Download Preview

Total Page:16

File Type:pdf, Size:1020Kb

Download Preview Going virtual for our 8th annual BUSINESS THE TICKETING BUSINESS FORUM 2020 ONLINE: LIVE & ON-DEMAND 17-18-19 NOVEMBER 2020 “Reopening. Restoring.& Reimagining entertainment’s ticketing ecosystem...together” PROGRAMME Save the date SINGAPORE 12-14 OCTOBER 2021 Connecting Asia’s ticketing ecosystem...together! Pre-register your interest now www.ticketingbusinessasia.com THE TICKETING BUSINESS FORUM 2020 WELCOME Thank you for connecting our eco-system…together! ONLINE 2020 Welcome to our 8th annual meeting. Of course, it’s not how we envisaged ‘getting together’ this year. Hugs and handshakes have been replaced by taps and apps. And after months of lockdown, restrictions and the postponement of normal life, we’re all zoomed out of our minds by now. But this unexpected pause to normal proceedings does bring the chance to take a step back, to reflect and re-evaluate. It’s a time to How to get started make changes before we reopen, restart and reimagine the future of our industry. Combining (as always) a conference, mini-expo and networking tools, [1] Look out for TheTicketingBusiness Forum 2020 brings together a global gathering your access linkth Nov on of business leaders who are charting the course to the next Monday 16 generation of ticketing, marketing, CRM and data solutions. from accelevents This year we welcome a bigger, more global attendance than ever. And with no capacity limits on the virtual platform, we can open up the Forum to all of our TheTicketingBusiness.com readers wherever [2] Check/update they are on this planet. your profile and add a jolly photo There’s plenty to learn and share over the next three days with the fantastic (albeit globally, socially-distanced) audience. I believe everybody logging in has something to offer to the future eco-system. So do make the most of this opportunity to log in and get connected! [3] Start searching for connections… Ian Nuttall & TheTicketingBusiness team [4] Make f2f video PS. We are committed to making TheTicketingBusiness the industry’s calls in the platform most valued partner – so, if you enjoy your time with us, please tell your colleagues. But if you don’t, please contact us right away and [5] View the we’ll get it fixed! sessions / Q&A’s [6] Tour the pods & explore the latest INDEX innovations Schedule: Day One [Tues 17 Nov] .......................04 We’ll love your Day Two [Weds 18 Nov] ......................14 Tweets #TBF20 Day Three [Thurs 19 Nov] .................24 @TheTicketingBiz Speaker Profiles [A-Z] .............................31 Sponsor Profiles [A-Z] ............................59 Attendee List [A-Z] ..................................68 3 THE TICKETING BUSINESS FORUM 2020 PROGRAMME Tuesday 17th November 10:00 GMT 02:00 Los Angeles / 05:00 New York / 11:00 Paris / 15:30 Mumbai / 21:00 Sydney WELCOME EVERYONE, EVERYWHERE Connecting the global ticketing ecosystem together With eight years of continuous growth, it's time for a revamp. And with COVID-19 impacts on our events sector, it’s time to take the Forum online. The all-digital format and new networking tools will further enhance the world’s most important business meeting for arts, sports and entertainment leaders – opening up access to everyone in our industry, wherever they are. More than ticketing, we now encompass the entire ticketing ecosystem from digital marketing and discovery Mark Flitton through to pricing, CRM, data and analytics. Thank you for joining us on your TV, Actor & Our Compere desktop or mobile device. We’re all on a journey to restart & reimagine our ticketing business… together. Let’s begin here. • Ian Nuttall, Co-Founder, TheTicketingBusiness • Rory Squires, Managing Editor, TheTicketingBusiness.com • Richard Mulligan, Editor, TheTicketingBusiness.com • [COMPERE] Mark Flitton, Actor & Scary Chap 10:30 GMT 02:30 Los Angeles / 05:30 New York / 11:30 Paris / 16:00 Mumbai / 21:30 Sydney AHEAD OF THE REST: AUSTRALIA’S RETURN TO LIVE Lessons in restarting – and reimagining – the live experience Our industry has been heartened by recent news headlines. One set promises the arrival of a vaccine – perhaps soon enough to save next summer’s festival season. The second set, from Australia, herald the first major indoor arena concerts since lockdown closed venues worldwide. A partnership between TEG and LiveNation – and backed by the Government of New South Wales – Greatest Southern Nights is Geoff Jones the first concert series at Australia’s largest arena – the 21,000-capacity Qudos Chief Executive Officer Bank Arena – in eighth months. It will welcome 6,000 fans, socially-distanced each TEG night. This is not about making money. This is about restarting our live music sector. One event at a time. To share this restart story, we welcome: • Geoff Jones, Chief Executive Officer, TEG XXXX XXXX XXXX XXXX • Cameron Hoy, CCO & Managing Director Ticketing, TEG 4 THE TICKETING BUSINESS FORUM 2020 PROGRAMME Tuesday 17th November 11:00 GMT 03:00 Los