A Comparative Study of Aristotle's Poetics and Ezra Pound's ABC of Reading
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Blues Tribute Poems in Twentieth- and Twenty-First Century American Poetry Emily Rutter
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations 2014 Constructions of the Muse: Blues Tribute Poems in Twentieth- and Twenty-First Century American Poetry Emily Rutter Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Rutter, E. (2014). Constructions of the Muse: Blues Tribute Poems in Twentieth- and Twenty-First Century American Poetry (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/1136 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. CONSTRUCTIONS OF THE MUSE: BLUES TRIBUTE POEMS IN TWENTIETH- AND TWENTY-FIRST-CENTURY AMERICAN POETRY A Dissertation Submitted to the McAnulty College of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Emily Ruth Rutter March 2014 Copyright by Emily Ruth Rutter 2014 ii CONSTRUCTIONS OF THE MUSE: BLUES TRIBUTE POEMS IN TWENTIETH- AND TWENTY-FIRST-CENTURY AMERICAN POETRY By Emily Ruth Rutter Approved March 12, 2014 ________________________________ ________________________________ Linda A. Kinnahan Kathy L. Glass Professor of English Associate Professor of English (Committee Chair) (Committee Member) ________________________________ ________________________________ Laura Engel Thomas P. Kinnahan Associate Professor of English Assistant Professor of English (Committee Member) (Committee Member) ________________________________ ________________________________ James Swindal Greg Barnhisel Dean, McAnulty College of Liberal Arts Chair, English Department Professor of Philosophy Associate Professor of English iii ABSTRACT CONSTRUCTIONS OF THE MUSE: BLUES TRIBUTE POEMS IN TWENTIETH- AND TWENTY-FIRST-CENTURY AMERICAN POETRY By Emily Ruth Rutter March 2014 Dissertation supervised by Professor Linda A. -
Title Spons Agency Bureau No Pub Date Contract Note
DOCUMENT LIZSUME ED 071' C87 82 015 524 TITLE Project Musics Reader 2,Motion in the Heavens. .INSTITUTION Harvard Univ., Cambridge,Mass. Harvard Project _Physics. SPONS AGENCY Office of Education (DREW), Washington, D.C.,Bureau of Research. BUREAU NO BK-5-1038 PUB DATE 68 CONTRACT 08C-5-10-058 NOTE 233p.; Authorized InterimVersion EDRS PRICE MF -$0.65 HC-89.87 _DESCRIPTORS Astronomy; Instructional Materials;.*Motion; *Physics; Science, Fiction;. Science Materials; _Secondary Grades; *Secondary School Science; *Space; *Supplementary Reading Materials IDENTIFIER'S Harvard Project Physics ABSTRACT As a supplement to.Projpct Physics Unit 2, specially, selected articles are presented in this reader for student browsing. _Eight excerpts are given under headings:,the starry messenger, Newton_. And the principia, an appreciation of the earth, space the unconquerable, Is there intelligent life beyond the earth3,11 the life story of a galaxy, expansion of the universe, and Dyson sphere. Seven book passages. are included under. the, headings of the black cloud, roll call, a night at the observatory, Repler's celestial music, universal gravitation, a table of stars within twenty-two light years that could have habitable planets, and three poetic _fragments about astronomy. The remaining articles includea preface to the books of the ,revolutions, Kepler, Kepler on. Mars, laws of ..motion and proposition one,, garden of Epicurus, a search for life on earth at Kilometer resolution, the. boy who redeemed his father's _name, great comet of 1965, gravity experiments, unidentified flying objects, and negative mass. Illustrations for explanationpurposes . are provided. The work of Harvard. Project Physics has been .financially supported by: the Carnegie Corporation of New York, the Ford. -
Max Planck Institute for the History of Science Aristotle And
MAX-PLANCK-INSTITUT FÜR WISSENSCHAFTSGESCHICHTE Max Planck Institute for the History of Science 2012 PREPRINT 422 TOPOI – Towards a Historical Epistemology of Space Pietro Daniel Omodeo, Irina Tupikova Aristotle and Ptolemy on Geocentrism: Diverging Argumentative Strategies and Epistemologies TOPOI – TOWARDS A HISTORICAL EPISTEMOLOGY OF SPACE The TOPOI project cluster of excellence brings together researchers who investigate the formation and transformation of space and knowledge in ancient civilizations and their later developments. The present preprint series presents the work of members and fellows of the research group Historical Epistemology of Space which is part of the TOPOI cluster. The group is based on a cooperation between the Humboldt University and the Max Planck Institute for the History of Science in Berlin and commenced work in September 2008. Contents 1 Introduction 1 2 Aristotle 5 2.1 Aristotle’s confrontation with the cosmologies of his prede- cessors . 6 2.2 Aristotle’s presentation of his own views . 9 3 Ptolemy 15 3.1 The heavens move like a sphere . 16 3.2 The Earth, taken as a whole, is sensibly spherical . 24 3.3 The Earth is in the middle of the heavens . 24 3.4 The Earth has the ratio of a point to the heavens . 32 3.5 The Earth does not have any motion from place to place . 33 4 Conclusions and perspectives 37 Chapter 1 Introduction This paper aims at a comparison of the different argumentative strategies employed by Aristotle and Ptolemy in their approaches to geocentrism through an analysis of their discussion of the centrality of the Earth in De caelo II, 13-14 and Almagest, I, 3-7. -
