. They accepted, formed a working ensemble, and undertook a few local ‘practice’ gigs while preparing and practising the songs. The chosen song, [254] LET ME BE THE ONE, was one of six put forward for the UK’s entry in the Eurovision Contest of 1975, and was the last of the contenders performed over six successive weeks on Lulu’s BBC TV show at the start of the year. It was duly televised in Stockholm on 22 March but came in second to Dutch group Teach-In’s lyrically challenged ‘Dinge-Dong’ ~ English title ‘Ding-A-Dong’ (“Ding- A-Dong every hour,/ When you pick a flower …”), which impressed the British public sufficiently to enjoy a seven-week residence in the Singles charts (climbing to No.13). No such good fortune attended the release of The Shadows’ follow-up to their charting Eurovision Single, another piece from the same composer, the staggeringly inane, hopelessly unamusing [266] RUN BILLY RUN (“Closed my eyes, I tried countin’ sheep,/ Desp-rate Dan just looked like Bo-Peep,/ I can’t sleep”). -
Cumulus Media Inc. (Exact Name of Registrant As Speciñed in Its Charter) Delaware 36-4159663 (State of Incorporation) (I.R.S
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 Form 10-K ¥ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the Ñscal year ended December 31, 2003 n TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission Ñle number 00-24525 Cumulus Media Inc. (Exact Name of Registrant as SpeciÑed in Its Charter) Delaware 36-4159663 (State of Incorporation) (I.R.S. Employer IdentiÑcation No.) 3535 Piedmont Road Building 14, Floor 14 Atlanta, GA 30305 (404) 949-0700 (Address, including zip code, and telephone number, including area code, of registrant's principal oÇces) Securities Registered Pursuant to Section 12(b) of the Act: None Securities Registered Pursuant to Section 12(g) of the Act: Class A Common Stock; Par Value $.01 per share Indicate by check mark whether the registrant: (1) has Ñled all reports required to be Ñled by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to Ñle such reports), and (2) has been subject to such Ñling requirements for the past 90 days. Yes ¥ No n Indicate by check mark if disclosure of delinquent Ñlers pursuant to Item 405 of Regulation S-K is not contained herein, and will not be contained, to the best of Registrant's knowledge, in deÑnitive proxy or information statements incorporated by reference in Part III of this Form 10-K or any amendment to this Form 10-K. -
MUSIC WEEK MARCH 25, 1978 Milfilt Joel
MUSIC WEEK MARCH 25, 1978 milfilT Joel; I don't want to be a retired rock star at 30 by JIM EVANS earlier success." handled with care. For a start, he's BREAKING AN American act in So how keen is he to break himself not over-fond of television. "I don't the UK can take a long time. Witness in Britain? "So many of my idols like doing tv, it's very restricting. the singles chart and the appearance come from Britain, I want to do well You can't do your usual live show; of Just The Way You Arc, the first here. It's a rock 'n' roll mecca as far you don't know who your audience British chart entry for New York as I'm concerned. Paul McCartney are. If there's another band on singer/songwriter Billy Joel. must be my greatest influence — he before you, it becomes like an Prior to this single release, Billy has to be the best contemporary assembly line. It's not spontaneous, has had four albums released over songwriter. Stevie Winwood and it's too clinical." here — four albums that have been David Bowie too — I don't like to be And when he plans an album — largely ignored by the record buying pinned down, I draw my influences The Stranger took five months to public. But now, the tide could be from many spheres. Black music write — he takes his lime. "1 feel turning. too, James Brown. Hendrix, jazz like an artist or a painter, you have Brought over here by his record classical — I had piano lessons, so I your moments of inspiration, and company. -
Pre-Owned 1970S Sheet Music
Pre-owned 1970s Sheet Music 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 PLEASE NOTE THE FOLLOWING FOR A GUIDE TO CONDITION AND PRICES PER TITLE ex No marks or deterioration Priced £15. good As appropriate for age of the manuscript. Slight marks on front cover (shop stamp or owner's name). Possible slight marking (pencil) inside.Priced £12. fair Some damage such as edging tears. Reasonable for age of manuscript. Priced £5 Album Contains several songs and photographs of the artist(s). Priced £15+ condition considered. Year Year of print.Usually the same year as copyright (c) but not always. Photo Artist(s) photograph on front cover. n/a No artist photo on front cover LOOKING FOR THESE ARTISTS?You’ve come to the right place for The Bee Gees, Eric Clapton, Russ Conway, John B.Sebastian, Status Quo or even Wings or “Woodstock”. Just look for the artist’s name on the lists below. 1970s TITLE WRITER & COMPOSER CONDITION PHOTO YEAR $7,000 and you Hugo & Luigi/George David Weiss ex The Stylistics 1977 ABBA – greatest hits Album of 19 songs from ex Abba © 1992 B.Andersson/B.Ulvaeus After midnight John J.Cale ex Eric Clapton 1970 After the goldrush Neil Young ex Prelude 1970 Again and again Richard Parfitt/Jackie Lynton/Andy good Status Quo 1978 Bown Ain‟t no love John Carter/Gill Shakespeare ex Tom Jones 1975 Airport Andy McMaster ex The Motors 1976 Albertross Peter Green fair Fleetwood Mac 1970 Albertross (piano solo) Peter Green ex n/a ©1970 All around my hat Hart/Prior/Knight/Johnson/Kemp ex Steeleye Span 1975 All creatures great and Johnny -
Lewis and Clark Middle School a Nationally Recognized Blue Ribbon School Principal’S JANUARY Newsletter
Lewis and Clark Middle School A Nationally Recognized Blue Ribbon School Principal’s JANUARY Newsletter Sherri Thomas, Ed. S. LATE START DAY SUPPORT OUR TEAMS! All Jefferson City Public Schools will observe Our boys and girls basketball teams have a late start day on Wednesday, January 16. a busy schedule through the month of On that day, school will start two hours later January. Please come out and cheer them than usual; buses will run their regular routes on. Admission to all middle school two hours later than usual. sporting events is $2 for adults and $1 for students. For more information on HOLIDAY OBSERVED locations and game times, go to the All Jefferson City Public Schools will be closed on Sports Zone link on our school website, or check our Monday, January 21, in observance of the birthday of school website calendar. Martin Luther King, Jr. IN CASE OF BAD WEATHER … MARK YOUR CALENDAR … JCPS has many ways of communicating with parents … and join us for Breakfast with the Principal on Friday, regarding weather-related school cancellations. In February 1. Breakfast will be served to parents free of addition to AlertNow phone calls, TextJCPS messages charge at 7:15 a.m. Please plan to come and share and Key Communicator emails, parents may check your thoughts and ideas on making our school the best these sources for updates: it can be! Make sure to RSVP to the school office (659- 3200) if you plan to attend. School Info Line: 635-JCPS (635-5277) JCPS WEBSITE: www.jcps.k12.mo.us ACHIEVEMENT ASSEMBLIES KWOS AM RADIO 950 AM Assemblies to recognize academic achievement will KLIK AM RADIO 1240 AM take place on Friday, January 18 … 7th grade at 8:30; KFAL AM RADIO 900 AM 6th grade at 10; 8th grade at 1:30.