Angeles / 06:00 New York / 12:00 Paris / 16:30 Mumbai / 22:00 Sydney REOPENING THE WEST END The stop-start ticketing journey to a ‘new normal’ A whistle stop tour through Nimax's journey with its ticketing partner to reopen theatres and change their ticketing systems to operate in the COVID world. Hear about the challenges, the problems and successes and follow their twists and turns towards re-opening and the world beyond. • Laurence Miller, Commercial Director, Nimax Theatres • Nicholas Robinson, Head of Ticketing, Nimax Theatres 11:30 GMT 03:30 Los Angeles / 06:30 New York / 12:30 Paris / 17:00 Mumbai / 22:30 Sydney REPOSITIONING IN THE PANDEMIC Equipping your members and partners to prosper again For over two decades Euroleague Basketball has organised Europe’s top-tier professional basketball club competition. How is the league positioning its competition, member clubs and fan experience to prosper post-Covid? In this session we will focus on three key projects which have been undertaken during 2020: • Pandemic Response Guidelines – a protocol for clubs/arenas, aimed at Luca Scafati regaining the confidence of ticket buyers; Director - Business Operations • Customer Experience Training Program – to train team and venue staff to Euroleague Basketball enhance the quality of all aspects of the customer journey; • Digital Transformation Fund - designed to drive digital transformation initiatives within Euroleague’s member clubs. • Luca Scafati, Director - Business Operations, Euroleague Basketball 5 Reserved Seat Timed-Entry Mobile-first, Full-service, API-based, ticketing systems www.tixtrack.com THE TICKETING BUSINESS FORUM 2020 PROGRAMME Tuesday 17th November 12:00 GMT 04:00 Los Angeles / 07:00 New York / 13:00 Paris / 17:30 Mumbai / 23:00 Sydney FACING THE MUSIC Analysis of Covid-19's impact on the UK Live Music sector The live music industry – which was worth £4.5 billion to the UK economy in 2019 – is one of the business sectors worst affected by the coronavirus pandemic, being among the first to close and very likely to be the last to fully reopen. Two industry experts reflect on the lessons of their work to help save the sector: • Building robust evidence to present to government; • Dismantling misinformation; • Ensuring every sector was represented; • Simplifying messaging to a non-expert audience; • Driving action: minimising harm/securing a route to speedy recovery. • Chris Carey, Founder, Media Insight Consulting • Tim Chambers, Managing Director, TJChambers Consultancy 12:30 GMT 04:30 Los Angeles / 07:30 New York / 13:30 Paris / 18:00 Mumbai / 23:30 Sydney TOUTING THE YEARS AWAY The fightback is in full swing – so what’s next? 2020 saw the live sector hit pause, but secondary ticketing is awash with change. Google has now been sanctioned, the Stubagogo merger is under pressure, and major new EU legislation is being unveiled. What’s next for those in the fightback against unethical resale? • Sam Shemtob, Director, FEAT (Face-value European Alliance for Ticketing) 7 THE TICKETING BUSINESS FORUM 2020 PROGRAMME Tuesday 17th November 13:00 GMT 05:00 Los Angeles / 08:00 New York / 14:00 Paris / 18:30 Mumbai / 00:00* Sydney CHANGING THE GAME Innovation and change to ecommerce & digital platforms for Johan Cruyff Arena & AFC Ajax Both AFC Ajax and its home stadium – Amsterdam’s Johan Cruyff Arena – have innovation and talent development in their business DNA. They are winners on the pitch and are now applying this same approach to their off-pitch activities. Over the past two years the organisations have searched the world for innovative solutions to improve the fan experience, both digitally and physically. Dubbed Change the Game, this program – and the related Reimagine Football Campaign – looks at how football is responding to the current crisis. They have been key to partnering with new innovative technologies to evolve their digital platforms and mobile solutions. Learn more about the club’s journey and how it sees the future arena experience. • Max Reckers, Performance & Technology Advisor (CTO) to AFC Ajax & Johan Cruyff Arena • David Hornby, Managing Director - UK & Ireland, SecuTix 13:30 GMT 05:30 Los Angeles / 08:30 New York / 14:30 Paris / 19:00 Mumbai / 00:30* Sydney AN ENGAGING JOURNEY Moving members from products to value The British Museum is one of the ‘must see’ attractions for any visitor to London. Dedicated to human history, art and culture, this public institution houses some eight million works and welcomes more than six million visitors a year. But what of its returning customers – the museum’s ‘regulars’ who want more than a quick tour of the Mummies and the gift shop? British Museum Membership has been recognised as one of the ‘best value ticket’ propositions of its kind in the UK, unlocking a world of treasures and secret stories. Recognising the value and the support of its 73,000+ members, the British Museum has moved beyond a traditional, product-based membership programme to a more ‘experience’ and value-based proposition.
