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Benny L Scores Beatport's First-Ever Drum & Bass No. 1
FOR IMMEDIATE RELEASE BENNY L SCORES BEATPORT’S FIRST-EVER DRUM & BASS NO. 1 BERLIN, DE - January 17, 2019 - London-based DJ and producer Benny L has made Beatport history with the first-ever Drum & Bass track to reach No. 1 on the store’s overall Top 100. Released January 11, exclusively on Beatport, Benny L’s remix of the John Holt reggae classic ‘Police In Helicopter’ swiftly hit No. 1 in Drum & Bass. From there, it climbed to the overall No. 1 spot, leading a Top 10 otherwise dominated by Beatport’s various house and techno genres. The genre’s first-ever Beatport No. 1 comes via London’s long-running Hospital Records as part of its ‘Sick Music 2019’ series, which also features releases from scene luminaries such as London Elektricity, Fred V and Logistics. Benny L, whose releases have previously appeared on labels like Metalheadz and AudioPorn Records, won Best Newcomer at the recent Drum&BassArena Awards. His ‘Police In Helicopter’ remix started life as a much in-demand dubplate, which he shared with only a select few peers. After building steam in the sets of bass heavyweights last summer, its official release was keenly anticipated by DJs. "Hospital hit me up about doing a remix for a forthcoming project and ‘Police In Helicopter’ was on the list, so I went for it,” Benny L explained to Beatport. “It all came together pretty quickly, and I was very happy with the mixdown.” “Even after a few months, the reaction was incredible, with DJs such as Randall, Shy FX, Andy C and Friction playing it,” he added. -
God's Own Country Is Francis’ First Feature Film Project
GOD’S OWN COUNTRY A film by Francis Lee UK • 104 min. • 2017 OFFICIAL SELECTION: Sundance Film Festival 2017 Berlin International Film Festival 2017 San Francisco International Film Festival 2017 Provincetown International Film Festival 2017 Outfest Los Angeles 2017 (Opening Night) Distribution Contacts: Samuel Goldwyn Films Ryan Boring, [email protected] New York Publicity Contacts: Cinetic Marketing Ryan Werner, [email protected] Courtney Ott, [email protected] Bingham Bryant, [email protected] God’s Own Country Production Notes Logline Francis Lee’s feature film debut is a contemporary tale of self-discovery and emotional-awakening set on the sheep farming hills of rural England. Synopsis Johnny Saxby works long hours in brutal isolation on his family’s remote farm in the north of England. He numbs the daily frustration of his lonely existence with nightly binge-drinking at the local pub and casual sex. When a handsome Romanian migrant worker arrives to take up temporary work on the family farm, Johnny suddenly finds himself having to deal with emotions he has never felt before. An intense relationship forms between the two which could change Johnny’s life forever. Long Synopsis Spring. Yorkshire. Johnny Saxby (24) carries the weight of his family’s dilapidating sheep farm alone. His formidable grandmother Deirdre (70) is now too old to work the land, whilst his father Martin (50), once a capable farmer, struggles in the aftermath of a stroke. Socially and geographically isolated and overwhelmed by the responsibility, yet too proud to accept any help, Johnny numbs his frustration with drink, dope and casual sex. -
27Th April 2018
27th April 2018 The information contained within this announcement is deemed by the Company to constitute inside information stipulated under the Market Abuse Regulation (EU) No. 596/2014. Upon the publication of this announcement via the Regulatory Information Service, this inside information is now considered to be in the public domain. EVR Holdings plc (‘EVR’ or the ‘Company’) EVR Holdings Signs Agreements with Record Labels and Music Publishers EVR Holdings plc (AIM: EVRH), the leading creator of virtual reality music content and its subsidiary MelodyVR Ltd (‘MelodyVR’) are pleased to announce that on 26 April 2018 MelodyVR entered into the following multi-year agreements: 1. Publishing Agreement