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Norman Rockwell Museum Featured Illustrators, 1993–2008
Norman Rockwell Museum Featured Illustrators, 1993–2008 Contemporary Artists Jessica Abel John Burgoyne Leon Alaric Shafer Elizabeth Buttler Fahimeh Amiri Chris Calle Robert Alexander Anderson Paul Calle Roy Anderson Eric Carle Margot Apple Alice Carter Marshall Arisman Roz Chast Natalie Asencios Jean Claverie Istvan Banyai Sue Coe James Barkley Raúl Colon Mary Brigid Barrett Ken Condon Gary Baseman Laurie Cormier Leonard Baskin Christin Couture Melinda Beck Kinuko Y. Craft Harry Beckhoff R. Crumb Nnekka Bennett Howard Cruse Jan and Stan Berenstain (deceased) Robert M. Cunningham Michael Berenstain Jerry Dadds John Berkey (deceased) Ken Dallison Jean-Louis Besson Paul Davis Diane Bigda John Dawson Guy Billout Michael Deas Cathie Bleck Etienne Delessert R.O. Blechman Jacques de Loustal Harry Bliss Vincent DiFate Barry Blitt Cora Lynn Deibler Keith Birdsong Diane and Leo Dillon Thomas Blackshear Steve Ditko Higgins Bond Libby Dorsett Thiel William H. Bond Eric Drooker Juliette Borda Walter DuBois Richards Braldt Bralds Michael Dudash Robin Brickman Elaine Duillo Steve Brodner Jane Dyer Steve Buchanan Will Eisner Yvonne Buchanan Dean Ellis Mark English Richard Leech Teresa Fasolino George Lemoine Monique Felix Gary Lippincott Ian Falconer Dennis Lyall Brian Fies Fred Lynch Theodore Fijal David Macaulay Floc’h Matt Madden Bart Forbes Gloria Malcolm Arnold Bernie Fuchs Mariscal Nicholas Gaetano Bob Marstall John Gilmore Marvin Mattelson Julio Granda Lorenzo Mattotti Robert Guisti Sally Mavor Carter Goodrich Bruce McCall Mary GrandPré Robert T. McCall Jim Griffiths Wilson McClean Milt Gross Richard McGuire James Gurney Robert McGinnis Charles Harper James McMullan Marc Hempel Kim Mellema Niko Henrichon David Meltzer Mark Hess Ever Meulen Al Hirschfeld (deceased) Ron Miller John Howe Dean Mitchell Roberto Innocenti Daniel Moore Susan Jeffers Françoise Mouly Frances Jetter Gregory Manchess Stephen T. -
Low Residency MFA in Illustration
LOW RESIDENCY APPLICATION PROCESS & PORTFOLIO REQUIREMENTS DEADLINES & DATES Admission into the MFA Illustration program occurs on a rolling » Contact Shayna Cochefski, Program Manager at basis. Applications will be considered until the year’s cohort of 20 MFA IN ILLUSTRATION [email protected] to submit your initial inquiry. for the start of the summer semester is full, with a priority deadline Please include a link to your online portfolio/website of January 14. or an attachment containing at least 10 of your best commissioned and reproduced illustrations as MERIT SCHOLARSHIPS your portfolio. Some partial tuition scholarships are available for entering candidates. The awarding of scholarships is determined by » There will be a follow-up phone interview with the Illustration Committee and is based purely on the merit of Chris Payne, Program Director. professional work. Portfolios are reviewed prior to May 1 and » Upon the acceptance of your portfolio, complete the students are notified of awards by June 1. online application and submit your $50 application fee GRADUATE PRESIDENTIAL FELLOWSHIPS at hartford.edu/gradapp The goal of this merit-based program is to recruit the very best » Please request that one ofcial copy of your transcript applicants to the University’s graduate programs. The award from any college and/or postsecondary institution you defrays 25% of the student’s annual tuition, up to $5,000, for attended be forwarded to: each of the first two years after matriculation and is paid directly to the student’s Bursar’s account. No extensions of the award Center for Graduate and Adult Academic Services beyond two years are possible. -
ART 472 001 Illustration Introduction to Principles and Techniques of Illustration FALL 2014
ART 472 001 Illustration Introduction to Principles and Techniques of Illustration FALL 2014 Prerequisites: ART 100, 110 Class Time: TR 2:00 pm - 4:40 pm SFASU School of Art Room 121 Professor: Runcie Tatnall Office: Art Rm. 111 Email: [email protected], hours by appt. The world needs illustration—it just doesn't know it! - Barron Storey Course Description Three semester hours (5 hours studio, minimum six hours of independent study per week.) This class is the study and practice of the illustratorʼs craft - creating visual art that communicates a story or idea visually, for a specific client or a particular purpose. Illustrators interpret ideas, emotions, and action. Illustrators work in different formats (editorial, book, advertising, institutional,) and explore a series of techniques and art media (acrylic, oil, ink, watercolor, colored pencil, mixed.) The particular emphasis of this class will be book cover illustration. We will research current