Recommended publications
  • An N U Al R Ep O R T 2018 Annual Report
    ANNUAL REPORT 2018 ANNUAL REPORT The Annual Report in English is a translation of the French Document de référence provided for information purposes. This translation is qualified in its entirety by reference to the Document de référence. The Annual Report is available on the Company’s website www.vivendi.com II –— VIVENDI –— ANNUAL REPORT 2018 –— –— VIVENDI –— ANNUAL REPORT 2018 –— 01 Content QUESTIONS FOR YANNICK BOLLORÉ AND ARNAUD DE PUYFONTAINE 02 PROFILE OF THE GROUP — STRATEGY AND VALUE CREATION — BUSINESSES, FINANCIAL COMMUNICATION, TAX POLICY AND REGULATORY ENVIRONMENT — NON-FINANCIAL PERFORMANCE 04 1. Profile of the Group 06 1 2. Strategy and Value Creation 12 3. Businesses – Financial Communication – Tax Policy and Regulatory Environment 24 4. Non-financial Performance 48 RISK FACTORS — INTERNAL CONTROL AND RISK MANAGEMENT — COMPLIANCE POLICY 96 1. Risk Factors 98 2. Internal Control and Risk Management 102 2 3. Compliance Policy 108 CORPORATE GOVERNANCE OF VIVENDI — COMPENSATION OF CORPORATE OFFICERS OF VIVENDI — GENERAL INFORMATION ABOUT THE COMPANY 112 1. Corporate Governance of Vivendi 114 2. Compensation of Corporate Officers of Vivendi 150 3 3. General Information about the Company 184 FINANCIAL REPORT — STATUTORY AUDITORS’ REPORT ON THE CONSOLIDATED FINANCIAL STATEMENTS — CONSOLIDATED FINANCIAL STATEMENTS — STATUTORY AUDITORS’ REPORT ON THE FINANCIAL STATEMENTS — STATUTORY FINANCIAL STATEMENTS 196 Key Consolidated Financial Data for the last five years 198 4 I – 2018 Financial Report 199 II – Appendix to the Financial Report 222 III – Audited Consolidated Financial Statements for the year ended December 31, 2018 223 IV – 2018 Statutory Financial Statements 319 RECENT EVENTS — OUTLOOK 358 1. Recent Events 360 5 2. Outlook 361 RESPONSIBILITY FOR AUDITING THE FINANCIAL STATEMENTS 362 1.
