A Code of Ethics for the Human-Robot Interaction Profession Laurel D
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
M.A Thesis- Aaron Misener- 0759660- 2017.Pdf
“Constructing a New Femininity”: Popular Film and the Effects of Technological Gender Aaron Misener—MA Thesis—English—McMaster University “Constructing a New Femininity”: Popular Film and the Effects of Technological Gender Aaron Misener, B.A. (Hons.) A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree Master of Arts McMaster University ©Copyright by Aaron Misener, December 2016 ii Aaron Misener—MA Thesis—English—McMaster University MASTER OF ARTS (2016) McMaster University (English) Hamilton, Ontario TITLE: “Constructing a New Femininity”: Popular Film and the Effects of Technological Gender AUTHOR: Aaron Misener, B.A. Hons. (McMaster University) SUPERVISOR: Dr. Anne Savage NUMBER OF PAGES: i-v, 1-74 iii Aaron Misener—MA Thesis—English—McMaster University Abstract: This project applies critical media and gender theories to the relatively unexplored social space where technology and subjectivity meet. Taking popular film as a form of public pedagogy, the project implicates unquestioned structures of patriarchal control in shaping the development and depiction of robotic bodies. The project was spurred from a decline in critical discourse surrounding technology’s potential to upset binaried gender constructions, and the increasingly simplified depictions of female-shaped robots (gynoids) as proxies for actual women. By critically engaging assumptions of gender when applied to technology, the project recontextualizes fundamental theories in contemporary popular film. iv Aaron Misener—MA Thesis—English—McMaster University Acknowledgements: This project has seen the birth of my daughter, and the death of my mother. My most elated joys and the deepest sorrows that I have yet known. It has both anchored me, and left me hopelessly lost. -
Artificial Intelligence and the Ethics of Self-Learning Robots Shannon Vallor Santa Clara University, [email protected]
Santa Clara University Scholar Commons Philosophy College of Arts & Sciences 10-3-2017 Artificial Intelligence and the Ethics of Self-learning Robots Shannon Vallor Santa Clara University, [email protected] George A. Bekey Follow this and additional works at: http://scholarcommons.scu.edu/phi Part of the Philosophy Commons Recommended Citation Vallor, S., & Bekey, G. A. (2017). Artificial Intelligence and the Ethics of Self-learning Robots. In P. Lin, K. Abney, & R. Jenkins (Eds.), Robot Ethics 2.0 (pp. 338–353). Oxford University Press. This material was originally published in Robot Ethics 2.0 edited by Patrick Lin, Keith Abney, and Ryan Jenkins, and has been reproduced by permission of Oxford University Press. For permission to reuse this material, please visit http://www.oup.co.uk/academic/rights/permissions. This Book Chapter is brought to you for free and open access by the College of Arts & Sciences at Scholar Commons. It has been accepted for inclusion in Philosophy by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. ARTIFICIAL INTELLIGENCE AND 22 THE ETHICS OF SELF - LEARNING ROBOTS Shannon Va ll or and George A. Bekey The convergence of robotics technology with the science of artificial intelligence (or AI) is rapidly enabling the development of robots that emulate a wide range of intelligent human behaviors.1 Recent advances in machine learning techniques have produced significant gains in the ability of artificial agents to perform or even excel in activities for merly thought to be the exclusive province of human intelligence, including abstract problem-solving, perceptual recognition, social interaction, and natural language use. -
2.1: What Is Robotics? a Robot Is a Programmable Mechanical Device
2.1: What is Robotics? A robot is a programmable mechanical device that can perform tasks and interact with its environment, without the aid of human interaction. Robotics is the science and technology behind the design, manufacturing and application of robots. The word robot was coined by the Czech playwright Karel Capek in 1921. He wrote a play called “Rossum's Universal Robots” that was about a slave class of manufactured human-like servants and their struggle for freedom. The Czech word robota loosely means "compulsive servitude.” The word robotics was first used by the famous science fiction writer, Isaac Asimov, in 1941. 2.1: What is Robotics? Basic Components of a Robot The components of a robot are the body/frame, control system, manipulators, and drivetrain. Body/frame: The body or frame can be of any shape and size. Essentially, the body/frame provides the structure of the robot. Most people are comfortable with human-sized and shaped robots that they have seen in movies, but the majority of actual robots look nothing like humans. Typically, robots are designed more for function than appearance. Control System: The control system of a robot is equivalent to the central nervous system of a human. It coordinates and controls all aspects of the robot. Sensors provide feedback based on the robot’s surroundings, which is then sent to the Central Processing Unit (CPU). The CPU filters this information through the robot’s programming and makes decisions based on logic. The same can be done with a variety of inputs or human commands. -
THESIS ANXIETIES and ARTIFICIAL WOMEN: DISASSEMBLING the POP CULTURE GYNOID Submitted by Carly Fabian Department of Communicati