with Kobalt (Kobalt Music Publishing America, Inc.) and AMRA (American Music Rights Association). Kobalt Music publishing represents the rights of songwriters and artists such as Alt-J, Beck, Fleetwood Mac, Gwen Stefani, Jack Garratt, Lionel Richie, Moby, Nick Cave and The Bad Seeds, Nine Inch Nails, Placebo, Queens Of The Stone Age, Rudimental and many more. 2. Record Label Agreement with Cooking Vinyl (Cooking Vinyl Limited). Cooking Vinyl represents musicians such as Alison Moyet, Goldie, Groove Armada, James, Madness, Marilyn Manson, The Fratellis, The Prodigy, Underworld and many more. 3. Record Label Agreement with Red Bull Records (Red Bull Records Inc.) Red Bull Records represents artists such as AWOLNATION, The Aces, Black & Gold, Beartooth, Five Knives and Itch. 4. Publishing Agreement with AKM (AKM Autoren, Komponisten und Musikverleger) and Austro Mechana. AKM/Austro mechana administers the performance, reproduction and distribution rights in musical works from composers and music publishers in Austria. 5. Record Label agreement with Hospital Records (Hospital Records Limited) and Publishing agreement with Hospital Records (Songs In The Key Of Knife T/A Hospital Records Limited). -
Lucid Dream-Pop
MUSIC TRACK IT DOWN The only tunes you need this March p.130 HOCUS OPUS The month’s most spellbinding albums p.152 COMPETITIVE COMPILATIONS Key comps and mixes reviewed p.156 LU C I D DREAM-POP Kelly Lee Owens breaks the mould with her stunning, self-titled debut album... p.152 djmag.com 129 HOUSE BEN ARNOLD James Hadfield and Danny Linton. With its tribal howls, Soak skirts the right side of QUICKIES 'world music' without being Phil Weeks wanky — always a perilous Raw Instrumental Vol. 2 [email protected] tightrope act. Instead, it's PW/Robsoul Recordings wonky and wonderful. Man 8.0 Power himself drops in a moody, Phil Weeks is clearly never visited with writer's acidic re-rub, while Axel Boman block. This eight-track EP being rather sturdy wallops yet another remix out evidence of this, a collection of weaponised into the bleachers, dropping house music to damage dancefloors. Bravo. the four-four in favour of a new genre, Balearic garage (which Justin Cudmore has just been coined here, this Forget It EP very moment). The Bunker New York 8.5 Oh yes. This blisteringly acidic four-tracker for MICHAEL ZAHNSCHIRM & THERESA LIPP ZAHNSCHIRM MICHAEL Jamie Lidell/Matthew The Bunker New York had us at hello. 'New Jack Pic: Herbert MONEY Lidell/Herbert The House' is a deeply classy slab, while 'Forget Moony Me SHOT! Accidental Jnr It' is machine music par excellence. Contemplatin' EP 9.0 Klamauk Lidell and Herbert have been 9.5 muckers for donkey's years, MIA LUCCI KINDISCH Thoroughly arresting house but this bootleg of the former's music here from German/ track 'When I Come Back Venezuelan/Austrian, Around' from his majestic 2005 Eduardo A. -
De Elektrificatie Van De Ruimte. Over De Stedelijke Kadans
De elektrificatie van de ruimte Over de stedelijke kadans van elektronische muziek Gepubliceerd in: Gonzo (circus), nr. 59, 2004, pp. 38-41. Alex de Jong en Marc Schuilenburg Sla een willekeurige krant open en de stad is synoniem met problemen. Criminaliteit, stank, geluidsoverlast, verkeersopstoppingen, segregatie en kansarmoede bepalen het beeld. Tegelijkertijd is urban het hipste adjectief in de jeugdcultuur. Dat is de commercie niet ontgaan. De term urban verschijnt zonder oorsprong en dringt door in media als muziek, computerspellen, tijdschriften en winkelketens: “Urban Sells”. Dit samengaan veroorzaakt een kwaliteit van de stad die in ons dagelijks doen en laten inwerkt. De stad lijkt een kracht in zichzelf geworden. Zelfs auto’s worden verkocht als urban, zoals de Urban Car van Citroen, terwijl toch iedereen weet dat de gemiddelde stad geen paradijs is voor auto’s. Het is hip in de file te staan of stapvoets te tuffen door de straten. Blijkbaar heeft urban een aantrekkingskracht die niet ontkracht wordt door alledaagse problemen. Een fraai voorbeeld is de clipzender The Box die zijn programmering