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Adding Value Report Vol.1
ADDING VALUE a report by Northern Ireland Screen NORTHERN BOOSTING CELEBRATING ENHANCING CONTENTS THE THE THE IRELAND OUR OUR OUR CHILDREN'S ECONOMIC CULTURAL EDUCATIONAL SCREEN ECONOMY CULTURE EDUCATION VALUE VALUE VALUE 08 Large-scale Production 44 Writers 84 Creative Learning Centres 18 Independent Film 46 Short Film 90 Moving Image Arts (MIA) 22 Animation 48 ILBF / CCG 92 After School FilmClub 26 Factual / Entertainment 56 USBF 30 Television Drama 64 Film Culture 34 Gaming and Mobile 74 Heritage and Archive 38 Skills Development 78 Awards 04 05 INTROduCTION As the government-backed lead Of course certain activity intersects In a similar vein, the work of the agency in Northern Ireland for the film, more than one area and the inter- Education Department, with regard to television and digital content industry, connectivity of the agency’s work will its intervention through FilmClub, has Northern Ireland Screen is committed become apparent. For example, the value in both education and culture; as to maximising the economic, cultural development and production funding for children learn through film in a pure and educational value of the screen indigenous projects made in Northern educational sense as well as gain a wider industries for the benefit of Northern Ireland by Northern Ireland film-makers appreciation of film culture and of the Ireland. This goal is pursued through our and shown at a Northern Ireland festival, culture of Northern Ireland through mission to accelerate the development will have value in all areas. An obvious watching content-relevant films. of a dynamic and sustainable screen case in point is the feature film Good industry and culture in Northern Ireland. -
PB Paddington 2
presenta ! diretto da PAUL KING con HUGH GRANT BRENDAN GLEESON JIM BROADBENT PETER CAPALDI JULIE WALTERS SALLY HAWKINS HUGH BONNEVILLE e con la voce di FRANCESCO MANDELLI distribuito da EAGLE PICTURES durata 95' AL CINEMA DAL 9 NOVEMBRE 2017 www.eaglepictures.com UFFICIO STAMPA Pierluigi Manzo e Alessio Piccirillo +39.347.0133173 +39.393.9328580 [email protected] - www.manzopiccirillo.com CAST ARTISTICO BRENDAN GLEESON Nocche McGinty SALLY HAWKINS Mary Brown FRANCESCO MANDELLI Paddington HUGH GRANT Phoenix Buchanan JIM BROADBENT Samuel Gruber JULIE WALTERS Miss Bird HUGH BONNEVILLE Henry Brown PETER CAPALDI Reginald Curry SAMUEL JOSLIN Jonathan Brown MADELEINE HARRIS Judy Brown TOM DAVIS T-Bone !2 CAST TECNICO Diretto da PAUL KING Scritto da PAUL KING SIMON FARNABY Prodotto da DAVID HEYMAN Produttori esecutivi ROSIE ALISON ALEXANDRA FERGUSON RON HAPERN Case di produzione HEYDAY FILMS MARMALADE FILMS LTD. STUDIO CANAL Fotografia ERIK WILSON Scenografie GARY WILLIAMSON Montaggio JONATHAN AMOS MARK EVERSON Costumi LINDY HEMMING !3 Musiche DARIO MARIANELLI Casting NINA GOLD Direttore delle animazioni PABLO GRILLO Supervisore VFX GLEN PRATT Distribuito da EAGLE PICTURES Ufficio Stampa MANZOPICCIRILLO SINOSSI Paddington è ormai un celebre membro di Windsor Gardens, la comunità in cui vive con la famiglia Brown. A caccia del regalo perfetto per il centenario di zia Lucy, il nostro simpatico e buffo amico trova un raro libro pop-up in un negozietto di antiquariato. Dopo avere svolto una serie di lavoretti per tentare di comprarlo, il libro -
Review of the Film Sector in Scotland Creative Scotland
Review of the Film Sector in Scotland Creative Scotland January 2014 This report was produced by: BOP Consulting (www.bop.co.uk) in partnership with: Whetstone Group (www.whetstonegroup.org) Jonathan Olsberg (www.o-spi.com) If you would like to know more about the report, please contact the project’s director, Barbara McKissack: Email: [email protected] Tel: 0207 253 2041 i Contents 4.6 Festivals ........................................................................................... 17 1. Executive Summary ............................................... 1 4.7 Archives ........................................................................................... 