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2012 July 31 August 7
NEW RELEASES • MUSIC • FILM • MERCHANDISE • NEW RELEASES • MUSIC • FILM • MERCHANDISE • NEW RELEASES • MUSIC • FILM • MERCHANDISE STREET DATES: JULY 31 AUGUST 7 ISSUE 16 wea.com 2012 7/31/12 AUDIO & VIDEO RECAP ORDERS ARTIST TITLE LBL CNF UPC SEL # SRP QTY DUE Crosby, Stills & Nash Daylight Again FLE CD 081227972455 19360 $4.98 7/11/12 Gloriana A Thousand Miles Left Behind ERP CD 093624959014 527042 $18.98 7/11/12 Then Again: The David Sanborn Sanborn, David RHI CD 081227972882 531614 $19.98 7/11/12 Anthology (2CD) Smiths, The Hatful Of Hollow (180 Gram Vinyl) RRW A 825646658824 45205 $24.98 7/11/12 What We Saw From The Cheap Seats Spektor, Regina SIR A 093624951896 530373 $24.98 7/11/12 (Vinyl) Last Update: 06/11/12 For the latest up to date info on this release visit WEA.com. ARTIST: Crosby, Stills & Nash TITLE: Daylight Again Label: FLE/Flashback - Elektra Config & Selection #: CD 19360 F Street Date: 07/31/12 Order Due Date: 07/11/12 UPC: 081227972455 Box Count: 30 Unit Per Set: 1 SRP: $4.98 Alphabetize Under: C TRACKS Compact Disc 1 01 Turn Your Back On Love [Remastered LP Version] 07 Too Much Love To Hide [Remastered LP Version] 02 Wasted On The Way [Remastered LP Version] 08 Song For Susan [Remastered LP Version] 03 Southern Cross [Remastered LP Version] 09 You Are Alive [Remastered LP Version] 04 Into The Darkness [Remastered LP Version] 10 Might As Well Have A Good Time [Remastered LP Version] 05 Delta [Remastered LP Version] 11 Daylight Again [Remastered LP Version] 06 Since I Met You [Remastered LP Version] ALBUM FACTS Genre: Rock ARTIST & INFO Band Members: Graham Nash As members of one of rock’s first supergroups, David Crosby, Stephen Stills, and Graham Nash helped define the Woodstock generation through their peerless harmonies, resonant songwriting and deep commitment to political and social causes. -
Bye, Bye, Miss American Pie? the Supply of New Recorded Music Since Napster
NBER WORKING PAPER SERIES BYE, BYE, MISS AMERICAN PIE? THE SUPPLY OF NEW RECORDED MUSIC SINCE NAPSTER Joel Waldfogel Working Paper 16882 http://www.nber.org/papers/w16882 NATIONAL BUREAU OF ECONOMIC RESEARCH 1050 Massachusetts Avenue Cambridge, MA 02138 March 2011 The title refers to Don McLean’s song, American Pie, which chronicled a catastrophic music supply shock, the 1959 crash of the plane carrying Buddly Holly, Richie Valens, and Jiles Perry “The Big Bopper” Richardson, Jr. The song’s lyrics include, “I saw Satan laughing with delight/The day the music died.” I am grateful to seminar participants at the Carlson School of Management and the WISE conference in St. Louis for questions and comments on a presentation related to an earlier version of this paper. The views expressed in this paper are my own and do not reflect the positions of the National Academy of Sciences’ Committee on the Impact of Copyright Policy on Innovation in the Digital Era or those of the National Bureau of Economic Research. NBER working papers are circulated for discussion and comment purposes. They have not been peer- reviewed or been subject to the review by the NBER Board of Directors that accompanies official NBER publications. © 2011 by Joel Waldfogel. All rights reserved. Short sections of text, not to exceed two paragraphs, may be quoted without explicit permission provided that full credit, including © notice, is given to the source. Bye, Bye, Miss American Pie? The Supply of New Recorded Music Since Napster Joel Waldfogel NBER Working Paper No. 16882 March 2011 JEL No. -
AUDIO + VIDEO 2/1/11 Audio & Video Releases *Click on the Artist Names to Be Taken Directly to the Sell Sheet
NEW RELEASES WEA.COM ISSUE 03 FEBRUARY 1 + FEBRUARY 8, 2011 LABELS / PARTNERS Atlantic Records Asylum Bad Boy Records Bigger Picture Curb Records Elektra Fueled By Ramen Nonesuch Rhino Records Roadrunner Records Time Life Top Sail Warner Bros. Records Warner Music Latina Word AUDIO + VIDEO 2/1/11 Audio & Video Releases *Click on the Artist Names to be taken directly to the Sell Sheet. Click on the Artist Name in the Order Due Date Sell Sheet to be taken back to the Recap Page Street Date CD- CESPEDES, LAT 526817 FRANCISCO 20 Grandes Exitos (2CD) $9.98 2/1/11 1/12/11 CD- JANEDEAR GIRLS, WB 518448 THE the JaneDear girls $13.99 2/1/11 1/12/11 CD- LAT 526865 LOS BABY'S 20 Grandes