The Prickly Problems of Pornography Wihard M
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Peep Behind the Curtain – the Impact of Pornography
Peep Behind the Curtain – the Impact of Pornography What is the scope of the issue? Research of popular pornography films found that 88% of the scenes- not just the movies, but the scenes in these movies- there was verbal and physical aggression, usually toward a woman. The more interesting finding is that 95% of the time when someone is violent with another person in porn, usually a man toward a woman, the recipient is shown as either liking that violence or having no objection. Ana J. Bridges, “Pornography’s Effects on Interpersonal Relationships,” in The Social Costs of Pornography, eds. James R. stoner and Donna M. Hughes (Princeton, NJ: Witherspoon Institute, 2010), doi: 10.1177/1077801210382866 Researchers coded 269 mainstream videos that were uploaded to PornHub between 2008 and 2016. PornHub was chosen because it is one of the world’s top adult websites and the 36th most visited site on the internet in 2017, with more than 81 million daily visits. Pornhub reports that in 2016, people watched 4.6 billion hours of pornography on its site alone; 61% of visits occurred via smartphone. In 2017 alone, Pornhub got 28.5 billion visits. That’s almost 1,000 visits a second, or 78.1 million a day—way more than the population of the entire United Kingdom. That number has since jumped to 33.5 billion site visits in 2018. Pornhub, “Pornhub’s 2016 Year in Review,” (2016). Eleven pornography sites are among the world’s top 300 most popular Internet sites. The most popular such site “xvideo”, at number 18, outranks the likes of eBay, MSN, and Netflix. -
Obscenity: Legal and Moral Aspects
Obscenity: Legal and Moral Aspects by Robert Pelkington, O.P. Introduction The problem of ob cenity is basically a problem of non-definition. Neither Canon Law nor Civil Law give a preci e definition. The former proscribes obscene books- leaving the definition of obscenity or pornography up to common parlance and the latter in this country is still in an evolving state. The reason for the problem of obscurity concerning obscenity is complex. The problem begins to be muddled when one takes into account the objective element- the printed matter (I am limiting this article to the printed matter) and the subjective element- the reader with diver e moral, social and educational development living within a pluralistic society. The notion of obscenity i also entwined in the historical milieu a milieu which has seen the pendulum swing from one extreme of forbidding perfectly sound books on sex education less than fifty years ago to the other extreme of permitting blatant pornography to be printed because is contains "some redemptive value." Still further, the problem of the writer to have freedom of expres sion- inherent in our Constitution- and the reader freedom of access to this material, mu t also be taken into account. In spite of the complexity of the problem, the picture is far from pessimistic and futile. Advancements have been made by the courts and contemporary moralists have been keeping abreast of changes of attitude and legal norms in applying principles of Christian morality. Before entering into a discussion of the legal and moral aspects of obscenity, the question of whether a government has any right to interfere in a citizen's reading habits must be tackled first. -
73-557 Vs ) ) State Dp Georgia
LIBRARY LIBRARY court, u. t» EME COURT. U. fe B.R&S qi jpT, VJ. In the c*.1 Supreme Court of tfjc fStuteb states BILLY JENKINS, Appellant ) ) No. 73-557 VS ) ) STATE DP GEORGIA Washington, D. C. April 15, 197^ Pages 1 thru 38 Ars MARSHAL'S Duplication or copying of this transcript U. by photographic, electrostatic or other facsimile means is prohibited under the Z order form agreement. is OFFICE PH 7*1 HOOVER REPORTING COMPANY, INC. Official ^Reporters Washington, D. C. 546-6666 IN THE SUPREME COURT OP THE UNITED STATES SILLY JENKINS, Appellant v. No. 73-557 STATE OP GEORGIA Washington, D. C. Monday, April 15, 1974 The above-entitled matter came on for argument at 10:47 o’clock a.m. BEFORE: WARREN E. BURGER, Chief Justice of the United States WILLIAM 0. DOUGLAS, Associate Justice WILLIAM J. BRENNAN, JR., Associate Justice POTTER STEWART, Associate Justice BYRON R. WHITE, Associate Justice THURG00D MARSHALL, Associate Justice HARRY A. BLACKMUN, Associate Justice LEWIS F. POWELL, JR., Associate Justice WILLIAM H. REHNQUIST, Associate Justice APPEARANCES: LOUIS NIZER, ESQ., 477 Madison Avenue, New York, New York 10022 For the Appellant TONY H. RIGHT, ESQ., Executive Director, District Attorneys Association of Georgia, Suite 406, 501 Pulliam St. Atlanta, Georgia 30312 For Appellee ORAL ARGUMENT 0?: LOUIS NIZER, ESQ. For the Appellant TONY H. RIGHT, ESQ. For the Appellee 3 PROCEEDINGS MR. CHIEF JUSTICE BURGER: We will hear arguments next in No. 73-5573 Billy Jenkins versus the State of Georgia. Mr. Nizer, you may proceed whenever you are ready. ORAL ARGUMENT OF LuUIS NIZER, ESQ. -
