Curriculum Vitae Clare Galloway
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
620 Httpswwwopeneduopenlearncreate Cmid146877 2020-01-09 13-57-50 Rs6288 1..30
OpenLearn Works Unit 13: Storytelling, comedy and popular culture by Donald Smith Copyright © 2019 The Open University 2 of 30 http://www.open.edu/openlearncreate/course/view.php?id=2705 Thursday 9 January 2020 Contents Introduction 4 13. Introductory handsel 5 13.1 The resilience of oral storytelling 8 13.2 Humorous folk tales in Scots 13 13.3. Music halls and the dominance of English 17 13.4 From Leonard to Bissett 21 13.5 What I have learned 28 Further Research 29 References 29 Acknowledgements 29 3 of 30 http://www.open.edu/openlearncreate/course/view.php?id=2705 Thursday 9 January 2020 Introduction Introduction Storytelling belongs first of all to an oral culture, which is not written down, remaining fluid, and relatively uncontrolled. When something is written down in a manuscript or a book, there is a standard against which other versions can be compared or corrected. Since the emergence of writing, political, social and religious institutions have privileged written records over oral memory and tradition. This has had a huge influence on the survival and evolution of the Scots language. Having lost its role as a contemporary written language in the 17th century, Scots continued to thrive as a spoken tung. This led to Scots often being associated with aspects of culture that were not sanctioned by authority, or explicitly dissident. To gie tung or ‘raise your voice’ could be seen as anti-authority, an expression of cultural resistance and human freedom. Consequently, people were told to curb or haud their tungs. And the forms of punishment administered by local courts included restraining the tongue, as for example with a Scold’s Bridle. -
Ayrshire & the Isles of Arran & Cumbrae
2017-18 EXPLORE ayrshire & the isles of arran & cumbrae visitscotland.com WELCOME TO ayrshire & the isles of arran and cumbrae 1 Welcome to… Contents 2 Ayrshire and ayrshire island treasures & the isles of 4 Rich history 6 Outdoor wonders arran & 8 Cultural hotspots 10 Great days out cumbrae 12 Local flavours 14 Year of History, Heritage and Archaeology 2017 16 What’s on 18 Travel tips 20 VisitScotland iCentres 21 Quality assurance 22 Practical information 24 Places to visit listings 48 Display adverts 32 Leisure activities listings 36 Shopping listings Lochranza Castle, Isle of Arran 55 Display adverts 37 Food & drink listings Step into Ayrshire & the Isles of Arran and Cumbrae and you will take a 56 Display adverts magical ride into a region with all things that make Scotland so special. 40 Tours listings History springs to life round every corner, ancient castles cling to spectacular cliffs, and the rugged islands of Arran and Cumbrae 41 Transport listings promise unforgettable adventure. Tee off 57 Display adverts on some of the most renowned courses 41 Family fun listings in the world, sample delicious local food 42 Accommodation listings and drink, and don’t miss out on throwing 59 Display adverts yourself into our many exciting festivals. Events & festivals This is the birthplace of one of the world’s 58 Display adverts most beloved poets, Robert Burns. Come and breathe the same air, and walk over 64 Regional map the same glorious landscapes that inspired his beautiful poetry. What’s more, in 2017 we are celebrating our Year of History, Heritage and Archaeology, making this the perfect time to come and get a real feel for the characters, events, and traditions that Cover: Culzean Castle & Country Park, made this land so remarkable. -
Professor RDS Jack MA, Phd, Dlitt, FRSE
Professor R.D.S. Jack MA, PhD, DLitt, F.R.S.E., F.E.A.: Publications “Scottish Sonneteer and Welsh Metaphysical” in Studies in Scottish Literature 3 (1966): 240–7. “James VI and Renaissance Poetic Theory” in English 16 (1967): 208–11. “Montgomerie and the Pirates” in Studies in Scottish Literature 5 (1967): 133–36. “Drummond of Hawthornden: The Major Scottish Sources” in Studies in Scottish Literature 6 (1968): 36–46. “Imitation in the Scottish Sonnet” in Comparative Literature 20 (1968): 313–28. “The Lyrics of Alexander Montgomerie” in Review of English Studies 20 (1969): 168–81. “The Poetry of Alexander Craig” in Forum for Modern Language Studies 5 (1969): 377–84. With Ian Campbell (eds). Jamie the Saxt: A Historical Comedy; by Robert McLellan. London: Calder and Boyars, 1970. “William Fowler and Italian Literature” in Modern Language Review 65 (1970): 481– 92. “Sir William Mure and the Covenant” in Records of Scottish Church History Society 17 (1970): 1–14. “Dunbar and Lydgate” in Studies in Scottish Literature 8 (1971): 215–27. The Italian Influence on Scottish Literature. Edinburgh: Edinburgh University Press, 1972. Scottish Prose 1550–1700. London: Calder and Boyars, 1972. “Scott and Italy” in Bell, Alan (ed.) Scott, Bicentenary Essays. Edinburgh: Scottish Academic Press, 1973. 283–99. “The French Influence on Scottish Literature at the Court of King James VI” in Scottish Studies 2 (1974): 44–55. “Arthur’s Pilgrimage: A Study of Golagros and Gawane” in Studies in Scottish Literature 12 (1974): 1–20. “The Thre Prestis of Peblis and the Growth of Humanism in Scotland” in Review of English Studies 26 (1975): 257–70. -