Exitos (Vol. 2) $7.98 2/1/11 1/12/11 Danger Days: The True Lives A - MY CHEMICAL Of The Fabulous Killjoys REP 521752 ROMANCE (Vinyl) $22.98 2/1/11 1/12/11 A - SPEKTOR, SIR 525513 REGINA Live In London (2LP) $26.98 2/1/11 1/12/11 The Best Of Soul Train (Vol.2) TL DV-25394 VARIOUS ARTISTS (DVD) $14.99 2/1/11 1/5/11 CD- LAT 526821 YAHIR 20 Grandes Exitos (2CD) $9.98 2/1/11 1/12/11 2/1/11 Late Additions Street Date Order Due Date SIR A-292028 TEGAN AND SARA If It Was You (Vinyl) $18.98 2/1/11 1/12/11 SIR A-292156 TEGAN AND SARA So Jealous (Vinyl) $18.98 2/1/11 1/12/11 SIR A-292092 TEGAN AND SARA This Business Of Art (Vinyl) $18.98 2/1/11 1/12/11 DV- REP 526520 YOUNG, NEIL Le Noise (DVD) $14.99 2/1/11 ASAP BD- REP 526520 YOUNG, NEIL Le Noise (Blu-Ray) $20.99 2/1/11 ASAP Last Update: 12/21/10 ARTIST: John Adams TITLE: Nixon in China (3CD) Label: NON/Nonesuch Config & Selection #: CD 79177 Street Date: 02/01/11 Order Due Date: 01/05/11 UPC: 075597917727 Compact Disc Box Count: 25 Unit Per Set: 3 SRP: $24.98 Alphabetize Under: D For the latest up to date info on this release visit WEA.com. -
Regina Spektor Släpper Sin Första Liveinspelning
2010-10-08 11:55 CEST Regina Spektor släpper sin första liveinspelning LIVE IN LONDON, Regina Spektors första liveinspelning tillika konsertfilm, kommer att släppas 24 november på Sire/Warner Bros. Records. Större delen är inspelad på berömda Hammersmith Apollo Theatre i London, och innehåller 23 framträdanden som väl fångar Reginas briljanta begåvning – och som ett extra plus inkluderas även tre nya sånger som enbart kunnat höras på konserterna. LIVE IN LONDON spelades in under Reginas Englandsturné för senaste albumet far, som gick rakt in på Billboardlistans tredjeplats när det släpptes. För första gången någonsin kan fansen se Regina på mycket nära håll när hon framför favoriter såsom Us, Fidelity, Samson och Eet, tillsammans med bakom- scenen-material, soundcheckmaterial och mycket mer. LIVE IN LONDON är en 64-minuters konsertfilm regisserad av Adria Petty. Regina har hyllats för sin remarkabla originalitet, sitt historieberättande och sina fängslande framträdanden. Bland andra har Rolling Stone skrivit i liverecension “put on one of the most intensely joyful rock shows we’ve seen all year.” The Philadelphia Inquirer skrev, “Everything she did was greeted with thunderous applause … the audience could not get enough. Perhaps what was most remarkable about Regina’s performance, aside from hearing Spektor’s gorgeous vocals in person, was her ability to enrapture the crowd … Spektor’s passion, vitality and sheer musical talent transformed the Electric Factory into a world of intimacy.” The Boston Globe skrev enkelt att “multitalented Spektor is capable of anything and it shows on stage”. LIVE IN LONDON tillägnas Reginas cellist och kapellmästare Daniel Cho, som tragiskt gick bort tidigare i somras. -
AN ANALYSIS of ANGUS WILSON's NO LAUGHING MATTER Presented
,v0 AN ANALYSIS OF ANGUS WILSON'S NO LAUGHING MATTER THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By Gloria Cockerell Arnold, B.S. Denton, Texas December, 1975 Arnold, Gloria Cockerell, An Analysis of Angus Wilson's No Laughing Matter. Master of Arts (English), December, 1975, 93 pp., bibliography, 10 titles. This thesis examines Angus Wilson's novels with particu- lar attention to No Laughing Matter, 1967. The introductory overview of Wilson's first five novels and the examination of No Laughing Matter show that all Wilson's novels are con- cerned with his protagonists' capacity for self-deception and the ways deception limits freedom of choice. In No Laughing Matter six protagonists try to balance self- deception and freedom both in their lives and in the art forms which interest them. The thesis traces the lives of these six as they fail both as artists and as people. Chapter III of the thesis studies the relationship of fantasy to character in the novel. In No Laughing Matter particularly, the characters reflect the loss of liberty when individuals do not exercise their freedom to choose. TABLE OF CONTENTS Page Chapter I. INTRODUCTION . 1 II. CHARACTERIZATION: ILLUSION AND ROLE-PLAYING . 28 III. FANTASIES AND STRUCTURES . 60 IV. CONCLUSION . 90 BIBLIOGRAPHY . 93 iii CHAPTER I INTRODUCTION In this thesis the novels of Angus Wilson are examined; particular attention is given to his latest novel, No Laughing Matter, 1967. As his novels show, Wilson is a secular humanist with a special interest in social history. -