heeft uitgebreid met thema-avonden op basis van muziekgenres. Die aanpassingen zijn volgens The Box nodig “om adequaat te kunnen reageren op de veranderende muziekzendermarkt” en “om een nog prominentere positie op die markt te kunnen innemen”. Urbanvibes is de titel van een van die programma’s. Hierin worden de laatste clips op het gebied van R&B en Hiphop getoond. Aan dit programma wordt door The Box cd releases, internetsites, events, doelgroepgerichte programma's en merchandiselijnen gekoppeld. In de ogen van de makers van Urbanvibes staat urbaniteit voor een zwarte stijl van muziek of, beter gezegd, een levensstijl. -
The History of Rock Music - the 2000S
The History of Rock Music - The 2000s The History of Rock Music: The 2000s History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2006 Piero Scaruffi) Bards and Dreamers (These are excerpts from my book "A History of Rock and Dance Music") Bards of the old world order TM, ®, Copyright © 2008 Piero Scaruffi All rights reserved. Traditionally, the purposefulness and relevance of a singer-songwriter were defined by something unique in their lyrical acumen, vocal skills and/or guitar or piano accompaniment. In the 1990s this paradigm was tested by the trend towards larger orchestrastion and towards electronic orchestration. In the 2000s it became harder and harder to give purpose and meaning to a body of work mostly relying on the message. Many singer-songwriters of the 2000s belonged to "Generation X" but sang and wrote for members of "Generation Y". Since "Generation Y" was inherently different from all the generations that had preceeded it, it was no surprise that the audience for these singer-songwriters declined. Since the members of "Generation X" were generally desperate to talk about themselves, it was not surprising that the number of such singer- songwriters increased. The net result was an odd disconnect between the musician and her or his target audience. The singer-songwriters of the 2000s generally sounded more "adult" because... they were. -
ART WORLD AIDS DAY December 1, 2012
DAY WITH(OUT) ART WORLD AIDS DAY December 1, 2012 To mark its 23rd annual observance of Day Without Art and World AIDS Day, l.a.Eyeworks invited dozens of friends from the arts and services communities to select a song they would like to have played to commemorate this important day. Each person was invited to submit not only a song, but a description of themselves and a note about the selection if they liked. l.a.Eyeworks thanks each person who took time to participate in this project, and expresses the deepest gratitude to every musician who has created the magic of these songs. Neil Denari Architect Periel Aschenbrand Author, Entrepreneur Keep Your Dreams • Suicide I Say a Little Prayer • Aretha Franklin Tom Knechtel Artist Weba Garretson Singer, Songwriter and Singing Teacher Can’t Get Used To Losing You • Andy Williams A Salty Dog • Procol Harum “We lost Andy Williams this year; and even though it seems to “The orchestration and vocal on this song is by Gary Brooker, be about romantic love, the sentiment holds true for many situations.” and it is one of the best; a true example of vocal expression in service Bruce Yonemoto of telling a moving story. Though it's about a sea adventure gone awry, Artist it reminds me of the questing spirit we had before AIDS, and the many Storm Sequence • The Red Krayola friends who embodied that spirit that we've loved and lost.” Liz Young Artist Jeff Gauntt Artist and Feline Aficionado The Windmills of Your Mind • Dusty Springfield Don’t Think • Lali Puna Kyle Fitzpatrick Writer, Dog Lover, and Sometimes Actor Roy Dowell Artist Ball’r (Madonna - Free Zone) • DJ Sprinkles Ngiyakuthanda Papa Wemba • Brenda Fassie & Papa Wemba “Admittedly a Madonna LP superfan, this song represents all “This year I am selecting a very happy song. -
Issue 195.Pmd