Hair: the Performance of Rebellion in American Musical Theatre of the 1960S’
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Winchester Research Repository University of Winchester ‘Hair: The Performance of Rebellion in American Musical Theatre of the 1960s’ Sarah Elisabeth Browne ORCID: 0000-0003-2002-9794 Doctor of Philosophy December 2017 This Thesis has been completed as a requirement for a postgraduate research degree of the University of Winchester MPhil/PhD THESES OPEN ACCESS / EMBARGO AGREEMENT FORM This Agreement should be completed, signed and bound with the hard copy of the thesis and also included in the e-copy. (see Thesis Presentation Guidelines for details). Access Permissions and Transfer of Non-Exclusive Rights By giving permission you understand that your thesis will be accessible to a wide variety of people and institutions – including automated agents – via the World Wide Web and that an electronic copy of your thesis may also be included in the British Library Electronic Theses On-line System (EThOS). Once the Work is deposited, a citation to the Work will always remain visible. Removal of the Work can be made after discussion with the University of Winchester’s Research Repository, who shall make best efforts to ensure removal of the Work from any third party with whom the University of Winchester’s Research Repository has an agreement. Agreement: I understand that the thesis listed on this form will be deposited in the University of Winchester’s Research Repository, and by giving permission to the University of Winchester to make my thesis publically available I agree that the: • University of Winchester’s Research Repository administrators or any third party with whom the University of Winchester’s Research Repository has an agreement to do so may, without changing content, translate the Work to any medium or format for the purpose of future preservation and accessibility. -
Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2017 Hippieland: Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood Kevin Mercer University of Central Florida Part of the History Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Mercer, Kevin, "Hippieland: Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood" (2017). Electronic Theses and Dissertations, 2004-2019. 5540. https://stars.library.ucf.edu/etd/5540 HIPPIELAND: BOHEMIAN SPACE AND COUNTERCULTURAL PLACE IN SAN FRANCISCO’S HAIGHT-ASHBURY NEIGHBORHOOD by KEVIN MITCHELL MERCER B.A. University of Central Florida, 2012 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2017 ABSTRACT This thesis examines the birth of the late 1960s counterculture in San Francisco’s Haight-Ashbury neighborhood. Surveying the area through a lens of geographic place and space, this research will look at the historical factors that led to the rise of a counterculture here. To contextualize this development, it is necessary to examine the development of a cosmopolitan neighborhood after World War II that was multicultural and bohemian into something culturally unique. -
Outrageous Opinion, Democratic Deliberation, and Hustler Magazine V
VOLUME 103 JANUARY 1990 NUMBER 3 HARVARD LAW REVIEW THE CONSTITUTIONAL CONCEPT OF PUBLIC DISCOURSE: OUTRAGEOUS OPINION, DEMOCRATIC DELIBERATION, AND HUSTLER MAGAZINE V. FALWELL Robert C. Post TABLE OF CONTENTS PAGE I. HUSTLER MAGAZINE V. FALWELL ........................................... 6o5 A. The Background of the Case ............................................. 6o6 B. The Supreme Court Opinion ............................................. 612 C. The Significance of the Falwell Opinion: Civility and Intentional Infliction of Emotional Distress ..................................................... 616 11. THE FIRST AMENDMENT AND PUBLIC DISCOURSE ............................. 626 A. Public Discourse and Community ........................................ 627 B. The Structure of Public Discourse ............... ..................... 633 C. The Nature of Critical Interaction Within Public Discourse ................. 638 D. The First Amendment, Community, and Public Discourse ................... 644 Im. PUBLIC DISCOURSE AND THE FALIWELL OPINION .............................. 646 A. The "Outrageousness" Standard .......................................... 646 B. The Distinction Between Speech and Its Motivation ........................ 647 C. The Distinction Between Fact and Opinion ............................... 649 i. Some Contemporary Understandings of the Distinction Between Fact and Opinion ............................................................ 650 (a) Rhetorical Hyperbole ............................................. 650 (b) -
