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The Women of Battlestar Galactica and Their Roles : Then and Now
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 5-2013 The women of Battlestar Galactica and their roles : then and now. Jesseca Schlei Cox 1988- University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Recommended Citation Cox, Jesseca Schlei 1988-, "The women of Battlestar Galactica and their roles : then and now." (2013). Electronic Theses and Dissertations. Paper 284. https://doi.org/10.18297/etd/284 This Master's Thesis is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE WOMEN OF BATTLESTAR GALACTICA AND THEIR ROLES: THEN AND NOW By Jesseca Schleil Cox B.A., Bellarmine University, 2010 A Thesis Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degre:e of Master of Arts Department of Sociology University of Louisville Louisville, Kentucky May 2013 Copyright 2013 by Jesseca Schlei Cox All Rights Reserved The Women of Battlestar Galactica and Their Roles: Then and Now By Jesseca Schlei Cox B.A., Bellarmine University, 2010 Thesis Approved on April 11, 2013 by the following Thesis Committee: Gul Aldikacti Marshall, Thesis Director Cynthia Negrey Dawn Heinecken ii DEDICATION This thesis is dedicated to my mother and grandfather Tracy Wright Fritch and Bill Wright who instilled in me a love of science fiction and a love of questioning the world around me. -
Dragon Con Progress Report 2021 | Published by Dragon Con All Material, Unless Otherwise Noted, Is © 2021 Dragon Con, Inc
WWW.DRAGONCON.ORG INSIDE SEPT. 2 - 6, 2021 • ATLANTA, GEORGIA • WWW.DRAGONCON.ORG Announcements .......................................................................... 2 Guests ................................................................................... 4 Featured Guests .......................................................................... 4 4 FEATURED GUESTS Places to go, things to do, and Attending Pros ......................................................................... 26 people to see! Vendors ....................................................................................... 28 Special 35th Anniversary Insert .......................................... 31 Fan Tracks .................................................................................. 36 Special Events & Contests ............................................... 46 36 FAN TRACKS Art Show ................................................................................... 46 Choose your own adventure with one (or all) of our fan-run tracks. Blood Drive ................................................................................47 Comic & Pop Artist Alley ....................................................... 47 Friday Night Costume Contest ........................................... 48 Hallway Costume Contest .................................................. 48 Puppet Slam ............................................................................ 48 46 SPECIAL EVENTS Moments you won’t want to miss Masquerade Costume Contest ........................................ -
But, You're Just a Girl
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Spring 5-17-2013 But, You're Just A Girl Sasha McTee [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the English Language and Literature Commons Recommended Citation McTee, Sasha, "But, You're Just A Girl" (2013). University of New Orleans Theses and Dissertations. 1655. https://scholarworks.uno.edu/td/1655 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. “But, You’re Just A Girl:” The Female Hero in Modern Science Fiction and Fantasy A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Arts in English by Sasha Rene McTee B.A. University of Colorado at Boulder, 2007 May, 2013 Table of Contents Abstract ............................................................................................................................. -
BATTLESTAR GALACTICA and PHILOSOPHY:Knowledge Here
