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JARED REDMOND Yeonhui-ro 16-gil 7-14, B2 COMPOSER, PIANIST, THEORIST Seodaemun-gu, Seoul, South Korea Visiting Professor of Music Composition [email protected] Hanyang University, Seoul jaredredmond.com

EDUCATION: 2017 PhD, Brandeis University Music Composition and Theory Dissertation: “Cast a Butterfly in Iron: the Failed Transcendence of Scriabin’s Netherstar Sonata” (Committee: Steven Kazuo Takasugi, Eric Chafe, David Rakowski) 2017-18 Special Researcher, Seoul National University Kyujanggak Institute 2016-17 Graduate Fellow (Korean Musicology), Academy of Korean Studies 2014 Participant, International Gugak Workshop, National Gugak Center 2011 MFA, Brandeis University Music Composition and Theory 2007 BA, University of California at Berkeley Music /Composition concentrations (Honors, Eisner Prize for Excellence in the Creative Arts, Distinction in General Scholarship)

TEACHING POSITIONS: 2018~ Visiting Professor of Music Composition - Hanyang University (Seoul) 2014-15 Instructor - Newbridge on the Charles (Dedham, MA) 2013-15 Teaching Fellow; Primary Instructor - Brandeis University (Waltham, MA) 2012-15 Instructor - Brandeis Osher Lifelong Learning Institute (Waltham, MA) 2010-12 Piano Lab Instructor - Massachusetts Institute of Technology (Cambridge, MA)

TEACHING EXPERIENCE: Hanyang University (Seoul, KR) Spr. 2018~ Visiting Professor of Composition (designed and sole-taught all courses) Spring 2019:  Music and Culture: Russian Music from Glinka to Gubaidulina (MA/PhD seminar) Musicology seminar. Russian music history, especially from the early 19th century to present day. Emphasis on comparative analysis of works, and relationship of musical trends to political and social history.  Contemporary Music Analysis (MA/PhD seminar) Composition/Theory seminar, for musicologists and composers. Covered recent trends in aesthetic and technique. In-depth analysis of music especially of the last few decades. Works included Haas, 2nd ; Carola Bauckholt, Atempause; , Concerto; Hans Abrahamsen, Schnee; Isang Yun, Piri; Dutilleux, Ainsi la Nuit; Sciarrino, Come vengono prodotti gli incantesimi?; Rebecca Saunders, Blue and Gray, etc.  20th Century Music, 3rd semester (undergraduate course) Course for composition majors. Emphasis on techniques and trends of the mid- to late-20th century. “Post-serial” techniques (Boulez, Lutoslawski); Spectralism; Microtonality (, Haas); Extended techniques (Lachenmann, Sciarrino, Crumb); Minimalism (LaMonte Young). Also included harmonic review of “late-tonal” harmony (Scriabin, Szymanowski, Debussy). Fall 2018:  Harmony in Art Song (undergraduate lecture series) Four lectures on expressivity, text-painting, and harmonic innovation in “art song”, broadly defined. Music covered from William Byrd to Ligeti, with emphasis on 19th-early 20th-century music: Mozart, Schubert, Schumann, Grieg, Fauré, Duparc, Ravel, etc.  20th Century Music, 4th semester (undergraduate course) Course for composition majors. Emphasis on techniques and trends of the late-20th and early-21st centuries, including music by Clara Iannotta, Carolyn Chen, Beat Furrer, Julius Eastman, James Dillon, Catherine Lamb, Michelle Lou, Saariaho, etc. Summer 2018:  Experimental Music Theatre Workshop (creative workshop, public) Hands-on workshop including discussion of works by Aperghis, Kagel, Michelle Lou, Stockhausen, and an intense session of analysis on Steven Kazuo Takasugi’s Sideshow. Culminating in group creative projects with a Korean traditional performer. Spring 2018:  20th-21st Century Orchestration Technique (MA/PhD course) Composition seminar. Emphasis on orchestration technique from Debussy to the present day. In-depth study of orchestral and large chamber ensemble works including Debussy, Nocturnes; Scriabin, Poem of Ecstasy; Lutoslawski, Mi-Parti; Ligeti, Atmospheres; Unsuk Chin, Akrostichon Wortspiel; Lachenmann, Tableau; Eric Wubbels, Katachi; Jonathan Harvey, Towards a Pure Land. Culmination in orchestration projects. Spring 2018~present:  Composition Lessons Directing midterm and final composition projects for undergraduate composition majors. Supervise students with dual majors (“intercultural composition”): Korean traditional and Western music composition.

