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Scobie on I'm Not There
I’M NOT THERE (1956-2007) Stephen Scobie Je est un autre—Arthur Rimbaud I’m Not There (2007) In this autumn season of 2007, I can see that I am going to be thinking a lot about the Bob Dylan song known as “I’m Not There (1956).” At least, that is the title given to it on most of its early, bootleg appearances. Now that it has finally been officially released, the sub-title date has been dropped—which is a pity (since it added an element of mystery to the song) but also understandable (since no good explanation of the date has ever been given). “I’m Not There” is perhaps the ultimate Dylan bootleg, and has always been a subject for cult idealization as the most obscure of Dylan’s “lost” songs: a major master- piece that almost no one knows, and which indeed seems to conspire actively against being known. Now, it has become the title of Todd Haynes’s movie I’m Not There, “inspired by the music and many lives of Bob Dylan”—“many” being the operative word. The film is already famous for casting six different actors to play aspects of Dylan at different points in his career. If this strategy is a gimmick, it is a successful one: the film is generating vast amounts of advance publicity, much of it based on the photographs of Cate Blanchett looking, uncannily and androgynously, like 1966 Bob. The film is not due for North American release until late November, though it has played in prestigious festivals like Toronto, New York, and Venice. -
Colin Linden – Blow Biography
Colin Linden – bLOW Biography “Got a coin in my pocket heavy and gold/It don’t own me I need to let it go/Cause having is wanting/Desire can make you weep” – “bLOW” Colin Linden’s tale is the stuff of legend, the kind told in the Coen brothers’ O Brother Where Art Thou or Inside Llewyn Davis, both of which featured his guitar playing on the soundtracks. That film would begin with an 11-year-old meeting his musical idol Howlin’ Wolf at a matinee show in his native Toronto, accompanied by his mom, who took a picture of the two during a nearly two-hour long conversation before the gig, the legendary bluesman idling over coffee and cigarettes. “I’m an old man now, and I won’t be around much longer,” Wolf told him. “It’s up to you to carry it on.” Linden still carries that frayed photograph in his wallet, along with a Sears 5/8” socket wrench in his pocket to play slide guitar. He has taken Wolf’s plea seriously, performing since he was 12 years old, leaving home as a teenager to travel the south at the invitation of Mississippi Sheiks delta blues guitarist Sam Chatmon which took him to Detroit, Chicago, Indianapolis, St. Louis, Memphis and Hollandale, Mississippi, meeting and visiting the sites of his heroes – Brownie McGhee, Muddy Waters, Sippie Wallace, Tampa Red, Blind John Davis, the Rev. Robert Wilkins, Sleepy John Estes and Son House, visiting the landmarks and juke joints, many of which he’s played in during the course of a 45-year career producing and playing blues and roots music. -
Eric Garth Hudson Years: August 2, 1937- Present Residence
6. Name: Eric Garth Hudson Years: August 2, 1937- Present Residence: West Saugerties, New York near Woodstock Brief Biography: Born in Windsor, Ontario, Hudson was the son of musicians. He attended University of Western Ontario for music. As a child he played organ during services at St. Luke’s Anglican Church. He found a niche when he joined a rock and roll group, the Capers, from 1958 through 1961. From 1961 till 1963 he became the music consultant, organist, and saxophonist for Ronnie Hawkins and the Hawks. Hawkins split from the group in ’63. In 1966 the Hawks were introduced to Bob Dylan and accompanied him on a tour. At the conclusion of the long tour the band bought and lived in a pink house in West Saugerties, New York near Woodstock. By 1968 the Hawks