Princeton Encyclopedia of Poetry and Poetics
PRINCETON ENCYCLOPEDIA OF POETRY AND POETICS PRINCETON ENCYCLOPEDIA OF POETRY AND POETICS ALEX PREMINGER EDITOR FRANK J. WARNKE AND O. B. HARDISON, JR. ASSOCIATE EDITORS Enlarged Edition M TO AUGUSTA FRIEDMAN PREMINGER © 1965, Enlarged Edition © 1974, Princeton University Press Softcoverreprintof tilehardcover1stedition 1974 All rights reserved. No part of this publication may be reproduced or transmitted, in any form or by any means , without permission . Enlarged Edition Firstpublished in the United States 1975 Firstpublished in the United Kingdom 1975 Published by THE MACMILLAN PRESS LTD London and Basingstoke Associated companies in New York Dublin Melbourne Johannesburg and Madras ISBN 978-0-333-18121-8 ISBN 978-1-349-15617-7 (eBook) DOI 10.1007/978-1-349-15617-7 PREFACE The ENCYCLOPEDIA OF POETRY AND POETICS is the most comprehen sive treatment of its field yet attempted. It consists of about 1,000 individual entries ranging from twenty to more than 20,000 words, dealing with the history, theory, technique, and criticism of poetry from earliest times to the present. The entries are designed to be useful to the general reader, the student, and the professional scholar. They are supplemented by substantial bibliographies and generous cross-references. Articles on individual authors, poems, and allusions have been excluded from the ENCYCLOPEDIA as readily available in other refer ence works. Otherwise, the policy of the editors has been to avoid arbitrary limitations. The danger of too narrow a definition of "poetry" has been recognized, and the reader will find numerous articles dealing with the area between prose and poetry (e.g., VERSE AND PROSE, PROSE POEM, PROSE RHYTHM, FREE VERSE), and topics equally relevant to prose and poetry (e.g., PLOT, MYTH, SYMBOL, IMAGERY). -
Epistemic Beliefs and Coherence of Justification in Modern Cosmology
Journal of Siberian Federal University. Humanities & Social Sciences 7 (2013 6) 957-1001 ~ ~ ~ УДК 24-17 The Universe as a Construct: Epistemic Beliefs and Coherence of Justification in Modern Cosmology Alexei V. Nesteruk* University of Portsmouth, Lion Gate Building, PORTSMOUTH, PO1 3HF, UK Received 12.03.2013, received in revised form 06.06.2013, accepted 19.06.2013 In this paper we continue to study the epistemic nature of cosmological claims, in particular the status of the notion of the universe as a whole. It is demonstrated that this notion has a status of a construct with some epistemic links with empirical reality. However, it is argued that the effective methodology of contemporary mathematical cosmology related to the modelling of the very early stages of the evolutionary universes, consists not in the principle of correspondence of its theoretical constructs with empirical reality, but in the coherence of epistemic justification which relates to belief-like commitments of the community of cosmologists. As a case study, the inflationary model of the early universe is analysed and it is demonstrated that the coherence of justification leads to the transcendental problems in the style of Kant. Keywords: beliefs, cosmology, coherence, correspondence principle, epistemology, extrapolation, universe. The real world is not a thing founded in itself, that can in a significant manner be established as an independent existence. Recognition of the world as it comes from God cannot … be achieved by cognitions crystallising into separate judgements that have an independent meaning and assert definite facts. It can be gained only by symbolic construction. Hermann Weyl, Mind and Nature, p. -
The Novelistic Poem and the Poetical Novel: Towards A
THE NOVELISTIC POEM AND THE POETICAL NOVEL: TOWARDS A THEORY OF GENERIC INTERRELATION IN THE ROMANTIC PERIOD by Nick Bujak A dissertation submitted to Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, Maryland July 2014 © 2014 Nick Bujak All Rights Reserved Abstract This dissertation examines the shifting set of formal and conceptual relations that have structured the intertwined development and reception of “the novel” and “poetry” since the Romantic period. In Part One, I focus on the continuing rise of the novel in the age of best-selling poetry, arguing that narrative poetry and the novel participated in a shared history of narrative innovation. I take the popular and formally innovative poems of Walter Scott as a particularly important example of poetry’s contribution to this shared history. Specifically, I argue that Scott’s knowledge of the ballad tradition and his modern experiments with poetry in that mode enabled him to introduce narrative techniques into the novel that prepare the way for the deployment of free indirect discourse in the novels of Jane Austen and her successors. More broadly, I attempt to describe a theory of generic interrelation that is capable of identifying and explaining the interrelated formal development of works written during the Romantic period. In Part Two, I work to recover and analyze the complex history of perceptions about genre from the Romantic period through the twentieth century. Since the Romantic period itself, many thinkers have been interested in identifying what is essentially poetic about poetry, and, as a closely related matter, in determining what can distinguish poetry from prose and the novel. -