Hanyang University (Seoul, KR) Artist in Residence, CREAMA (Center for Research in Electro-Acoustic Media and Audio) Summer 2017:  Composition Masterclass Several weeks of one-on-one lessons with six advanced undergraduate students.

Brandeis University (Waltham, MA) 2013-15 Primary Instructor (designed and sole-taught all courses)  The Danger of Music (undergraduate writing seminar) Writing seminar focusing on “listening analysis” of music from Sciarrino to Sunn 0))), and aesthetic/political arguments on music throughout history from Plato and classical China to Tipper Gore. (Fall 2014, Spring 2015)  Theory and Musicianship Lab II, part 2 (undergraduate) Advanced musicianship skills: dictation, sight-singing, sight-reading. (Spring 2013)  Theory and Musicianship Lab II, part 1 (undergraduate) Advanced musicianship skills: dictation, sight-singing, sight-reading. (Fall 2012) Teaching Fellow (co-taught)  Instrumentation and Orchestration (undergraduate) Basic orchestration and instrumentation skills, focused on weekly projects. (Fall 2014)  Introduction to World Musics (undergraduate) Survey of world musics, open to music and non-music majors. Awarded Distinguished Teaching Fellow Award. (Spring 2014)  Exploring Western Music (undergraduate) Survey of Western classical music, open to music and non-music majors. (Fall 2013)

Newbridge on the Charles, Dedham, Massachusetts 2014-15 Instructor (designed and sole-taught lecture series for adult students):  The Musical Impressionists (Spring 2015) Six-lecture series on impressionism in visual art and music, focusing on major pieces.  A Brief History of the String Quartet (Winter 2014-15) Six-lecture series on the development of the string quartet from Haydn on.  Singing Satire, Playing Protest, Composing Critique (Summer 2014) Six-lecture series on politically-engaged and socially-critical classical music, including discussion of works from Haydn’s Farewell Symphony through the avant-garde.

Brandeis Osher Lifelong Learning Institute (Waltham, MA) 2012-15 Instructor (designed and sole-taught lecture series for adult students):  Exploring Musical Spaces (Spring 2015) Six-lecture series on relationships between composition and architecture. Thomas Tallis; Franz Joseph Haydn, , etc.  Playing Protest in the Classical Tradition (Summer 2014) Six-lecture series on relationships between classical music and politics. Beethoven 9, early 20th century music and politics, the post-war avant-garde, etc.  Music After the War (Summer 2013) Six-lecture series on World War II and the post-war avant-garde.  Music: the Magical Force (Fall 2012) Six-lecture series on musical Romanticism, and links between Romanticism and Modernism: literature, aesthetics, philosophy.

Massachusetts Institute of Technology 2010-12 Piano Lab Instructor (designed and sole-taught)  Piano Lab (Fall 2010; Spring 2011; Fall 2011; Spring 2012) Basic harmony and keyboard skills for music majors and non-majors.

ARTISTIC / ADMINISTRATIVE POSITIONS: 2017~ Artistic Director; Pianist, contemporary music ensemble GEORI 距離 (Seoul) Direct grant writing, rehearsal, and programming. In first year, managed a $14,000 business budget, producing three public concerts, commissioning six international composers, and managing rehearsal and workshop schedules. Subsequent performances throughout Korea and Japan. Currently in production of two commercial recordings (labels: Astral Industries, UK; Tone Glow, USA). 2016~ Pianist, free improvisation duo Beheaded (Seoul) 2013~ Pianist; Co-composer, experimental music ensemble Ehnahre (USA) 2013-14 Co-Director, New Music Brandeis Organized 7 concerts of undergraduate/graduate student music throughout the year, with a $12,000 total budget. Co-managed Talea ensemble residency and its $16,000 grant writing process. Managed rehearsal schedules, musician hiring, gear rentals, and programs, culminating in production of full-length chamber opera MFA project. 2010-12 Affiliated Artist - Massachusetts Institute of Technology 2005-07 President, U.C. Berkeley Undergraduate Composers Organized two concerts per year of undergraduate composers’ music, program preparation, rehearsal schedules for freelance and student composers. RESIDENCIES, GRANTS, FELLOWSHIPS, AWARDS:

2019 U.C. Davis - artist residency (Feb. 19-23, 2019) Residency with experimental ensemble Ehnahre. Directed undergraduate improvisation workshop, performed six new student compositions (undergrad/graduate), as well as full-length concert of original work. 2018 National Gugak Center commission: 3 new pieces for geomungo: for performer Sunny Lee (The Space Between Yeobaek 餘白, First Birds Cheot Sae 첫 새, Transcend Choweol 超越) 2018 New Music USA Grant, for Tongues of Angels ( and piano) 2017 New Music USA Grant, for Loess (bass and piano) 2017 Seoul Youth Art Troupe (서울청년예술단) Grant, for founding ensemble GEORI 距離 2017 Finalist - Cortona Composition Prize, for Todesvogel 2016-17 Artist in Residence, Hanyang University CREAMA studio Work on my own creative projects in the studio; taught composition masterclass. 2016-17 Mellon Foundation Dissertation Year Fellowship 2016 Individual Artist Grant, Asian Cultural Council for my theatrical work Black Flower Blossoming 2016 Max Kade Travel Grant, Brandeis University (declined) 2013-16 Irving G. Fine Fellow of Music Composition, Brandeis University 2015 Hertz Traveling Fellowship, UC Berkeley 2014 Distinguished Teaching Fellow Award, Brandeis University 2013 Max Kade Travel Grant, Brandeis University 2011-13 Presidential Fellowship, Brandeis University

SCHOLARLY PUBLICATIONS: 2018 “Gagok as Art Music”, chapter 5 of Gagok, Gasa, Sijo: Classical Vocal Music of Korea. Korean Musicology Series 9, eds. Hee-sun Kim, Hillary Finchum Sung. National Gugak Center, Seoul, December 2018 (ISBN: 979-11-89132-24-8) 2018 “The Effects of Music Education on Contemporary Art Music Notation for Gugak Instruments. (현대 한국 창작음악 기보법에 끼친 음악 교육의 영향)”, Hanguk Gugak Gyoyuk Yeongu 국악교육연구, 제 12 관 제 1 호, February 2018, 한국국악교육현구학회, 257~196 쪽.

CONFERENCES AND INVITED LECTURES:

2018 Aug. 23 - “The Sijo in Contemporary Art Music: Form and Signification”, presented at 6th Symposium of the Study Group on Musics of East Asia (MEA, International Council for Traditional Music), National Gugak Center, Seoul 2017 July 15 - “On My Work ‘Black Flower Blossoming’’, presented at Pansori in Europa: Zwischen Vermittlung und Aneignung, Koreanisches Kulturzentrum, Berlin, July 15th 2017 Feb. 3 - “Contemporary Art Music Notation for Korean Traditional Musicians”, presented at the Academy of Korean Studies (AKS), Seongnam, Korea 2016 May 26 - Lecture and presentation on Black Flower Blossoming, Mullae Art Space, Seoul 2016 Mar. 20 – Colloquium on my music, Boston Conservatory 2016 Mar. 21 – Colloquium on my music, Brandeis University 2011 Oct. 21 – Colloquium on my music, Northeastern University

SELECTED RECENT COMPOSITIONS:

KOREAN TRADITIONAL PERFORMERS 2019 Geum (金) +/-, for daegum, piano, and electronics (two guided improvisations, each 18’). To be released on Astral Industries (UK), LP, early 2020. 2018 Transcend 超越, for four geomungo and dancer, 8’. Commission: 이선희 and the National Gugak Center. Gugnip Gugakwon, 11-30-19 First Birds 첫 새, for jeongga voice and geomungo, 15’. Commission: 이선희 and the National Gugak Center. Gugnip Gugakwon, 11-30-19 The Space Between 餘白, for solo geomungo, 8’. Commission: 이선희 and the National Gugak Center. Gugnip Gugakwon, 11-30-19; Ansan Art and Culture Center, 9-1-19 Oracle 神託, for solo daegum, 12’. Commission: Yoo Hong (upcoming: CD, early 2020) Koreanisches Kulturzentrum (Berlin), 1-30-19; Seoul National University, 5-21-19 Shard, Womb 파편, 자궁, for saenghwang, daegum, and live electronics, 9’. Unofficial Preview Gallery, 잠실, Seoul, 3-14-18. 2017 closed my dark eyes 캄캄한 눈을 감았네, for daegum, ajaeng, violin, piano, 20’. Commission: GEORI 거리. Ilsin Hall, Seoul, 12-22-17 Shroud 壽衣(수의), for gayageum and violin, 20’ Commission: AsianArt Ensemble. Konzerthaus, Berlin, 9-11-17 2016 Black Flower Blossoming: I. “Dead Center of an Open Field” 검은 꽃 피다: I. 벌판 한복판에, music theater for unaccompanied pansori vocalist with stage lighting, 15’, for Jang Seo Yoon, supported by an individual grant from the Asian Cultural Council. “Work in Progress” series, Mullae Art Space, Seoul An Ever Dimmer Light 영영 사그라지는 불, for two microtonal gayageum, 9.5’. Commissioned by Kim Doyeon and Yi Jiyoung. Wellesley University, 3-20-16

