Art Gallery: Global Eyes Global Gallery: Art 152 ART GALLERY ELECTRONIC ART & ANIMATION CATALOG Adamczyk Walt J

Total Page:16

File Type:pdf, Size:1020Kb

Art Gallery: Global Eyes Global Gallery: Art 152 ART GALLERY ELECTRONIC ART & ANIMATION CATALOG Adamczyk Walt J Art Gallery: Global Eyes Chair Vibeke Sorensen University at Buffalo Associate Chair Lina Yamaguchi Stanford University ELECTRONIC ART & ANIMATION CATALOG ELECTRONIC ART & ANIMATION ART GALLERY ART 151 Table of Contents 154 Art Gallery Jury & Committee 176 Joreg 199 Adrian Goya 222 Masato Takahashi 245 Andrea Polli, Joe Gilmore 270 Peter Hardie 298 Marte Newcombe 326 Mike Wong imago FACES bogs: Instrumental Aliens N. falling water Eleven Fifty Nine Elevation #2 156 Introduction to the Global Eyes Exhibition Landfill 178 Takashi Kawashima 200 Ingo Günther 223 Tamiko Thiel 246 Joseph Rabie 272 Shunsaku Hayashi 327 Michael Wright Running on Empty Takashi’s Seasons Worldprocessor.com The Travels of Mariko Horo Psychogeographical Studies Perry’s Cowboy • Animation Robotman Topography Drive (Pacific Rim) Do-Bu-Ro-Ku 179 Hyung Min Lee 224 Daria Tsoupikova 158 Vladimir Bellini 247 r e a Drought 328 Guan Hong Yeoh Bibigi (Theremin Based on Computer-Vision Rutopia 2 La grua y la jirafa (The crane and the giraffe) 203 Qinglian Guo maang (message stick) 274 Taraneh Hemami Here, There Super*Nature Technology) A digital window for watching snow scenes Most Wanted 225 Ruth G. West 159 Shunsaku Hayashi 248 Johanna Reich 300 Till Nowak 329 Solvita Zarina 180 Steve Mann ATLAS in silico Ireva 204 Yoichiro Kawaguchi De Vez En Cuando 276 Guy Hoffman Salad See - Buy - Fly CyborGLOGGER Performance of Hydrodynamics Ocean Time Bracketing Study: Stata Latin 226 Ming-Yang Yu, Po-Kuang Chen 250 Seigow Matsuoka Editorial 301 Jin Wan Park, June Seok Seo 330 Andrzej Zarzycki 160 Arina Melkozernova Globaleyesation eco-echo Self-Transparency 205 Osman Khan Engineering Laboratory, Naoko Tosa 278 Masa Inakage Visual Genealogy Texture of Reality No.7 182 Michael Masucci SEEN – Fruits of Our Labor Hitch-Haiku Flow 302 Tom Piper, Sushma Bahl 332 Jing Zhou 161 2007 Northeastern University RAGE TO KNOW 206 Thomas Kienzl • Monitor-Based Work 279 Andrew Johnson V9-U9 A Digital Portfolio Eternity (Ch’an Mind, Zen Mind Series) Visual Music Marathon 251 Selected Works from the 183 Hiroshi Matoba _zur form Hawker, Hacker, Herald Selected Works from the 2007 Northeastern 228 Anya Belkina 10th Japan Media Arts Festival 304 Dave Poindexter Performing Arts for the University Visual Music Marathon 207 Haemin Kim, Junghyun Ahn Crowded with Voices 280 Matthew Kenyon Meteor Crater Observatory on Old Route 66, • Art Papers Future Mobile Generation 252 Cedar Sherbert Dreaming a Fingertip Conversation with You Improvised Empathetic Device Arizona 162 Nagata Takeshi, Monno Kazue 229 Devika Coles Gesture Down (I Don’t Sing) 334 Carlos Antônio Leite Brandão 184 Pauline Oliveros Japan Media Arts Festival 208 Tammy Knipp Places of Memory 281 Davida Kidd 305 Joohyun Pyune Transdisciplinarity, Yesterday and Today Dynamic Spaces 253 J.P. Sniadecki Lighting Doodle Project “Pika Pika” The Weight of Reason (after Goya) Blue Faith CASE STUDY 9983 & 9983-B 230 Roderick Coover Songhua 338 Heitor Capuzzo 185 Ping Jin, Lihong Lei, Guns