THESIS ANXIETIES AND ARTIFICIAL WOMEN: DISASSEMBLING THE POP CULTURE GYNOID Submitted by Carly Fabian Department of Communication Studies In partial fulfillment of the requirements For the Degree of Master of Arts Colorado State University Fort Collins, Colorado Fall 2018 Master’s Committee: Advisor: Katie L. Gibson Kit Hughes Kristina Quynn Copyright by Carly Leilani Fabian 2018 All Rights Reserved ABSTRACT ANXIETIES AND ARTIFICIAL WOMEN: DISASSEMBLING THE POP CULTURE GYNOID This thesis analyzes the cultural meanings of the feminine-presenting robot, or gynoid, in three popular sci-fi texts: The Stepford Wives (1975), Ex Machina (2013), and Westworld (2017). Centralizing a critical feminist rhetorical approach, this thesis outlines the symbolic meaning of gynoids as representing cultural anxieties about women and technology historically and in each case study. This thesis draws from rhetorical analyses of media, sci-fi studies, and previously articulated meanings of the gynoid in order to discern how each text interacts with the gendered and technological concerns it presents. The author assesses how the text equips—or fails to equip—the public audience with motives for addressing those concerns. Prior to analysis, each chapter synthesizes popular and scholarly criticisms of the film or series and interacts with their temporal contexts. Each chapter unearths a unique interaction with the meanings of gynoid: The Stepford Wives performs necrophilic fetishism to alleviate anxieties about the Women’s Liberation Movement; Ex Machina redirects technological anxieties towards the surveilling practices of tech industries, simultaneously punishing exploitive masculine fantasies; Westworld utilizes fantasies and anxieties cyclically in order to maximize its serial potential and appeal to impulses of its viewership, ultimately prescribing a rhetorical placebo. -
An Ethical Framework for Smart Robots Mika Westerlund
An Ethical Framework for Smart Robots Mika Westerlund Never underestimate a droid. Leia Organa Star Wars: The Rise of Skywalker This article focuses on “roboethics” in the age of growing adoption of smart robots, which can now be seen as a new robotic “species”. As autonomous AI systems, they can collaborate with humans and are capable of learning from their operating environment, experiences, and human behaviour feedback in human-machine interaction. This enables smart robots to improve their performance and capabilities. This conceptual article reviews key perspectives to roboethics, as well as establishes a framework to illustrate its main ideas and features. Building on previous literature, roboethics has four major types of implications for smart robots: 1) smart robots as amoral and passive tools, 2) smart robots as recipients of ethical behaviour in society, 3) smart robots as moral and active agents, and 4) smart robots as ethical impact-makers in society. The study contributes to current literature by suggesting that there are two underlying ethical and moral dimensions behind these perspectives, namely the “ethical agency of smart robots” and “object of moral judgment”, as well as what this could look like as smart robots become more widespread in society. The article concludes by suggesting how scientists and smart robot designers can benefit from a framework, discussing the limitations of the present study, and proposing avenues for future research. Introduction capabilities (Lichocki et al., 2011; Petersen, 2007). Hence, Lin et al. (2011) define a “robot” as an Robots are becoming increasingly prevalent in our engineered machine that senses, thinks, and acts, thus daily, social, and professional lives, performing various being able to process information from sensors and work and household tasks, as well as operating other sources, such as an internal set of rules, either driverless vehicles and public transportation systems programmed or learned, that enables the machine to (Leenes et al., 2017). -
Building Multiversal Semantic Maps for Mobile Robot Operation
Draft Version. Final version published in Knowledge-Based Systems Building Multiversal Semantic Maps for Mobile Robot Operation Jose-Raul Ruiz-Sarmientoa,∗, Cipriano Galindoa, Javier Gonzalez-Jimeneza aMachine Perception and Intelligent Robotics Group System Engineering and Auto. Dept., Instituto de Investigaci´onBiom´edicade M´alaga (IBIMA), University of M´alaga, Campus de Teatinos, 29071, M´alaga, Spain. Abstract Semantic maps augment metric-topological maps with meta-information, i.e. semantic knowledge aimed at the planning and execution of high-level robotic tasks. Semantic knowledge typically encodes human-like concepts, like types of objects and rooms, which are connected to sensory data when symbolic representations of percepts from the robot workspace are grounded to those concepts. This symbol grounding is usually carried out by algorithms that individually categorize each symbol and provide a crispy outcome – a symbol is either a member of a category or not. Such approach is valid for a variety of tasks, but it fails at: (i) dealing with the uncertainty inherent to the grounding process, and (ii) jointly exploiting the contextual relations among concepts (e.g. microwaves are usually in kitchens). This work provides a solution for probabilistic symbol grounding that overcomes these limitations. Concretely, we rely on Conditional Random Fields (CRFs) to model and exploit contextual relations, and to provide measurements about the uncertainty coming from the possible groundings in the form of beliefs (e.g. an object can be categorized (grounded) as a microwave or as a nightstand with beliefs 0:6 and 0:4, respectively). Our solution is integrated into a novel semantic map representation called Multiversal Semantic Map (MvSmap ), which keeps the different groundings, or universes, as instances of ontologies annotated with the obtained beliefs for their posterior exploitation. -