    [Show full text]
  • Ad Hoc Announcement
    AD HOC ANNOUNCEMENT CTS EVENTIM AG & Co. KGaA and Fnac Darty S.A. start exclusive negotiations on strategic ticketing partnership in France Munich/Ivry, 24 July 2019. CTS EVENTIM AG & Co. KGaA and Fnac Darty S.A. have started exclusive negotiations on a strategic partnership for their French ticketing activities. Under the proposed agreement, CTS EVENTIM would acquire 48 percent of the shares in France Billet, the ticketing subsidiary of Fnac Darty. At the same time, CTS EVENTIM would contribute its existing activities in France to the partnership. CTS EVENTIM would also have the option to acquire a majority stake four years from the date of the closing of the transaction. The project will be presented in detail to the relevant employee representatives in the coming weeks. CTS EVENTIM and Fnac Darty plan to close the transaction by the end of this year. About CTS EVENTIM CTS EVENTIM is one of the leading international providers of Ticketing and Live Entertainment. In 2018, approx. 250 million tickets were marketed using the company’s systems – through stationary box offices, online or mobile. Its online portals operate under brands such as eventim.de, oeticket.com, ticketcorner.ch, ticketone.it, and entradas.com. The EVENTIM Group also includes many concert, tour and festival promoter companies for events like ‘Rock am Ring’, ‘Rock im Park’, ‘Hurricane’, ‘Southside’, and ‘Lucca Summer’. In addition, some of Europe’s most renowned venues are operated by CTS EVENTIM, for example the LANXESS arena in Cologne, the Waldbühne in Berlin and the EVENTIM Apollo in London. CTS EVENTIM AG & Co.
    [Show full text]
  • 2019-20 Cowboy Basketball Notes 2019-20 Basketball
    2019-202019-20 COWBOY BASKETBALL BASKETBALL GAME NOTES NOTES Wyoming Cowboys Game Information (6-19 Overall, 1-12 Mountain West) Game 26: vs. Colorado State Projected Starters Pos. Ht. Wt. Cl. Hometown PPG RPG APG Saturday, Feb. 15 | 2 p.m. MT 0 Jake Hendricks G 6-5 170 Sr. Smithfield, Utah 9.99.6 4.13.8 1.01.2 Fort Collins, Colo. | Arena-Auditorium 2 A.J. Banks G 6-2 163 Sr. Las Vegas, Nev. 5.35.4 2.52.8 1.51.6 TV: AT&T SportsNet 103 HunterKwane MarbleThompson II FG 6-106-6 235195 So.Fr. PineDenver, Bluffs, Colo. Wyo. 8.16.7 4.62.2 0.90.7 Play-By-Play: Drew Goodman 2211 KennyTrevon Foster“TJ” Taylor GG/F 6-56-6 190197 Fr.So. Aurora,Chesapeake, Colo. Va. 4.46.0 2.3.4 1.20.4 Color: Dave Bollwinkel 24 Hunter Maldonado G 6-7 200 R-So. Colorado Springs, Colo. 16.717.0 5.65.8 3.94.0 Radio: Cowboy Sports Network Play-by-Play: Dave Walsh Bench Pos. Ht. Wt. Cl. Hometown PPG RPG APG Color: Kevin McKinney 35 KwaneHaize Fornstrom Marble II G 6-66-4 195185 Fr.So. Denver,Pine Bluffs, Colo. Wyo. 5.40.1 2.00.3 0.60.0 Live Audio/Stats: GoWYO.com 510 HaizeHunter Fornstrom Thompson GF 6-46-10 185235 So. Pine Bluffs, Wyo. 0.17.8 0.44.4 0.00.9 1112 TrevonGreg Milton “TJ” TaylorIII G/FG 6-66-3 197185 So. Chesapeake,Elk Grove, Calif.
    [Show full text]
  • Information for Fans Travelling to Amsterdam Information for Our
    Information for fans travelling to Amsterdam Information for our supporters travelling to the Netherlands for our Champions League semi- final, second leg against Ajax on Wednesday night (8 May). Kick-off is 9pm local time (8pm UK). Amsterdam Amsterdam is a popular destination that many fans will already be familiar with. If you’re travelling to the semi-final, however, it’s worth taking note of the information below as some arrangements, such as your routes around the city, and bars you can go to, may be different from those on a non-match day. The Johan Cruyff Arena The Johan Cruyff Arena is the main stadium in the Dutch capital. Opened in 1996, it is the largest stadium in the country. The stadium was previously known as the Amsterdam ArenA until this season, when it was officially renamed in honour of the legendary Ajax player Johan Cruyff. The stadium has a retractable roof combined with a grass surface. It has a capacity of 54,990. The stadium held the 1998 Champions League and 2013 Europa League finals and was used during Euro 2000. It will also host three group stage matches and one match in the round of 16 of Euro 2020. Arriving in Amsterdam Dam Square has been proposed by the police as a fan meeting point. From there you’ll need to get to nearby Centraal Station metro-station at around 18:30 to arrive at the stadium in time. Anyone without a ticket for the match is advised to stay in the city centre to watch the match on TV as there are no bars around the vicinity of the stadium.