and historical illustration styles, and learn methods of generating creative ideas. You are expected to work with your peers to help generate ideas, and positively critique each otherʼs work. In addition, practical information is provided regarding the business of illustration and art markets. Requirements • ART 100, ART 110 are the prerequisites for this class. • Your instructor will assist you to create a personal desktop and login that will be deleted after the semester ends. You will need a portable digital storage device. Use self-guided tutorials to learn the applications. ART 261 Digital Media is recommended prior to or concurrent with ad design or illustration. Log out after every session for security. -
Norman Rockwell Museum 40Th Anniversary Highlights
ort 0 io NORMAN ROCKWELL MUSEUM board of trustees 2008-2009 daniel M. Cain, President table of contents Perri Petricca, First Vice President Michelle Gillett, Second Vice President steven spielberg, Third Vice President James W. Ireland, Treasurer An American institution Peter Williams, Clerk Reflections on turning 40 3 Clarke bailey Lillian bender Rockwell’s Legacy 5 ruby bridges alice Carter Stories in pictures Catharine b. deely Norman Rockwell and the art of illustration 7 Peter de sève “The best of America” Walter & Mary Jo engels At home in Stockbridge 10 John V. frank dr. Mary Grant Rockwell’s models 11 steven Hirsch A time for transition George & Valerie Kennedy Pamela Kinsey Norman Rockwell and the 196os 12 Mark Krentzman The Rise of a Museum 15 deborah s. McMenamy Wendell Minor 1967-2oo9: the story of a museum 17 anne Morgan duncan Pollock Living legacy thomas L. Pulling A personal tribute to the Rockwell family 22 Cynthia rockwell The Rockwell family 23 Mark selkowitz John spellman A Museum’s muses richard b. Wilcox Honoring Norma Ogden, Jane Fitzpatrick, and Lila Berle 24 Lee Williams Jamie Williamson A National Center for Illustration Art 25 Forty (more) years in the vanguard 27 trustees eMerItI Launching the Rockwell Center for Lila W. berle American Visual Studies 25 Jane P. fitzpatrick Paul Ivory On our walls david Klausmeyer Forty years, 420 illustrators . and counting! 30 Norma G. ogden Toward the 50th Henry H. Williams, Jr. A vision of Norman Rockwell Museum in 2019 32 Laurie Norton Moffatt, director/CEO 4oth anniversary supporters 34 portfolio Image credits xx Volume 23, Issue 3, summer 2009 audrey Manring, Editor Jeremy Clowe, Editorial Assistant Mary Herrmann, toni Kenny, Graphic Design Contact us by e-mail at: [email protected] Portfolio is published by Norman rockwell Museum and is sent free to all members. -
Comments of the American Society of Illustrators Partnership
December 1, 2012 Maria Pallante Register of Copyrights US Copyright Office Illustrators’ Partnership of America 101 Independence Ave. S.E. Washington, D.C. 20559-6000 Association of Medical Illustrators American Society of Architectural Illustrators RE: Notice of Inquiry, Copyright Office, Library of Congress National Cartoonists Society Resale Royalty Right (77 FR 58175) Guild of Natural Science Illustrators San Francisco Society of Illustrators Comments of the American Society of Illustrators Partnership Pittsburgh Society of Illustrators American Society of Aviation Artists The American Society of Illustrators Partnership (ASIP) respectfully submit comments in response to the Copyright Society of Illustrators of San Diego Office’s Notice of Inquiry published in the Federal Register on Society of Illustrators of Los Angeles September 19, 2012. We appreciate the opportunity to submit Illustrators Club of Washington DC, comments based on our direct observations and experiences as the Maryland and Virginia potential beneficiaries of the resale royalty right. Association of American Editorial Cartoonists The American Society of Illustrators Partnership is a coalition of Illustrators-at-Large (nonaffiliated) 12 professional illustration societies representing over 4,500 of • the most prolific and widely published illustrators in the world. – Board of Directors – Brad Holland Recognizing the long overdue need for a collective rights Cynthia Turner Dena Matthews administration for American illustrators, in 2001 the Illustrators’ Frank M. Costantino Partnership of America founded the IPA Reprographics Coalition. C. F. Payne Dolores R. Santoliquido American illustrators united under the coalition to protect our Michel Bohbot copyrights, promote the proper licensing of our works, establish Ilene Winn-Lederer Keith Ferris transparent accountability of our secondary royalty streams, and Ken Joudrey foster the implementation of appropriate licensing methods to Joe Cepeda Joe Azar assure that American illustrators are properly represented and Nick Anderson remunerated.