The IDA Announces 2011 Nominations and Honorees for the 2011 IDA Documentary Awards
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Don't Try This at Home: Lessons from America's War on Drugs
Transcript Don’t Try This at Home: Lessons from America’s War on Drugs Eugene Jarecki Filmmaker; Director, The House I Live In Chair: Professor Alex Stevens Professor in Criminal Justice and Deputy Head of School, School of Social Policy, Sociology and Social Research, University of Kent 21 May 2013 The views expressed in this document are the sole responsibility of the author(s) and do not necessarily reflect the view of Chatham House, its staff, associates or Council. Chatham House is independent and owes no allegiance to any government or to any political body. It does not take institutional positions on policy issues. This document is issued on the understanding that if any extract is used, the author(s)/ speaker(s) and Chatham House should be credited, preferably with the date of the publication or details of the event. Where this document refers to or reports statements made by speakers at an event every effort has been made to provide a fair representation of their views and opinions, but the ultimate responsibility for accuracy lies with this document’s author(s). The published text of speeches and presentations may differ from delivery. Transcript: Lessons from America’s War on Drugs Alex Stevens: Good evening, everyone. Welcome to this fascinating event at Chatham House. My name is Alex Stevens; I’ll be chairing the event. I’m professor in criminal justice at the University of Kent and I’ve been working with Chatham House for the last year or so on their project on drugs and organized crime. I’m also a board member of the International Society for the Study of Drug Policy, and I’m just back from Bogota, Colombia, where we had our annual conference and discussed many of the issues that Eugene’s fascinating film touches upon. -
The King Premieres on Independent Lens Monday, January 28 on PBS
FOR IMMEDIATE RELEASE CONTACT Tanya Leverault, ITVS 415-356-8383 [email protected] Mary Lugo 770-623-8190 [email protected] Cara White 843-881-1480 [email protected] For downloadable images, visit pbs.org/pressroom The King Premieres on Independent Lens Monday, January 28 on PBS Climb into Elvis’s 1963 Rolls-Royce for a Musical Road Trip and Timely Meditation on Modern America Online Streaming Begins January 29 (San Francisco, CA) — Forty years after the death of Elvis Presley, two-time Sundance Grand Jury winner Eugene Jarecki takes the King’s 1963 Rolls-Royce on a musical road trip across America. From Tupelo to Memphis to New York, Las Vegas, and countless points between, the journey explores the rise and fall of Elvis as a metaphor for the country he left behind. What emerges is a visionary portrait of the state of the American dream and a penetrating look at how the hell we got here. The King premieres on Independent Lens Monday, January 28, 2019, 9:00-10:30PM ET (check local listings) on PBS. Far more than a musical biopic, The King is a snapshot of Credit: David Kuhn America at a critical time in the nation’s history. Tracing Elvis’ life and career from his birth and meteoric rise in the deep south to his tragic and untimely end in Hollywood and Las Vegas, The King covers a vast distance across contemporary America, painting a parallel portrait of the nation’s own heights and depths, from its inspired origins to its perennial struggles with race, class, power, and money. -
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J. -
Program Guide
PROGRAM GUIDE AUSTRALIAN 1-4 MARCH 2020 INTERNATIONAL STATE LIBRARY DOCUMENTARY VICTORIA CONFERENCE MELBOURNE WELCOME04 AIDC DELEGATE HUB07 SCREENRIGHTS INDUSTRY LOUNGE09 LEADING LIGHTS10 ACCESS11 15 01 THE FACTORY SPECIAL PITCHES57 DECISION MAKERS69 CANADIAN DELEGATION87 VISITOR INFO97 98 02 VENUES SCREENINGS & TALKS99 MAPS100 SCHEDULE102 APP 110 CREDITS111 01 SMALL ISLAND BIG SONG COVER: 02 BOWLED OVER 03 FIRESTARTER – THE STORY OF BANGARRA 03 THE CAVE WELCOME TO AIDC 2020 COLLECTIVE INTELLIGENCE As we come together to celebrate AIDC 2020, we do so with a bittersweet awareness of how the recent past has shaped the present moment. This conference, established by a group of documentarians over 30 years ago, is the product of the hard work and support of many Australians. As we launch this year’s event, we want to recognise all the people who prepared and planned for it amidst the smoky haze of the Australian bushfires, itself an unrelenting reminder of the tragic and unprecedented loss of human, ALICE BURGIN MARTIN FOLEY MP CAROLINE PITCHER FIONA GILROY & SUSIE JONES CONFERENCE DIRECTOR animal and plant life that has marked this period. MINISTER FOR CREATIVE CEO CO-CHAIRS AIDC INDUSTRIES FILM VICTORIA AIDC BOARD OF DIRECTORS The overwhelming local and global community response to Australia’s plight is a shining example of what has guided us in developing our motif for the year. ‘Collective As we head into a new decade, Documentary films are real Welcome to the 33rd AIDC. quality factual content and stories with the power to create This year’s conference theme Intelligence’ incorporates ideas around collective courageous storytelling are more dialogue, encourage action of ‘Collective Intelligence’ brings movements, of coming together to solve problems, and important than ever. -
