Salad Days Programme
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Piano; Trio for Violin, Horn & Piano) Eric Huebner (Piano); Yuki Numata Resnick (Violin); Adam Unsworth (Horn) New Focus Recordings, Fcr 269, 2020
Désordre (Etudes pour Piano; Trio for violin, horn & piano) Eric Huebner (piano); Yuki Numata Resnick (violin); Adam Unsworth (horn) New focus Recordings, fcr 269, 2020 Kodály & Ligeti: Cello Works Hellen Weiß (Violin); Gabriel Schwabe (Violoncello) Naxos, NX 4202, 2020 Ligeti – Concertos (Concerto for piano and orchestra, Concerto for cello and orchestra, Chamber Concerto for 13 instrumentalists, Melodien) Joonas Ahonen (piano); Christian Poltéra (violoncello); BIT20 Ensemble; Baldur Brönnimann (conductor) BIS-2209 SACD, 2016 LIGETI – Les Siècles Live : Six Bagatelles, Kammerkonzert, Dix pièces pour quintette à vent Les Siècles; François-Xavier Roth (conductor) Musicales Actes Sud, 2016 musica viva vol. 22: Ligeti · Murail · Benjamin (Lontano) Pierre-Laurent Aimard (piano); Bavarian Radio Symphony Orchestra; George Benjamin, (conductor) NEOS, 11422, 2016 Shai Wosner: Haydn · Ligeti, Concertos & Capriccios (Capriccios Nos. 1 and 2) Shai Wosner (piano); Danish National Symphony Orchestra; Nicolas Collon (conductor) Onyx Classics, ONYX4174, 2016 Bartók | Ligeti, Concerto for piano and orchestra, Concerto for cello and orchestra, Concerto for violin and orchestra Hidéki Nagano (piano); Pierre Strauch (violoncello); Jeanne-Marie Conquer (violin); Ensemble intercontemporain; Matthias Pintscher (conductor) Alpha, 217, 2015 Chorwerk (Négy Lakodalmi Tánc; Nonsense Madrigals; Lux æterna) Noël Akchoté (electric guitar) Noël Akchoté Downloads, GLC-2, 2015 Rameau | Ligeti (Musica Ricercata) Cathy Krier (piano) Avi-Music – 8553308, 2014 Zürcher Bläserquintett: -
1 BBC Four Biopics
BBC Four biopics: Lessons in Trashy Respectability The broadcast of Burton and Taylor in July 2013 marked the end of a decade- long cycle of feature-length biographical dramas transmitted on BBC Four, the niche arts and culture digital channel of the public service broadcaster. The subjects treated in these biopics were various: political figures, famous cooks, authors of popular literature, comedians and singers. The dramas focused largely on the unhappy or complex personal lives of well-loved figures of British popular culture. From the lens of the 21st century, these dramas offered an opportunity for audiences to reflect on the culture and society of the 20th century, changing television’s famous function of ‘witness’ to one of ‘having witnessed’ and/or ‘remembering’ (Ellis, 2000). The programmes function as nostalgia pieces, revisiting personalities familiar to the anticipated older audience of BBC Four, working in concert with much of the archive and factual content on the digital broadcaster’s schedules. However, by revealing apparent ‘truths’ that reconfigure the public images of the figures they narrate, these programmes also undermine nostalgic impulses, presenting conflicting interpretations of the recent past. They might equally be seen as impudent incursions onto the memory of the public figures, unnecessarily exposing the real-life subjects to censure, ridicule or ex post facto critical judgement. Made thriftily on small budgets, the films were modest and spare in visual style but were generally well received critically, usually thanks to writerly screenplays and strong central performances. The dramas became an irregular but important staple of the BBC Four schedule, furnishing the channel with some of their highest ratings in a history chequered by low audience numbers. -
The Nation's Matron: Hattie Jacques and British Post-War Popular Culture