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 195 October Oxford’s Music Magazine 2011 BORDERVILLE “As soon as you put a giant insect on stage it all gets a bit Stonehenge” Oxford’sOxford’s baroquebaroque poppop heroesheroes bringbring Kafka’sKafka’s `Metamorphosis’`Metamorphosis’ toto lifelife Also inside: Introducing AGNESS PIKE Remembering THE NUBILES RAPTURE on the move plus All your Oxford music news and reviews and six pages of local gigs NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net Truck Store is set to bow out with a weekend of live music on the 1st and 2nd October. Check with the shop for details. THE SUMMER FAYRE FREE FESTIVAL due to be held in South Park at the beginning of September was cancelled two days beforehand TRUCK STORE on Cowley Road after the organisers were faced with is set to close this month and will a severe weather warning for the be relocating to Gloucester Green weekend. Although the bad weather as a Rapture store. The shop, didn’t materialise, Gecko Events, which opened back in February as based in Milton Keynes, took the a partnership between Rapture in decision to cancel the festival rather Witney and the Truck organisation, than face potentially crippling will open in the corner unit at losses. With the festival a free Gloucester Green previously event the promoters were relying on bar and food revenue to cover occupied by Massive Records and KARMA TO BURN will headline this year’s Audioscope mini-festival. -
Led Zeppelin R.E.M. Queen Feist the Cure Coldplay the Beatles The
Jay-Z and Linkin Park System of a Down Guano Apes Godsmack 30 Seconds to Mars My Chemical Romance From First to Last Disturbed Chevelle Ra Fall Out Boy Three Days Grace Sick Puppies Clawfinger 10 Years Seether Breaking Benjamin Hoobastank Lostprophets Funeral for a Friend Staind Trapt Clutch Papa Roach Sevendust Eddie Vedder Limp Bizkit Primus Gavin Rossdale Chris Cornell Soundgarden Blind Melon Linkin Park P.O.D. Thousand Foot Krutch The Afters Casting Crowns The Offspring Serj Tankian Steven Curtis Chapman Michael W. Smith Rage Against the Machine Evanescence Deftones Hawk Nelson Rebecca St. James Faith No More Skunk Anansie In Flames As I Lay Dying Bullet for My Valentine Incubus The Mars Volta Theory of a Deadman Hypocrisy Mr. Bungle The Dillinger Escape Plan Meshuggah Dark Tranquillity Opeth Red Hot Chili Peppers Ohio Players Beastie Boys Cypress Hill Dr. Dre The Haunted Bad Brains Dead Kennedys The Exploited Eminem Pearl Jam Minor Threat Snoop Dogg Makaveli Ja Rule Tool Porcupine Tree Riverside Satyricon Ulver Burzum Darkthrone Monty Python Foo Fighters Tenacious D Flight of the Conchords Amon Amarth Audioslave Raffi Dimmu Borgir Immortal Nickelback Puddle of Mudd Bloodhound Gang Emperor Gamma Ray Demons & Wizards Apocalyptica Velvet Revolver Manowar Slayer Megadeth Avantasia Metallica Paradise Lost Dream Theater Temple of the Dog Nightwish Cradle of Filth Edguy Ayreon Trans-Siberian Orchestra After Forever Edenbridge The Cramps Napalm Death Epica Kamelot Firewind At Vance Misfits Within Temptation The Gathering Danzig Sepultura Kreator -
Patrick Wolf & the Magic Position Message Points
Patrick Wolf & the Magic Position Message Points The Magic Position is very light-hearted compared to my previous two albums, which dealt with pressing issues such as rape and abuse. I am classically trained on the piano, violin, and viola. I also self-taught myself to play the harp, harpsichord, organ, Theremin, accordion and ukulele. For the Magic Position I’ve learned many new instruments to add to my already impressive assortment. I have my largest tour, to date, planned for 2007. I will have a full tour in both the United States and Australia for the first time. For the Magic Position tour, I’m using the aid of a band, which is something I’ve personally never had before. One of the members is my sister and fellow London musician, Jo Apps. I have once again changed my hair color to match the mood that I’m hoping the Magic Position evokes. Lycanthropy, 2003 Wind in the Wires, 2005 The Magic Position, 2007 The Magic Position is my very first album with Loog Records, which is a subsidiary of recording giant Polydor. The first single off of the Magic Position was Accident & Emergency, which was released in September of 2006. The next The Magic Position Track-list single is going to be the title track and will 1. Overture be unleashed on the public in February of 2. The Magic Position 2007. 3. Accident & Emergency 4. The Bluebell I have remixed, covered, and collaborated 5. Bluebells with major artists such as Björk, Annie, 6. Magpie the Beach Boys, Larrikin Love, the 7. -
