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BIRMINGHAM MUSEUMS TRUST Seven-Year Plan 2016 –2023
BIRMINGHAM MUSEUMS TRUST Seven-Year Plan 2016 –2023 To reflect BIRMINGHAM to the world & the world to Birmingham 02 • SEVEN-YEAR PLAN CONTENTS • 04 “ By the gains of Industry we Contents promote Art” 04 BIRMINGHAM MUSEUMS TRUST 06 VISION 08 CORE PURPOSE 10 GUIDING PRINCIPLES 12 STRATEGIC PARTNERSHIP 14 ACHIEVING OUR GOALS 16 STRATEGIC AIMS 22 SIGNATURE PROJECTS 04 • BIRMINGHAM MUSEUMS TRUST BIRMINGHAM MUSEUMS TRUST • 05 BIRMINGHAM MUSEUMS Birmingham Museums Trust was We have secured several major set up in 2012 as an independent grants, and we have forged Trust charity to manage the city’s museum important new partnerships. collection and venues on behalf However, public funding is declining of Birmingham City Council (BCC). more rapidly than expected. Over Our two main sources of public the period of Birmingham Museums funding are BCC and Arts Council Trust’s existence the proportion of England (ACE). We earn over 60% income it represents has reduced of our turnover from a range of from around 50% to around 30%. sources: admission fees, membership Further reductions are probable in subscriptions, donations, trading the future. Birmingham Museums income, sponsorship and grants. Trust is a cultural business and We are successful on many fronts. we need to examine the options Our visitor numbers are growing for a new business model that and are up by 25% since we started accomodates reducing public operating to 1.2 million visits a year. funding. This Seven-Year Plan Our audiences are becoming more reflects the results of audience diverse. Our trading company’s research, staff consultation, and performance is improving year on discussions with Board members and year, yielding a return of 25% on our major stakeholders, BCC, ACE turnover of over £2 million. -
Annual Report 2016 / 17
Annual Report 2016 / 17 BMT_Annual Report 16/17.indd 1 03/11/2017 10:39 Reflecting Birmingham to the World, & the World to Birmingham Registered Charity Number: 1147014 Cover image © 2016 Christie’s Images Limited. Image p.24 © Vanley Burke. BMT_Annual Report 16/17.indd 2 03/11/2017 10:39 02 – 03 Birmingham Museums Trust is an independent CONTENTS educational charity formed in 2012. 04 CHAIR’S FOREWORD It cares for Birmingham’s internationally important collection of over 800,000 objects 05 DIRECTOR’S INTRODUCTION which are stored and displayed in nine unique venues including six Listed Buildings and one 06 OUR ACHIEVEMENTS Scheduled Ancient Monument. 08 AUDIENCES Birmingham Museums Trust is a company limited by guarantee. 12 SUPPORTERS 14 VENUES 15 Birmingham Museum & Art Gallery 16 Aston Hall 17 Blakesley Hall 18 Museum of the Jewellery Quarter 19 Sarehole Mill 20 Soho House 21 Thinktank Science Museum 22 Museum Collection Centre 23 Weoley Castle 24 COLLECTIONS 26 CURATORIAL 28 MAKING IT HAPPEN 30 TRADING 31 DEVELOPMENT 32 FINANCES 35 BOARD OF TRUSTEES 36 TALKS AND LECTURES BMT_Annual Report 16/17.indd 3 03/11/2017 10:39 Chair’s foreword Visitor numbers exceeded one million for the It is with pleasure that third year running, and younger and more diverse audiences visited our nine museums. Birmingham I present the 2016/17 Museum & Art Gallery was the 88th most visited art museum in the world. We won seven awards annual report for and attracted more school children to our venues Birmingham Museums than we have for five years. A Wellcome Trust funded outreach project enabled Trust. -
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Leah Tether and Laura Chuhan Campbell Early Book Collections and Modern Audiences: Harnessing the Identity/ies of Book Collections as Collective Resources This article summarizes and contextualizes the discussions of a workshop held at Durham University in November 2018. In this workshop, participants (includ- ing academics, students, independent scholars, special and rare books librarians, and archivists) discussed the notion of the collection (that is, the identity of collection as a whole, rather than just its constituent parts), and its potential to serve as a