FOR IMMEDIATE RELEASE CONTACT Voleine Amilcar 415
FOR IMMEDIATE RELEASE CONTACT Voleine Amilcar 415-356-8383 x 244 [email protected] Mary Lugo 770-623-8190 [email protected] Cara White 843-881-1480 [email protected] For downloadable images, visit pbs.org/pressroom/ THE HOUSE I LIVE IN PREMIERES ON INDEPENDENT LENS ON MONDAY, APRIL 8, 2013 “I’d hate to imply that it’s your civic duty to see The House I Live In, but guess what — it is.” — Ty Burr, The Boston Globe (San Francisco, CA) — Winner of the Grand Jury Prize at the Sundance Film Festival, Eugene Jarecki’s The House I Live In builds a compelling case for the complete failure of America’s war on drugs. For the past forty years, the war on drugs has resulted in more than 45 million arrests, one trillion dollars in government spending, and America’s role as the world’s largest jailer. Yet for all that, drugs are cheaper, purer, and more available than ever. Filmed in more than twenty states, The House I Live In captures heart-wrenching stories from those on the front lines — from the dealer to the grieving mother, the narcotics officer to the senator, the inmate to the federal judge — and offers a penetrating look at the profound human rights implications of America’s longest war. The House I Live In premieres on Independent Lens, hosted by Stanley Tucci, on Monday, April 8, 2013 at 10 PM on PBS (check local listings). The film recognizes drug abuse as a matter of public health, and investigates the tragic errors and shortcomings that have resulted from framing it as an issue for law enforcement. -
Exploring Theories of Hate 19 Sources 22 Video Review – While Viewing (ANSWER KEY) 23
TABLE OF CONTENTS Video Summary & Related Content 3 Video Review 4 Before Viewing 5 While Viewing 6 Talk Prompts 8 After Viewing 11 The Story 13 ACTIVITY: Exploring Theories of Hate 19 Sources 22 Video Review – While Viewing (ANSWER KEY) 23 CREDITS News in Review is produced by Visit www.curio.ca/newsinreview for an archive CBC NEWS and curio.ca of all previous News In Review seasons. As a companion resource, go to www.cbc.ca/news GUIDE for additional articles. Writer: Jennifer Watt Editor: Sean Dolan CBC authorizes reproduction of material Additional editing: Michaël Elbaz contained in this guide for educational VIDEO purposes. Please identify source. Host: Michael Serapio News In Review is distributed by: Senior Producer: Jordanna Lake curio.ca | CBC Media Solutions Supervising Manager: Laraine Bone © 2020 Canadian Broadcasting Corporation EXPOSING HATE: Are Hate Crimes on the Rise in Canada? Video duration – 12:33 A CBC News investigation discovered that there were nearly 1,800 hate crimes reported to Canadian police last year. But that number likely doesn’t tell the whole story. Inaccurate reporting and different classifications make a true calculation nearly impossible. Nonetheless, hate seems to be growing across this country. But no place more so than Hamilton, Ontario, which has the infamous title of being the hate crime capital of Canada. Has that city become a cautionary tale for the rest of Canada? And then there’s the internet. How is hate speech being fought online? Related Content on curio.ca • News in Review, October 2018 -
Paperny Films Fonds
Paperny Films fonds Compiled by Melanie Hardbattle and Christopher Hives (2007) Revised by Emma Wendel (2009) Last revised May 2011 University of British Columbia Archives Table of Contents Fonds Description o Title / Dates of Creation / Physical Description o Administrative History o Scope and Content o Notes Series Descriptions o Paperny Film Inc. series o David Paperny series o A Canadian in Korea: A Memoir series o A Flag for Canada series o B.C. Times series o Call Me Average series o Celluloid Dreams series o Chasing the Cure series o Crash Test Mommy (Season I) series o Every Body series o Fallen Hero: The Tommy Prince Story series o Forced March to Freedom series o Indie Truth series o Mordecai: The Life and Times of Mordecai Richler series o Murder