BATTLESTAR GALACTICA AND PHILOSOPHY The Blackwell Philosophy and PopCulture Series Series editor William Irwin A spoonful of sugar helps the medicine go down, and a healthy help- ing of popular culture clears the cobwebs from Kant. Philosophy has had a public relations problem for a few centuries now. This series aims to change that, showing that philosophy is relevant to your life—and not just for answering the big questions like “To be or not to be?” but for answering the little questions: “To watch or not to watch South Park?” Thinking deeply about TV, movies, and music doesn’t make you a “complete idiot.” In fact it might make you a philosopher, someone who believes the unexamined life is not worth living and the unexamined cartoon is not worth watching. Edited by Robert Arp Edited by William Irwin Edited by J. Jeremy Wisnewski Edited by Jason Holt Edited by Sharon M. Kaye Edited by Jennifer Hart Weed, Richard Davis, and Ronald Weed BATTLESTAR GALACTICA AND PHILOSOPHY:Knowledge Here Begins Out There Edited by Jason T. Eberl Forthcoming the office and philosophy: scenes from the unexamined life Edited by J. Jeremy Wisnewski BATTLESTAR GA LACTICA AND PHILOSOPHY KNOWLEDGE HERE BEGINS OUT THERE EDITED BY JASON T. EBERL © 2008 by Blackwell Publishing Ltd blackwell publishing 350 Main Street, Malden, MA 02148–5020, USA 9600 Garsington Road, Oxford OX4 2DQ, UK 550 Swanston Street, Carlton, Victoria 3053, Australia The right of Jason T. Eberl to be identified as the author of the editorial material in this work has been asserted in accordance with the UK Copyright, Designs, and Patents Act 1988. -
Battlestar Galactica
Institutionen för studier av samhällsutveckling och kultur – ISAK LiU Norrköping Battlestar Galactica - Ett mänskligt universum Oscar Larsson Kandidatuppsats från programmet Kultur, samhälle, mediegestaltning 2008 Linköpings Universitet, Campus Norrköping, 601 74 Norrköping ISAK-Instutionen för studier av samhällsutveckling och kultur ISRN LIU-ISAK/KSM-G -- 09/02 -- SE Handledare: Michael Godhe Nyckelord: Battlestar Galactica, Battlestar, BG, Science Fiction, SF, Sci-Fi, Sci Fi, det mänskliga, människan, religion. Sammanfattning: Science Fiction har sedan sin uppkomst gestaltat samhället och de samhällsfrågor som för sin tid är aktuella. Alltifrån ifall människans existens är kroppslig eller andlig, till vad som händer när livsformer från andra planeter kommer till Jorden, har diskuteras i Science Fiction. I tv- serien Battlestar Galactica gestaltas och problematiseras vår samtid. Genom att flytta mänskligheten från Jorden och ut i rymden, där de konfronteras med en mängd etiska och moraliska frågor – tvingade att se över vad de själva är och vad de håller på att bli. Undersökningen avser att besvara frågor kring hur BG gestaltar människan och hennes förhållande till etik, moral, politik och religion. 1. INLEDNING 1 2. SYFTE & FRÅGSTÄLLNINGAR 2 3. DISPOSITION 3 4. TEORETISKA OCH METODOLOGISKA PERSPEKTIV 4 4.1 Forskningsfält 4 4.2 Representationsbegreppet 5 4.3 Kritiska ingångar 6 4.4 Metod och urval 8 5. DET MÄNSKLIGA 10 6. SCIENCE FICTION 14 7. ANALYTISK DEL 1: BATTLESTAR GALACTICA SOM ETT NARRATIVT UNIVERSUM 18 7.1 Mänskliga huvudkaraktärer 18 7.2 Cylonska huvudkaraktärer 20 7.3 Miniserien 22 7.4 Säsong 1 23 7.5 Säsong 2 23 7.6 Säsong 3 24 7.7 Battlestar Galactica: Razor 25 7.8 Säsong 4 25 7.9 Generell analys 26 8. -
Downloaded,” and Galen Tryol Has a Son, Nicholas, with His Human Wife, Cally, When the Couple Lives on the Planet New Caprica
DISTRIBUTION AGREEMENT In presenting this thesis or dissertation as a partial fulfillment of the requirements for an advanced degree from Emory University, I hereby grant Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis or dissertation in who or in part in all forms of media, now or hereafter known, including display on the world wide web. I understand that I may select some access restrictions as part of the online submission of this thesis or dissertation. I retain all ownership rights to the copyright of the thesis or dissertation. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation ____________________________________ July 16, 2014__________ Sarah Toton Date From Mechanical Men to Cybernetic Skin-Jobs: A History of Robots in American Popular Culture By Sarah Toton Doctor of Philosophy Graduate Institute of the Liberal Arts ________________________________________________ Cristine Levenduski, Ph.D. Co-Chair ________________________________________________ Kevin Corrigan, Ph.D. Co-Chair ________________________________________________ Ted Friedman, Ph.D. Outside Co-Chair ________________________________________________ Karla Oeler, Ph.D. Committee Member Accepted: ________________________________________________ Lisa A. Tedesco, Ph.D. Dean of the James T. Laney School of Graduate Studies _______________________ Date ! From Mechanical Men to Cybernetic Skin-Jobs: A History of Robots in American Popular Culture -
Battlestar Galactica Rules Summary And