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland a study © Adrienne Clare Scullion Thesis submitted for the degree of PhD to the Department of Theatre, Film and Television Studies, Faculty of Arts, University of Glasgow. March 1992 ProQuest Number: 13818929 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818929 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Frontispiece The Clachan, Scottish Exhibition of National History, Art and Industry, 1911. (T R Annan and Sons Ltd., Glasgow) GLASGOW UNIVERSITY library Abstract This study investigates the cultural scene in Scotland in the period from the 1880s to 1939. The project focuses on the effects in Scotland of the development of the new media of film and wireless. It addresses question as to what changes, over the first decades of the twentieth century, these two revolutionary forms of public technology effect on the established entertainment system in Scotland and on the Scottish experience of culture. The study presents a broad view of the cultural scene in Scotland over the period: discusses contemporary politics; considers established and new theatrical activity; examines the development of a film culture; and investigates the expansion of broadcast wireless and its influence on indigenous theatre. -
Edinburgh Galleries Artist Training Programme
Copyright © Art, Design & Museology Department, 2005 Published by: Art, Design & Museology Department School of Arts & Humanities Institute of Education University of London 20 Bedford Way London WC1H 0AL UK All rights reserved. Except for the quotation of short passages for the purposes of criticism or review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. ISBN: 0-9546113-1-4 This project was generously supported by: The National Lottery, The City of Edinburgh Council and National Galleries of Scotland 1 The Edinburgh Galleries Artist Training Programme in collaboration with the Art, Design & Museology department, School of Arts & Humanities, Institute of Education, University of London A pilot programme supported by The National Lottery, The City of Edinburgh Council and National Galleries of Scotland Course Directors: Lesley Burgess, Institute of Education, University of London (IoE) Maureen Finn, National Galleries of Scotland Course Co-ordinator: Kirsty Lorenz Course Venues: Gallery of Modern Art, Edinburgh National Portrait Gallery, Edinburgh Participating Organisations: The Collective Gallery Edinburgh Printmakers Workshop Edinburgh Sculpture Workshop The Fruitmarket Gallery Stills Gallery Talbot Rice Gallery Course Leader: Lesley Burgess, IoE Session contributors: Nicholas Addison, IoE Lesley Burgess, IoE Anne Campbell, SAC Barbara Clayton Sucheta Dutt, SAC Fiona Marr Sue Pirnie, SAC Roy Prentice, IoE Helen Simons Rebecca Sinker, DARE and inIVA Sally Tallant, Serpentine Gallery, London Leanne Turvey, Chisenhale Gallery, London Research Report by: Lesley Burgess and Emily Pringle Photographs by: Lesley Burgess 2 EDINBURGH GALLERIES ARTIST TRAINING PROGRAMME RESEARCH EVALUATION REPORT OCTOBER 2003 1. -
The Journey Nick Archer the Journey
NICK ARCHER THE JOURNEY NICK ARCHER THE JOURNEY 5 October – 1 November 2017 LONG & RYLE 4 John Islip Street, London SW1P 4PX t : +44 (0) 20 7834 1434 • e: [email protected] www.longandryle.com • tues – fri 10–5:30 sat 11–2 THE 3 JOURNEY Nick Archer’s new landscape paintings focus on dwarfed and overwhelmed by the beauty of its our relationship with the natural world and its surroundings. The power of nature and its sublime place in our imagination. qualities appear to be a central force within these paintings and his method betrays a magic in spite The paintings are at first glance made from of the dark places he takes us. beautiful passages of rich colour which have been flooded onto the canvas, exposing interior Archer is not attempting to capture something landscapes that echo hollow fear and an inner about a particular place or time in these paintings, amazement like a child watching an abandoned rather a notion or idea of landscape in a grander fairground coming alight in the dark. An imaginary sense, something in our imagination which refers landscape, where a seemingly enchanted to traditional fairy tales and time gone by. At times landscape lifts off the canvas and into the mind’s a caravan, a vehicle or run-down cottage is central eye. to the composition. These motifs possess human qualities, but they are abandoned and in a state of The new series of forest paintings Archer has made decay. They are in the process of being reclaimed are like scenes from contemporary fairy tales. -