in Normandy series o On the Edge: The Life and Times of Nancy Greene series o On Wings and Dreams series o Prairie Fire: The Winnipeg General Strike of 1919 series o Singles series o Spring series o Star Spangled Canadians series o The Boys of Buchenwald series o The Dealmaker: The Life and Times of Jimmy Pattison series o The Life and Times of Henry Morgentaler series o Titans series o To Love, Honour and Obey series o To Russia with Fries series o Transplant Tourism series o Victory 1945 series o Brewery Creek series o Burn Baby Burn series o Crash Test Mommy, Season II-III series o Glutton for Punishment, Season I series o Kink, Season I-V series o Life and Times: The Making of Ivan Reitman series o My Fabulous Gay Wedding (First Comes Love), Season I series o New Classics, Season II-V series o Prisoner 88 series o Road Hockey Rumble, Season I series o The Blonde Mystique series o The Broadcast Tapes of Dr. -
Corporate Plan Summary 2007–2008 | 2011–2012 New Technologies
WHAT’S NEXT? HOW WE’RE MEETING THE CHANGING NEEDS OF CANADIANS>> CORPORATE PLAN SUMMARYCORPORATE 2007–2008 | 2011–2012 NEW TECHNOLOGIES. NEW EXPECTATIONS. NEW OPPORTUNITIES. HERE THEY COME>> IN AN ERA OF CONSTANTLY ACCELERATING CHANGE, WHAT IS THE ROLE OF THE NATIONAL PUBLIC BROADCASTER? WE BELIEVE WE MUST NOT ONLY ADAPT TO CHANGE, BUT LEAD IT. WE’RE ACHIEVING THIS BY CONTINUALLY RENEWING OUR PROGRAMMING TO BETTER REFLECT AN INCREASINGLY DIVERSE SOCIETY. AND WE’RE MAKING THIS PROGRAMMING AVAILABLE TO MORE CANADIANS IN MORE WAYS THAN EVER BEFORE THROUGH TRADITIONAL TELEVISION AND RADIO, INTERNET, SATELLITE RADIO, PODCASTS, STREAMING VIDEO FOR CELL PHONES AND PDAS, AND MUCH MORE. TABLE OF CONTENTS President’s Message . 2 Executive Summary . 5 1. Operating Environment . 13 2. Corporate Planning and Strategy . 21 3. Financial Plan . 37 Appendices . 39 PRESIDENT AND CEO’S MESSAGE>> MAINTAINING OUR CENTRAL ROLE IN CANADIAN CULTURAL LIFE>> CBC | Radio-Canada is Canada’s deserve in the rapidly evolving most significant cultural broadcasting environment, the Corporation needs a new and institution. It is indispensable effective long-term contract in bringing citizens together and with Canadians. in communicating this country’s Change is coming in many forms values and stories to Canadians in Canadian broadcasting – new technologies, new services, new within Canada and around the financial models, new audience world. We unite Canadians by groupings, and new industry offering high-quality Canadian structures. Each of these types programming that reflects this of change must be faced squarely by the Corporation if it is to country and its regions on all continue to play its central role available platforms, wherever as Canada’s national public and whenever Canadians want it. -
Eugene Jarecki's
26 CHICAGO READER | FEBRUARY 17, 2006 | SECTION ONE Letters continued from page 3 No More Find it! Where That Came From Dear sirs: Z Michael Miner’s excellent overview of the issues involving Great Lakes water resources [“They Need It. We Waste It,” January 13] left out one pertinent fact: The New Reader Classifieds 90 percent of all the water chicagoreader.com | section 4 in the five lakes is the result of runoff from receding glaciers during the time when the Ice Age ended. Thus in the intervening 10,000 years only 10 percent of the water volume of the Great Lakes is due to rainfall and inflow from rivers and streams. The inadvisability of any large-scale diversion of Great Lakes water to both future freshwater supplies and to commercial navigation is obvious. All of us who are residents of the Great Lakes basin, whether Canadian or American, should take an active role in advocating for the passage of the Great Lakes- Saint Lawrence River Basin Water Resources Compact by contacting our respective elected representatives. Chet Alexander Alsip PS: This is not a new issue. While vacationing in a number of western states in 1982 and 1984 (both election years) I read and heard of a number of candidates for public office who advocated diverting Great Lakes water to the west. One proposal envisioned the construction of a pipeline from the western tip of Lake Superior at Duluth, Minnesota, that would supply water to the Dakotas, Montana, and Wyoming. Weekly Wackadoo Hola, I must tell you of my intense pleasure, which is your weekly columnist gone wackadoo .. -
Iraq War Documentaries in the Online Public Sphere