LARGE ENSEMBLE 2019 Innig, for full orchestra (IN PROGRESS). Commission: Martha Wasley and the UC Berkeley Symphony Orchestra 2014 Deep Song, for soprano and twelve celli (text: F.G. Lorca), 23’. Commission: Celli@Berkeley and Felicia Chen. 2011 Molto Fragile, for chamber orchestra (1.1.1.1/1.1.1.0/Perc./Hp./1.1.1.1.1), 4'.

CHAMBER WORKS 2019 Thornfish, for toy and piccolo (IN PROGRESS), 4’ Intended premiere: 11-23-19, Toy Music Festival, Sharon Hall, Seoul 2018 Tongues of Angels, for viola and piano, 12’. Commission: Kurt Rohde. Center for New Music, San Francisco, 5-20-18. Numerous performances throughout the SF Bay Area in May 2018 Loess, for bass flute and piano, 9’. Commission: Cobus du Toit and New Music USA 2017 Down the Deep Stair, for soprano and string quartet (text: Yi Sang and Samuel Beckett), 45’. Brandeis University, 5-7-17 Nachtlang, for soprano, piano, (text: Paul Celan), 12’. Commission: Ensemble for These Times. Noe Valley Ministry, San Francisco, 4-15-18. 2015 “Pas de replâtrage, la structure est pourrie”, for piano, electric guitar, and contrabass doubling electric bass, 12.5’, New Music Brandeis Series, 5-3-15 Todesvogel, for piano, and flute doubling alto flute, 10’. Commissioned by the du Toit / Lee duo. CD recording: January 2016. International Low Festival, Tokyo (JP), March 2020 Vowels, for voice and B-flat (text: Christian Bök), for Tony Arnold and Felicia Chen, 3’. Performances throughout the US, 2015-18 2012 Stonewall Songs, for soprano and piano (text: Judith Lee Stronach), 18’. Commissioned by Raymond Lifchez. Ann Moss, Stonewall House Concert, Berkeley CA, 6-1-14. 2008 Hemistichs, for six solo strings, 8’. Commission: Worn Chamber Ensemble. The Presidio Chapel, San Francisco, CA, 9-22-08.

SOLOIST 2019 Doth, for solo piano, 10’. Commission: Jihye Chang. CSU Long Beach, 10-17-19; UC Berkeley CNMAT, 10-19-19; Stan’s Music Parlor (LA), 10-20-19 2015 A Bird With No Throat, for flutist and light, 9’. For Carlton Vickers. Brandeis University, 4-25-15 Cervantes, Dreaming, for solo piano, 4’. Commission: Mikhail Kaykov. Numerous performances in Europe by Trami Nguyen 2009 Bagatelle, for solo piano, 4.5’. Numerous performances by Jared Redmond.

(numerous piano transcriptions and other minor pieces not listed)

COMMERCIAL RECORDINGS:

2020 - GEORI, 金 +/- (Geum), improvisation recording and collaboration with Wolfgang Voigt, Astral Industries Records (London), LP, expected Jan. 2020 - GEORI , ensemble debut recording (as pianist and composer), closed my dark eyes for daegum, ajaeng, violin, piano; Shard, Womb for saenghwang, daegum, live electronics. Tone Glow Records, USA (Recording in December 2019) - Sehyung Kim, “Sijo” CD (as pianist), Austrian Gramophone, Vienna, expected 2020 2019 - Ehnahre, “Jakob” CD (as pianist and composer), Painted Throat Music - Beheaded, “Beheaded-2” CD, (late 2019), Reggae Chicken Label, Seoul 2018 - Yoo Hong, solo daegum CD, Oracle for solo daegum. (Release date: mid-2019) - Beheaded, “Beheaded-1” free improvisation duo CD (as pianist and improviser), Reggae Chicken Label, Seoul 2017 - Ehnahre, “The Marrow” CD (as pianist and composer), Painted Throat Music 2016 - Ehnahre, “Nothing and Nothingness” EP (as pianist), Painted Throat Music; - Ehnahde, “Douve” CD (as pianist and composer), Kathexis Records 2015 - du Toit / Lee duo “Mythavia” CD, Todesvogel for flute and piano - Celli@Berkeley CD, Deep Song for soprano and 12 celli