The Esoteric Order of Gamers www.orderofgamers.com High quality materials for the dedicated devotee of immersive, thematic tabletop games. Game rules summaries, foamcore box plans, articles, interviews, reviews, videos, tutorials, forums – and lots more. @EOGamers gplus.to/EOGamers facebook.com/EOGamers EsotericOrderGamers v4.4 Jul 2015 Game: BATTLESTAR GALACTICA Publisher: Fantasy Flight Games (2008) Page 1: Rules summary front Page 2: Rules summary back Page 3: Player reference front x2 Page 4: Player reference back x2 Page 5: Pegasus rules summary front Page 6: Pegasus rules summary back Page 7: Exodus rules summary front Page 8: Exodus rules summary back Page 9: Exodus play reference x2 Page 10: Daybreak rules summary front Page 11: Daybreak rules summary back Page 12: Daybreak play reference x2 Page 13: Combining Expansions summary Page 14: Revised Lines of Succession x2 Print on card (ensure you are printing at 100% scale) laminate and trim to size. These sheets are intended only for the personal use of existing owners of the game for additional reference. Universal Head makes no claim whatsoever to the rights of the publisher and copyright holder, and does not benefit financially from these player aids. Artwork from the original game is copyrighted by the publisher and used without permission. This PDF may not be re-posted online, sold or used in any way except for personal use. GAME TURN TITLE CARDS Some allow a player to repair vipers and Galactica locations. Players take complete turns, starting with the first player and The President can draw Quorum cards using the President Title If you have more than 10 Skill cards in hand (not including proceeding clockwise. -
Battlestar Galactica: Season Three Checklist
Battlestar Galactica: Season Three Checklist Base Cards # Card Title [ ] 01 Title Card/Checklist [ ] 02 Title Card/Checklist [ ] 03 Title Card/Checklist [ ] 04 Occupation [ ] 05 Occupation [ ] 06 Occupation [ ] 07 Precipice [ ] 08 Precipice [ ] 09 Precipice [ ] 10 Exodus: Part 1 [ ] 11 Exodus: Part 1 [ ] 12 Exodus: Part 1 [ ] 13 Exodus: Part 2 [ ] 14 Exodus: Part 2 [ ] 15 Exodus: Part 2 [ ] 16 Collaborators [ ] 17 Collaborators [ ] 18 Collaborators [ ] 19 Torn [ ] 20 Torn [ ] 21 Torn [ ] 22 A Measure of Salvation [ ] 23 A Measure of Salvation [ ] 24 A Measure of Salvation [ ] 25 Hero [ ] 26 Hero [ ] 27 Hero [ ] 28 Unfinished Business [ ] 29 Unfinished Business [ ] 30 Unfinished Business [ ] 31 The Passage [ ] 32 The Passage [ ] 33 The Passage [ ] 34 The Eye of Jupiter [ ] 35 The Eye of Jupiter [ ] 36 The Eye of Jupiter [ ] 37 Rapture [ ] 38 Rapture [ ] 39 Rapture [ ] 40 Taking a Break from All Your Worries [ ] 41 Taking a Break from All Your Worries [ ] 42 Taking a Break from All Your Worries [ ] 43 The Woman King [ ] 44 The Woman King [ ] 45 The Woman King [ ] 46 A Day in the Life [ ] 47 A Day in the Life [ ] 48 A Day in the Life [ ] 49 Dirty Hands [ ] 50 Dirty Hands [ ] 51 Dirty Hands [ ] 52 Maelstrom [ ] 53 Maelstrom [ ] 54 Maelstrom [ ] 55 The Son Also Rises [ ] 56 The Son Also Rises [ ] 57 The Son Also Rises [ ] 58 Crossroads: Part 1 [ ] 59 Crossroads: Part 1 [ ] 60 Crossroads: Part 1 [ ] 61 Crossroads: Part 2 [ ] 62 Crossroads: Part 2 [ ] 63 Crossroads: Part 2 Significant Seven (1:8 Packs) # Card Title [ ] SS1 Brother Cavil [ ] -
STORYLINES Tension the Key to Our Stories Is Successfully Maintaining
30, STORYLINES Tension The key to our stories is successfully maintaining the level of dramatic tension achieved in the pilot. Simply put, we should always feel as though the Galactica and her ragtag fleet are in a state of perpetual crisis. There is a constant threat to our people from w i t h i n and without the fleet which will never be resolved during the course of the series. Our heroes will be thrust into the roles of b o t h military protectors and law- enforcement officers, which allows us to literally play any story which could be ^olfiinnarFurrJarrenv^ fires, mysteries - all can come into play and all can provide us with j e o p a r d y from within the fleet i t s e l f . Structure {£ In order to maintain and sustain this tension, we will be emphasizing a continuing storyline which will literally continue the Cylon threat to the Colonials as established in the pilot. We will be using a modified continuing storyline most akin to that used on the classic TV series "Hill Street Blues." This format breaks down into three layers: 1. Series Arcs 2. Multi-Episodic Arcs 3. Stand Alone Ares The three tiered format avoids the pitfalls of Star Trek's episodic structure (which forces the writers to endlessly come up with new and wacky ways to put the Enterprise in j e o p a r d y each week) without turning our show into a true serial. 1. Series Ares will literally run the length of the series and will be embroidered on week to week. -
FAQ and Errata