The Comenian Volume CXXIII, Issue Number 2 Moravian College’S Student Newspaper Thursday, October 8, 2009 Performance
The Comenian Volume CXXIII, Issue Number 2 Moravian College’s Student Newspaper Thursday, October 8, 2009 performance. Orden (Mrs. Seizmagraff,) Senior Mary Lang said, “I played a crazy landlady and was told before I went in that I ignorant mother, had several would probably walk out. I’m very complicated parts, one still processing whether I liked being a scene where she it or not.” switched accents frequently. Freshman Gianna Though it was a lot of work, Miranda was brought to the Kim said, “Even though it reality by the play’s many was quick, it was the most truths. Gianna said, “It’s kind fun I’ve had so far with shows of disappointing because it was at Moravian College Theatre a very accurate description Company (MCTC).” of how television dictates our For assistant director lives.” Alanah Cervantes, this was her Sophomore Zak Kneeland first time working with MCTC. said, “I felt very awkward. It Alanah said, “It was hell but it’s wasn’t funny, it was interesting. so much of a relief to see it all I tried to take everything come together.” She was faced seriously and I didn‘t laugh. I with a challenge but overcame felt empathy for the characters.” it. “I was so nervous but I knew Unlike Kneeland, they [the actors and crew] many students couldn’t keep could do it,” said Cervantes. composure. The play was Though the director, overall very hilarious and full of Christopher Shorr was not laughs for most. available for comment, it was The play wasn’t all fun, said that he was delighted games and rude comments with the outcome and effect though. -
'The White Man Laughs': Commentary on the Satiric Dramatic Monologues of Gabriel Okara Chukwuma Azuonye University of Massachusetts Boston, [email protected]
University of Massachusetts Boston ScholarWorks at UMass Boston Africana Studies Faculty Publication Series Africana Studies 1-1-2011 'The White Man Laughs': Commentary on the Satiric Dramatic Monologues of Gabriel Okara Chukwuma Azuonye University of Massachusetts Boston, [email protected] Follow this and additional works at: http://scholarworks.umb.edu/africana_faculty_pubs Part of the African Languages and Societies Commons, Comparative Literature Commons, and the English Language and Literature Commons Recommended Citation Azuonye, Chukwuma, "'The White Man Laughs': Commentary on the Satiric Dramatic Monologues of Gabriel Okara" (2011). Africana Studies Faculty Publication Series. Paper 3. http://scholarworks.umb.edu/africana_faculty_pubs/3 This Article is brought to you for free and open access by the Africana Studies at ScholarWorks at UMass Boston. It has been accepted for inclusion in Africana Studies Faculty Publication Series by an authorized administrator of ScholarWorks at UMass Boston. For more information, please contact [email protected]. ‘The White Man Laughs’: Critical Commentary on the Satiric Dramatic Monologues of Gabriel Okara [Work In Progress] By Chukwuma Azuonye Professor of African & African Diaspora Literatures University of Massachusetts Boston I kinda giggle when the white man laughs Not too long ago you had to fight for your territory Toe to toe and a gun was a different story I guess you can't squabble no mo' Your fist is a .44 King Tee, “Time to Get Out Lyrics’1 1. Introduction In one of his most radical essays, "Colonialist Criticism," Africa’s leading novelist, poet, essayist and cultural philosopher, Chinua Achebe (1988: pp. xx-xx), debunks the inability of European colonialist critics to understand and appreciate African literature and culture in their own terms. -
Cicada's Song: a Memoir Luz Hernandez University of Texas at El Paso, [email protected]