Inventory Acc.13182 Edith Macarthur
Acc.13182 October 2010 Inventory Acc.13182 Edith Macarthur National Library of Scotland Manuscripts Division George IV Bridge Edinburgh EH1 1EW Tel: 0131-466 2812 Fax: 0131-466 2811 E-mail: [email protected] © Trustees of the National Library of Scotland Papers, circa 1942-2006, of Edith Macarthur, actor (b.1926). The collection includes scripts, photographs, press cuttings and other items of theatre and television memorabilia. Edith Macarthur’s stage career has taken her to most major producing theatres in Scotland, and to many in England. The variety of her range is demonstrated in the collection, from her early days with respected amateur company, the Ardrossan and Saltcoats Players, to acclaim with prestigious companies such as the Royal Lyceum, Citizens’, Gateway, Bristol Old Vic, Pitlochry Festival, Traverse and Royal Shakespeare. Leading roles in the canon of major plays by Arthur Miller, James Bridie, Anton Chekhov, Eugene O’Neill, Noel Coward and their like, and various acclaimed productions of ‘The Thrie Estaites’, established her stage reputation. Alongside runs a vein of comedy and variety, from the ‘Five Past Eight Shows’ of the 1950s at the Citizens’, to regularly playing Cinderella’s Fairy Godmother in pantomime during the 1980s and 1990s. There is also a considerable body of television work, from early series such as ‘The Borderers’ and ‘Sutherland’s Law’, and the renowned 1970s adaptation of ‘Sunset Song’, to the long-running Scottish Television soap, ‘High Road’. A milestone was the 1993 film ‘The Long Roads’ by John McGrath. At about this time Miss Macarthur was coming to the attention of less mainstream theatre-producers in Scotland. -
Scottish Artists Union Membership Survey: 2017
Scottish Artists Union Membership Survey: 2017 Report for: Contact: [email protected] © The Lines Between 2017 1 Contents Contents PRESIDENT’S SUMMARY ......................................................................................... 3 Introduction ........................................................................................................... 5 Executive summary ................................................................................................ 6 Section 1: You & Your Work ................................................................................. 14 Section 2: Value of belonging to the Scottish Artists Union ................................... 21 Section 3: Communication .................................................................................... 25 Section 4: Showcasing Your Practice ..................................................................... 29 Section 5: Learning, Impact and Engagement ........................................................ 32 Section 6: Funding ................................................................................................ 36 Section 7: Sources of Income ................................................................................ 39 Section 8: Payment Guidelines & Contracts .......................................................... 43 Section 9: Broader Issues ...................................................................................... 47 Conclusion and recommendations ....................................................................... -
Scottish Artists Union
Trade Union’s details Name of Trade Union: Scottish Artists Union Year ended: 31 March 2020 List number: 5049T (S) Head or Main Office address: Scottish Artists Union Office 231, The Briggait 141 Bridgegait Glasgow G1 5HQ Has the address changed during the Yes No x (Tick as appropriate) year to which the return relates? Website address (if available) https://www.artistsunion.scot/ General Secretary: Lynda Graham Telephone Number: 0141 559 4999 Contact name for queries regarding the completion of this return: Karen Vaughan, Treasurer Telephone Number: 0141 559 4999 E-mail: [email protected] Please follow the guidance notes in the completion of this return. Any difficulties or problems in the completion of this return should be directed to the Certification Officer as below or by telephone to: 0330 109 3602. The address to which returns and other documents should be sent are: -For Unions based in England and Wales: Certification Office for Trade Unions and Employers’ Associations, Lower Ground Floor, Fleetbank House, 2-6 Salisbury Square, London EC4Y 8JX. -For Unions based in Scotland: Certification Office for Trade Unions and Employers’ Associations, Melrose House, 69a George Street, Edinburgh EH2 2JG. 1 Officers in post (see note 12) Please insert a complete list of all officers in post at the end of the year to which this return relates. Name of Officer Position held Lynda Graham President Helen de Main Secretary Karen Vaughan Treasurer Fadzai Mwakutuya Hamburgh Executive Member Janie Nicoll Executive Member Lilian Ptacek -