Nudging for Good: Robots and the Ethical Appropriateness of Nurturing Empathy and Charitable Behavior
Nudging for Good: Robots and the Ethical Appropriateness of Nurturing Empathy and Charitable Behavior Jason Borenstein* and Ron Arkin** Predictions are being commonly voiced about how robots are going to become an increasingly prominent feature of our day-to-day lives. Beyond the military and industrial sectors, they are in the process of being created to function as butlers, nannies, housekeepers, and even as companions (Wallach and Allen 2009). The design of these robotic technologies and their use in these roles raises numerous ethical issues. Indeed, entire conferences and books are now devoted to the subject (Lin et al. 2014).1 One particular under-examined aspect of human-robot interaction that requires systematic analysis is whether to allow robots to influence a user’s behavior for that person’s own good. However, an even more controversial practice is on the horizon and warrants attention, which is the ethical acceptability of allowing a robot to “nudge” a user’s behavior for the good of society. For the purposes of this paper, we will examine the feasibility of creating robots that would seek to nurture a user’s empathy towards other human beings. We specifically draw attention to whether it would be ethically appropriate for roboticists to pursue this type of design pathway. In our prior work, we examined the ethical aspects of encoding Rawls’ Theory of Social Justice into robots in order to encourage users to act more socially just towards other humans (Borenstein and Arkin 2016). Here, we primarily limit the focus to the performance of charitable acts, which could shed light on a range of socially just actions that a robot could potentially elicit from a user and what the associated ethical concerns may be. -
History of Robotics: Timeline
History of Robotics: Timeline This history of robotics is intertwined with the histories of technology, science and the basic principle of progress. Technology used in computing, electricity, even pneumatics and hydraulics can all be considered a part of the history of robotics. The timeline presented is therefore far from complete. Robotics currently represents one of mankind’s greatest accomplishments and is the single greatest attempt of mankind to produce an artificial, sentient being. It is only in recent years that manufacturers are making robotics increasingly available and attainable to the general public. The focus of this timeline is to provide the reader with a general overview of robotics (with a focus more on mobile robots) and to give an appreciation for the inventors and innovators in this field who have helped robotics to become what it is today. RobotShop Distribution Inc., 2008 www.robotshop.ca www.robotshop.us Greek Times Some historians affirm that Talos, a giant creature written about in ancient greek literature, was a creature (either a man or a bull) made of bronze, given by Zeus to Europa. [6] According to one version of the myths he was created in Sardinia by Hephaestus on Zeus' command, who gave him to the Cretan king Minos. In another version Talos came to Crete with Zeus to watch over his love Europa, and Minos received him as a gift from her. There are suppositions that his name Talos in the old Cretan language meant the "Sun" and that Zeus was known in Crete by the similar name of Zeus Tallaios. -
Satisfaction Guaranteed™ the Pleasure Bot, the Gynoid, The
Satisfaction Guaranteed™ The Pleasure Bot, the Gynoid, the Electric-Gigolo, or my personal favorite the Romeo Droid are just some of Science Fiction's contributions to the development of the android as sex worker. Notably (and as any Sci-fi aficionado would remind us) such technological foresight is often a precursor to our own - not too distant future. It will therefore come as no surprise that the development of artificial intelligence and virtual reality are considered to be the missing link within the sex industry and the manufacture of technologically-enhanced products and experiences. Similarly, many esteemed futurologists are predicting that by 2050 (not 2049) artificial intelligence will have become so integrated within society that it will be commonplace for humans to have sex with robots… Now scrub that image out of your head and let’s remind ourselves that all technology (if we listen to Charlie Brooker) should come with a warning sign. Sexnology (that’s Sex + Technology) is probably pretty high up there on the cautionary list, but whether we like it or not people ‘The robots are coming’ – no pun intended! Actually the robots (those of a sexual nature) have already arrived, although calling them robots may be a little premature. Especially when considering how film has created expectations of human resemblance, levels of functionality and in this context modes of interaction. The pursuit of creating in our own image has historically unearthed many underlying questions in both fiction and reality about what it means to be human. During such times, moral implications may surface although history also tells us that human traits such as the desire for power and control often subsume any humane/humanoid considerations. -