    [Show full text]
  • Jaarverslag 2019 Jaarverslag 2019
    JAARVERSLAG 2019 JAARVERSLAG 2019 TERUGBLIK ARTISTIEK PROFIEL Het BIMHUIS deed op 1 januari 2016 De bezoekersaantallen zijn gestegen Het BIMHUIS presenteert avontuurlijke voor verdieping en verbreding van een meerjarenaanvraag voor herhaalde en de bedrijfsvoering is meer in balans. en kwalitatief hoogwaardige muziek. publiekservaring. We programmeren die ondersteuning vanuit de Amsterdamse Herstel was echter niet mogelijk geweest Actuele, urgente en eigenzinnig nationale avontuurlijke en kwalitatief hoogwaardige Basisinfrastructuur (A-Bis). De Amsterdamse zonder de incidentele bijdrage van de en internationale jazz. De nieuwste muziek steeds met publieksontwikkeling in Kunstraad gaf aan dat de koers moest Gemeente Amsterdam. Daarmee werd de ontwikkelingen. State-of-the-art. Divers, gedachten. We selecteren aanbod op basis wijzigen en adviseerde een bezuiniging negatieve algemene reserve aangevuld vernieuwend, raak, professioneel, van kwaliteit, diversiteit en met regelmaat van €134.000 per jaar. Een interim- en de liquiditeitspositie verbeterd. We zijn betekenisvol, interdisciplinair, kwetsbaar, op basis van toegankelijkheid. We manager zette de eerste veranderingen de gemeente Amsterdam erkentelijk voor grensoverschrijdend en kwalitatief programmeren voor zowel de beginnende in gang. Eind 2017 werden een nieuwe het vertrouwen. Het BIMHUIS heeft echter ijzersterk. Het BIMHUIS is een jazzpodium luisteraar als de gevorderde liefhebber. directeur-bestuurder en Raad van Toezicht nog steeds weinig ruimte om te investeren van (inter-)nationale statuur, geworteld aangesteld. De reorganisatie (onder vorig en onze ambities te verwezenlijken vanuit in de radicale en vooraanstaande bestuur) kostte in totaal €200.000. Samen het huidige budget; we hebben nauwelijks muzikantenscene van de jaren 70. met de bezuiniging op de structurele reserves kunnen opbouwen. We blijven ons Belangrijk voor de stad Amsterdam, voor subsidie ontstond eind 2017 een gat van onverminderd inspannen om onze ambities Nederland en voor de internationale ruim €350.000.
    [Show full text]
  • Retirement Strategy Fund 2060 Description Plan 3S DCP & JRA
    Retirement Strategy Fund 2060 June 30, 2020 Note: Numbers may not always add up due to rounding. % Invested For Each Plan Description Plan 3s DCP & JRA ACTIVIA PROPERTIES INC REIT 0.0137% 0.0137% AEON REIT INVESTMENT CORP REIT 0.0195% 0.0195% ALEXANDER + BALDWIN INC REIT 0.0118% 0.0118% ALEXANDRIA REAL ESTATE EQUIT REIT USD.01 0.0585% 0.0585% ALLIANCEBERNSTEIN GOVT STIF SSC FUND 64BA AGIS 587 0.0329% 0.0329% ALLIED PROPERTIES REAL ESTAT REIT 0.0219% 0.0219% AMERICAN CAMPUS COMMUNITIES REIT USD.01 0.0277% 0.0277% AMERICAN HOMES 4 RENT A REIT USD.01 0.0396% 0.0396% AMERICOLD REALTY TRUST REIT USD.01 0.0427% 0.0427% ARMADA HOFFLER PROPERTIES IN REIT USD.01 0.0124% 0.0124% AROUNDTOWN SA COMMON STOCK EUR.01 0.0248% 0.0248% ASSURA PLC REIT GBP.1 0.0319% 0.0319% AUSTRALIAN DOLLAR 0.0061% 0.0061% AZRIELI GROUP LTD COMMON STOCK ILS.1 0.0101% 0.0101% BLUEROCK RESIDENTIAL GROWTH REIT USD.01 0.0102% 0.0102% BOSTON PROPERTIES INC REIT USD.01 0.0580% 0.0580% BRAZILIAN REAL 0.0000% 0.0000% BRIXMOR PROPERTY GROUP INC REIT USD.01 0.0418% 0.0418% CA IMMOBILIEN ANLAGEN AG COMMON STOCK 0.0191% 0.0191% CAMDEN PROPERTY TRUST REIT USD.01 0.0394% 0.0394% CANADIAN DOLLAR 0.0005% 0.0005% CAPITALAND COMMERCIAL TRUST REIT 0.0228% 0.0228% CIFI HOLDINGS GROUP CO LTD COMMON STOCK HKD.1 0.0105% 0.0105% CITY DEVELOPMENTS LTD COMMON STOCK 0.0129% 0.0129% CK ASSET HOLDINGS LTD COMMON STOCK HKD1.0 0.0378% 0.0378% COMFORIA RESIDENTIAL REIT IN REIT 0.0328% 0.0328% COUSINS PROPERTIES INC REIT USD1.0 0.0403% 0.0403% CUBESMART REIT USD.01 0.0359% 0.0359% DAIWA OFFICE INVESTMENT
    [Show full text]