means of engaging both scholarly and public audiences with early book cultures. This study sets out a series of considerations and questions that might be used when tackling such special collections engagement projects, including ones involving more modern collections than the case studies examined here. In November 2018, the Institute for Medieval and Early Modern Studies at Durham University kindly funded a workshop to investigate the ways in which contemporary audiences have been, are being, and can become engaged with medieval and early- modern book culture through the provision and distribution of key resources. These resources range from published books to digital artefacts and editions; from replica teaching kits—such as scriptorium suitcases—to physical archives and repositories.1 The aim of the workshop, which was led by one of this article’s two authors (Leah Tether), was to build a picture of best practice to inform the teaching and commu- 1. The authors are grateful to Durham’s Institute for Medieval and Early Modern Studies for fund- ing the workshop, and to the administrators of the Residential Research Library Fellowships (jointly organized by Ushaw College and Durham University) that enabled Leah Tether to spend time in Durham in November 2018. -
Postgraduate Prospectus for 2014 Entry
Stimulating intellectual curiosity since 1900 Postgraduate Prospectus 2014 admissions ‘I chose Birmingham because of the area of research that was being studied in Susannah’s lab, which offered the chance to be right at the forefront of evolutionary research. Since starting at Birmingham I’ve found that the opportunities open to postgraduates are fantastic.’ Emily Saunders, PhD, School of Biosciences, pictured at Twycross Zoo with her supervisor Dr Susannah Thorpe, is working on gorilla locomotion with reference to understanding the evolution of human bipedalism. LEARN MORE www.birmingham.ac.uk/pgprofiles Welcome 3 Contents Welcome from the Vice-Chancellor 4 PROGRAMME LISTINGS Arts and Law Life and Environmental Sciences ESSENTIAL INFORMATION Our academic disciplines 6 Birmingham Law School 52 School of Biosciences 154 Which programme is right for you? 10 School of English, Drama and School of Geography, Earth Taught programmes 12 American & Canadian Studies 56 and Environmental Sciences 158 Research programmes 14 Fees 18 School of History and Cultures 73 School of Psychology 168 Funding 20 School of Languages, Cultures, School of Sport, Exercise Entry requirements 22 Art History and Music 93 and Rehabilitation Sciences 174 Making your application 24 School of Philosophy, Theology WHY CHOOSE BIRMINGHAM? and Religion 104 Medical and Dental Sciences How we measure up 26 An international institution 28 School of Cancer Sciences 184 The value of postgraduate study 30 Engineering and School of Clinical and Physical Sciences Help and support -
Zenobia Kozak Phd Thesis
=><9<@6;4 @52 =.?@! =>2?2>B6;4 @52 3A@A>2 , />6@6?5 A;6B2>?6@C 52>[email protected] 0<8820@6<;? .;1 612;@6@C 9.>72@6;4 DIQRFME 7R\EN . @LIUMU ?WFPMVVIH JRT VLI 1IKTII RJ =L1 EV VLI AQMXITUMV[ RJ ?V# .QHTIYU '%%* 3WOO PIVEHEVE JRT VLMU MVIP MU EXEMOEFOI MQ >IUIETGL-?V.QHTIYU,3WOO@IZV EV, LVVS,$$TIUIETGL"TISRUMVRT[#UV"EQHTIYU#EG#WN$ =OIEUI WUI VLMU MHIQVMJMIT VR GMVI RT OMQN VR VLMU MVIP, LVVS,$$LHO#LEQHOI#QIV$&%%'($)%+ @LMU MVIP MU STRVIGVIH F[ RTMKMQEO GRS[TMKLV @LMU MVIP MU OMGIQUIH WQHIT E 0TIEVMXI 0RPPRQU 8MGIQUI Promoting the past, preserving the future: British university heritage collections and identity marketing Zenobia Rae Kozak PhD, Museum and Gallery Studies 20, November 2007 Table of Contents List of Figures………………………………………………………………………………………………………………………1 List of Tables……………………………………………………………………………………………………………………….2 List of Acronyms and Abbreviations…………………………………………………………………………………......3 List of Appendices………………………………………………………………………………………………………………..4 Acknowledgements………………………………………………………………………………………………………………5 Abstract……………………………………………………..………………………………………………………………………7 1. Introduction: the ‘crisis’ of university museums…………………………………………...8 1.1 UK reaction to the ‘crisis’…………………………………………………………………………………………………9 1.2 International reaction to the ‘crisis’…………………………………………………………………………………14 1.3 Universities, museums and collections in the UK………………………………………………………………17 1.3.1 20th-century literature review…………………………………………………………………………………19 1.4 The future of UK university museums and collections………………………………………………………24 1.4.1 Marketing university museums -