and Kolbasa 209 Shawn Lawson Something That Happened Only Once 306 Don Relyea Building Possible Dreams Xiaohua Sun, Nan Zhang 254 Alexander Villacorta • Artist Books Wu Wei 282 Kazuhiko Kobayashi Big Hairy Bush – Hair Particle Drawing A Rhyme of the Tang Dynasty 231 EA Game Innovation Lab Spheres of Influence 341 Richard L. Loveless scan Gate Project 164 Kathy Beal 210 Shawn Lawson, Wafaa Bilal The Night Journey: Walk Through Identifying New Myths for Convergence and 186 Jeffrey Treviño, Ross Karre Seven Sisters A Bar at the Folies Bergère • Wall-Based Work 284 Viktor Koen 308 Chris Rowland Creative Collaboration in the Age of Digitalia Substitute Judgment + Metal Catalogue 232 Santiago Echeverry Witness No.02 and No.04 HMS Royal Oak 165 Lyn Bishop 211 Francisco Marinho WORLD 256 Mostafa Barakate 345 Lisa Parks If Dreams Could Talk 286 Sally Grizzell Larson 310 Alma de la Serra Around the Antenna Tree: • Installations Palavrador 233 Copper Frances Giloth Revolution No. 6, from the series Thread and Carbon, Linkages The Politics of Infrastructural Visibility 166 Dena Elisabeth Eber 212 Margaret Morris Looking Back 25 Years: 257 Stan Bowman 188 Harriete Estel Berman Oil and Steel CATALOG ELECTRONIC ART & ANIMATION These are Some Jews that Hitler Did Not Get: SIGGRAPH 82 Art Show 312 Mark Stock Consuming Conversation, 2001-2004 Mobile Heart Health RHODADALIA American Jews and the Survival of a People 287 Qian Li Dynamo • Art Panels 213 Lucy Petrovich, Johnie Hugh Horn 234 Lynn Hershman 258 Vlatko Ceric 190 Caitlin Berrigan Core Green Streamlines 167 Philip Mallory Jones Desert Views, Desert Deaths Life Squared Algorithmic mirror 349 Database Documentaries and Viral Confections air LISSEN HERE! 314 Susana Sulic Global Knowledge: Transnational City 214 Rudy Poat 236 Philip Mallory Jones 260 Max Chandler 191 Chiara Boeri 288 Andy Lomas Cyvers Viral City Symphonies, Constructivist Courseware, 168 Kent Manske Deep Dark: Real-Time Interactive IN THE SWEET BYE & BYE SL Silent Dancing Boscometro: More Than a Green Belt Flow 9 and Interactive Science West meets East: Artworks based Cinema Project (a Second Life installation) 316 Masakazu Takano for a City 262 Paula Dawson Flow 19 on a journey to China Re-formation 349 Global Environment and Digital Media 215 Catherine Richards 237 Julian Konczak Luminous Presence 192 Sheldon Brown 290 Dan Lu Transpacific I was scared to death/I could have died of joy 25 - Birth and Decay 350 Indigenous People and Digital Media The Scalable City 263 Brian DeLevie Letters I, Letters II • Digital Performance 318 Robert Trempe 216 Scenocosme 238 Toby Lee, Fotini Lazaridou-Hatzigoga Re-remembered, digital palimpsests 350 ISAST I: The Planet Has Changed: 194 Anna Chupa 291 Jessica Maloney Connections 170 J. Walt Adamczyk SphèrAléas Royal, Nebraska Art, Environment, and Sustainable Autocosm 2007 Nou La 264 Brian Evans Intertwined: Person, Place, and Time ELECTRONIC ART & ANIMATION CATALOG ELECTRONIC ART & ANIMATION 320 Anna Ursyn Development 218 James Sears 239 Ben Maggos sonata (pipilo) 172 Mariela Cádiz, Kent Clelland, 195 Christian Croft, Ariel Efron, Ed Purver 292 Chi-wah Man Clear Water Act The Orb What About Job? time slice (meliá) 351 ISAST II: Artists Have Changed: GALLERY ART Denis Lelong Future