Near Eastern Slaves in Classical Attica and the Slave Trade With
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Marathon 2,500 Years Edited by Christopher Carey & Michael Edwards
MARATHON 2,500 YEARS EDITED BY CHRISTOPHER CAREY & MICHAEL EDWARDS INSTITUTE OF CLASSICAL STUDIES SCHOOL OF ADVANCED STUDY UNIVERSITY OF LONDON MARATHON – 2,500 YEARS BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES SUPPLEMENT 124 DIRECTOR & GENERAL EDITOR: JOHN NORTH DIRECTOR OF PUBLICATIONS: RICHARD SIMPSON MARATHON – 2,500 YEARS PROCEEDINGS OF THE MARATHON CONFERENCE 2010 EDITED BY CHRISTOPHER CAREY & MICHAEL EDWARDS INSTITUTE OF CLASSICAL STUDIES SCHOOL OF ADVANCED STUDY UNIVERSITY OF LONDON 2013 The cover image shows Persian warriors at Ishtar Gate, from before the fourth century BC. Pergamon Museum/Vorderasiatisches Museum, Berlin. Photo Mohammed Shamma (2003). Used under CC‐BY terms. All rights reserved. This PDF edition published in 2019 First published in print in 2013 This book is published under a Creative Commons Attribution-NonCommercial- NoDerivatives (CC-BY-NC-ND 4.0) license. More information regarding CC licenses is available at http://creativecommons.org/licenses/ Available to download free at http://www.humanities-digital-library.org ISBN: 978-1-905670-81-9 (2019 PDF edition) DOI: 10.14296/1019.9781905670819 ISBN: 978-1-905670-52-9 (2013 paperback edition) ©2013 Institute of Classical Studies, University of London The right of contributors to be identified as the authors of the work published here has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988. Designed and typeset at the Institute of Classical Studies TABLE OF CONTENTS Introductory note 1 P. J. Rhodes The battle of Marathon and modern scholarship 3 Christopher Pelling Herodotus’ Marathon 23 Peter Krentz Marathon and the development of the exclusive hoplite phalanx 35 Andrej Petrovic The battle of Marathon in pre-Herodotean sources: on Marathon verse-inscriptions (IG I3 503/504; Seg Lvi 430) 45 V. -
THE MYTH of ORPHEUS and EURYDICE in WESTERN LITERATURE by MARK OWEN LEE, C.S.B. B.A., University of Toronto, 1953 M.A., Universi
THE MYTH OF ORPHEUS AND EURYDICE IN WESTERN LITERATURE by MARK OWEN LEE, C.S.B. B.A., University of Toronto, 1953 M.A., University of Toronto, 1957 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OP PHILOSOPHY in the Department of- Classics We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA September, i960 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver 8, Canada. ©he Pttttrerstt^ of ^riitsl} (Eolimtbta FACULTY OF GRADUATE STUDIES PROGRAMME OF THE FINAL ORAL EXAMINATION FOR THE DEGREE OF DOCTOR OF PHILOSOPHY of MARK OWEN LEE, C.S.B. B.A. University of Toronto, 1953 M.A. University of Toronto, 1957 S.T.B. University of Toronto, 1957 WEDNESDAY, SEPTEMBER 21, 1960 AT 3:00 P.M. IN ROOM 256, BUCHANAN BUILDING COMMITTEE IN CHARGE DEAN G. M. SHRUM, Chairman M. F. MCGREGOR G. B. RIDDEHOUGH W. L. GRANT P. C. F. GUTHRIE C. W. J. ELIOT B. SAVERY G. W. MARQUIS A. E. BIRNEY External Examiner: T. G. ROSENMEYER University of Washington THE MYTH OF ORPHEUS AND EURYDICE IN WESTERN Myth sometimes evolves art-forms in which to express itself: LITERATURE Politian's Orfeo, a secular subject, which used music to tell its story, is seen to be the forerunner of the opera (Chapter IV); later, the ABSTRACT myth of Orpheus and Eurydice evolved the opera, in the works of the Florentine Camerata and Monteverdi, and served as the pattern This dissertion traces the course of the myth of Orpheus and for its reform, in Gluck (Chapter V). -
Slaves, Sex, and Transgression in Greek Old Comedy