18 1.1 Introduction ....................................................................................... 1 4.8 Cultural impact of film ................................................................... 18 1.2 Watching film ..................................................................................... 1 4.9 Consultants’ assessment of the issues ..................................... 19 1.3 Learning about film .......................................................................... 1 1.4 Making film ........................................................................................ 2 5. Learning about film ............................................. 21 1.5 Earning from film – supporting enterprises and 5.1 Introduction .....................................................................................21 employment ...................................................................................... -
Diretto Da Craig Gillespie Cast Emma Stone Emma Thompson Joel
Diretto da Craig Gillespie Cast Emma Stone Emma Thompson Joel Fry Paul Walter Hauser Emily Beecham Kirby Howell-Baptiste Mark Strong Sceneggiatura di Dana Fox e Tony McNamara Soggetto di Aline Brosh McKenna e Kelly Marcel & Steve Zissis Prodotto da Andrew Gunn, Marc Platt, Kristin Burr, p.g.a. Produttori esecutivi Emma Stone, Michelle Wright, Jared LeBoff, Glenn Close Direttore della fotografia Nicolas Karakatsanis Scenografie di Fiona Crombie Montaggio di Tatiana S. Riegel Costumi di Jenny Beavan Hair and Makeup Design di Nadia Stacey Visual Effects Supervisor Max Wood Colonna Sonora Originale di Nicholas Britell Music Supervisor Susan Jacobs Set Decorator Alice Fellton Social Network https://www.facebook.com/WaltDisneyStudiosIT/ https://www.instagram.com/waltdisneystudiosit/ https://twitter.com/disneystudiosit https://www.youtube.com/user/WaltDisneyStudiosIT Hashtag #Crudelia 1 NOTE DI PRODUZIONE La vincitrice dell'Academy Award® Emma Stone (La La Land) è la protagonista del nuovo film Disney live action Crudelia, che racconta gli esordi ribelli di una delle antagoniste più celebri, e alla moda, del mondo del cinema: la leggendaria Cruella de Vil (Crudelia De Mon). Ambientato durante la rivoluzione punk rock nella Londra degli anni Settanta, Crudelia segue le vicende di una giovane truffatrice di nome Estella, una ragazza intelligente e creativa determinata a farsi un nome con le sue creazioni. Fa amicizia con una coppia di giovani ladri che apprezzano la sua inclinazione alla cattiveria e insieme riescono a costruirsi una vita per le strade di Londra. Un giorno, il talento di Estella per la moda cattura l'attenzione della Baronessa von Hellman, una leggenda della moda incredibilmente chic e terribilmente raffinata, interpretata dall'attrice due volte premio Oscar® Emma Thompson (Casa Howard, Ragione e Sentimento). -
BFI Statistical Yearbook 2016 1
BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS PUBLISHED JUNE PRELIMS PRELIMS 2016 PUBLISHED APRIL PUBLISHED APRIL PUBLISHED APRIL PUBLISHED APRIL 2016 2016 BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS 2016 BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS 2016 BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS DISTRIBUTION T O P F I L M S O F Image: Jurassic World ©2015 Universal Pictures. Courtesy of Universal Studios Licensing LLC ALL TIME AT THE SCREEN SECTORUK BOX OFFICE SCREEN SECTOR PRODUCTIONSImage: Star Wars: The Force Awakens ©2015 Lucasfilm Ltd. & TM. All Rights Reserved. PRODUCTION CERTIFIED AS T O P F I L M S PUBLISHED JUNE IN 2015 PUBLISHED APRIL PUBLISHED JUNE BRITISH, Image: A United Kingdom courtesy of Pathé UK PUBLISHED JUNE IN 2015 PUBLISHED JUNE Image: Legend courtesy of StudioCanal BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS 2006-2015 Image: Brooklyn courtesy of Lionsgate Films BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS 2016 2016 2016 2016 BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS 2016 BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS PUBLISHED JUNE EMPLOYMENT PUBLISHED JUNE THE BOX FILM INDUSTRYTHE UK FILM IN THE FILM PUBLISHED JUNE PUBLISHED JUNE STATISTICALPUBLISHED JUNE ECONOMY YEARBOOK 2016 OFFICE 2015COMPANIESImage: The Martian courtesy of Twentieth Century Fox. -