Perfect SelfPortrait06_Diptych Wires 219 Mark Shepard 240 Ellen McMahon 266 Murat Germen Art, Science, Technology Interaction e*scapes 196 Maaike Evers, Mike Simonian 293 John McGhee 322 Roman Verostko Tactical Sound Garden Toolkit NaturArte: A Bi-National, Interdisciplinary soul of the place – genius loci Windowseat Lounge Integrity: structure and surface Flowers of Learning: “Hortus Conclusus” 351 Chinese Media Art Preview 173 Maja Cerar, Liubo Borissov Wetlands Conservation Project in Sonora, Kanyon reconstructed Autopoiesis/Mimesis 220 Koh Sueda México 352 Local Concerns – Global Art ART GALLERY ART 197 Jun Fujiki 294 Nataliya Nadtoka 324 James Faure Walker Chang-tei System 268 Copper Frances Giloth 174 Kooj Chuhan OLE Coordinate System Viva la Revolution Dark Filament 352 Alternative Networks 242 Pedro Meyer Sunday Morning at the City Hall Doors/ 153 221 Keiko Takahashi What If I’m Not Real 198 Gregory Garvey Selections from ZoneZero.com Dimanche Matin aux Portes d’Hôtel de Ville 296 Joe Nalven Diorama Table Exhale The Automatic Confession Machine: World Identity Cards 244 Alejandro Perez-Avila 269 Matt Hamon 152 A Catholic Turing Test Global Eyes Web Site Dog Years Art Gallery Jury & Committee Art Gallery: GLOBal Eyes ChaIR Art Gallery JUry Sue Gollifer VIDEO TECHNOLOGY SUBCOMMITTEE CHAIRS ONLINE JUry Paul Hertz Barbara Mones University of Brighton Johannes Birringer Northwestern University University of Washington and Vibeke Sorensen Heitor Capuzzo Goldie Chaudhuri University of Canterbury Brighton, United Kingdom Brunel University Illinois, USA University at Buffalo Universidade Federal de Minas Gerais XSV Washington, USA; United Kingdom New York, USA Minas Gerais, Brazil United Kingdom Francisco Marinho Erkki Huhtamo Jana Whittington University of California, Los Angeles Catherine Richards Sue Gollifer Universidade Federal de Minas Gerais Marc Böhlen Purdue University Calumet California, USA University of Ottawa Art Gallery: GLOBal Eyes AssOCIate ChaIR University of Brighton Minas Gerais, Brazil University at Buffalo and Universität Zürich AILAB Indiana, USA Ontario, Canada Brighton, United Kingdom New York, USA; Zürich, Switzerland Lina Yamaguchi Marilenis Olivera Masa Inakage Christiane Robbins Stanford University Stanford University Paul Brown Keio University Francisco Marinho University of Southern California, Jetztzeit Studios California, USA California, USA ACKNOWledgeMENts University of Sussex Japan Universidade Federal de Minas Gerais California, USA Minas Gerais, Brazil Thanks to the following people and institutions: United Kingdom Victoria Szabo Lisa Jevbratt Aaron Baker Michael Scroggins Duke University Patricia Clark University of California, Santa Barbara Victoria Szabo Arizona State University California Institute of the Arts North Carolina, USA Arizona State Univesity California, USA Computer Technology Subcommittee Chair California, USA Duke University Roger Malina Arizona, USA Cristina Venegas Philip Mallory Jones North Carolina, USA ISAST Leonardo Bill Seaman University of California, Santa Barbara Beatriz da Costa Ohio University Rhode Island School of Design California, USA University of California, Irvine Ohio, USA Cristina Venegas Marilenis Olivera Rhode Island, USA California, USA University of California, Santa