Slaves, Sex, and Transgression in Greek Old Comedy By Daniel Christopher Walin A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Classics in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Mark Griffith, Chair Professor Donald J. Mastronarde Professor Kathleen McCarthy Professor Emily Mackil Spring 2012 1 Abstract Slaves, Sex, and Transgression in Greek Old Comedy by Daniel Christopher Walin Doctor of Philosophy in Classics University of California, Berkeley Professor Mark Griffith, Chair This dissertation examines the often surprising role of the slave characters of Greek Old Comedy in sexual humor, building on work I began in my 2009 Classical Quarterly article ("An Aristophanic Slave: Peace 819–1126"). The slave characters of New and Roman comedy have long been the subject of productive scholarly interest; slave characters in Old Comedy, by contrast, have received relatively little attention (the sole extensive study being Stefanis 1980). Yet a closer look at the ancestors of the later, more familiar comic slaves offers new perspectives on Greek attitudes toward sex and social status, as well as what an Athenian audience expected from and enjoyed in Old Comedy. Moreover, my arguments about how to read several passages involving slave characters, if accepted, will have larger implications for our interpretation of individual plays. The first chapter sets the stage for the discussion of "sexually presumptive" slave characters by treating the idea of sexual relations between slaves and free women in Greek literature generally and Old Comedy in particular. I first examine the various (non-comic) treatments of this theme in Greek historiography, then its exploitation for comic effect in the fifth mimiamb of Herodas and in Machon's Chreiai. -
Fish Lists in the Wilderness
FISH LISTS IN THE WILDERNESS: The Social and Economic History of a Boiotian Price Decree Author(s): Ephraim Lytle Source: Hesperia: The Journal of the American School of Classical Studies at Athens, Vol. 79, No. 2 (April-June 2010), pp. 253-303 Published by: The American School of Classical Studies at Athens Stable URL: http://www.jstor.org/stable/40835487 . Accessed: 18/03/2014 10:14 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The American School of Classical Studies at Athens is collaborating with JSTOR to digitize, preserve and extend access to Hesperia: The Journal of the American School of Classical Studies at Athens. http://www.jstor.org This content downloaded from 71.168.218.10 on Tue, 18 Mar 2014 10:14:19 AM All use subject to JSTOR Terms and Conditions HESPERIA 79 (2OIO) FISH LISTS IN THE Pages 253~3°3 WILDERNESS The Social and Economic History of a Boiotian Price Decree ABSTRACT This articlepresents a newtext and detailedexamination of an inscribedHel- lenisticdecree from the Boiotian town of Akraiphia (SEG XXXII 450) that consistschiefly of lists of fresh- and saltwaterfish accompanied by prices. The textincorporates improved readings and restoresthe final eight lines of the document,omitted in previouseditions. -
COMBATIVE CAPPING in ARISTOPHANIC COMEDY1 Via
COMBATIVE CAPPING IN ARISTOPHANIC COMEDY1 Via. Moron! Est. That's the idea, let's abuse each other. They turn, increase the space between them, turn again and face each other. Via. Moron! Est. Vermin! Via. Abortion! Est. Morpion! Via. Sewer-rat! Est. Curate! Via. Cretin! Est. (with finality) Crritic! Via. Oh! He wilts, vanquished, and turns away. (Samuel Beckett, Waiting for Godot) 1. Introduction and summary of the argument Beckett's verbal duel is reminiscent of Aristophanic routines between two characters in which the name of the game seems to be to cap the boast, threat or insult hurled by the opposing character. Several recent studies have pointed to the importance of capping to the character and meaning of Aristophanic comedy. Ian Ruffell shows that verbal routines in which a joke is elaborated and capped by another are integral to Aristophanes' comic mode.2 He has also argued that Old Comedy is partly constituted through a generic requirement that each play deploy an intertextual rhetoric of innovation in which the playwright parades the way in which he has ingeniously capped the plots, routines and conceits of a rival's previous offering.3 Derek Collins has demon- strated that some of the social and stylistic dynamics of Aristophanic stichomythic and antilabic capping routines have been misunderstood due to a lack of awareness that 1 I would like to thank the two anonymous readers for CCJ and Tim Whitmarsh for very helpful criticisms and suggestions. I was helped enormously by seminar audiences at the Classics departments of Birmingham, Leeds and St Andrews universities. -