Collective Memory and the Constructio
Liljedahl: Recalling the (Afro)Future: Collective Memory and the Constructio RECALLING THE (AFRO)FUTURE: COLLECTIVE MEMORY AND THE CONSTRUCTION OF SUBVERSIVE MEANINGS IN JANELLE MONÁE’S METROPOLIS-SUITES Everywhere, the “street” is considered the ground and guarantee of all reality, a compulsory logic explaining all Black Music, conveniently mishearing antisocial surrealism as social realism. Here sound is unglued from such obligations, until it eludes all social responsibility, thereby accentuating its unreality principle. (Eshun 1998: -41) When we listen to music in a non-live setting, we do so via some form of audio reproduction technology. To most listeners, the significant part about the technology is not the technology itself but the data (music) it stores and reverberates into our ears (Sofia 2000). Most of these listeners have memories tied to their favourite songs (DeNora 2000) but if the music is at the centre of the history of a people, can the songs themselves be seen as a form of recollection? In this paper, I suggest that sound reproduction technology can be read as a storage of memories in the context of Black American popular music. I will turn my attention to the critical potential of Afrofuturist narratives in the field of memory- technology in order to focus on how collective memory is performed as Afrofuturist technology in Black American popular music, specifically in the music of Janelle Monáe. At play in the theoretical backdrop of this article are two key concepts: Signifyin(g) and collective memory, the first of which I will describe in simplified terms, while the latter warrants a more thorough discussion. -
Emerging Legal and Policy Trends in Recent Robot Science Fiction
Emerging Legal and Policy Trends in Recent Robot Science Fiction Robin R. Murphy Computer Science and Engineering Texas A&M University College Station, TX 77845 [email protected] Introduction This paper examines popular print science fiction for the past five years (2013-2018) in which robots were essential to the fictional narrative and the plot depended on a legal or policy issue related to robots. It follows in the footsteps of other works which have examined legal and policy trends in science fiction [1] and graphic novels [2], but this paper is specific to robots. An analysis of five books and one novella identified four concerns about robots emerging in the public consciousness: enabling false identities through telepresence, granting robot rights, outlawing artificial intelligence for robots, and ineffectual or missing product liability. Methodolology for Selecting the Candidate Print Fiction While robotics is a popular topic in print science fiction, fictional treatments do not necessarily touch on legal or policy issues. Out of 44 candidate works, only six involved legal or policy issues. Candidates for consideration were identified in two ways. One, the nominees for the 2013-2018 Hugo and Nebulas awards were examined for works dealing with robots. The other was a query of science fiction robot best sellers at Amazon. A candidate work of fiction had to contain at least one robot that served either a character or contributed to the plot such that the robot could not be removed without changing the story. For example, in Raven Stratagem, robots did not appear to be more than background props throughout the book but suddenly proved pivotal to the ending of the novel. -
Moral and Ethical Questions for Robotics Public Policy Daniel Howlader1
Moral and ethical questions for robotics public policy Daniel Howlader1 1. George Mason University, School of Public Policy, 3351 Fairfax Dr., Arlington VA, 22201, USA. Email: [email protected]. Abstract The roles of robotics, computers, and artifi cial intelligences in daily life are continuously expanding. Yet there is little discussion of ethical or moral ramifi cations of long-term development of robots and 1) their interactions with humans and 2) the status and regard contingent within these interactions– and even less discussion of such issues in public policy. A focus on artifi cial intelligence with respect to differing levels of robotic moral agency is used to examine the existing robotic policies in example countries, most of which are based loosely upon Isaac Asimov’s Three Laws. This essay posits insuffi ciency of current robotic policies – and offers some suggestions as to why the Three Laws are not appropriate or suffi cient to inform or derive public policy. Key words: robotics, artifi cial intelligence, roboethics, public policy, moral agency Introduction Roles for robots Robots, robotics, computers, and artifi cial intelligence (AI) Robotics and robotic-type machinery are widely used in are becoming an evermore important and largely un- countless manufacturing industries all over the globe, and avoidable part of everyday life for large segments of the robotics in general have become a part of sea exploration, developed world’s population. At present, these daily as well as in hospitals (1). Siciliano and Khatib present the interactions are now largely mundane, have been accepted current use of robotics, which include robots “in factories and even welcomed by many, and do not raise practical, and schools,” (1) as well as “fi ghting fi res, making goods moral or ethical questions.