President's Report
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Fun, October friendship and Learning President’s Report Buy, Swap, Sell Presidents monthly report Hi Everyone, The AGM was held last meeting and the following positions were filled: President.........Trevor Faulkes Vice President.............Gail Douglas Secretary/Treasurer.............John Van Rijswijk Public Officer.......John Van Rijswijk Publicity Officer.....................Narelle Howard Supper Coordinator..........Moya Van Rijswijk Shutterbug Co-ordinator.......Gail Douglas It was decided membership fees to remain the same single .....$30 Family.....$40 pensioner....$25 Junior.......$25 In any other business it decided that more effort to be put into a teaching/learning program at future meetings. The CFX competition has closed and I believe the closing number of entries is in the region of 400. In view of the current climate I am very pleased with the total and look forward to the judges decision as to the winners. I look forward to seeing everyone at the opening night and in the mean time as previously stay safe and healthy. Regards— Trevor OFFICE BEARERS President: Trevor Faulkes Events Organiser: All members Vice President: Gail Douglas Secretary: John Van Rijswijk Shutterbug: Gail Douglas Treasurer: John Van Rijswijk Publicity: Narelle Howard Results —Camera Club Comp A GRADE – Subject— 1st – Leonie Martin Next meeting is the 11th November 2020 at 4.30pm. Subject/challenge is— Forced Perspectives 2nd – Moya van Rijswijk HC – Dale Hartnell As we are still getting the photos for the topic ready, I C— Dale Hartnell have decided to leave the topic as it is until the end of C – Dale Hartnell this month. I’ll leave the body of the Shutterbug pretty C— Gail Douglas much as is just with some more ideas/photos on the last pages. A GRADE – Open 1st - Gail Douglas 2nd - Gail Douglas Just a note. Can members please bring a prize for the C – Gail Douglas club night raffle (under $10.00). JUNIORS— Open 1st - ______________________________________________ 2nd - UPCOMING EVENTS HC - No outings until further notice. C - C - CFE hanging 21st November 2020. 1.00pm JUNIORS – Subject— 1st – 2nd – HC - C – LARGE PRINT 1st - Gail Douglas 2nd - Please note the change in the club competition: B Grade will be suspended. A Grade only subject/challenge and open class. Meta Data to written on back of photo. Junior and large print remain unchanged. Subject/challenge to be announced at previous meeting and included in Shutterbug. All photos must be taken within one month of comp. Photos must be sole work of entrant. Member must present photo in person or via a sibling/Family member only. Monthly comp to be judged/critiqued by guest presenter. Print sizes and presentation to remain unchanged. Forced Perspective Photography Ideas Forced perspective is a type of optical illusion. Objects appear to be a different size or distance due to the angle they have been shot from. You can turn tiny objects into giants, or shrink buildings. A classic example of forced perspective is the tourist shot of a person ‘holding’ the Leaning Tower of Pisa. Forced perspective photography is fun and straightforward. You can try this technique anywhere you go, get creative! Follow our great tips to start making forced perspective photos. Check Out Forced Perspective Poses for Inspiration If you don’t know where to start, you can find creative photography ideas online. Search “forced perspective” on Google, Instagram or even Pinterest. You’ll find hundreds of examples to inspire you. Popular images include people who appear like gnomes or giants. Even small toys can appear large and realistic. Take your time to look at different pictures, and pick out which ones you like. You can use them as a reference for your project. Plan Each Scene Beforehand for a Convincing Illusion Every visual element in your frame has to work together. Harmony is the key to a convincing forced perspective shot. So before you go out and take pictures, figure out how to execute every single scene you want to create. Look at some of your reference photos and scout for the best places to do them. If one of your forced perspective ideas involves a bench, choose a location with plenty of them, like a park. You should also list down the necessary props you need for your project. If you can’t find the right area or object, consider tweaking your concept. And you need to think of how to set up your photos. You’ll need to know where to place your camera, and where to position your subjects. Forced Perspective Photography Ideas (Cont) Take Test Shots After you plan the shoot, you have to take some test shots before doing the real shoot. Take some test shots at home to help you visualize your idea better. See if you might need some more props or what angles work best so that when you are at your location, you are ready to go. Try a Zoom Lens for Perspective Distortion You can use just about any lens to create perspective distortion. Your most ideal option would be a zoom lens. You’re playing around with perspective or false perspective, so expect to adjust your framing and composition a lot. A zoom lens allows you to re-frame your shot without having to move closer or farther away, unlike a prime lens. When using a zoom lens, try not to go lower than 35mm when possible. The perspective distortion in the wide-angle range could diminish the outcome of the illusion. Forced Perspective Photography Ideas (Cont) Use Small Aperture for the Best Results Forced perspective photography involves two points of interest. These work together to create an illusion. There would be one subject in the foreground, and another in the background. You’ll need to make sure everything is sharp from the front to the back. Set your camera to Aperture Priority and choose a small aperture between f/8 to f/16 to keep a deep depth of field. Try not to go any higher, or you’ll encounter diffraction. This issue arises when the opening is too small (such as f/22 or smaller), and light struggles to get in. The disturbance in the light waves causes your image to lose detail. Meanwhile, there are also situations when you’ll need to blur the background. If so, select your aperture between f/1.2 to f/2.8, instead. The narrow depth of field will guarantee you a beautiful, soft bokeh. Since you’re using Aperture Priority, you don’t have to worry about shutter speed. The camera chooses it for you. Check your settings every once in a while, especially when you’re starting to lose available light. When it’s getting dark, the shutter speed will dip down to less than 1/60th per second. Your image might end up out of fo- cus due to motion blur. To counter this problem, you can either open your aperture more or bump up your ISO. Work With a Partner to Get the Perfect Shot It can be quite challenging to do forced perspective photography by yourself. In most cases, you’ll need at least one partici- pant to execute an optical illusion. Apart from taking photos, it’s also your responsibility to tell them how to pose and where to go. Before you shoot, discuss your concept with your partner beforehand. Describe what the final image is going to look like, and show them what they’ll need to do to make it work. Feel free to show reference photos to give them a general idea about what you want to create. Since your partner can’t see what you see on the screen, you’ll need to communicate with each other a lot. Ask them to move forward, back, or sideways until they’re in the right spot. You should also reposition your camera until everything is aligned. This process requires a lot of trial and error, so patience is vital. Forced Perspective Photography Ideas (Cont) Play with Abstract Concepts The cool thing with forced perspectives is that you are basically creating an image which can’t exist in real life. This makes the perfect opportunity to play with abstract concepts with a deeper meaning. You can show someone kicking the sunset, or running after time. Play with intangible concepts such as fear, time, love, hope, etc. For example, you can show something fearful like a skeleton with a human. Or you can show a weighing scale towering over a tiny human, representing the fear of gaining weight. Incorporate Light Light can be used as a cool prop in your image. One way to do this is to create a bokeh. Use the circles that bokeh light cre- ates as objects in your photo, like in the image below. Forced Perspective Photography Ideas (Cont) Composition Is Key to Creating the Illusion Perspective is important in composition. It can create a realistic 3D scene with the 2D image that a camera produces. The composition is the most crucial part of forced perspective shots. You need to place your subject in the exact spot, or else people will notice the illusion right away. If you want something to look bigger than it is, put it in the foreground. To make it smaller, put it in the background. Then find the sweet spot where your partner appears to interact with your prop. Feel free to zoom in and out, or move the camera if necessary. Your goal is to line up the background and the foreground to make them look like they’re parallel to each other. Also, try some basic composition rules to keep your shots balanced.