Political Comedy in Aristophanes
This is a repository copy of Political Comedy in Aristophanes. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/3588/ Book: Heath, M. (1987) Political Comedy in Aristophanes. Hypomnemata, 87 . Vandenhoeck & Ruprecht , Göttingen . ISBN 978-3525251867 Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Hypomnemata 87, Göttingen: Vandenhoeck & Ruprecht 1987 © Vandenhoeck & Ruprecht (1987) and Malcolm Heath (2007) Political Comedy in Aristophanes* MALCOLM HEATH (UNIVERSITY OF LEEDS) ABSTRACT: This paper argues that Aristophanic comedy, although it takes contemporary political life as its point of departure, is not political in the sense of aiming to influence politics outside the theatre. Brief discussions of Clouds, Knights, Lysistrata and Acharnians are used to cast initial doubt on interpretations that attribute serious intent to Aristophanes. -
Greek Religious Thought from Homer to the Age of Alexander
'The Library of Greek Thought GREEK RELIGIOUS THOUGHT FROM HOMER TO THE AGE OF ALEXANDER Edited by ERNEST BARKER, M.A., D.Litt., LL.D. Principal of King's College, University of London tl<s } prop Lt=. GREEK RELIGIOUS THOUGHT FROM HOMER TO THE AGE OF ALEXANDER BY F. M. CORNFORD, M.A. Fellow and Lecturer of Trinity College, Cambridge MCMXXIII LONDON AND TORONTO J. M. DENT & SONS LTD. NEW YORK: E. P. DUTTON tf CO. HOTTO (E f- k> ) loUr\ P. DOTTO/U TALKS ) f^op Lt=. 7 yt All rights reserved f PRINTED IN GREAT BRITAIN TO WALTER DE LA MARE INTRODUCTION The purpose of this book is to let the English reader see for himself what the Greeks, from Homer to Aristotle, thought about the world, the gods and their relations to man, the nature and destiny of the soul, and the significance of human life. The form of presentation is prescribed by the plan of the series. The book is to be a compilation of extracts from the Greek authors, selected, so far as possible, without prejudice and translated with such honesty as a translation may have. This plan has the merit of isolating the actual thought of the Greeks in this period from all the constructions put upon it by later ages, except in so far as the choice of extracts must be governed by some scheme in the compiler's mind, which is itself determined by the limits of his knowledge and by other personal factors. In the book itself it is clearly his business to reduce the influence of these factors to the lowest point; but in the introduction it is no less his business to forewarn the reader against some of the consequences. -
C O M M E N T a T I O N
COMMENTATIONES Eos C 2013 ISSN 0012-7825 SICILY’S PLACE IN GREEK POETRY* by GERSON SCHADE ...vuote le mani, ma pieni gli occhi del ricordo di lei... Ibn Hamdis ABSTRACT: A multitude of literary texts dealing with Sicily are presented in four chapters. Starting with a fusion of the Aeneid’s presentation of Sicily and some modern literary associations, the opening chapter proves that in Virgil’s usage the term “Sicilian” became a kind of shibboleth, which turns his works into texts au deuxième degré. His Sicelides Musae come from Theocritus whose poetry is at the centre of the bifold second chapter, offering two retrospective glances upon earlier Greek poetry: a first half is dedicated to Theocritus’ Cyclops-poems and their ‘bucolic archae- ology’. Quite similarly, the second half of the second chapter is concerned with Theocritus’ poem on Hieron II and its epinician predecessors, i.e. Simonides and Pindar. This tradition, however, might well have started earlier than Simonides, and it is not unlikely that already Ibykos and Stesichoros, the latter born in Sicily, composed epinician poetry. Pindar and Simonides’ nephew Bakchylides were guests of