אוסף מרמורשטיין the Marmorstein Collection
אוסף מרמורשטיין The Marmorstein Collection Brad Sabin Hill THE JOHN RYLANDS LIBRARY UNIVERSITY OF MANCHESTER Manchester 2017 1 The Marmorstein Collection CONTENTS Acknowledgements Note on Bibliographic Citations I. Preface: Hebraica and Judaica in the Rylands -Hebrew and Samaritan Manuscripts: Crawford, Gaster -Printed Books: Spencer Incunabula; Abramsky Haskalah Collection; Teltscher Collection; Miscellaneous Collections; Marmorstein Collection II. Dr Arthur Marmorstein and His Library -Life and Writings of a Scholar and Bibliographer -A Rabbinic Literary Family: Antecedents and Relations -Marmorstein’s Library III. Hebraica -Literary Periods and Subjects -History of Hebrew Printing -Hebrew Printed Books in the Marmorstein Collection --16th century --17th century --18th century --19th century --20th century -Art of the Hebrew Book -Jewish Languages (Aramaic, Judeo-Arabic, Yiddish, Others) IV. Non-Hebraica -Greek and Latin -German -Anglo-Judaica -Hungarian -French and Italian -Other Languages 2 V. Genres and Subjects Hebraica and Judaica -Bible, Commentaries, Homiletics -Mishnah, Talmud, Midrash, Rabbinic Literature -Responsa -Law Codes and Custumals -Philosophy and Ethics -Kabbalah and Mysticism -Liturgy and Liturgical Poetry -Sephardic, Oriental, Non-Ashkenazic Literature -Sects, Branches, Movements -Sex, Marital Laws, Women -History and Geography -Belles-Lettres -Sciences, Mathematics, Medicine -Philology and Lexicography -Christian Hebraism -Jewish-Christian and Jewish-Muslim Relations -Jewish and non-Jewish Intercultural Influences -
A4 4Pp Template PG
B1723 Difference Newsletter ST5 31/5/07 11:31 Page 1 The Dif ferenceHow your gifts have helped... Donor Newsletter June 2007 Issue 3 Donor s’ gifts preserve vital collections Priceless: This illuminated medieval manuscript from the late 14th Century is one of three million manuscripts held by Special Collections A priceless and internationally important collection of materials including more than 80,000 books and three million manuscripts is being preserved and developed thanks to donors’ gifts. The University’s Special Collections and Chancellor, Sir Dominic Cadbury; and their Archives have been built up over 120 years sister Veronica Wootten, continued the family’s and include irreplaceable items such as rare longstanding support of both the University first editions and political and historical papers. and Special Collections by granting £100,000 to the project. ‘Our Collections are truly outstanding and a unique selling point for the University and The Edward Cadbury Trust gave a the city,’ says Susan Worrall, Head of Special transformational gift of £1 million. Dr Charles History: Then Prime Minister Neville Chamberlain Collections and University Archivist. ‘We are Gillett represents the Trust and says: ‘The meets Adolf Hitler in an attempt to avert the Second World War fortunate to have some true treasures and project is very exciting and I look forward these generous gifts will help us secure their to the day when the new Muirhead Tower long-term care and conservation.’ is the University’s research hub .’ Just a few highlights of the University’s A fundraising project is under-way to improve Alumnus Alan Wilson (LLB Law, 1971) Special Collections include: access to the Collections, which are currently gave a gift worth £167,000 after touring the housed across a number of sites, and boost Collections. -
Designation Panel
