Press Kit 2017

PRESS KIT 2017

PUBLICITY CONTACTS: Maxine Leonard Hilda Somarriba Maxine Leonard PR Maxine Leonard PR 7261 Beverly Blvd, #302 7261 Beverly Blvd, #302 Los Angeles, CA 90036 Los Angeles, CA 90036 O: +1 323 930 2345 M: +1 323 633 7079 E: [email protected] E: [email protected]

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©Hypergiant Films Pty ltd, Killing Ground 2017

KILLING GROUND

Writer/Director: Damien Power Producers: Joe Weatherstone & Lisa Shaunessy Main Cast: Aaron Pedersen, Ian Meadows, Harriet Dyer, Aaron Glenane Australian Distributor: Mushroom Pictures International Sales: Films Distribution Duration: 88 minutes Genre: survival thriller

Synopsis

Ian and Samantha head to a national park, hoping that nature will give them space for some quiet time together. They arrive at an isolated campsite to find an SUV and a tent – no sign of the occupants. As night falls and the campers fail to return, Ian and Sam grow increasingly uneasy. The discovery of a distressed child wandering in the woods unleashes a terrifying chain of events that test the young couple to breaking point.

©Hypergiant Films Pty ltd, Killing Ground 2017

KILLING GROUND writer/director’s statement

KILLING GROUND is a lean, unorthodox genre film inspired by the classic character-driven survival thrillers of the 70s.

It all began with the image of a deserted tent, which appeared to me so powerfully that it demanded a story. Thinking about what might have happened to the tent’s missing occupants reminded me of the scary stories we tell around a campfire.

I believe the best films, including genre films, spring from something personal and deeply felt. KILLING GROUND was born out of my fears for my children and my anxieties as a parent. Life in the West today presents us with few tests of our ‘capital C’ courage: the life and death kind of physical or moral courage regularly examined in movies. Would I be able to protect my family if our lives were in danger? Would I fight or would I flee?

KILLING GROUND is a violent story, but it’s also a story about violence – about what it does to its victims, perpetrators and viewers: How violence dehumanises its victims by robbing them of choice.

The film is also the story about place. Violence and pain don’t disappear without leaving a trace, they are held by the land around us. KILLING GROUND is part of a long tradition of Australian cinema exploring our sense of unease in our own backyard.

The structure interweaves three narrative threads – the protagonists in the present, the killers in the present, and the family (victims) in the past. The flashback / parallel narrative structure of the first two thirds of KILLING GROUND is akin to a detective story with a mystery to be solved: asking, ‘what happened?’ instead of ‘what will happen?’ Once the protagonists (and the viewer) learn what happened in the past and the flashbacks end, the story focuses on the consequences for Sam and Ian in the present. There’s a sense of things closing in, reducing to the essential. Tension builds as the narrative threads wind together, danger escalates and Sam and Ian’s options narrow drastically.

The fractured flashback / parallel narrative structure brings the past back to life before our eyes. It is the story of what happened to the family – but in the present tense of cinema, it’s also the story of what is happening to the family. This – and the allusions to a past massacre – contribute to an atmosphere of timelessness and a feeling that what is happening is always happening, now and forever.

Damien Power

©Hypergiant Films Pty ltd, Killing Ground 2017 CAST

Aaron Pedersen – Scotty ‘German’ Shepard

Aaron Pedersen’s filmography includes: GOLDSTONE by Ivan Sen, which opened the 2016 Sydney Film Festival, and THE FEAR OF DARKNESS by Chris Fitchett.

Aaron transitioned into acting, after initially training as a journalist at the ABC. Through his work on WILDSIDE, WATER RATS, MDA, TERRITORIANS, GRASSROOTS, QUEEN OF HEARTS, BLACK JACK, EAST WEST 101 and THE SECRET LIFE OF US, Aaron has been able to champion the changing representation of Indigenous people in Australia. Aaron’s other television credits include IT’S A DATE and THE CODE on ABC, the SBS mini-series THE CIRCUIT, CITY HOMICIDE on the Seven Network, and JACK IRISH, the ABC miniseries and telemovies based on Peter Temple’s thriller novels.

He starred in Ivan Sen’s feature MYSTERY ROAD, for which he was also an Associate Producer. Aaron received the Australian Film Critics Association, Film Critics Circle of Australia and Rolling Stone Australia Award for Best Actor for his role in the film. His other film credits include Stephen Pages’ SPEAR, Warwick Thornton’s THE DARKSIDE, Suri Krishnamma’s BAD KARMA with Ray Liotta and Dominic Purcell, DEAD HEART, SATURDAY NIGHT, GRANGE, UNFINISHED BUSINESS, MIMI, and MIRROR IMAGES.

In 2007 and 2013, Aaron received a Deadly Award nomination for Male Actor of the Year and won the award in 2003 and 2011. He was the recipient of the Bob Maza Fellowship in 2007.

Ian Meadows – Ian Smith

Ian Meadows graduated from WAAPA in 2005. His TV acting credits include 8MMM, THE MOODYS, A MOODY CHRISTMAS, RAKE, EAST WEST 101, UNDERBELLY: THE MAN WHO GOT AWAY, PAPER GIANTS: THE BIRTH OF CLEO, RUSH and the HBO series THE PACIFIC. Ian has also appeared in the telemovies PARER’S WAR, THE SHARK NET and Rowan Woods’ 3 ACTS OF MURDER. He is currently shooting a lead role in the Network Ten series THE WRONG GIRL opposite Jessica Marais. Ian’s feature credits include Colin and Cameron Cairnes’ second feature SCARE CAMPAIGN.