Hieron I, who also invited innovative Aeschylus, reputed to be a vir utique Siculus, to whom the third chapter is dedicated. Aside from the bucolic and epinician tradition, Sicily has another literary facet of which the fourth chapter catches some glimpses: Sicilian lifestyle attracted attention, and Sicilians were famous in antiquity for some extravagancies, a fact well known to comedy one streak of which is supposed to have its origins in Sicily. Sicilian food and all what comes with it were not altogether above suspicion, as Plato and his translator Cicero remarked, and also Horace thought of Sicilian banquets, Siculae dapes, as most lavish. -
The Acts of John, the Acts of Andrew and the Greek Novel
The Acts of John, the Acts of Andrew and the Greek Novel JAN N. BREMMER University of Groningen The study of the Apocryphal Acts of the Apostles (henceforth: AAA) has been do- ing reasonably well in recent times. Swiss colleagues have been working for years on critical texts of the major Acts, those of John, Andrew, Peter, Paul, and Thomas. Moreover, we now have a proper journal, Apocrypha, dedicated to the apocryphal literature. Yet it is clear that there is an enormous amount of work still to be done. Until now, we have only one critical authoritative text from the Swiss équipe, that of the Acts of John; the one of the Acts of Andrew by Jean-Marc Prieur (1947-2012) has not been able to establish itself as authoritative after the blister- ing attack on its textual constitution by Lautaro Roig Lanzillotta (§ 2). Appearance of the editions of the other major texts does not seem to be in sight, however hard our Swiss colleagues have been working on them. But even with the texts as we have them, there is still much to be done: not only on the editions and contents as such, but also on their contextualisation within contemporary pagan and Christian culture. Moreover, these texts were not canonical texts whose content could be changed as little as possible, but they were transmitted in the following centuries by being supplemented, abbreviated, modified, and translated in all kinds of ways. In other words, as time went on, people will hardly have seen any difference be- tween them and other hagiographical writings celebrating the lives and, espe- cially, deaths of the Christian saints.1 It is obvious that these versions all need to be contextualised in their own period and culture. -
Cratinus' Cyclops
S. Douglas Olson Cratinus’ Cyclops – and Others Abstract The primary topic of this paper is Cratinus’ lost Odusseis (“Odysseus and his Companions”), in particular fr. 147, and the over-arching question of what can reasonably be called “Cyclops-plays”. My larger purpose is to argue for caution in regard to what we can and cannot regard as settled about the basic dramatic arc or “storyline” of individual lost comedies, while simultaneously advocating openness to a larger set of possibilities than is sometimes allowed for. Late 5 th -century comedy seems to have been fundamentally dependent on wild acts of imagination and fantastic re- workings of traditional material. Given how little we know about most authors and plays, we must accordingly both beware of over-confidence in our reconstructions and attempt to not too aggressively box in the impulses of the genre. As an initial way of illustrating and articulating these issues, I begin not with Cratinus but with the five surviving fragments of Nicophon’s Birth of Aphrodite. Temi principali di questo contributo sono i perduti Odissei (Odisseo e i suoi compagni ) di Cratino, in particolare il fr. 147, e la più complessiva questione di quali commedie possano essere ragionevolmente definite “commedie sul Ciclope”. Il mio scopo più ampio è di indurre alla prudenza rispetto a cosa possiamo e non possiamo ritenere stabilito riguardo alla struttura drammaturgica di fondo o alla “trama” di singole commedie perdute, e al contempo incoraggiare l’apertura verso uno spettro di possibilità più ampio rispetto a quanto talvolta non sia consentito. La commedia di fine quinto secolo sembra esser stata ispirata fondamentalmente da liberi atti di sfrenata immaginazione e da riscritture fantastiche di materiale tradizionale. -