FOX SEARCHLIGHT PICTURES, FILM4 and WAYPOINT ENTERTAINMENT Present
FOX SEARCHLIGHT PICTURES, FILM4 and WAYPOINT ENTERTAINMENT Present An ELEMENT PICTURES / SCARLET FILMS Production A film by YORGOS LANTHIMOS OLIVIA COLMAN EMMA STONE RACHEL WEISZ NICHOLAS HOULT JOE ALWYN JAMES SMITH MARK GATISS JENNY RAINSFORD DIRECTED BY .............................................................. YORGOS LANTHIMOS WRITTEN BY ................................................................ DEBORAH DAVIS and ..................................................................................... TONY McNAMARA PRODUCED BY ............................................................ CECI DEMPSEY, p.g.a. ........................................................................................ ED GUINEY, p.g.a. ........................................................................................ LEE MAGIDAY, p.g.a. ........................................................................................ YORGOS LANTHIMOS, p.g.a. EXECUTIVE PRODUCERS ......................................... ANDREW LOWE ........................................................................................ DANIEL BATTSEK ........................................................................................ ROSE GARNETT ........................................................................................ JOSH ROSENBAUM ........................................................................................ KEN KAO ........................................................................................ TONY McNAMARA ....................................................................................... -
Our Playwrights in the Spotlight Tony Nods, Rave Reviews, and The
NEWS | SUMMER 2017 inside: Our Playwrights in the Spotlight James Baldwin is Having a Moment The Yaddo Summer Reading List Tony nods, rave reviews, and the premieres Thirty years after his death, the radical prophet of a With a bumper crop of new releases, our we’re looking forward to this fall generation is the hottest writer in America authors have you covered for beach season Our Playwrights Step Into the Spotlight t has been a banner year thus far for Yaddo dramatists both on and off Broadway. Leading the pack is J.T. Rogers, whose magnificent Oslo JENNY ANDERSON JENNY opened at Lincoln Center’s Vivian IBeaumont Theater in April to rave reviews and went on to win the 2017 Tony for Best Play. Directed by Bartlett Scher and starring Broadway vets Jennifer Ehle and Jefferson Mays, Rogers’s “colossus” of a play (so labeled by New York Times theater critic Ben Brantley) depicts the behind-the-scenes intrigue of the secret peace talks between Israel and the Palestine Liberation Organization that led to the 1993 Oslo Accords. Another late-season standout was War Paint, a triumphant collaboration between three Yaddo alums — Doug Wright (book), Scott Frankel (music) and Michael Korie (lyrics) — that garnered nominations ABOVE: J.T. Rogers and the cast of his Tony-award winning Oslo for best leading actress in a musical (double honor to Tony-Award grand dames Patti legend Paula Vogel’s elegiac Indecent writer Danny Rubin celebrated his first Tony LuPone and Christine Ebersole, playing (first staged at the Yale Repertory Theater nomination, for Best Book of a Musical, cosmetic industry rivals Helena Rubinstein in 2015) picked up a Best Play Tony for Groundhog Day, his adaptation of the and Elizabeth Arden), best costume design, nomination as well as awards for screenplay he co-wrote with Harold and best scenic design. -
British Film Institute