became known as The Band and released their debuted album Music From Big Pink. Up until 1976, the Band toured and recorded around the world. This final concert was recorded in Martin Scorsese’s film, “The Last Waltz.” After the split, Hudson collaborated with many musicians to make albums as well as directors on soundtracks such as “The Right Stuff” and Martin Scorsese’s films “Raging Bull”. The Band often reunited in the 80s and 90s. In 1991, he moved back to Woodstock and recorded three more albums with the Band. In 2001 he released his first solo album. Major Achievements: Garth was inducted into the JUNO Hall of Fame (The Band), 1989, The Rock and Roll Hall of Fame (The Band), 1994, Hamilton Dofasco Lifetime of Achievement Award (The Band), 2007, and Grammy Lifetime of Achievement Award (The Band), 2008. -
Melodrama As Vernacular Modernism in China: the Case of D
Scope: An Online Journal of Film and Television Studies Issue 26 February 2014 Melodrama as Vernacular Modernism in China: The Case of D. W. Griffith Qijun Han, Utrecht University In an article on the pitfalls of cross-cultural analysis, film scholar Emilie Yueh-yu Yeh has proposed replacing the term “melodrama” with “wenyi,” as it can “locate an intrinsic and perhaps more illuminating concept than melodrama to explain Chinese-language cinemas” (Yeh, 2009: 438). In Yeh’s view: Wenyi and melodrama are literally discordant: letters and arts (wenyi) vs. musical theatre (melo-drama). One emphasizes literary value and artistic taste; popular fiction that aspires to serious literature. The other offers the theatrical display and emotional excitement of the sort found in stage musicals (cf. Broadway, operetta, vaudeville). (Yeh, 2009: 445) Yeh is not the first to highlight the concept of wenyi. As early as 1985, Cai Guorong had already raised this issue. For him: Chinese wenyi melodrama developed along two lines: those works that deal with family relationships and ethics, and those that depict romances. […] First, films of this genre use contemporary or recent society as a backdrop; second, they deal with human emotions and are therefore lyrical to an extent. (Cai, 1985; in Zhang, 2012: 25) Yeh has convincingly shown how wenyi connects with and departs from melodrama, and in particular, her historical account of wenyi is a highly valuable tool in interpreting contemporary Chinese films. By proposing to substitute wenyi for melodrama, Yeh has pointed to a set of conceptual tensions underpinning the term melodrama, which is in turn relevant to several issues, such as translation and cultural identity in the aftermath of colonialism and imperialism. -
Robbie Robertson and the Band
STARTS FRIDAY IN RHINEBECK, PLUS 2 WEEKEND SHOWS IN WOODSTOCK ONCE WERE BROTHERS: ROBBIE ROBERTSON AND THE BAND Robbie Robertson says, "What I really want people to realize is that this group, The Band, was one of the most unique musical entities ever in the history of rock and roll. There was never anything like it before, and there will never be anything like it again." (MORE INFO ON OUR WEBSITE / SHOWTIMES FURTHER DOWN IN THIS E-MAIL) Oct SPECIAL EVENT - RHINEBECK THEN CAME YOU A fundraiser for the Leukemia and Lymphoma Society. SATURDAY 3/14 at 12PM in RHINEBECK THEN CAME YOU is a funny and poignant coming-of-age story celebrating the love for friendship, romance and life. Maisie Williams, Asa Butterfield, and Nina Dobrev star. Q&A with director Peter Hutchings to follow the screening. More info here. Oct Now Showing in Rhinebeck (3/9 - 3/12) Portrait of a Lady on Fire Emma March 9 - 12 March 9 - 12 Mon Tue 5:40 8:10 Mon Tue 5:35 8:05 Wed 3:10 5:40 8:10 Wed 3:00 5:35 8:05 Thur 5:40 8:10 Thur 5:35 8:05 Learn More Learn More Oct Now Showing in Woodstock (3/9 - 3/12) The Assistant March 9 - 12 Mon - Thur 7:30 Learn More Oct March 13 - 19 in Rhinebeck: Emma. March 13 - 19 Fri-Sun 3:00 5:35 8:05 Mon Tue 5:35 8:05 Wed 3:00 5:35 8:05 Thur 5:35 8:05 (UK / 2020 / Directed by Autumn de Wilde) Jane Austen's beloved comedy about finding your equal and earning your happy ending, is reimagined in this delicious new film adaptation of EMMA, starring Anya Taylor-Joy in the titular role. -