FAQ and Errata This document provides errata and answers to frequently asked questions for Battlestar Galactica: The Board Game and its expansions: Pegasus, Exodus, and Daybreak. The newest revisions are highlighted in red. Errata Frequently Asked This section contains corrections to errors that appeared Questions in early printings of Battlestar Galactica: The Board Game. This sections provide answers to the most commonly asked Later printings include these corrections. questions about playing Battlestar Galactica: The Board Game. The Admiral Title Card Characters The bottom of the Admiral card has incorrect attack numbers Q: What happens if Helo rerolls a die that was modified by a for nukes. The correct numbers can be found on the back of “Strategic Planning” tactics card? the rulebook. A: The reroll also receives +2 to its result. The “Executive Order” Card Q: Can Laura Roslin activate a location if she does not have at The “Executive Order” Skill Card should include the following least two Skill cards in her hand? text: “Limit of 1 ‘Executive Order’ card may be used per turn.” A: No. The Rulebook Q: Under what conditions does Lee Adama have to use his Page 5 incorrectly states the chain of command for the “Headstrong” ability? presidency. It should list “Laura Roslin, Gaius Baltar, and Tom A: Whenever he is forced to discard cards. This includes Zarek” (as listed on page 28). discarding down to 10 cards at the end of a player’s turn, and when required to do so by a Crisis Card. It does not include On page 19, the last sentence about Super Crisis Cards when he discards a card to move between ships. -
The Board Game
THE BOARD GAME The following are frequently asked questions, errata, and Q: Under what conditions does Lee Adama have to use his clarifications for Battlestar Galactica: The Board Game, the “Headstrong” ability? Pegasus Expansion (which begin on page 3), and the Exodus A: Whenever he is forced to discard cards. This includes Expansion (which begin on page 4). The newest revisions are discarding down to 10 cards at the end of a player’s turn, and highlighted in red. when required to do so by a Crisis Card. It does not include when he discards a card to move between ships. Errata Q: When can Lee Adama use his “Alert Viper Pilot” ability? The bottom of the Admiral card has incorrect attack A: He may use this ability whenever a viper is placed on the numbers for nukes. The correct numbers can be found on game board. This includes (but is not limited to), when a player the back of the rulebook. activates the “Command” location, and when vipers are The “Executive Order” Skill Card should include the following placed due to a Cylon Attack card. Hey may not use this ability text: Limit of 1 “Executive Order” card may be used per turn. if he is in the brig, or the viper is piloted by another character. Page 5 incorrectly states the chain of command for the Q: If Starbuck starts her turn piloting a viper, does she receive presidency. It should list “Roslin, Baltar, Zarek” (like page 28). two actions if she moves to Galactica or Colonial 1? A: Yes. -
Lines of Succession and Rules for Combat
lines of succession and Rules for Combat Lines of Succession During the “Distribute Title Cards” step of setup, the character who is highest in each title’s order of succession gains that title. When a title is lost during the game and is not taken by a specific player, it is given to the player (aside from the one who is losing the title) whos is able to hold the title and is highest in the title’s order of succession. The orders of succession below include all characters from all expansions. The CAG Title is only used with the Cylon Fleet option from Exodus. Admiral President CAG 1 Helena Cain 1 Laura Roslin 1 Lee “Apollo” Adama (Pilot) 2 William Adama 2 Gaius Baltar (Political Leader) 2 Kara “Starbuck” Thrace 3 Saul Tigh 3 Lee Adama (Political Leader) 3 Louanne “Kat” Katraine 4 Karl “Helo” Agathon (Military Leader) 4 Tom Zarek (Political Leader) 4 Karl “Helo” Agathon (Pilot) 5 Felix Gaeta 5 Romo Lampkin 5 Sharon “Boomer” Valerii 6 Louis Hoshi 6 Tory Foster 6 Brendan “Hot Dog” Costanza 7 Tom Zarek (Military Leader) 7 Ellen Tigh 7 Samuel T. Anders 8 Lee “Apollo” Adama (Pilot) 8 Lee “Apollo” Adama (Pilot) 8 Lee Adama (Political Leader) 9 Anastasia “Dee” Dualla 9 Tom Zarek (Military Leader) 9 Karl “Helo” Agathon (Military Leader) 10 Karl “Helo” Agathon (Pilot) 10 Felix Gaeta 10 William Adama 11 Kara “Starbuck” Thrace 11 William Adama 11 Helena Cain 12 Louanne “Kat” Katraine 12 Karl “Helo” Agathon (Military Leader) 12 Saul Tigh 13 Sharon “Boomer” Valerii 13 “Chief” Galen Tyrol 13 Felix Gaeta 14 Brendan “Hot Dog” Costanza 14 Gaius Baltar (Support) 14 Anastasia “Dee” Dualla 15 Samuel T.