Designation Panel Dr Stella Butler (Chair) University Librarian and Keeper of the Brotherton Collection, University of Leeds Dr Stella Butler joined the University of Leeds in 2011 as University Librarian and Keeper of the Brotherton Collection. The Brotherton Library with its iconic round reading room dates from 1936 and houses distinguished collections of archives, rare books and manuscripts, five of which are Designated. Stella was Head of Special Collections and latterly Deputy University Librarian at the University of Manchester between 2000 and 2011 and was responsible between 2003 and 2007 for the £17M refurbishment and re-development of the magnificent John Rylands Library. She was Chair of the Board of Directors of Research Libraries UK from 2013 to 2015. She chairs the Academic Advisory Board of the UK Medical Heritage Library, a Jisc-Wellcome Trust funded project. She is a trustee of Seven Stories, the UK’s national centre for children’s books and chairs the management committee of Chetham’s Library in Manchester, the oldest public library in the English-speaking world. Stella has published widely on the history of medicine and science and on issues relating to libraries and museums. Dr Caroline Campbell Director of Collections and Research at the National Gallery Formerly The Jacob Rothschild Head of the Curatorial Department and Curator of Italian Paintings before 1500 Earlier in her career, Caroline held curatorial positions at The Courtauld Gallery, London (where she was Curator of Paintings from 2005-12); the National Gallery and the Ashmolean Museum, Oxford. Born in Belfast, Caroline was educated at University College, Oxford, and the Courtauld Institute of Art, London, and is a former fellow of the Center for Curatorial Leadership, New York. -
News Update for London's Museums
@LondonMusDev E-update for London’s Museums – 10 June 2021 Museum Development London Recovery grants programme (£32k) supported by The Art Fund This programme, supported by The Art Fund, is designed to help museums to analyse and assess their current position and to identify priorities for activity to support post Covid recovery through a short, facilitated self-assessment process. Further to self-assessment and analysis 8 grants of up to £4000 will be available to successful participants. Further information and access to full guidance and application documents can be found here. Deadline for applications to the programme 05 July 2021. Museum Estate and Development Fund (MEND) The MEND grants scheme is an open-access capital fund targeted at non-national Accredited museums and local authorities based in England. Details of How to Apply are available on the ACE website. Closing date for applications: 05 July. As outlined in the ‘roadmap’ for England to move out of lockdown, museums are now able to open. The government has published the ‘COVID-19 Response - Spring 2021’ document, which outlines the plan in more detail. The move out of lockdown is reliant on four conditions which must be met before moving on a step – so these dates should be used as guides for the time being. Government has recently announced the Restart Grant scheme which supports businesses in the non-essential retail, hospitality, leisure, personal care and accommodation sectors with a one-off grant, to reopen safely as COVID-19 restrictions are lifted. The grants are available now through your local authorities and consist of either up to £6,000 in the non-essential retail sector (likely to reopen on 12th April) or up to £18,000 in the hospitality, museums, accommodation, leisure, personal care and gym sectors. -
Pearls and Wisdom
Pearls and wisdom Arts Council England’s vision for the Designation Scheme for collections of national significance 2 Contents Foreword 5 The development of the Scheme so far 7 Arts Council England’s vision for the future of Designation 10 Case studies Beamish, The Living Museum of the North 14 Library of Birmingham 16 Derby Museums Trust 18 Hull Museums 20 Norfolk Museums Services 22 Oxford University Museums 24 The Tank Museum 26 The Wellcome Library 28 The Wordsworth Trust 30 English Folk Dance and Song Society 32 Designated Collections by Area 34 3 Front cover: Astrolabe for Shah Abbas II, by Muhammad Muqim al-Yazdi, Persian, 1647/8. Credit: Museum of the History of Science, University of Oxford Inside cover: ‘The Co-op flag that covers the world’ Credit: National Co-operative Archive Below: Coronet worn