Space in Aristophanes: Portraying the Civic and Domestic Worlds in Acharnians, Knights, and Wasps
Space in Aristophanes: Portraying the Civic and Domestic Worlds in Acharnians, Knights, and Wasps Nina Papathanasopoulou Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 ©2013 Nina Papathanasopoulou All rights reserved ABSTRACT Space in Aristophanes: Portraying the Civic and Domestic Worlds in Acharnians, Knights, and Wasps Nina Papathanasopoulou This dissertation explores the treatment of the scenic and diegetic space in Aristophanes’ Acharnians, Knights, and Wasps, and the comedies’ attitude towards a variety of domestic and civic spaces, taking into consideration the cultural context in which the plays were composed. I argue that by using visual creativity and the available staging resources, Aristophanes calls attention to the consequences of the Peloponnesian war on the Athenians’ civic and domestic life. Acharnians, Knights, and Wasps all literalize in an imaginative way the impact of the dysfunction of the polis – the assembly, the agora, the boule, the lawcourts – on the oikos and the householder. The plays not only explore what happens to the oikos itself, but also the implications for a polis in which the oikos loses its place of prominence. Acharnians displays an example of the polis’ dysfunction in an assembly meeting at the Pnyx, and traces an individual’s frustration with this polis and his journey back to his oikos. We witness the reactions of Dikaiopolis and the Acharnians, both of whom have been forced out of their oikoi, have had their properties ravaged, and experience their estrangement with nostalgia or anger. I argue that through a private peace treaty Dikaiopolis is able to return to his oikos, and then expand his domestic space in order to be reintegrated into a functional community. -
BEEKEEPING in the MEDITERRANEAN from ANTIQUITY to the PRESENT Front Cover Photographs
Edited by: Fani Hatjina, Georgios Mavrofridis, Richard Jones BEEKEEPING IN THE MEDITERRANEAN FROM ANTIQUITY TO THE PRESENT Front cover photographs Part of a beehive lid. Early Byzantine period (Mesogeia plain, Attica. “Exhibition of Archaeological Findings”, Athens International Airport. Photo: G. Mavrofridis). Beehive from a country house of the 4th century B.C. (Mesogeia plain, Attica. “Exhibition of Archaeological Findings”, Athens International Airport. Photo: G. Mavrofridis). Traditional ceramic beehive “kambana” (bell) in its bee bole (Andros Island. Photo: F. Hatjina). Back cover photographs Stone built apiary of the 18th century from Neochori, Messinia, Peloponnese (Photo: G. Ratia). Ruins of a bee house from Andros Island. Inside view (Photos: G. Ratia). Walls of a mill house with bee balls from Andros Island. Inside view (Photo: G. Ratia). Traditional pottery beehives and their bee boles: the ‘bee garden’, Andros Island (Photo: G. Ratia). Ruins of a bee house (the ‘cupboards’) from Zaharias, Andros Island. Outside view (Photo: G. Ratia). Bee boles from Andros Island (Photo: G. Ratia). Edited by: Nea Moudania 2017 Fani Hatjina, Georgios Mavrofridis, Richard Jones Based on selected presentations of the INTERNATIONAL SYMPOSIUM of BEEKEEPING IN THE MEDITERRANEAN SYROS, OCTOBER 9-11 2014 © DIVISION of APICULTURE Hellenic Agricultural Organization “DEMETER”-GREECE CHAMBER of CYCLADES EVA CRANE TRUST - UK Dedicated to the memory of Thanassis Bikos hanassis Bikos was a pioneer of the valuable legacy for current and future research- systematic research on traditional bee- ers of the beekeeping tradition. keeping in Greece. From the early 1990s The creation of a museum of Greek beekeep- until the end of his life he studied the ing was a life dream for Thanassis, for which traditionalT beekeeping aspects in most regions he gathered material for more than thirty-five of Greece.