The Obscenity Terms of the Court
Volume 17 Issue 3 Article 1 1972 The Obscenity Terms of the Court O. John Rogge Follow this and additional works at: https://digitalcommons.law.villanova.edu/vlr Part of the Constitutional Law Commons, Criminal Law Commons, and the First Amendment Commons Recommended Citation O. J. Rogge, The Obscenity Terms of the Court, 17 Vill. L. Rev. 393 (1972). Available at: https://digitalcommons.law.villanova.edu/vlr/vol17/iss3/1 This Article is brought to you for free and open access by Villanova University Charles Widger School of Law Digital Repository. It has been accepted for inclusion in Villanova Law Review by an authorized editor of Villanova University Charles Widger School of Law Digital Repository. Rogge: The Obscenity Terms of the Court Villanova Law Review VOLUME 17 FEBRUARY 1972 NUMBER 3 THE OBSCENITY TERMS OF THE COURT 0. JOHN ROGGEt I. OVERVIEW OF THE 1970-1971 SUPREME COURT OBSCENITY DECISIONS AT ITS OCTOBER 1970-JUNE 1971 TERM, the Supreme Court of the United States had the incredible number of 61 obscenity cases on its docket,' if one includes two cases which involved the use of the four-letter word for the sexual act, in the one case by itself,' and in the other instance with the further social message that this is what one should do with the draft.' These are more such cases than at any previous term, or number of terms for that matter. No less than five of the 61 cases involved the film, I Am Curious (Yellow). Other cases involved such varied forms of expression and entertainment as the fol- lowing: Language of Love, a Swedish -
Hair for Rent: How the Idioms of Rock 'N' Roll Are Spoken Through the Melodic Language of Two Rock Musicals
HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Music Eryn Stark August, 2015 HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS Eryn Stark Thesis Approved: Accepted: _____________________________ _________________________________ Advisor Dean of the College Dr. Nikola Resanovic Dr. Chand Midha _______________________________ _______________________________ Faculty Reader Interim Dean of the Graduate School Dr. Brooks Toliver Dr. Rex Ramsier _______________________________ _______________________________ Department Chair or School Director Date Dr. Ann Usher ii TABLE OF CONTENTS Page LIST OF TABLES ............................................................................................................. iv CHAPTER I. INTRODUCTION ............................................................................................................1 II. BACKGROUND OF THE STUDY ...............................................................................3 A History of the Rock Musical: Defining A Generation .........................................3 Hair-brained ...............................................................................................12 IndiffeRent .................................................................................................16 III. EDITORIAL METHOD ..............................................................................................20 -
Reviewed Books
REVIEWED BOOKS - Inmate Property 6/27/2019 Disclaimer: Publications may be reviewed in accordance with DOC Administrative Code 309.04 Inmate Mail and DOC 309.05 Publications. The list may not include all books due to the volume of publications received. To quickly find a title press the "F" key along with the CTRL and type in a key phrase from the title, click FIND NEXT. TITLE AUTHOR APPROVEDENY REVIEWED EXPLANATION DOC 309.04 4 (c) 8 a Is pornography. Depicts teenage sexuality, nudity, 12 Beast Vol.2 OKAYADO X 12/11/2018 exposed breasts. DOC 309.04 4 (c) 8 a Is pornography. Depicts teenage sexuality, nudity, 12 Beast Vol.3 OKAYADO X 12/11/2018 exposed breasts. Workbook of Magic Donald Tyson X 1/11/2018 SR per Mike Saunders 100 Deadly Skills Survivor Edition Clint Emerson X 5/29/2018 DOC 309.04 4 (c) 8 b, c. b. Poses a threat to the security 100 No-Equipment Workouts Neila Rey X 4/6/2017 WCI DOC 309.04 4 (c) 8 b. b Teaches fighting techniques along with general fitness DOC 309.04 4 (c) 8 b, c. b. Is inconsistent with or poses a threat to the safety, 100 Things You’re Not Supposed to Know Russ Kick X 11/10/2017 WCI treatment or rehabilitative goals of an inmate. 100 Ways to Win a Ten Spot Paul Zenon X 10/21/2016 WRC DOC 309.04 4 (c) 8 b, c. b. Poses a threat to the security 100 Years of Lynchings Ralph Ginzburg X reviewed by agency trainers, deemed historical Brad Graham and 101 Spy Gadgets for the Evil Genuis Kathy McGowan X 12/23/10 WSPF 309.05(2)(B)2 309.04(4)c.8.d. -