University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2019-01-01 Cicada's Song: A Memoir Luz Hernandez University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the English Language and Literature Commons Recommended Citation Hernandez, Luz, "Cicada's Song: A Memoir" (2019). Open Access Theses & Dissertations. 82. https://digitalcommons.utep.edu/open_etd/82 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. CICADA’S SONG: A MEMOIR LUZ HERNANDEZ Masters Program in Creative Writing APPROVED: Sylvia Aguilar Zeleny, MFA, Chair José De Piérola, Ph.D. Laurie Ann Guerrero, MFA Charles Ambler, Ph.D. Dean of the Graduate School Copyright © by Luz Hernández 2019 Dedication For my daughters, whose light draws me along CICADA’S SONG: A MEMOIR by LUZ HERNANDEZ, M.A. THESIS Presented to the Faculty of the Graduate School of The University of Texas at El Paso in Partial Fulfillment of the Requirements for the Degree of MASTER OF FINE ARTS Department of Creative Writing THE UNIVERSITY OF TEXAS AT EL PASO May 2019 Acknowledgements I am grateful to all who have impacted my life. v Abstract Cicada’s Song is a true account of my coming-of-age as a first-generation Colombian-American girl growing up as the only child of two loving parents—one of whom abused me sexually for eleven years, while the other stood by without intervening. -
Cracks in the Glass Ceiling?: Laughter and Politics in Broadcast News Interviews and The-Gendered Nature of Media Representation
'l CRACKS IN THE GLASS CEILING?: LAUGHTER AND POLITICS IN BROADCAST NEWS INTERVIEWS AND THE-GENDERED NATURE OF MEDIA REPRESENTATIONS TANYA ROMANIUK A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN LINGUISTICS AND APPLIED LINGUISTICS YORK UNIVERSITY, TORONTO, ONTARIO APRIL 2013 ©TANYA ROMANIUK, 2013 Cracks in the Glass Ceiling?: Laughter and Politics in Broadcast News Interviews and the Gendered Nature of Media Representations By Tanya Romaniuk a dissertation submitted to the Faculty of Graduate Studies of York University in partial fulfillment of the requirements for the degree of DOCTOR OF PlllLOSOPHY © 2013 Permission has been granted to: a) YORK UNIVERSI1Y LIBRARIES to lend or sell copies of this dissertation in paper, microform or electronic formats, and bl LIBRARY AND ARCHIVES CANADA to reproduce, lend, distribute, or sell copies of this dissertation anywhere in the world in rnicroform, paper or electronic formats and to authorize or procure the reproduction, loan, distribution or sale of copies of this dissertation anywhere in the world in micro form, paper or electronic formats. The author reserves other publication rights, and neither the dissertation nor extensive extracts from it may be printed or otherwise reproduced without the author's written permission. ' '·l IV Abstract This dissertation investigates politicians' laughter in televised Broadcast News Interviews (BNis) and mass media representations of Hillary Rodham Clinton's laughter in the context of her failed bid for the Democratic nomination in the United States in 2007- 2008. The data for this study comprise spoken, interactional data (corpora of televised BNis) and written, representational data (a corpus of media discourse)--distinct forms that require the use of different theoretical and methodological apparatus. -
Praise for Refugee
Praise for Refugee A New York Times Notable Book An Amazon Best Book of the Year A Kirkus Reviews Best Book of the Year A Publishers Weekly Best Book of the Year A Junior Library Guild Selection “This heart-stopping novel is not only compelling—it is necessary.” —Judy Blundell, National Book Award–winning author of What I Saw and How I Lied “With urgent, clear-eyed storytelling, Refugee compellingly explores the desperation and strength that unites those struggling for a place to call home.” —Eliot Schrefer, New York Times bestselling author and two-time National Book Award finalist for Threatened and Endangered “Powerful. Refugee is more than a story about children fleeing their homelands, it is a story about what unites us all: love, family, and perseverance.” —Christina Diaz Gonzalez, award-winning author of Moving Target “A gripping, visceral, and hold-your-breath intense story of three young refugees.” —John Green, #1 New York Times bestselling author of Turtles All the Way Down “An intelligent, human, harrowing read.” —Ellen Silva, NPR “Meant to be read, discussed, and shared widely.” —School Library Journal “A haunting fictional treatment of historic events.” —Booklist “Unflinching and sympathetic.” —The New York Times “A stunning, poignant novel. Grade: A.” —Entertainment Weekly “Harrowing, timely.” —People Magazine ★ “Nothing short of brilliant.” —Kirkus Reviews, starred review ★ “Memorable and tightly plotted.” —Publishers Weekly, starred review “An incredibly important, heartrending, edge-of-the-seat read, bringing light to