The Nation’s Matron: Hattie Jacques and British post-war popular culture Estella Tincknell Abstract: Hattie Jacques was a key figure in British post-war popular cinema and culture, condensing a range of contradictions around power, desire, femininity and class through her performances as a comedienne, primarily in the Carry On series of films between 1958 and 1973. Her recurrent casting as ‘Matron’ in five of the hospital-set films in the series has fixed Jacques within the British popular imagination as an archetypal figure. The contested discourses around nursing and the centrality of the NHS to British post-war politics, culture and identity, are explored here in relation to Jacques’s complex star meanings as a ‘fat woman’, ‘spinster’ and authority figure within British popular comedy broadly and the Carry On films specifically. The article argues that Jacques’s star meanings have contributed to nostalgia for a supposedly more equitable society symbolised by socialised medicine and the feminine authority of the matron. Keywords: Hattie Jacques; Matron; Carry On films; ITMA; Hancock’s Half Hour; Sykes; star persona; post-war British cinema; British popular culture; transgression; carnivalesque; comedy; femininity; nursing; class; spinster. 1 Hattie Jacques (1922 – 1980) was a gifted comedienne and actor who is now largely remembered for her roles as an overweight, strict and often lovelorn ‘battle-axe’ in the British Carry On series of low- budget comedy films between 1958 and 1973. A key figure in British post-war popular cinema and culture, Hattie Jacques’s star meanings are condensed around the contradictions she articulated between power, desire, femininity and class. -
Sci-Fi Sisters with Attitude Television September 2013 1 LOVE TV? SO DO WE!
April 2021 Sky’s Intergalactic: Sci-fi sisters with attitude Television www.rts.org.uk September 2013 1 LOVE TV? SO DO WE! R o y a l T e l e v i s i o n S o c i e t y b u r s a r i e s o f f e r f i n a n c i a l s u p p o r t a n d m e n t o r i n g t o p e o p l e s t u d y i n g : TTEELLEEVVIISSIIOONN PPRROODDUUCCTTIIOONN JJOOUURRNNAALLIISSMM EENNGGIINNEEEERRIINNGG CCOOMMPPUUTTEERR SSCCIIEENNCCEE PPHHYYSSIICCSS MMAATTHHSS F i r s t y e a r a n d s o o n - t o - b e s t u d e n t s s t u d y i n g r e l e v a n t u n d e r g r a d u a t e a n d H N D c o u r s e s a t L e v e l 5 o r 6 a r e e n c o u r a g e d t o a p p l y . F i n d o u t m o r e a t r t s . o r g . u k / b u r s a r i e s # R T S B u r s a r i e s Journal of The Royal Television Society April 2021 l Volume 58/4 From the CEO It’s been all systems winners were “an incredibly diverse” Finally, I am delighted to announce go this past month selection. -
'Twenty-Five' Churches of the Southwark Diocese
THE ‘TWENTY-FIVE’ CHURCHES OF THE SOUTHWARK DIOCESE THE ‘TWENTY-FIVE’ CHURCHES OF THE SOUTHWARK DIOCESE An inter-war campaign of church-building Kenneth Richardson with original illustrations by John Bray The Ecclesiological Society • 2002 ©KennethRichardson,2002.Allrightsreserved. First published 2002 The Ecclesiological Society c/o The Society of Antiquaries of London Burlington House Piccadilly London W1V 0HS www.ecclsoc.org PrintedinGreatBritainbytheAldenPress,OsneyMead,Oxford,UK ISBN 0946823154 CONTENTS Author’s Preface, vii Acknowledgements, ix Map of Southwark Diocese, x INTRODUCTION AND SURVEY, 1 GAZETTEER BELLINGHAM, St Dunstan, 15 CARSHALTON BEECHES, The Good Shepherd, 21 CASTELNAU (Barnes), Estate Church Hall, 26 CHEAM, St Alban the Martyr, 28 St Oswald, 33 COULSDON, St Francis of Assisi, 34 DOWNHAM, St Barnabas, Hall and Church, 36 St Luke, 41 EAST SHEEN, All Saints, 43 EAST WICKHAM, St Michael, 49 ELTHAM, St Barnabas, 53 St Saviour, Mission Hall, 58 and Church, 60 ELTHAM PARK, St Luke, 66 FURZEDOWN (Streatham), St Paul, 72 HACKBRIDGE & NORTH BEDDINGTON, All Saints, 74 MALDEN, St James, 79 MERTON, St James the Apostle, 84 MITCHAM, St Olave, Hall and Church, 86 MORDEN, St George 97 MOTSPUR PARK, Holy Cross, 99 NEW ELTHAM, All Saints, 100 Contents NORTH SHEEN (Kew), St Philip the Apostle & All Saints, 104 OLD MALDEN, proposed new Church, 109 PURLEY, St Swithun, 110 PUTNEY, St Margaret, 112 RIDDLESDOWN, St James, 120 ST HELIER, Church Hall, 125 Bishop Andrewes’s Church, 128 St Peter, 133 SANDERSTEAD, St Mary the Virgin, 140 SOUTH -