Triennial Review of the British Film Institute 12 September 2014 Publication date 12 September 2014 We can also provide documents to meet the specific requirements for people with disabilities. Please email [email protected] Department for Culture, Media & Sport, 100 Parliament Street, Westminster, London, SW1AH 2BQ Printed in the UK on recycled paper. ©Crown copyright 2014 You may re-use this information (excluding logos) free of charge in any format or medium, under the terms of the Open Government Licence. To view this licence, visit http://www.nationalarchives.gov.uk/doc/ open-government-licence/ or e-mail: [email protected]. Where we have identified any third party copyright information you will have to obtain permission from the copyright holders concerned. Any enquiries regarding this document should be sent to us at [email protected] This document is also available from our website at www.gov.uk /dcms Department for Culture, Media & Sport 3 Triennial Review of the British Film Institute Contents Executive Summary……………………………………………………….……....5 Full list of recommendations……………………………………………………...7 Chapter 1:Background and Introduction……………………………………….12 Chapter 2: Findings on the functions and form of the BFI………….….........19 Evidence and analysis of the BFI's functions………………………… … ... 21 Is an arm's length body the most efficient and effective way to deliver those functions?.....................................................................................................22 Chapter 3: Efficiency…………………………………………………………......28 -
Under the Silver Lake
Presents UNDER THE SILVER LAKE A film by David Robert Mitchell 139 mins, USA, 2018 Language: English Official Selection: 2018 Festival de Cannes – Competition – World Premiere 2018 Fantasia Festival – Camera Lucida – Canadian Premiere Distribution Publicity Mongrel Media Inc Bonne Smith 1352 Dundas St. West Star PR Toronto, Ontario, Canada, M6J 1Y2 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Twitter: @starpr2 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com Synopsis From the dazzling imagination that brought you It Follows and The Myth of the American Sleepover comes a delirious neo-noir thriller about one man’s search for the truth behind the mysterious crimes, murders, and disappear- ances in his East L.A. neighborhood. Sam (Andrew Garfield) is a disenchanted 33 year old who discovers a mys- terious woman, Sarah (Riley Keough), frolicking in his apartment’s swimming pool. When she vanishes, Sam embarks on a surreal quest across Los An- geles to decode the secret behind her disappearance, leading him into the murkiest depths of mystery, scandal, and conspiracy in the City of Angels. From writer-director David Robert Mitchell comes a sprawling and unexpect- ed detective thriller about the Dream Factory and its denizens—dog killers, aspiring actors, glitter-pop groups, nightlife personalities, It girls, memorabilia hoarders, masked seductresses, homeless gurus, reclusive songwriters, sex workers, wealthy socialites, topless neighbors, and the shadowy billionaires floating above (and underneath) it all. Mining a noir tradition extending from Kiss Me Deadly and The Long Good- bye to Chinatown and Mulholland Drive, Mitchell uses the topography of Los Angeles as a backdrop for a deeper exploration into the hidden meaning and secret codes buried within the things we love. -
Academy Invites 842 to Membership
MEDIA CONTACT [email protected] July 1, 2019 FOR IMMEDIATE RELEASE ACADEMY INVITES 842 TO MEMBERSHIP LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 842 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. The 2019 class is 50% women, 29% people of color, and represents 59 countries. Those who accept the invitations will be the only additions to the Academy’s membership in 2019. Six individuals (noted by an asterisk) have been invited to join the Academy by multiple branches. These individuals must select one branch upon accepting membership. New members will be welcomed into the Academy at invitation-only receptions in the fall. The 2019 invitees are: Actors Adewale Akinnuoye-Agbaje – “Suicide Squad,” “Trumbo” Yareli Arizmendi – “A Day without a Mexican,” “Like Water for Chocolate” Claes Bang – “The Girl in the Spider’s Web,” “The Square” Jamie Bell – “Rocketman,” “Billy Elliot” Bob Bergen – “The Secret Life of Pets,” “WALL-E” Bruno Bichir – “Crónica de un Desayuno,” “Principio y Fin” Claire Bloom – “The King’s Speech,” “Limelight” Héctor Bonilla – “7:19 La Hora del Temblor,” “Rojo Amanecer” Juan Diego Botto – “Ismael,” “Vete de Mí” Sterling K. Brown – “Black Panther,” “Marshall” Gemma Chan – “Crazy Rich Asians,” “Mary Queen of Scots” Rosalind Chao – “I Am Sam,” “The Joy Luck Club” Camille Cottin – “Larguées,” “Allied” Kenneth Cranham – “Maleficent,” “Layer Cake” Marina de Tavira – “Roma,” “La Zona (The -