PIANIST (SELECTED ACTIVITIES): Very recent performances of contemporary and classical music (*world premiere) (**Asian premiere) 2020 (upcoming solo recitals) Feb. – U.C. Berkeley, CNMAT (Center for New Music and Audio Technologies): concert of contemporary works for piano and electronics (Richard Dudas, Edmund Campion, Michelle Lou*) Feb. – San Francisco Center for New Music: contemporary works for piano (Kurt Rohde, Michelle Lou, , Pascal Dusapin) Mar. – U.C. Davis: classical and contemporary works (Samuil Feinberg, Kurt Rohde, Michael Finnissy) 2019 Oct. 10 – Daegu Computer Music Festival (Daegu, KR) Oct. 8 - Hanyang University, Paiknam Hall: Yeonju Kim, Waterside June 3 - Hanyang University, Paiknam Hall: Richard Dudas, Esquisse (etude pour le Tombeau de Risset)*, Michael Finnissy, SKRYABIN in itself**, Saman Samadi, Jonathan Harvey, Yeonju Kim, Waterside*, Jaeho Yun, Flowing*, Ryo Nakayama Feb. 15 - San Francisco Center for New Music: Kurt Rohde*, Saman Samadi*, Carolyn Chen,* Sciarrino Feb. 13 - U.C. Berkeley, Hertz Hall: William Byrd, Szymanowski, Schumann, Sciarrino 2018 Nov. 5 - Hanyang University, Recital Hall: Steven Kazuo Takasugi, Die Klavierübung**, Ligeti, Scelsi, Sciarrino, Hongjoo Jung*, Jihyoung Lee* May 30 - Hanyang University, International Contemporary Music Festival: Joshua Fineberg, Veils**, Trevor Bača, Mraz**, Dutilleux May 19 – Saturday Music Club (Sacramento, CA) with Kurt Rohde: Horst, Redmond, Winges May 17 – U.C. Davis (Davis, CA) with Kurt Rohde: Martha Horst*, Mark Winges*, Jared Redmond* World premiere recordings Kurt Rohde, Trotsky’s Icepick (2019); Sehyung Kim, SIJO_020517 [GEORI] (2017); Trevor Bača, Mráz (2017); Gleb Kanasevich, Song (2016); Jonathan Harvey, Transformations of “Love Bade Me Welcome” (1966); Ryo Nakayama, nubatama no (2013) World premiere performances Works by Richard Dudas; Yeonju Kim, Jaeho Yun; Kurt Rohde; Saman Samadi; Carolyn Chen; Ken Ueno; Taesun Yoo; Park Jung-eun; Sehyung Kim; Dahae Boo; Gleb Kanasevich; Trevor Bača; Ryo Nakayama; Richard Chowenhill;; Jeremy Spindler; Emily Koh; Seunghee Lee; Sangwon Lee; Yohanan Chendler; others. Selected Additional Performances, 2006~ Kagurane KGR’n (Tokyo); Hanyang University (Seoul); Center for New Music (San Francisco), UC Davis; Paiknam Hall (Seoul); Nam June Paik Art Center (Yongin, Korea); Ilsin Hall (Seoul); Mudaeryuk (Seoul); Perigee Hall (Seoul); Edvard Grieg International Piano Competition (Bergen, Norway); International Russian Music Piano Competition; Steinway Hall (New York); Strange Fruit (Seoul); Reggae Chicken (Seoul); Cortona Sessions for New Music (Italy); Troldhaugen (Norway); Valestrand Kirke (Norway); Ole Bull Akademiet (Norway); Cornell Contemporary Chamber Players (Ithaca, NY); Berkeley Piano Club; Berkeley Women’s Club; New Music Brandeis; Community Music Center (Boston); Steinway Hall (New York); The Tabernacle (Martha’s Vineyard); Le Petit Trianon (San Jose); Hertz Hall (Berkeley); Berkeley Piano Club (Berkeley); Laredo Symphony (Laredo); Music City Academy Competition, UC Berkeley Noon Concert Series; US Open Piano Competition; Thera Rabinowitch Piano Competition; First Berkeley Piano Competition; Veteran’s War Memorial Opera House (San Francisco); Herbst Theatre (San Francisco); many others.

LANGUAGES: English: Native (S/R) Korean: Advanced (S/R) German: Basic (S), Intermediate (R) French: Basic (R)