Great New Poetry Books for You and Your Book Group
Great New Poetry Books for You and Your Book Group A National Poetry Day selection This list of ten books is perfect for reading groups thinking of dipping into poetry, often edited or written by great names who love poetry so much that they want to share it – Clive James, John Carey, Kate Clanchy, Cerys Matthews and Carol Rumens. It’s not just for book groups, though: whether you are discovering or re-discovering poetry, a well-tuned anthology (The Forward Book of Poetry 2021) or a garlanded best-seller (Roger Robinson’s A Portable Paradise) is always a great place to start. Think about the times and reasons we most often turn to poems – celebration, grief, confusion. And think about what they offer us: different perspectives, fresh hope, the world renewed. Poetry is a generous and open art and doesn’t have to be daunting. We’re recommending ten amazing books that are ideal for book groups. The background and suggestions below should help you pick a book of interest to your group. Try to plan your meeting ahead of time as poetry might require a different format for discussion. If a whole book seems too much to digest, then pick a few poems to focus on instead. We recommend you start your session by taking it in turns to read a poem aloud to the group – time allowing, perhaps each member could pick a favourite and say a little about why they like it. We’ve come up with a few pointers you can use to prepare or initiate conversation if needed, but remember there is no wrong or right way to approach poetry, or to appreciate and discuss it. -
A PHILOSOPHY of POETRY Anna
ABSTRACT Title of Document: MEMORABLE MOMENTS: A PHILOSOPHY OF POETRY Anna Christina Soy Ribeiro, Ph.D., 2006 Directed By: Professor Jerrold Levinson Department of Philosophy In my dissertation I give a philosophical account of poetry from an analytic perspective—one that is also informed by studies in linguistic communication (pragmatics) and cognitive psychology, and that takes into account the many varieties of poetic traditions around the world. In chapter one I argue that philosophically rigorous study of poetry is long overdue, and that it should focus not on what poetry has in common with the other literary arts, but rather on what is distinct to it. In chapter two I give a cross-cultural history of poetry, showing the many types of features that are typical of the art form. From this history it emerges that beneath the variety of poetic traditions all over the globe lies a remarkably consistent set of features—the use of recurrence patterns. In chapter three I argue for an intentional-historical formalist definition of poetry according to which a poem is either (1) a verbal art object relationally or intrinsically intended to belong in the poetic tradition, or (2) a verbal art object intrinsically intended to involve use of repetition schemes (naïve poetry-making). In my fourth chapter I investigate the psychological reasons for poetry to have begun as and remained an art that relies on repetition devices, focusing on two non-literate groups: the illiterate trovadores of Northeastern Brazil, and pre-literate children. Both cases suggest an innate predisposition to attend to and produce linguistic recurrence structures of various, sometimes highly intricate, sorts. -
A Brief History of Poetry
10/19/2017 A Brief History of Poetry A Brief History of Poetry blog.bookstellyouwhy.com /a-brief-history-of-poetry Unlike other literary forms that we can date to precise texts and time periods, it’s a challenge to pinpoint the earliest work of poetry. In one form or another, poetry has been around for thousands of years. However, we might think of the epic poem as the first instance of poetry, appearing as early as the 20th century B.C. Jumping hundreds of years ahead, we might turn, then, to the sonnet form and its early appearance in the 13th century. Before moving into more modern poetic forms, it’s important to consider Restoration poetry of the 17th century and the satirical verses of John Dryden and Alexander Pope. When most of us think about poetry’s beginnings, we’re drawn to the work of notable Romantic poets or to the American fireside poets who responded to the work of those British writers, reusing old forms and creating new ones. Yet by the 20th and 21st centuries, Modernism and the waves of change brought about by world war also influenced poetry, resulting in works by poets with distinct voices who came to enjoy global circulation. Where Does Poetry Begin? Discovering the Epic Poem Who wrote the first work of poetry, and is it something that a collector can seek out in an antiquarian bookstore? The Epic of Gilgamesh often is cited as one of the earliest works of epic poetry, dating back to the 18th century B.C. -