  • Reeperbahn Festival Conference MAG / SEPT 2017
    CONFERENCE 20 – 23 SEPT 2017 MAG Branded PartnershipsBranded Algorithms and on Hackney Camille Licensing and Sync Time for Diversity for Time Equality and Vanessa Reed on Keychange – Photo: Bonaparte © Musik Bewegt / Henning Heide Henning / Bewegt Musik © Bonaparte Photo: Raise Your Voice Voice Raise Your year´s This Conference Focus Music on and Politics mobile apps for your festival proudly presents the official app Available on the App Store and Google Play Meet us in Hamburg in September! Contact Scandinavia - Esben Christensen Contact GAS - Sarah Schwaab [email protected] [email protected] _ INDEX EDITORIAL 4 mobile apps for your festival RAISE YOUR VOICE The International Music World Is Turning Up 7 Its Political Volume SHIRLEY MANSON Early Days In Madison 15 DAVE ALLEN proudly presents Streaming and Music Culture 21 LIVE FOR (RE)SALE A Sort of Darknet for Tickets 25 VANESSA REED Closing the Gender Gap 31 TERRY MCBRIDE Understanding the Value of Music and 36 How to Effectively Monetize It UNSIGNED VS SIGNED Do Artists Benefit from Blockchain? 39 CAMILLE HACKNEY On Music, Brands, Data and Storytelling 45 MUSIC IN IRAN A Personal Experience 49 HARTWIG MASUCH 10 Songs that Helped Create the New BMG 55 PROGRAMME REGISTER SESSIONS 59 SHOWCASES 65 the AWARDS 68 official app MEETINGS 68 Available on the App Store and Google Play NETWORKING 69 IMPRINT 76 PARTNERS 78 Meet us in Hamburg in September! Coverphoto: Camille Hackney, speaker at „Sync Faster – Sync Different and board member of ANCHOR 2017. © Grayson Dansic Contact Scandinavia - Esben Christensen Contact GAS - Sarah Schwaab [email protected] [email protected] 3 _ EDITORIAL DEAR CONFERENCE ATTENDEES, DEAR FRIENDS, we‘re delighted you have made it back to Hamburg once again this year for what is now the 12th edition of the Reeperbahn Festival.
    [Show full text]
  • Paradigm Talent Agency Announces 'Sound + Vision' Sxsw Showcase
    PARADIGM TALENT AGENCY ANNOUNCES 'SOUND + VISION’ SXSW SHOWCASE PERFORMERS AT MARCH 15 EVENT INCLUDE KELELA, CUCO, SUPERORGANISM, ANDREW W.K., LUCY DACUS, PALE WAVES, AND MORE MARCH 05, 2018 - Paradigm Talent Agency will present Sound + Vision, a concert event in Austin on Thursday, March 15, hosted by Talib Kweli and comedian Casey Jane Ellison and featuring performances by Kelela, Cuco, Superorganism, Andrew W.K., Lucy Dacus, Pale Waves, Ron Gallo, Kweku Collins, G FLIP, Jack Harlow, Flint Eastwood, and IDER. Sound + Vision will transform downtown Austin venue The Mohawk into a landscape of cultural perspective featuring live music performances, interactive art exhibits, and live illustrations by visual artist somehoodlum (whose star-studded client list includes Lil Uzi Vert, Migos, and 21 Savage). Paradigm's Sound + Vision showcase has invited the vanguard of today's most exciting and dynamic musicians to perform and join in celebrating the diversity of form, identity and practice. The event will be presented by See Tickets, one of the largest ticketing companies in the world. Owned by Vivendi SA, they serve over 5,000 promoters, festivals, performance venues and sporting events. In the United States, See Tickets maintains a reputable list of clients including Universal Music Group, Beautycon, Spring Awakening, North Coast Music Festival, Punk Rock Bowling, Rock Fest and Country Fest. Admission is free (w/ RSVP) as well as for SXSW Badgeholders. Entry for the event is granted on a first come, first serve basis. The showcase will take place at The Mohawk on Thursday, March 15th, from 12PM - 6PM. Information on the event: Paradigm Talent Agency is a full-service entertainment agency with offices in Los Angeles, New York, London, Chicago, Monterey, Nashville, San Diego, Austin, London, Berkeley and Toronto.