Gb 1456 Thomas
GERALD THOMAS COLLECTION GERALD THOMAS COLLECTION SCOPE AND CONTENT Documents relating to the career of director GERALD THOMAS (Born Hull 10/12/1920, died Beaconsfield 9/11/1993). When Gerald Thomas died, his producer partner of 40 years Peter Rogers said: ‘His epitaph will be that he directed all the Carry On films.’ Indeed, for an intense 20-year period Thomas directed the Carry On gang through their innuendo laden exploits, and became responsible, along with Rogers, for creating one of the most enduring and endearing British film series, earning him his place in British popular culture. Thomas originally studied to become a doctor, before war service with the Royal Sussex Regiment put paid to his medical career. When demobilised in 1946, he took a job as assistant in the cutting rooms of Two Cities Films at Denham Studios, where he took Assistant Editor credits on Laurence Olivier’s Hamlet (1948) and the John Mills thriller The October Man (1947). In 1949, he received his first full credit as editor, on the Margaret Lockwood melodrama Madness of the Heart (1949). During this time Peter Rogers had been working as associate producer with his wife, producer Betty Box, on such films as It’s Not Cricket (1949) and Don’t Ever Leave Me (1949). It was Venetian Bird in 1952 that first brought Thomas and Rogers together; Thomas employed as editor by director brother Ralph, and Rogers part of the producer team with Betty Box. Rogers was keen to form a director/producer pairing (following the successful example of Box and Ralph Thomas), and so gave Gerald his first directing credit on the Circus Friends (1956), a Children’s Film Foundation production. -
NEWSLETTER of the American Handel Society
NEWSLETTER of The American Handel Society Volume XXI, Number 3 Winter 2006 AMERICAN HANDEL SOCIETY- PRELIMINARY SCHEDULE (Paper titles and other details of program to be announced) Thursday, April 19, 2006 Check-in at Nassau Inn, Ten Palmer Square, Princeton, NJ (Check in time 3:00 PM) 6:00 PM Welcome Dinner Reception, Woolworth Center for Musical Studies Covent Garden before 1808, watercolor by Thomas Hosmer Shepherd. 8:00 PM Concert: “Rule Britannia”: Richardson Auditorium in Alexander Hall SOME OVERLOOKED REFERENCES TO HANDEL Friday, April 20, 2006 In his book North Country Life in the Eighteenth Morning: Century: The North-East 1700-1750 (London: Oxford University Press, 1952), the historian Edward Hughes 8:45-9:15 AM: Breakfast, Lobby, Taplin Auditorium, quoted from the correspondence of the Ellison family of Hebburn Hall and the Cotesworth family of Gateshead Fine Hall Park1. These two families were based in Newcastle and related through the marriage of Henry Ellison (1699-1775) 9:15-12:00 AM:Paper Session 1, Taplin Auditorium, to Hannah Cotesworth in 1729. The Ellisons were also Fine Hall related to the Liddell family of Ravenscroft Castle near Durham through the marriage of Henry’s father Robert 12:00-1:30 AM: Lunch Break (restaurant list will be Ellison (1665-1726) to Elizabeth Liddell (d. 1750). Music provided) played an important role in all of these families, and since a number of the sons were trained at the Middle Temple and 12:15-1:15: Board Meeting, American Handel Society, other members of the families – including Elizabeth Liddell Prospect House Ellison in her widowhood – lived in London for various lengths of time, there are occasional references to musical Afternoon and Evening: activities in the capital. -
Tosca Nixon in China a Midsummer Night's Dream