3 Rap Subgenres
Jazyk černého britského a černého amerického rapu Bakalářská práce Studijní program: B7507 – Specializace v pedagogice Studijní obory: 7504R300 – Španělský jazyk se zaměřením na vzdělávání 7507R036 – Anglický jazyk se zaměřením na vzdělávání Autor práce: Jan Wolf Vedoucí práce: Christopher Muffett, M.A. Liberec 2019 The Language of Black British and Black American Rap Bachelor thesis Study programme: B7507 – Specialization in Pedagogy Study branches: 7504R300 – Spanish for Education 7507R036 – English for Education Author: Jan Wolf Supervisor: Christopher Muffett, M.A. Liberec 2019 Prohlášení Byl jsem seznámen s tím, že na mou bakalářskou práci se plně vzta- huje zákon č. 121/2000 Sb., o právu autorském, zejména § 60 – školní dílo. Beru na vědomí, že Technická univerzita v Liberci (TUL) nezasahuje do mých autorských práv užitím mé bakalářské práce pro vnitřní potřebu TUL. Užiji-li bakalářskou práci nebo poskytnu-li licenci k jejímu využití, jsem si vědom povinnosti informovat o této skutečnosti TUL; v tomto pří- padě má TUL právo ode mne požadovat úhradu nákladů, které vyna- ložila na vytvoření díla, až do jejich skutečné výše. Bakalářskou práci jsem vypracoval samostatně s použitím uvedené literatury a na základě konzultací s vedoucím mé bakalářské práce a konzultantem. Současně čestně prohlašuji, že texty tištěné verze práce a elektronické verze práce vložené do IS STAG se shodují. 23. 6. 2019 Jan Wolf Acknowledgements First of all, I would like to thank my supervisor, Christopher Muffett, M.A. for his advice, guidance and support. Also, I want to give thanks to my family for supporting me druing my studies. Lastly, I would like to show my appreciation to all the teachers at the English Department at the Faculty of Science, Humanities and Education of the Technical University in Liberec for allowing me to improve the level of my English. -
Action Figure the UK HAS Long Been at the Forefront Of
THE UK HAS LONG BEEN at THE FOREFRONT OF POPULAR MUSIC. BY takING INFluENCES FROM ITS DIVERSE COMMUNITIES, ITS NEWEST RISING stars ARE PRODUCING A TRULY INTErnatIONAL SOUND. ROBIN FEARON INVESTIGatES. © Xxxx usic fans worldwide know Britain’s reputation as a place where musical ideas take seed, grow and are musiciansM with the exportedvision to joinacross and the create globe. their These own musical communities.fertile Nowhere isles are is thisrich successterritory more for young obvious than in the UK’s urban music scene. Hip hop and rap may be an American import, but Britain’s MCs have married it to musical styles such as electronica, garage and underground grime to create new genres of their own. Artists such as Mercury Award-winner Dizzee Rascal, The Streets, Roots Manuva and Sway have imprinted the UK charts with their beats and rhymes. Just one example of a musical style which has originated in the UK is drum and bass (or ‘d&b’). The electronic dance music, which originated in the UK, combines fast broken beat drums with a strong bassline and has had an influence on popular music the world over. Pendulum, the biggest act in drum and bass right now, is no cosmopolitan Londoner, but a native of Perth in Australia – proving the genre’s ability to span continents. Singer, songwriter ACTION FIGURE and artist, M.I.A.Left So how do ideas born in bedroom producers’ home studios bloom into a music scene and take flight? Best www.educationuk-in.org | CLUB UK | 89 O BE THE HOME ‘WHILE I STILL CONSIDERY LONDON T OF DRUM ANDCOM bassE TRUL, IT HAS BE INTErnatIONAL’ ask someone who’s been involved ‘It has to be real and if you’re an artist Above solely confined to London, either.