Recommended publications
  • The Politics of Revolutionary Anti-Imperialism
    FIRE THE POLITICS OF REVOLUTIONARY ANTI-IMPERIALISM ---- - ... POLITICAL STATEMENT OF THE UND£ $1.50 Prairie Fire Distributing Lo,rnrrntte:e This edition ofPrairie Fire is published and copyrighted by Communications Co. in response to a written request from the authors of the contents. 'rVe have attempted to produce a readable pocket size book at a re'ls(m,tbl.e cost. Weare printing as many as fast as limited resources allow. We hope that people interested in Revolutionary ideas and events will morc and better editions possible in the future. (And that this edition at least some extent the request made by its authors.) PO Box 411 Communications Co. Times Plaza Sta. PO Box 40614, Sta. C Brooklyn, New York San FrancisQ:O, Ca. 11217 94110 Quantity rates upon request to Peoples' Bookstores and Community organiza- tlOBS. PRAIRIE FIRE THE POLITICS OF REVOLUTIONARY ANTI-IMPERIALISM POLITICAL STATEMENT , OF THE WEATHER Copyright © 1974 by Communications Co. UNDERGROUND All rights reserved The pUblisher's copyright is not intended to discourage the use ofmaterial from this book for political debate and study. It is intended to prevent false and distorted reproduction and profiteering. Aside from those limits, people are free to utilize the material. This edition is a copy of the original which was Printed Underground In the US For The People Published by Communications Co. 1974 +h(~ of OlJr(1)mYl\Q~S tJ,o ~Q.Ve., ~·Ir tllJ€~ it) #i s\-~~\~ 'Yt)l1(ch ~, \~ 10 ~~\ d~~~ee.' l1~rJ 1I'bw~· reU'w) ~it· e\rrp- f'0nit'l)o yralt· ~YZlpmu>I')' ca~-\e.v"C2lmp· ~~ ~[\.ll10' ~li~ ~n.
    [Show full text]
  • QUALM; *Quoion Answeringsystems
    DOCUMENT RESUME'. ED 150 955 IR 005 492 AUTHOR Lehnert, Wendy TITLE The Process'of Question Answering. Research Report No. 88. ..t. SPONS AGENCY Advanced Research Projects Agency (DOD), Washington, D.C. _ PUB DATE May 77 CONTRACT ,N00014-75-C-1111 . ° NOTE, 293p.;- Ph.D. Dissertation, Yale University 'ERRS' PRICE NF -$0.83 1C- $15.39 Plus Post'age. DESCRIPTORS .*Computer Programs; Computers; *'conceptual Schemes; *Information Processing; *Language Classification; *Models; Prpgrai Descriptions IDENTIFIERS *QUALM; *QuOion AnsweringSystems . \ ABSTRACT / The cOmputationAl model of question answering proposed by a.lamputer program,,QUALM, is a theory of conceptual information processing based 'bon models of, human memory organization. It has been developed from the perspective of' natural language processing in conjunction with story understanding systems. The p,ocesses in QUALM are divided into four phases:(1) conceptual categorization; (2) inferential analysis;(3) content specification; and (4) 'retrieval heuristict. QUALM providea concrete criterion for judging the strengths and weaknesses'of store representations.As a theoretical model, QUALM is intended to describ general question answerinlg, where question antiering is viewed as aerbal communicb.tion. device betieen people.(Author/KP) A. 1 *********************************************************************** Reproductions supplied'by EDRS are the best that can be made' * from. the original document. ********f******************************************,******************* 1, This work-was