by Princess Patricia to King Edward VII’s coronation in 1902 Credit: Historic Royal Palaces 4 Such collections, often shaped by Foreword strong characters and enduring enthusiasms, merge disciplines, crossing art and science in fascinating ways; they tell gripping stories, help us to understand our past, and suggest how our future might be different. These vital collections are located in rural and urban centres across the country, from Cornwall to Suffolk, from the South Coast to Cumbria. The Designation Scheme exists to recognise cultural collections of The Arts Council invests its funds and outstanding richness and resonance resources according to the objectives – collections that help deepen our set out in its 10-year strategy, Great art understanding of the world, and and culture for everyone. -
Discover & Explore
Discover & Explore Birmingham Museums WHAT’S ON IN 2018 BIRMINGHAM MUSEUM & ART GALLERY / ASTON HALL THINKTANK SCIENCE MUSEUM / BLAKESLEY HALL / SOHO HOUSE SAREHOLE MILL / MUSEUM OF THE JEWELLERY QUARTER MUSEUM COLLECTION CENTRE / WEOLEY CASTLE birminghammuseums.org.uk FANTASTIC FREE DAYS OUT WITH Welcome to Birmingham Museums Birmingham Birmingham has one of the best civic museum collections of any city in England, Museums all housed in nine wonderful locations. From Anglo-Saxon gold, a magnificent Jacobean mansion to a perfectly preserved jewellery factory, Membership Birmingham Museums offer truly inspirational days out. BIRMINGHAM MUSEUM p4 THINKTANK p8 ASTON HALL p10 • FREE entry to Thinktank, Birmingham Science & ART GALLERY SCIENCE MUSEUM Museum and SEVEN heritage sites (Thinktank entry included in Membership Plus only) • FREE guided tours at Birmingham Museum & Art Gallery and the heritage sites • FREE arts and crafts activities • 10% off in our cafés and shops MUSEUM OF THE JEWELLERY QUARTER p11 BLAKESLEY HALL p12 SAREHOLE MILL p13 • Regular e-news MUSEUM COLLECTION SOHO HOUSE p14 WEOLEY CASTLE p15 CENTRE p15 Support Us Birmingham Museums is a charity. We are responsible for generating the income to run our unique museum sites, welcome 1 million visitors each Terms and Conditions apply. year and care for over 800,000 priceless objects on behalf of the people See birminghammuseums.org.uk for full terms. of Birmingham. You can help us by making a donation at one of our sites, online or by post. Text to donate: text ‘BMUS01 £3’ to 70070 Birmingham Museum & Art Gallery first opened in 1885 and is housed in a Grade II* listed city centre landmark building. -
Midlands Innovation University Collections Group Project Report
Midlands Innovation: Supporting our Universities’ Collections Table of Contents Summary Sheet ............................................................................................................................................... 2 1. Introduction ............................................................................................................................................ 3 2. Methods ................................................................................................................................................. 3 Desk research ......................................................................................................................................... 3 Online survey .......................................................................................................................................... 3 One-to-one conversations ...................................................................................................................... 4 3. Characterising collections-based activity across the MI consortium ..................................................... 4 Collections content and status ................................................................................................................... 4 Programming for public and university audiences ..................................................................................... 7 Research Impact and Engagement ............................................................................................................