Still on the Road Session Pages 1967
STILL ON THE ROAD 1967 RECORDING SESSIONS MARCH – MAY Byrdcliffe, New York Red Room, Bob Dylan's Home MAY – OCTOBER West Saugerties, New York Big Pink's Basement, Stoll Road OCTOBER Woodstock, New York Wittenberg Road, Rick Danko's & Levon Helm's Home 17 Nashville, Tennessee Columbia Studio A, 1st John Wesley Harding session NOVEMBER 6 Nashville, Tennessee Columbia Studio A, 2nd John Wesley Harding session 29 Nashville, Tennessee Columbia Studio A, 3rd John Wesley Harding session Bob Dylan recording sessions 1967 1620 Red Room Bob Dylan's Home Byrdcliffe, New York March-May 1967 1. Edge Of The Ocean 2. My Bucket's Got A Hole In It (Clarence Williams) 3. Roll On Train 4. Mr. Blue 5. Spanish Is The Loving Tongue (Charles Badger Clark / Billy Simon) 6. Under Control 7. Ol' Roison The Beau (trad, arr. by Bob Dylan) 8. I'm Guilty Of Loving You 9. Cool Water (Bob Nolan) 10. The Auld Triangle (Brendan Behan) 11. Poor Lazarus (trad, arr. by Bob Dylan) 12. Johnny Todd (trad, arr. by Bob Dylan) 13. Rock, Salt And Nails (Bruce Phillips) 14. Confidential (Dorinda Morgan) 15. Confidential (Dorinda Morgan) 16. 2 Dollars And 99 Cents 17. Jelly Bean 18. Any Time 19. Down By The Station 20. Hallelujah, I've Just Been Moved (trad, arr. by Bob Dylan) 21. That's The Breaks 22. Pretty Mary 23. Will The Circle Be Unbroken (A.P. Carter) 24. King Of France 25. She's On My Mind Again 26. On A Rainy Afternoon 27. I Can't Come In With A Broken Heart 28. -
Garth Hudson's Posture Looked Familiar Sunday As He Played Keyboards with the Dixie Hummingbirds - Hunched Over the Organ in a Possessed, Mad-Scientist Manner
NEWPORT - If you saw the movie "The Last Waltz," Garth Hudson's posture looked familiar Sunday as he played keyboards with the Dixie Hummingbirds - hunched over the organ in a possessed, mad-scientist manner. Hudson played on the veteran gospel group's latest CD and was a featured player during the Apple & Eve Newport Folk Festival. And if you've heard Hudson speak, it all makes sense. He's dedicated much of his life to performing roots music - folk playing, blues, brass arrangements, country and gospel - and passing along his knowledge. Hudson, who grew up in Canada, is a multi-instrumentalist who made his name with The Band in the 1960s until that group's original lineup ended things in 1976. Since then, he's performed in a 1990s version of The Band and with a variety of groups that play an array of styles. And he shares what he knows with younger musicians. During a recent tour of Ireland, Hudson, 67, said he met with Irish musicians and master accordionists (he plays accordion, piano, organ and saxophone) to talk about their craft and ways to improve. "Before I was done, I would get together about 40 minutes worth of tips," he said during an interview at the Folk Festival. One man, a music teacher, came back twice. "We'd have the performance and then sit back after it was over and talk about music, different ways of doing things," he said. "I enjoy helping musicians. It's always been that way." In "The Last Waltz," Robbie Robertson talks about how Hudson billed himself as a music teacher early on, when the group was the Hawks and backed singer Ronnie Hawkins, and later Bob Dylan. -
Dw Griffith: American Film Master