    [Show full text]
  • Gyã¶Rgy Kepes Papers
    http://oac.cdlib.org/findaid/ark:/13030/c80r9v19 No online items Guide to the György Kepes papers M1796 Collection processed by John R. Blakinger, finding aid by Franz Kunst Department of Special Collections and University Archives 2016 Green Library 557 Escondido Mall Stanford 94305-6064 [email protected] URL: http://library.stanford.edu/spc Guide to the György Kepes M1796 1 papers M1796 Language of Material: English Contributing Institution: Department of Special Collections and University Archives Title: György Kepes papers creator: Kepes, Gyorgy Identifier/Call Number: M1796 Physical Description: 113 Linear Feet (108 boxes, 68 flat boxes, 8 cartons, 4 card boxes, 3 half-boxes, 2 map-folders, 1 tube) Date (inclusive): 1918-2010 Date (bulk): 1960-1990 Abstract: The personal papers of artist, designer, and visual theorist György Kepes. Language of Material: While most of the collection is in English, there is also a significant amount of Hungarian text, as well as printed material in German, Italian, Japanese, and other languages. Special Collections and University Archives materials are stored offsite and must be paged 36 hours in advance. Biographical / Historical Artist, designer, and visual theorist György Kepes was born in 1906 in Selyp, Hungary. Originally associated with Germany’s Bauhaus as a colleague of László Moholy-Nagy, he emigrated to the United States in 1937 to teach Light and Color at Moholy's New Bauhaus (soon to be called the Institute of Design) in Chicago. In 1944, he produced Language of Vision, a landmark book about design theory, followed by the publication of six Kepes-edited anthologies in a series called Vision + Value as well as several other books.
    [Show full text]
  • Portland Daily Press: June 17, 1898
    __PORTLAND DAILY PRESS. ESTABLISHED JUNE 23, 1862—VOL. MAINE, IRIDAY 35.___PORTLAND, MORflij^ JUNE 17, 1898._IglwKfifMixMBt PRICE THREE CENTS. MISCKiLLAJN'KOCB. [ FOR EIGHT TEARS a PORTS STORMED AGAIN. Pain 80 Intense Would Nearly ■V Twist Fingers from Sockets. Puffed Up Like a Toad. Water Ran Through Bandages to Floor. Had to Walkthe Floor Until Would Fall Asleep. Fingers Peeled Like an Onion. Doctors Could Not Cure, Cured By Cuticura. Admiral Bombarded the Batter- About eight years ago I got sore hands, it Sampson commenced with a kind of a burning sensa- tion on my fingers and on top of the hand. When I commenced to rub them, you could see little white pimples on the skin. I rubbed more and more, until I felt like twisting my fingers out of their sockets. I had high and cold chills ran over and so I ies fever, of me, For Third kept it going until I was tired out. Nights, I Time, had to walk the floor until I fell asleep. Santiago My hands peeled like an onion, the finger nails got loose in the roots, and the water ran out, and wherever there was a little pimple, there the burning fire was, and I tell you and can prove to you, that happened at least ten times. During the day, I had to attend to my business, for I am running a blacksmith shop, horseshoeing, and 1 would not shut up the shop for anybody, but it was hard. My hands 35 TRANSPORTS WILL BE Western Batteries were Wrecked puffed up worse than a toad.