    [Show full text]
  • Concerten Seizoen 2020-2021
    Concerten seizoen 2020-2021 Bestel nu uw serie met 30% korting orkest.nl © Ronald Knapp 2 September 2 September Inhoudsopgave Ouverture 6 Een mooiere wereld met muziek Concertagenda 14 Concerten 40 De Nationale Opera 44 Familieconcerten Nuttige informatie 48 Maandoverzicht 52 Orkest en staf 56 Partners 59 Bestelinformatie September 3 Nederlands Kamerorkest in Musis Arnhem © Guido Roncken Ouverture Een mooiere wereld met muziek Muziek kan je raken in hart en ziel. Iedereen zou de kans moeten krijgen om dit te beleven, vandaag en in de toekomst. Daarom brengen we mensen samen in de mooiste concert- zalen en op onverwachte plekken. We bieden onvergetelijke ervaringen aan zowel klassieke fijnproevers als nieuwe luisteraars. Rob Streevelaar algemeen directeur De orkesten van de opera Wij zijn al 35 jaar de vaste Willem orkesten van De Nationale Opera. de Bordes Het Nederlands Philharmonisch artistiek Orkest en het Nederlands leider Kamerorkest worden gerekend tot de beste operaorkesten ter wereld. 6 Ouverture Nederlands Philharmonisch Orkest ‘Een hoorbare gretigheid’, schreef NRC over de eerste ontmoeting tussen Lorenzo Viotti en het Nederlands Philharmonisch Orkest. Ook dit seizoen staat het orkest weer klaar om tot grote hoogte te stijgen. Nederlands Kamerorkest ‘Het Nederlands Kamerorkest speelt met vaart, nuance en reliëf.’ Dat doet het niet alleen in de opera, zoals NRC hier schreef over Mozarts Così fan tutte, maar ook op het concertpodium, met intieme werken van beroemde componisten. Ouverture 7 Nieuwe gezichten, oude bekenden Lorenzo Viotti, toekomstig chef-dirigent Onze musici hebben Hartmut Haenchen hun toekomstige Haenchen is weer terug! In chef-dirigent al in 2002 nam hij afscheid als hun hart gesloten chef-dirigent en nu keert hij en ook de pers is terug om in de komende drie enthousiast.
    [Show full text]
  • 1489596882 BL Festivals Guid
    WE’RE FESTIVAL VETERANS Getting value for money from your festival branding activity requires research, planning, creativity, and an appreciation that you’re venturing into an environment where brands can be welcomed, tolerated, ignored or vilified. We have a long history of helping clients win cut through at festivals around the world, these include: R ECOVE FESTIVALS NOT RIGHT F OR YOU? THINK AGAIN With younger festival goers increasingly priced out of the game, today’s festival audience largely comprises Millenials, people in their thirties. This also explains the increasing number of festivals catering for families, cultural, literary and culinary enthusiasts. It also means an opening of the way for brands that previously might have never thought about investing in a festival. And a growing number are realising this is an environment that can yield results; there’s a lot more to festivals than mud, booze, rock and roll. KNOW YOUR FESTIVAL HEDONISTIC Global Gathering, Big Chill, Exit, Tribal Gathering, Tommorowland, Boom Town, 2000Trees MAINSTREAM Glastonbury, V Festival, Big Day Out, Tea in the Park, Oxygen, Isle of Wight, Wireless, Reading & Leeds Festivals FAMILY FRIENDLY/ CULTURAL Secret Garden Party, Sonar, Green Man, WOMAD, Camp Bestival, Big Feastival, Wilderness, Somersault Brands that can work their way into the festival environment in a natural, creative way can engage this audience while they’re in a highly receptive state. To do this, there are a couple of simple principles we employ: 1. IDENTIFY ‘WHY’ Identifying your ‘why’ is all about finding a festival with which your brand can legitimately demonstrate a shared purpose, common ethics and values.