he Museum of Modern Art 3/8/65 Vest 53 Street, New York, N.Y. 10019 Circle 5-8900 Cable: Modemart PROGRAM D. W. GRIFFITH: AMERICAN FILM MASTER The films listed are all directed by Griffith, except where otherwise noted. PART. I \ April 25-28: 1907 RESCUE) FROM AN EAGSUB'S NEST, Edison, directed by Edwin S. Porter; with D. W. Griffith. 1909 THE LONELY VILLA, Biograph; with Mary Pickford, Marion Leonard. 1911 THE LONEDALE OPERATOR, Biograph; with Blanche Sweet, Wilfred Lucas• 1912 THE GIRL AND HER TRUST, Biograph; with Dorothy Bernard, Wilfred Lucas. 1913 OLAF - AN ATOM, Biograph; with Harry Carey (director unknown, but probably D. W. Griffith). Biograph films: April 29- 1909 A DRUNKARD'S REFORMATION, with Linda Arvidson, Arthur Johnson. May 1: 1909 A CORNER IN WHEAT, with Frank Powell, Henry Walthall. 1910 THE USURER, with Grace Henderson, George Nichols. 1911 THE MISER'S HEART, with Edward Dillon, Wilfred Lucas. 1912 THE MUSKETEERS OF PIG ALLEY, with Dorothy and Lillian Gish. May 2-5: 1912 MAN'S GENESIS, Biograph; with Mae Marsh, Robert Harron. 1913-lil- JUDITH OF BETHULIA, Biograph; with Blanche Sweet, Henry Walthall. May 6-8; 1911 ENOCH ARDEN, Biograph; with Linda Arvidson, Wilfred Lucas. 1911* HOME, SWEET HOME, Mutual; with Lillian Gish, Henry Walthall, Mae Marsh, Robert Harron, Blanche Sweet, Owen Moore. May 9-12: 1912 THE GODDESS OF SAGEBRUSH GULCH, Biograph; with Blanche Sweet, Dorothy Bernard, Charles West. 19114. THE AVENGING CONSCIENCE, Mutual; with Blanche Sweet, Henry Walthall, Spottiswoode Aiken. May I3-I5: 1915 THE BIRTH OF A NATION, Epoch; with Lillian Gish, Mae Marsh, Henry Walthall, Robert Harron, Elmer Clifton, Ralph Lewis. -
B U L L E T I N
THE AUDIO ENGINEERING SOCIETY www.torontoaes.org B U L L E T I N M ARCH 2015 2014-2015 AES TORONTO EXECUTIVE Presentation Dylan Basement Tapes Restoration Chairman Blair Francey Harris Institute Peter J. Moore and Jan Haust (647) 702-4265 Vice Chairman Frank Lockwood date Tuesday, 31 March 2015 Lockwood ARS (647) 349-6467 time 7:00 PM where Ryerson University Recording Secretary Karl Machat RCC 361, Rogers Communications Building Mister’s Mastering House 80 Gould Street, Toronto, ON (416) 503-3060 Corner of Gould and Church, east of Yonge St (Dundas Subway) Treasurer Jeff Bamford Engineering Pre-Meeting "Dutch Treat" dinner 5:00 pm at the Pickle Barrel (corner Harmonics of Edward and Yonge, just north of Dundas, in the Atrium) (416) 465-3378 For parking info and map, goto www.ryerson.ca/parking/ Past Chair Robert DiVito Society of Sound (416) 937-5826 Membership Blair Francey Harris Institute (647) 702-4265 PRESENTATION Operations Sy Potma 647-978-7168 Bob Dylan and The Band, The Basement Tapes Complete, is a six CD Sony Legacy release, 138 takes of 115 songs recorded informally Bulletin Editor Earl McCluskie Chestnut Hall throughout 1967 by The Band’s Garth Hudson, mostly in the cramped Music Woodstock-area basement of the abode known as Big Pink, while Dylan (519) 894-5308 was recovering from a motorcycle accident. The tapes were restored and digitally re-mastered in Toronto at the E Room by Peter J. Moore and Jan COMMITTEE MEMBERS Haust. Alan Clayton Ross Whitney Presentation Source Plitron Our meeting will feature the story about how the restoration came to (585) 330-3524 647-466-5150 happen, and what challenges were overcome to bring the tapes alive for Dan the world to hear. -
Theology in Silent Films, 1902 to 1927
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2010 Skin and Redemption: Theology in Silent Films, 1902 to 1927 Susan Craig Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1794 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Skin and Redemption: Theology in Silent Films, 1902 to 1927 by Susan Craig A dissertation submitted to the Graduate Faculty in History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2010 ii © 2010 Susan Jean Craig All Rights Reserved iii This manuscript has been read and accepted for the Graduate Faculty in History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Prof. Martin J. Burke Date Chair of Examining Committee Prof. Helena Rosenblatt Date Executive Officer Prof. Donald Scott Prof. Jonathan Sassi Prof. Marc Dolan THE CITY UNIVERSITY OF