    [Show full text]
  • Papers of John Monroe (Jack) Owens, Jr
    1 Papers of John Monroe (Jack) Owens, Jr. Compiled by Joe Owens January 2005 Updated September 2018 2 Table of Contents Foreword ---------------------------------------------------------------------------------------- 3 Jack’s Manuscript ------------------------------------------------------------------------------ 5 Tagastia Son--------------------------------------------------------------------------------77 September 21, 1944 -------------------------------------------------------------------------- 79 Thirty-nine Days of Hell -------------------------------------------------------------------- 80 One of the Stories Jack Told ---------------------------------------------------------------- 82 Prisoner release photo ------------------------------------------------------------------------ 83 About Photo------------------------------------------------------------------------------------ 84 Waiting for Jack ------------------------------------------------------------------------------- 85 The Day Jack Came Home ------------------------------------------------------------------ 87 Uncle Jack and that Grindle----------------------------------------------------------------- 89 Growing Up With Jack Owens-----------------------------------------------------------93 Early Letter from Jack ----------------------------------------------------------------------- 98 Letter to Alice --------------------------------------------------------------------------------- 99 Jack’s Letter (Pearl Harbor) --------------------------------------------------------------
    [Show full text]
  • THE ELEMENTS of STYLE' (4Th Edition) First Published in 1935, Copyright © Oliver Strunk Last Revision: © William Strunk Jr
    2 OLIVER STRUNK: 'THE ELEMENTS OF STYLE' (4th edition) First published in 1935, Copyright © Oliver Strunk Last Revision: © William Strunk Jr. and Edward A. Tenney, 2000 Earlier editions: © Macmillan Publishing Co., Inc., 1959, 1972 Copyright © 2000, 1979, ALLYN & BACON, 'A Pearson Education Company' Introduction - © E. B. White, 1979 & 'The New Yorker Magazine', 1957 Foreword by Roger Angell, Afterward by Charles Osgood, Glossary prepared by Robert DiYanni ISBN 0-205-30902-X (paperback), ISBN 0-205-31342-6 (casebound). ________ Machine-readable version and checking: O. Dag E-mail: [email protected] URL: http://orwell.ru/library/others/style/ Last modified on April, 2003. 3 The Elements of Style Oliver Strunk Contents FOREWORD ix INTRODUCTION xiii I. ELEMENTARY RULES OF USAGE 1 1. Form the possessive singular of nouns by adding 's. 1 2. In a series of three or more terms with a single conjunction, use a comma after each term except the last. 2 3. Enclose parenthetic expressions between commas. 2 4. Place a comma before a conjunction introducing an independent clause. 5 5. Do not join independent clauses with a comma. 5 6. Do not break sentences in two. 7 7. Use a colon after an independent clause to introduce a list of particulars, an appositive, an amplification, or an illustrative quotation. 7 8. Use a dash to set off an abrupt break or interruption and to announce a long appositive or summary. 9 9. The number of the subject determines the number of the verb. 9 10. Use the proper case of pronoun. 11 11. A participial phrase at the beginning of a sentence must refer to the grammatical subject.
    [Show full text]
  • How Sustainable Household Environment And
    Open Access Research BMJ Open: first published as 10.1136/bmjopen-2016-015019 on 14 June 2017. Downloaded from How sustainable household environment and knowledge of healthy practices relate to childhood morbidity in South Asia: analysis of survey data from Bangladesh, Nepal and Pakistan Md Masud Hasan,1 Alice Richardson2 To cite: Hasan MM, ABSTRACT Strengths and limitations of this study Richardson A. How sustainable Objectives Prevalence of diarrhoea and acute respiratory household environment and infection (ARI) is considerably high among South Asian knowledge of healthy practices ► The study used some of the largest and most recent children. The objective of this study is to compare the relate to childhood morbidity cross-sectional surveys conducted in the countries in South Asia: analysis of associations of sustainable household environment and analysed. knowledge of healthy practices with episodes of these survey data from Bangladesh, ► Data from three countries were compared: Nepal and Pakistan. BMJ Open diseases among the children in the region. Bangladesh (2014), Nepal (2011) and Pakistan 2017;7:e015019. doi:10.1136/ Design The study analysed the latest, nationally (2012). bmjopen-2016-015019 representative and cross-sectional Demographic and ► Information regarding the disease episodes is Health Survey data. ► Prepublication history for limited by its provision at a single point of time so this paper is available online. Setting Data from three countries were analysed: that the seasonal variations in the prevalence of the To view these files please visit Bangladesh, Nepal and Pakistan. disease episodes are not addressed in the analysis. Participants Women aged between 12 and 49 years the journal online (http:// dx.