English Poetry
COURSE GUIDE ENG372 ENGLISH POETRY Course Developer/Writer: Dr. Folasade Hunsu Department of English Obafemi Awolowo University [email protected] Course Editor: Professor A. E. Eruvbetine Department of English University of Lagos Akoka, Lagos. Course Coordinator: Dr. Felix Gbenoba Department of Languages Faculty of Arts National Open University of Nigeria Jabi, Abuja. 1 National Open University of Nigeria Headquarters Plot 91, Cadastral Zone, University Village, Nnamdi Azkiwe Expressway, Jabi, Abuja. Lagos Office 14/16, Ahmadu Bello Way, Victoria Island Lagos. E-mail: [email protected] URL: www.nou.edu.ng Published By: National Open University of Nigeria First Printed 2014 ISBN: All Rights Reserved 2 Printed By: 3 ENG372: ENGLISH POETRY INTRODUCTION The term “English poetry” is an ambiguous one. It can mean poetry written by the English people or poetry written in the English language. Nevertheless, this course is meant to acquaint you with poetry written by the English poets and others from Scotland, Wales, and Ireland from the earliest days of Anglo-Saxon to the modern period of English. The history of English poetry extends from the middle of the 7th century to the present day. Over this period, a lot of poems have been written in Western culture. By this, English language and its poetry have travelled all over the globe. The earliest surviving poetry was likely transmitted orally and then written down in versions that do not now survive; Caedman is believed to have written some religious verses.The earliest surviving poetry was written in Anglo-Saxon and may have been composed as early as the 7th century. -
Ernst Haeckel's Evolutionary Monism in American Context
“MONOGRAPHS ON THE UNIVERSE”: ERNST HAECKEL’S EVOLUTIONARY MONISM IN AMERICAN CONTEXT, 1866-83 by DANIEL HALVERSON Submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of History CASE WESTERN RESERVE UNIVERSITY May, 2017 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis/dissertation of Daniel Halverson candidate for the degree of Master of Arts Committee Chair Alan Rocke Committee Member Ken Ledford Committee Member Miriam Levin Date of Defense March 16, 2016 *We also certify that written approval has been obtained for any proprietary material contained therein. 1 Table of Contents I. Introduction – Ernst Haeckel and his Influence…………………………..…...…..3 II. Historiography and Method……………………………………………………….8 III. Haeckel’s Evolutionary Monism in German Context………………………..…..15 IV. Haeckel’s Evolutionary Monism in American Context…………………...….….25 V. Conclusion……………………………………………………………………….48 2 “Monographs on the Universe: Ernst Haeckel’s Evolutionary Monism in American Context, 1866-83” Abstract by DANIEL HALVERSON Ernst Haeckel was one of the nineteenth century’s most famous and influential scientists, and science popularizers. According to one historian of biology, he was “the chief source of the world’s knowledge of Darwinism” in his time. He was also one of the chief sources of the world’s knowledge of what has come to be called, in our time, the “conflict thesis” in the history of science and religion. At the same time, he endeavored to set up his own Darwinian-romantic theology, the forgotten religion of monism, in the place of Christianity. This paper makes use of new information technologies to gather documents which have been largely inaccessible in the past, on account of the difficulty of finding and sorting them. -
The Primary Texts of Charles Sanders Peirce 9
Mattering: A Recreation of the Realism of Charles S. Peirce Dorothea Sophia BEd (Deakin), MBA (Deakin) A PhD Philosophy thesis of the University of New England July 2016 Mattering: A Recreation of the Realism of Charles S Peirce Mattering: A Recreation of the Realism of Charles S. Peirce © Dorothea Sophia 2016 Sydney, NSW, Australia Jacket etching: Matter # 3 © Marta Romer 1998 ii © Dorothea Sophia 2017 Mattering: A Recreation of the Realism of Charles S Peirce Gratitude is due for the 2014 award of a K & D Mackay Travelling Scholarship enabling me to present a draft of my thesis to the faculty and graduate students of the Department of Philosophy, Southern Illinois University Carbondale, USA, as a visiting scholar. For my one true mentor Doug Anderson Ordeal I promise to make you more alive than you've ever been. For the first time you'll see your pores opening like the gills of a fish and you'll hear the noise of blood in galleries and feel light gliding on your corneas like the dragging of a dress across the floor. For the first time, you'll note gravity's prick like a thorn in your heel, and your shoulder blades will hurt from the imperative of wings. I promise to make you so alive that the fall of dust on furniture will deafen you, and you'll feel your eyebrows like two wounds forming and your memories will seem to begin with the creation of the world. Nina Cassian iii © Dorothea Sophia 2017 Mattering: A Recreation of the Realism of Charles S Peirce iv © Dorothea Sophia 2017 Mattering: A Recreation of the Realism of Charles S Peirce Abstract: ‗Mattering‘ is the process and the product of Reality.