A Qualitative Study of Using Movies As a Means of Escapism
1 A QUALITATIVE STUDY OF USING MOVIES AS A MEANS OF ESCAPISM BETWEEN FINNS AND IMMIGRANTS IN FINLAND Master’s Thesis Maziar Attarieh Intercultural Communication Department of Language and Communication Studies December 2017 University of Jyväskylä 2 JYVÄSKYLÄN YLIOPISTO Tiedekunta– Faculty Laitos – Department FACULTY OF HUMANITIES AND SOCIAL DEPARTMENT OF LANGUAGE AND SCIENCES COMMUNICATION STUDIES Tekijä – Author Maziar Attarieh Työn nimi – Title A qualitative study of using movies as a means of escapism between Finns and immigrants in Finland Oppiaine – Subject Työn laji – Level Intercultural communication Master’s Thesis Aika – Month and year Sivumäärä – Number of pages December 2017 58 Tiivistelmä – Abstract Escapist use is often considered the main use for movies in Uses and Gratification research, however there is hardly a detailed account on such use, on what the movie audience escape into. The present study, which consists of a research article and a monograph, has tried to utilize a qualitative approach to provide a better understanding of escapist movie viewing. The other aspect of this research is trying to compare such use among Finnish nationals and immigrants in Finland to see how people from different backgrounds might vary in their escapist use of movies. Although no difference between Finns and immigrants living in Finland were seen in the data, due to limitation in its scale, this study cannot confirm that such a difference does not exist. However, roles of platform and content, and more details about what audiences escape into has been discussed in the related research article. The monograph includes more detailed explanation of present study’s research process, and more factors regarding escapist movie viewing that were not predicted while data collection, but seem to be important for having a better understanding of escapism in movie viewers, namely rituals of movie viewing, enhancing one’s experiences, and movie viewing as a social act. -
Il Genere Dei Thriller Di Fantascienza Arriva Ad Un Livello Superiore Grazie a JUMPER, Il Film Che Racconta Le Avventure Di Un G
Il genere dei thriller di fantascienza arriva ad un livello superiore grazie a JUMPER, il film che racconta le avventure di un giovane che scopre di possedere delle doti incredibili che gli permettono di teletrasportarsi in qualsiasi parte del mondo. Andare da New York a Tokyo, dalle rovine di Roma alle remote zone del Sahara, tutto è possibile per David Rice (Hayden Christensen), fino a quando non inizia a capire che la sua libertà non è totale e che non è solo ma fa parte di una guerra globale ancora in corso, che minaccia la sopravvivenza della sua straordinaria razza. David Rice è cresciuto con un misterioso potere che molti hanno sempre sognato di possedere. Lui può arrivare ovunque ed è in grado di spostarsi per mezzo di varchi nella struttura temporale in ogni città, edificio o luogo che la sua mente possa immaginare. In un battito di ciglia, può saltare da una parte all’altra della Terra e ritornare indietro. Può vedere venti diversi tramonti in un'unica notte, fare colazione sulla Sfinge egiziana, passare una giornata a fare surf in Australia e poi apparire a Parigi per cena e godersi il dolce in Giappone. Può attraversare i muri e le casseforti protette delle banche, entrando anche nelle stanze più riservate. Fino a questo momento, ha utilizzato i suoi poteri per scappare dal passato e per ottenere delle ricchezze infinite che gli permettano di rimanere assolutamente indipendente. Non ha mai conosciuto limiti, confini e conseguenze. O un vero legame. Fino ad ora. Quando David scopre un altro giovane come lui, un fiero e ribelle giramondo di nome Griffin (Jamie Bell), inizia a capire la verità sulla sua esistenza.