TOSCA NIXON IN CHINA A MIDSUMMER NIGHT’S 19 DREAM THE GONDOLIERS BREAKING THE WAVES ZANETTO SUSANNA’S SECRET IRIS 20CAVALLERIA RUSTICANA ZINGARI UTOPIA, LIMITED FOX-TOT! MERRILY WE ROLL ALONG 5 Subscription Information 6 Tosca 8 Nixon in China 10 A Midsummer Night’s Dream 12 The Gondoliers 14 Breaking the Waves 16 Opera in Concert 20 Opera Highlights 22 Fox-tot! 24 Merrily We Roll Along 26 Amadeus & The Bard 28 Pop-up Opera 32 Emerging Artists 33 Opera Unwrapped 34 Dementia Friendly Performances 36 Audio-described Performances 37 Pre-show Talks 38 Get Involved 40 Box Office Information A huge thank you to all our business sponsors and corporate members: Thanks also to our corporate supporters: Accenture, Caledonian MacBrayne, Cameron, Eusebi Deli, Glasgow Chamber of Commerce, Glasgow Memory Clinic, M.A.C., NorthLink Ferries and Pentland Ferries. WELCOME TO SCOTTISH OPERA’S 2019|20 SEASON Scottish Opera has been entertaining At a time when, perhaps more than ever, audiences the length and breadth of the we are all thinking and talking about country for over 56 years, and still at the heart partnership, we are proud of the relationships of all we do are the words of our founder, that are critical both to Scottish Opera’s success Sir Alexander Gibson, whose vision was and to our ability to create new work for you. ‘to lay the treasures of opera at the feet We don’t work in isolation, and this Season of the people of Scotland’. exemplifies this spirit of collaboration across the world of opera, embracing our partnerships In our 2019/20 Season, we are delighted and co-productions with festivals, companies to take forward his momentous legacy and opera houses in Scotland, England, with a wealth of operatic fare – including Australia, Denmark, Spain and the United 12 operas – that takes us to over 50 venues, States, and with artists and creative teams and is augmented by numerous events in from near and far. -
View the Awards Programme
#wggbawards THE WRITERS’ GUILD AWARDS PROGRAMME THE ROYAL COLLEGE OF PHYSICIANS 11 St Andrews Place, Regent’s Park, London NW1 4LE MONDAY 15 JANUARY 2018 The Writers’ Guild of Great Britain is a trade union registered at 134 Tooley Street, London SE1 2TU @TheWritersGuild www.writersguild.org.uk PRESIDENT’S WELCOME THE WRITERS’ GUILD AWARDS Welcome to the Writers’ Guild Awards 2018. Photo: Robert Taylor Photography Isn’t it great to be in a roomful of achievement to be on the shortlist, let alone your peers? To a man and woman, to win. Congratulations to you and thanks to professional liars. And in a post-truth all our juries who have laboured mightily to world, is it any surprise that we are pick the best of the best. in a golden age of writing? The more Making this evening possible is a group of life outside is disappointing, the more spectacular organisations and companies who beautiful and necessary the cabaret work with writers year round but have given becomes. This year we have games that us their support tonight to honour you, the model mental illness, radio plays that give writers. Huge thanks to our lead sponsor LEAD SPONSOR voice to the voiceless, television shows ALCS, to major sponsors ITV, BBC Drama and that examine painfully buried secrets BBC Worldwide, to Company Pictures, Silver and offer surprising new visions of the Reel, Nick Hern Books and Lionsgate. If you past. We have a revived Best First Novel meet a sponsor tonight please praise them, Award and an entirely new category, Best love them – in a non-threatening, appropriate Online Comedy, a welcome recognition manner – appreciate them as best you can. -
01 July 2021
The Chapels Royal of St Peter ad Vincula and St John the Evangelist HM Tower of London Dear Friends, Greetings from the Chapel Royal. ‘Be Bold, be Bold, but Not Too Bold’, says Edmund Spenser in the Faerie Queene. This epic poem resonates deeply with the Chapel Royal here at the Tower of London, as it’s steeped in the imagery of Foxe’s Book of Martyrs and is a true Reformation text. The godly English knights are triumphant against their superstitious continental foes – but please do not for one moment take this as a commentary on the Association Football competition that is currently being played out on the nation’s television