Title 175. Oklahoma State Board of Cosmetology Rules
TITLE 175. OKLAHOMA STATE BOARD OF COSMETOLOGY RULES AND REGULATIONS TABLE OF CONTENTS Section Page Chapter 1. Administrative Operations 1-7 Subchapter 1. General Provisions 175:1-1-1 1 Subchapter 3. Board Structure and Agency Administration 175:1-3-1 2 Subchapter 5. Rules of Practice 175:1-5-1 3 Subchapter 7. Board Records and Forms 175:1-7-1 7 Chapter 10. Licensure of Cosmetologists and Related Establishments 7-51 Subchapter 1. General Provisions 175:10-1-1 7 Subchapter 3. Licensure of Cosmetology Schools 175:10-3-1 7 Subchapter 5. Licensure of Cosmetology Establishments 175:10-5-1 33 Subchapter 7. Sanitation and Safety Standards for Salons, 175:10-9-1 34 And Related Establishments Subchapter 9. Licensure of Cosmetologists and Related 175:10-9-1 39 Occupations Subchapter 11. License Renewal, Fees and Penalties 175:10-11-1 48 Subchapter 13. Reciprocal and Crossover Licensing 175:10-13-1 49 Subchapter 15. Inspections, Violations and Enforcement 175:10-15-1 50 Subchapter 17. Emergency Cosmetology Services 175:10-17-1 51 [Source: Codified 12-31-91] [Source: Amended: 7-1-93] [Source: Amended 7-1-96] [Source: Amended 7-26-99] [Source: Amended: 8-19-99] [Source: Amended 8-11-00] [Source: Amended 7-1-03] [Source: Amended 7-1-04] [Source: Amended 7-1-07] [Source: Amended 7-1-09] [Source: Amended 7-1-2012] COSMETOLOGY LAW Cosmetology Law - Title 59 O.S. Sections 199.1 et seq 52-63 State of Oklahoma Oklahoma State Board of Cosmetology I, Sherry G. Lewelling, Executive Director and the members of the Oklahoma State Board of Cosmetology do hereby certify that the Oklahoma Cosmetology Law, Rules and Regulations printed in this revision are true and correct. -
The Sixties Counterculture and Public Space, 1964--1967
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 2003 "Everybody get together": The sixties counterculture and public space, 1964--1967 Jill Katherine Silos University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation Silos, Jill Katherine, ""Everybody get together": The sixties counterculture and public space, 1964--1967" (2003). Doctoral Dissertations. 170. https://scholars.unh.edu/dissertation/170 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Cold War Anticommunism and the Long Civil Rights Movement in America by Kierstin Stewart a Thesis Submitted To
The Black Scare: Cold War Anticommunism and the Long Civil Rights Movement in America By Kierstin Stewart A thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfillment of the requirements for the MA degree in History University of Ottawa © Kierstin Stewart, Ottawa, Canada, 2016 ii Table of Contents Introduction………………............................................................................................................v Chapter One: The “Exaggerated” American: Strategy Split and Subversion................................1 Chapter Two: Black Culture and Subversion...............................................................................48 Chapter Three: The Death of the “Exaggerated” American.........................................................96 Epilogue......................................................................................................................................134 Bibliography...............................................................................................................................148 iii Abstract This thesis discusses the impact of the Cold War on the Long African American Civil Rights Movement in the US from 1945 into the early 1970s. I seek to address the historiography that argues that the Cold War was an animating or galvanizing force behind the Civil Rights movement. I argue that black strategies of activism and black thought during the long civil rights era were directly or indirectly influenced by Cold War politics. Strategies towards freedom