    [Show full text]
  • Jaarplan2019.Pdf
    1 VOORWOORD 3 2 PROGRAMMA 5 2.1 Klassiek 5 2.2 Nieuw gecomponeerde muziek 7 2.3 Jazz 9 2.4 Pop en dance 11 2.5 Wereldmuziek 13 2.6 Educatie en participatie 15 2.7 Kennis & Debat 16 2.8 Zakelijke verhuur 16 3 PUBLIEK 17 3.1 Bereik 17 3.2 Inclusiviteit 18 3.3 Nationale en internationale bekendheid en waardering 18 3.4 Hospitality 19 3.5 Klantenservice en informatie 20 4 PAND 21 4.1 In ons gebouw 21 4.2 Rondom ons gebouw 22 5 PARTNERS 23 5.1 TivoliVredenburg Fonds 23 5.2 Sponsoring 23 5.3 Fondsen 24 5.4 Samenwerking in de stad en regio 24 6 BEDRIJFSVOERING 26 6.1 Personeel en organisatie 26 6.2 Kwaliteit en rendement 28 7 BEGROTING 30 7.1 Activiteiten 30 7.2 Bezoekers 31 7.3 Winst en verliesrekening 2019 33 Roisin Murphy 30 augustus 2018 • Ronda © Ben Houdijk 2 1. VOORWOORD Met het eerste seizoen-aanbod hoopt het Muziekcentrum het publiek […] duidelijk te maken dat de programmering een ópen gegeven is, open voor invulling, open voor suggesties, open voor ontwikkeling. - Mathieu Heinrichs, Muziekcentrum Vredenburg: ontmoetingsplaats voor mensen en muziek. Bron: catalogus ter gelegenheid van de opening van Muziekcentrum Vredenburg, 1979. 2019 is een feestjaar. We hebben twee jubilea te vieren. De Grote Zaal bestaat veertig jaar en onze jonge organisatie TivoliVredenburg beleeft haar eerste lustrum. Op 26 januari 1979 opende Muziekcentrum Vredenburg zijn deuren. Vijf jaar geleden, op 3 juli 2014, werd TivoliVredenburg feestelijk geopend in aanwezigheid van koning Willem-Alexander.
    [Show full text]
  • SOFI STADIUM California, USA
    ALLIANZ STADIUM WIZINK CENTER ALON WERBER & YOSSI TARABLUS COMMUNICATIONS FOCUS A new, state-of-the-art Bose audio Madrid’s indoor sporting arena has Pixellot’s CEO and Director of We take a closer look at the impressive system installed at the home of an Electro-Voice / Dynacord system Marketing discuss the exciting products and projects from the world Serie A champions, Juventus. integrated right across the venue. partnership with FC Barcelona. of sports communications. ISSUE 13 - AUGUST | SEPTEMBER 2020 THE INTERNATIONAL PUBLICATION FOR TECHNOLOGY IN SPORTING VENUES SOFI STADIUM California, USA Images: Skarpheddin Heddinsson, Mike Nowak / Los Angeles Chargers, Los Angeles Rams, Samsung, SoFi Stadium & Hollywood Park THE FULL PITCH THE FULL PITCH oFi Stadium, located inside the brand-new Currently, SoFi Stadium is around 97% complete, and Hollywood Park in Inglewood, California, is will soon open and play host to an array of exciting S the newest large-scale, stand-out venue to sports and entertainment events. Having already secured be constructed in the US. The state-of-the- Super Bowl LVI in February 2022 and the College Football art home of the Los Angeles Rams and the Los Angeles Championship Game in 2023, as well as the Opening Chargers will be the largest indoor-outdoor stadium in and Closing Ceremonies of the Olympic Games in 2028, the NFL at 3.1 million sq ft, and will be the centrepiece the venue is set to become one of the go-to sporting of the world-class sports and entertainment destination destinations across the globe. SoFi Stadium will have the being built by Los Angeles Rams Owner and Chairman, E.
    [Show full text]