    [Show full text]
  • The Spanish Lake
    The Spanish Lake The Pacific since Magellan, Volume I The Spanish Lake O. H. K. Spate ‘Let Observation with extensive View, Survey Mankind, from China to Peru ...’ Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] Web: http://epress.anu.edu.au Previously published by the Australian National University Press, Canberra National Library of Australia Cataloguing-in-Publication entry Spate, O. H. K. (Oskar Hermann Khristian), 1911–2000 The Spanish Lake Includes index ISBN 1 920942 17 3 ISBN 1 920942 16 5 (Online) 1. Explorers–Spain. 2. Pacific Area–Discovery and exploration. 3. Latin America–Economic conditions–History. 4. Latin America–Civilization–European influences. 5. Pacific Area–History. I. Title. (Series: Spate, O. H. K. [Oskar Hermann Khristian], 1911–2000. The Pacific since Magellan, Vol.1) 910.091823 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Reproduction, setting and all electronic versions by Laserwords Cover design by Brendon McKinley Printed by Digital Print Australia, Adelaide First edition 1979 O. H. K. Spate This edition 2004 O. H. K. Spate In memoriam ARMANDO CORTESAO˜ homem da Renascenc¸a renascido Figure 1. PACIFIC WINDS AND CURRENTS. 1, approx. limits of Trade Wind belts, April- September; 2, same in October-March; 3, approx. trend of main currents; 4,ofmaindrifts;5,encloses area dominated by Southeast Asian monsoons; 6, areas of high typhoon risk, especially July-October; 7, belt of calms and light airs (Doldrums).
    [Show full text]
  • Steuernummer Mit Peter Absprechen
    Tamiko Thiel [email protected] www. tamikothiel.com Biography Tamiko Thiel was awarded the 2018 iX Immersive Experiences Visionary Pioneer Award for her life work by the Society for Art and Technology Montreal. Born in 1957, she is a visual artist exploring the interplay of place, space, the body and cultural identity in works encompassing a supercomputer, objects, installations, digital prints in 2D and 3D, videos, interactive 3d virtual worlds (VR), augmented reality (AR) and artificial intelligence (AI). Thiel received her B.S. in 1979 from Stanford University in Product Design Engineering, with an emphasis on human factors. She received her M.S. in Mechanical Engineering in 1983 from the Massachusetts Institute of Technology (MIT), with a focus on human-machine design at the Biomechanics Lab and computer graphics at the precursors to the MIT Media Lab. She then earned a Diploma (Master of Arts equivalent) in Applied Graphics in 1991 from the Academy of Fine Arts in Munich, Germany, specializing in video installation art. Her first artwork, the visual design for the Connection Machine CM-1/CM-2 artificial intelligence supercomputer (1986/1987, and in 1989 the fastest machine in the world) is in the collection of the Museum of Modern Art New York and the Smithsonian Institution. She began working with virtual reality in 1994 as creative director and producer of the Starbright World (1994-1997) online VR playspace for seriously ill children, in collaboration with Steven Spielberg, and her VR artwork Beyond Manzanar (2000, with Zara Houshmand), has been in the collection of the San Jose Museum of Art in Silicon Valley since 2002.
    [Show full text]
  • Algorithmic Art: Technology, Mathematics and Art
    See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/4359618 Algorithmic art: Technology, mathematics and art Conference Paper · July 2008 DOI: 10.1109/ITI.2008.4588386 · Source: IEEE Xplore CITATIONS READS 3 2,297 1 author: Vlatko Ceric University of Zagreb 17 PUBLICATIONS 123 CITATIONS SEE PROFILE All content following this page was uploaded by Vlatko Ceric on 29 May 2014. The user has requested enhancement of the downloaded file. Algorithmic Art: Technology, Mathematics and Art Vlatko Ceric Faculty of Economics and Business, Trg J.F.Kennedyja 6, 10000 Zagreb, Croatia [email protected] Abstract. This paper describes algorithmic art, the more narrowly I limit my field of action and i.e. visual art created on the basis of algorithms the more I surround myself with obstacles». that completely describe generation of images. So it is not quite sure whether to start painting Algorithmic art is rooted in rational approach to on a blank paper without any constraints is art, technology and application of mathematics. necessarily easier than to have a constraint that, It is based on computer technology and for example, you only use squares of two sizes. particularly on programming that make The rest of this paper is organized as follows: algorithmic art possible and that influences it In Section 2 we describe relations between art most. Therefore we first explore relations of and technology, while Section 3 presents the role technology and mathematics to art and then of computer technology in development of describe algorithmic art itself. digital art, and particularly of algorithmic art.