Embedded Online: Iraq War Documentaries in the Online Public Sphere Eileen Culloty, MA This thesis is submitted to Dublin City University for the award of PhD in the Faculty of Humanities and Social Sciences. Dublin City University School of Communications Supervisor: Dr. Pat Brereton September 2014 I hereby certify that this material, which I now submit for assessment on the programme of study leading to the award of Doctor of Philosophy is entirely my own work, that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed: ___________ ID No.: ___________ Date: _________ ii DEDICATION This work is dedicated to the memory of Martin Culloty. … I go back beyond the old man Mind and body broken To find the unbroken man. It is the moment before the dance begins. Your lips are enjoying themselves Whistling an air. Whatever happens or cannot happen In the time I have to spare I see you dancing father Brendan Kennelly (1990) ‘I See You Dancing Father’ iii TABLE OF CONTENTS ABSTRACT ............................................................................................................................ vii LIST OF FIGURES ................................................................................................................ viii ABBREVIATIONS ................................................................................................................... -
'Freakonomics' Documentary May Be a Rarity: Profitable
April 4, 2010 ‘Freakonomics’ Documentary May Be a Rarity: Profitable By MICHAEL CIEPLY If Steven D. Levitt and Stephen J. Dubner, the authors of “Freakonomics,” were to examine the movie business, they might ask: Why do documentary filmmakers keep doing it? It can’t be the money, because the world is awash in documentaries that make little at the box office or are not distributed at all. Occasionally, though, a documentary makes a buck for those involved — and the new documentary based on “Freakonomics” could do just that. Magnolia Pictures is expected to announce on Monday that it has acquired domestic distribution rights to the film, which was produced by the Green Film Company and directed, in parts, by a series of well-known documentarians. Those include Alex Gibney ( “Taxi to the Dark Side” ), Rachel Grady and Heidi Ewing ( “Jesus Camp” ), Morgan Spurlock ( “Super Size Me” ), Eugene Jarecki ( “Why We Fight” ) and Seth Gordon ( “The King of Kong” ). “Freakonomics,” the film, got started when Chad Troutwine, a producer who worked on an earlier multidirector movie, “Paris, Je T’aime,” became interested in the best-selling book, which looks into matters like the socioeconomic implications of baby naming. Dan O’Meara, who with Chris Romano and Mr. Troutwine is a producer of “Freakonomics,” said the movie cost just under $3 million, which is not small potatoes in the documentary world. One financial hurdle, Mr. O’Meara said, was that the big-name filmmakers, unlike many on the festival circuit, actually had to be paid. Mr. O’Meara declined to say exactly how much each received, but all were paid the same, he said, and the amounts were “a pretty reasonable fee, above guild minimums.” Mr. -
Rafea: Solar Mama
RAFEA: SOLAR MAMA Noujaim Films Presents: RAFEA: SOLAR MAMA A film by Mona Eldaief & Jehane Noujaim Toronto International Film Festival 2012 DOC NYC 2012 : Special Jury Prize + Audience Award International Documentary Film Festival, Amsterdam 2012: Oxfam Global Justice Award Doha Tribeca International Film Festival 2012 Rafea is a Bedouin living on the Jordan-Iraq border. She and 30 illiterate grandmothers from around the world will travel to The Barefoot College in India to become Solar Engineers. If she succeeds, she will power her entire village, but can she re- wire the traditional minds of her Bedouin community? www.rafeasolarmama.com Mona Eldaief :[email protected] Jehane Noujaim : [email protected] RAFEA: SOLAR MAMA Synopsis “If we are going to see real development in the world then our best investment is women” -- Desmond Tutu Rafea is a Bedouin woman who lives with her four daughters in one of Jordan’s poorest desert villages on the Iraqi border. She is given a chance to travel to India to attend the Barefoot College, where illiterate mothers and grandmothers from around the world are trained in 6 months to be solar engineers. If Rafea succeeds, she will be able to electrify her village, train more engineers, and provide for her daughters. Even when she returns as the first female solar engineer in the country, her real challenge will have just begun. Will she find support for her new venture? Will she be able to inspire the other women in the village to join her and change their lives? And most importantly, will she be able to re-wire the traditional minds of some of the members of her Bedouin community that stand in her way? RAFEA: SOLAR MAMA Director’s Statement Wherever we come from, at one point in our lives, we have all been given a challenge that we doubted we were capable of.