NEW YORK Prof. Richard Koszarski RUTGERS UNIVERSITY Supervisory Committee iv Abstract Theology in Silent Films by Susan Craig Adviser: Prof. Martin J. Burke This dissertation analyzes theological concepts in silent moving pictures made for commercial distribution from 1902 to 1927, and examines how directors and scenarists sorted through competing belief systems to select what they anticipated would be palatable theological references for their films. A fundamental assumption of this study is that, the artistic and aesthetic pretensions of many silent-era filmmakers notwithstanding, directors generally made decisions in the conception, production and marketing of films primarily to maximize profits in a ruthlessly competitive environment. -
The Cutting Edge: New York Singles Sessions, Oct - Nov 1965
The Cutting Edge: New York Singles Sessions, Oct - Nov 1965 by Roger Ford Dylan’s first recording session following the release of “Highway 61 Revisited” was on October 5 1965, four days after his concert with The Hawks at Carnegie Hall. At this time ‘Like a Rolling Stone’ was finally on its way down the Billboard chart at No. 33, and ‘Positively 4th Street’ was just on its way up at No. 34, but Columbia may already have been keen for Dylan to have a follow-up single ready for late autumn release.1 In fact, three days of sessions were booked in the New York studio diary, on October 4, 5 and 6, but the first and last of these were cancelled, leaving just a six-hour double session on the 5th. It seems unlikely that the studio bookings were entirely Dylan’s idea, as he evidently had no new songs finished and ready to record. But now that he had his own road band, he may have been interested to hear how they would perform in the studio, and so went ahead with the recording date anyway, maybe thinking he’d make something up on the day.2 October 5, 1965 MEDICINE SUNDAY (CO 87183) Collectors have long been familiar with a version of this fragmentary song, which was on the so-called ‘Band session’ tape of half a dozen late 1965 and early 1966 recordings, first circulated around 1971. It turns out that this was Take 2, which in fact nearly made it onto “Biograph”, and later was one of the many ‘hidden’ tracks on 1995’s “Highway 61 Interactive” CD- ROM release. -
Still on the Road: 1974 Tour of America with the Band
STILL ON THE ROAD 1974 TOUR OF AMERICA WITH THE BAND JANUARY 3 Chicago, Illinois Chicago Stadium 4 Chicago, Illinois Chicago Stadium 6 Philadelphia, Pennsylvania The Spectrum – Afternoon 6 Philadelphia, Pennsylvania The Spectrum – Evening 7 Philadelphia, Pennsylvania The Spectrum 9 Toronto, Ontario, Canada Maple Leaf Gardens 10 Toronto, Ontario, Canada Maple Leaf Gardens 11 Montreal, Quebec, Canada Forum de Montreal 12 Montreal, Quebec, Canada Forum de Montreal 14 Boston, Massachusetts Boston Gardens – Afternoon 14 Boston, Massachusetts Boston Gardens – Evening 15 Largo, Maryland Capital Centre 16 Largo, Maryland Capital Centre 17 Charlotte, North Carolina Coliseum 19 Hollywood, Florida Hollywood Sportatorium – Afternoon 19 Hollywood, Florida Hollywood Sportatorium – Evening 21 Atlanta, Georgia The Omni 22 Atlanta, Georgia The Omni 23 Memphis, Tennessee Mid-South Coliseum 25 Fort Worth, Texas Tarrant County Convention Center Arena 26 Houston, Texas Hofheinz Pavilion – Afternoon 26 Houston, Texas Hofheinz Pavilion – Evening 28 Nassau, New York Nassau County Coliseum 29 Nassau, New York Nassau County Coliseum 30 New York City, New York Madison Square Garden 31 New York City, New York Madison Square Garden – Afternoon 31 New York City, New York Madison Square Garden – Evening FEBRUARY 2 Ann Arbor, Michigan Crisler Arena, University Of Michigan 3 Bloomington, Indiana Assembly Hall, Indiana University 4 St. Louis, Missouri Missouri Arena – Afternoon 4 St. Louis, Missouri Missouri Arena – Evening 6 Denver, Colorado Coliseum – Afternoon 6 Denver,