    [Show full text]
  • Spring 2014--All Grants Sorted by State
    National Endowment for the Arts FY 2014 Spring Grant Announcement State Listings Project details are as of April 16, 2014. For the most up to date project information, please use the NEA's online grant search system. Included in this document are Art Works grants, State & Regional Partnership grants, and Research: Art Works grants. All are organized by state/territory and then by city, with the exception of the State & Regional Partnership grants which appear at the top of each state. Click the state or territory below to jump to that area of the document. • Alabama • Kentucky • Ohio • Alaska • Louisiana • Oklahoma • American Samoa • Maine • Oregon • Arizona • Maryland • Pennsylvania • Arkansas • Massachusetts • Puerto Rico • California • Michigan • Rhode Island • Colorado • Minnesota • South Carolina • Connecticut • Mississippi • South Dakota • Delaware • Missouri • Tennessee • District of Columbia • Montana • Texas • Florida • Nebraska • Utah • Georgia • Nevada • Vermont • Guam • New Hampshire • Virginia • Hawaii • New Jersey • Virgin Islands • Idaho • New Mexico • Washington • Illinois • New York • West Virginia • Indiana • North Carolina • Wisconsin • Iowa • North Dakota • Wyoming • Kansas • Northern Marianas Islands Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Page 1 of 228 Alabama Number of Grants: 5 Total Dollar Amount: $841,700 Alabama State Council on the Arts $741,700 Montgomery, AL FIELD/DISCIPLINE: State & Regional To support Partnership Agreement activities. Auburn University Main Campus $55,000 Auburn, AL FIELD/DISCIPLINE: Visual Arts To support the Alabama Prison Arts and Education Project. Through the Department of Human Development and Family Studies in the College of Human Sciences, the university will provide visual arts workshops taught by emerging and established artists for those who are currently incarcerated.
    [Show full text]
  • Pionners of Computer Art, II RCM GALERIE
    Pionners of Computer Art, II RCM GALERIE Pioneers of Computer Art Colette Bangert, Aldo Giorgini, Jean-Pierre Hebert, Desmond Paul Henry, Hervé Huitric, Ken Knowlton, Charles Mattox, Manfred Mohr, Monique Nahas, Jacques Palumbo, Edward Zajec 20 June - 31 July 2019 RCM Galerie Monique Nahas (b. 1940) and and Hervé Huitric (b. 1945) co-counded the Groupe Art et Informatique de Vincennes and were among the preeminent artists working with computers in France in the late 1960s and 1970s. Their work explores how computer algorithms can be transformed into colored images. They first worked with a CAE 510 and then an IBM 1130 writing programs in Algol and then Fortran that created random variations in constructivist color schemes. Instead of working on a palette with rules of transition, the duo considered color as a continuous variable, while treating color as a set of percentages of its basic components. Although interested in how the computer changed the rules of art, their works in the early seventies are highly influenced by pontilism, especially Georges Seurat. The duo's first work used a coded sequence of letters then printed on a plotter. R for Red, B for Blue etc. Each square was then hand painted. The couple then developed a stencil method, using the punch cards and screenprinting artwork using a plotter. The couple exhibited widely in the 1970s, including the New Tendency 5 exhibition in Zagreb. Monique Nahas and Hervé Huitric Cube, 1971 Layered perforated program cards, paint, wood, lacquer 12 x 12 x 12 inches Unique Monique Nahas and Hervé Huitric Untitled, 1971 Double serigraph 31.5 x 22 in One of two copies Signed on verso Monique Nahas and Hervé Huitric Monique Nahas and Hervé Huitric Untitled, 1971 Untitled, 1971 Computer print, hand-painted 6.2 x 7.8 in Computer print, hand-painted 9.4 x 7.4 in Unique Unique Signed on verso Signed on verso 1 1 - ' ' I I ..._ / / • / / .
    [Show full text]