Saturday 30Th November 2019 at 10.00Am
Est. 1933 Fine Art and Antiques Saturday 30th November 2019 at 10.00am Auctioneers & Valuers Est. 1933 Saturday 30th November 2019 at 10.00am Sale of Georgian, Victorian and Edwardian Furniture, Ceramics, Silver, Jewellery, Gold Coins, Glass, Ivory, Bronzes, Oriental Ceramics, Militaria, Fine and Contemporary Art. Viewing Preview Evening Tuesday 26th November 6.00pm - 8.00pm Wednesday 27th November 9.00am - 5.00pm Thursday 28th November 9.00am - 5.00pm Friday 29th November 9.00am - 4.30pm and morning of sale from 8.00am Within Auction Galleries 22 Smith Street, Ayr KA7 1TF IMPORTANT NOTICE RELATING TO THIS SALE All lots must be paid for and collected from Thomas R Callan Ltd, Auction Galleries, 22 Smith Street, Ayr, KA7 1TF by Wednesday 4th December at 4.00pm. If a purchaser fails to collect goods without prior arrangement, Callans will store goods at £5.00 per lot per week and release lots only after full payment including all costs in connection with the lot. If you are paying in person, payment is accepted by cash or debit/credit card (we no longer offer payment by cheque). For purchasers not present we no longer accept any card payments - credit or debit cards. All payments must be made by Bank Transfer or Bankers Draft. Our bank details will be attached to all invoices. Payment must be made within five working days. Goods will not be released until all payments have been cleared. We are pleased to offer a packing and postage service via Royal Mail. However, the insurance cover provided is limited. For a fully insured service we recommend Mail Boxes, they will collect, professionally pack and despatch your purchases to any UK or International address. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: • This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. • A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. • This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. • The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. • When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Systems in the Post-War Art School: Basic Design, Groundcourse and Hornsey Catherine Sloan VOLUME I PhD The University of Edinburgh 2013 1 THE UNIVERSITY OF EDINBURGH ABSTRACT OF THESIS Regulation 3.1.14 of the Postgraduate Assessment Regulations for Research Degrees refers These regulations are available via: http://www.ed.ac.uk/schools-departments/academic- services/policies-regulations/regulations/assessment Name of Candidate: Catherine Sloan Address : 10/2 Dalmeny Street, Edinburgh Postal Code: EH6 8RA Degree: Doctor of Philosophy Title of Thesis: Systems in the Post-War Art School: Basic Design, Groundcourse and Hornsey No. of words in the main text of Thesis: 85,000 This thesis makes the first sustained attempt to locate post-war British art school pedagogy in relation to systems-inspired cultural practice after World War II. -
ABBIE James Lockhart ADAM James ADAMS Joseph B. Burntisland 13.11.1919 D. Cupar 1953 B. Larkhall Crossgates Primrose Hibernian
ABBIE James Lockhart ADAM James ADAMS Joseph b. Burntisland 13.11.1919 d. Cupar 1953 b. Larkhall Crossgates Primrose Hibernian 12/13 4 1 Petershill Partick T 36/37 3 13/14 5 1 Cowdenbeath 32/33 25 37/38 Abercorn 13/14 D2 Queen of the South 33/34 38/39 Coleraine T 33/34 IL Alloa A 46/47 D2 ADAM William Shelbourne 33/34 LI b. Paisley ABBOTT James St Mirren 22/23 2 1 ADAMS Nathaniel J & P Coats 23/24 23 13 ASL b. Belfast 29.9.1891 Inverkeithing U 24/25 34 3 ASL Distillery 10/11 IL Raith R 15/16 14 1 25/26 30 18 ASL 11/12 IL 16/17 21 5 26/27 18 7 ASL 12/13 IL 17/18 27/28 43 7 ASL 13/14 IL Heart of Midlothian 18/19 6 28/29 30 ASL 14/15 IL Raith R 19/20 3 Pawtucket Rangers 29A 18 4 ASL Cliftonville 15/16 IL 29/30 23 3 ASL 16/17 IL ABBOTT Joseph 30A 27 2 ASL 17/18 IL 31S 1 ASL Motherwell 18/19 1 Third Lanark 95/96 1 Cliftonville 19/20 IL Galston 95/96 ADAMS Andrew 20/21 IL 96/97 21/22 IL 97/98 Rutherglen Glencairn 22/23 IL 98/99 Arbroath 35/36 21 1 23/24 IL 99/00 36/37 36 2 24/25 IL 00/01 37/38 38 1 Portadown 25/26 IL 38/39 38 10 ABERCROMBIE ADAMS Peter M ADAMS David Robertson b.