screens. (That will more probably end with the catchphrase ‘Woe, Woe and Thrice Woe!’ as uttered by Senna the Soothsayer in the BBC sit-com Up Pompeii, warning Frankie Howerd’s character Lurcio of some imminent disaster.) Instead, I am reflecting on Spenser because we face a moment in the coronavirus story where we are being bold in emerging into a more normal life, but all the while with, for many people, a deep sense of anxiety. The next few weeks may see our lives returning to a near normal, but uncertainty will remain. So, we are positive, but also realistic about the prospects of what life will look life in mid-summer. The Chapel Royal has, of course, seen it all come and go in the past, and the current troubles are a but a small bump in a long story. The Faerie Queene is a deeply theological poem, and at its heart is the virtue of constancy. -
Zoom Speakers 2:21
Zoom Talks 2/21 Talk 1 From Crinoline Ladies to Soldering Irons - my 70 year sewing journey from iron on transfers to modern multimedia techniques, illustrated by my own work. Talk 2 Life on the Edge - or a room with a view, and I was the view! - a solo road trip to Yellowstone Park, the plants, animals and geysers on the edge of the caldera of a super volcano and a brief visit to Wyoming's gold mining and pioneer history. (The room - ah, you'll have to book it and see!) Talk 3 The Navajo - my solo driving adventures in the South West corner of America, and the origins, culture and life of the Native Americans I met. Talk 4 Death Valley and the Canyon Lands - a solo road trip to Death Valley and the Grand Canyon area, including the glass Skywalk thousands of feet above the canyon floor. Talk 5 An American Road Trip - some interesting roads mainly in Colorado, including the San Juan Skyway - one of America's most dangerous roads, the Durango to Silvertown steam railway and Native American sites. Talk 6 From Rags to Royalty - the life of my Great Aunt Amy, who was born in the slums of Sculcoates, Hull in the late 1800s. The family moved to the slums of Holbeck in Leeds where she saw two of her brothers, one my grandfather, sent to Dr Barnardo after their mother was widowed, and then went to a London charity hospital to train as a nurse. From that background she progressed to nursing royalty in their own homes, and left me her diary on which I have built her story. -
The Eagle 2020
The Eagle 2020 The Eagle 2020 Photo: Emma Dellar, Lead Clinical Nurse, living on-site during the lockdown Credit: (2017) VOLUME 102 THE EAGLE 2020 1 WELCOME Published in the United Kingdom in 2020 by St John’s College, Cambridge First published in the United Kingdom in 1858 by St John’s College, Cambridge Cover photo credit: Jo Tynan Designed by Out of the Bleu (07759 919440; www.outofthebleu.co.uk) Printed by CDP (01517 247000; www.cdp.co.uk) The Eagle is published annually by St John’s College, Cambridge, and is provided free of charge to members of the College and other interested parties. 2 Photo: Komorebi Credit: Paul Everest WELCOME THE EAGLE 2020 3 WELCOME Contents Welcome Contributors .................................................................................................... 6 Editorial .......................................................................................................... 7 Message from the Vice-Master . 8 Articles Research at the Centre for Misfolding Diseases ...................................................... 14 A word for Wordsworth .................................................................................... 18 Dyslexia, poetry, rhythm and the brain . 21 Portrait of a Lady ............................................................................................. 24 The Cambridge Carthaginians ............................................................................ 27 Innovation and entrepreneurship at St John’s ......................................................... 31 The academic