Downloaded from Brill.Com10/10/2021 01:42:53PM Via Free Access 8 Roderick Grierson
Cover Illustration: Lala Mustafa Paşa Visits the Shrine of Jalal al-Din Rumi Nusretnâme, Topkapı Sarayı Müzesi, H. 1365 Istanbul, 1584, fol. 36a Roderick Grierson In his admirable history of Ottoman painting, Ivan Stchoukine describes the Ottoman commander Lala Mustafa Paşa receiving a copy of the Nusret nâme, or ‘Book of Victory’, from the hands of his secretary.1 The book was a history of the campaign that Lala Mustafa Paşa fought in 1578 and 1579 against Safavid forces in the Caucasus. The secretary who wrote it now pre- sents it to his patron while the two of them sit beside the sarcophagus of Jalal al-Din Rumi in the presence of Mevlevi musicians and semazens: Fol. 34. Muṣṭafā ʿAlî remettant son ouvrage à Muṣṭafâ Pâshâ (H. 0,325 x L. 0,198). La présentation a lieu à une réunion de der- viches mevlevîs. On remarquera l’historien vêtu de blanc, assis en face du commandant en chef auquel il vient d’offrir le récit de ses conquêtes.2 Stchoukine was mistaken, however. Lala Mustafa Paşa was already dead when the book was written, and it could not have been presented to him in this way. Furthermore, Stchoukine had not read the account of the incident that the book itself contains.3 The pilgrimage to Konya and its shrines oc- curred not after the campaign but before it. The visit to the Kubbe-i Hadra in particular, the famous ‘Green Dome’ within which the body of Rumi had 1 Similar introductions to the life and career of Mustafa Ali Efendi, along with titles and descriptions of his various writings in poetry and prose, can be found in B.
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