Ian co-wrote and acted in the AFI award nominated short Water, and co-wrote and directed the short film A Parachute Falling in Siberia, which won an Australian Writers Guild Award and received an AFI award nomination. Ian adapted and directed Defender, a segment of Tim Winton’s The Turning, which was produced by Robert Connolly and AACTA nominated for best direction. Ian’s TV writing credits include Foxtel’s SPIRITED, Channel 10’s OFFSPRING, the Fox 8 series SLIDE, ABC’s THE MOODYS and Nines HOUSE HUSBANDS.

Ian has appeared on stage Downstairs at Company B in Ladybird, a production of his company Small Things Productions, and in 2008 performed in THE MODERN INTERNATIONAL DEAD, for which he won a Glug Award for Young Performer of the Year and was nominated for a Sydney Theatre Award. Ian appeared in NEIGHBOURHOOD WATCH for Company B, THE COMING WORLD at the Darlinghurst Theatre and BLUE/ORANGE for the Ensemble. He wrote and co-directed the play FOUR DEATHS IN THE LIFE OF RONALDO ABOK at Riverside Theatre Parramatta and his play BETWEEN TWO WAVES closed out the Griffin Company season of 2012 and was awarded Belvoir Theatre Company’s 2014 Phillip Parsons Award. He was nominated for a Greenroom award for Best Actor for his role as “Trip” in OTHER DESERT CITIES at the MTC.

©Hypergiant Films Pty ltd, Killing Ground 2017

Harriet Dyer – Samantha ‘Sam’ Shaw

Harriet Dyer starred in Brendan Cowell's feature film RUBEN GUTHRIE, the second season of the Nine Network’s drama series, LOVE CHILD and the Jungle series NO ACTIVITY, which screened on Stan. Her most recent credits include Abe Forsythe’s feature DOWN UNDER, the third series of LOVE CHILD on Channel Nine, the second series of BLACK COMEDY and the fourth series of RAKE.

Harriet’s performance in LOVE CHILD earned her a 2016 Logie Award nomination for Most Outstanding Supporting Actress and two 2015 Logie Award nominations – the Graham Kennedy Award for Most Outstanding Newcomer and Most Popular New Talent. For the same performance, Harriet has also received an AACTA nomination for Best Guest or Supporting Actress in a Television Drama. Her other television credits include Screentime’s JANET KING, the ABC comedy A MOODY CHRISTMAS, Network Ten’s MICRO NATION, and PACKED TO THE RAFTERS.

Harriet received the Sydney Theatre Award for Best Performance in a Leading Role in a Mainstage Production for her performance in MACHINAL with the Sydney Theatre Company, and was nominated for the same award for her role in THE SCHOOL FOR WIVES for the Bell Shakespeare Company.

Aaron Glenane – Todd ‘Chook’ Fowler

One of Australia's most promising young actors, Aaron Glenane recently appeared in the M4 Entertainment's MOLLY for the Seven Network, in the role of Mushroom Records founder, Michael Gudinski.

Gaining national and international attention for his performance as Gus in DRIFT, Aaron starred alongside Academy Award winners Robert Redford and Cate Blanchett in James Vanderbilt's political drama TRUTH. His other film credits include Bucko in THE BLACK BALLOON starring Toni Colette, Luke Ford, Rhys Wakefield and Gemma Ward, Larry in CONCEALED, as well as a starring role in the 2013 Tropfest short film CASH COW.

Aaron played a major supporting role in the World War I mini-series DEADLINE GALLIPOLI alongside Sam Worthington, Hugh Dancy and Charles Dance. Aaron's other television credits include OLD SCHOOL, PUBERTY BLUES, JANET KING, TRICKY BUSINESS, PACKED TO THE RAFTERS, RESCUE SPECIAL OPS and HOME AND AWAY. Aaron also appeared in the UKTV telemovie DRIPPING IN CHOCOLATE ALONGSIDE DAVID WENHAM.

Originally from rural Victoria, Aaron is an accomplished stage actor and dancer, having performed in Dein Perry's TAP DOGS, THE BOY FROM OZ, JOURNEYS END and A CASE FOR GESTURE. More recently, Aaron appeared as Doug in The Kings Collective production of GRUESOME PLAYGROUND INJURIES and as Phillip in Red Line Productions ORPHANS at The Old Fitz Theatre.

©Hypergiant Films Pty ltd, Killing Ground 2017 CREW

Damien Power – Writer and Director

Damien grew up in Launceston, Tasmania: pop: 60,000; cinema: 1. It was there, as a teenager at the local film society, that he fell in love with movies. After completing an Arts/Law degree in Hobart, he moved to Sydney to take up a position on the Classification Board at the Office of Film and Literature Classification. He started writing and directing film soon after he arrived, and having made a few shorts, he enrolled in a MA in Directing at the Australian Film Television and Radio School (AFTRS).

Since graduating he has written and directed several award-winning shorts that have screened at festivals worldwide including Venice and Busan, MIFF and Sydney as well as online as part of YouTube/Scott Free’s inaugural Your Film Festival. His films have been praised for their ‘original voice and distinctive storytelling.’

Damien was awarded an AFTRS Creative fellowship to make a short experimental drama, HITCHHIKER. KILLING GROUND is Damien Power’s first feature film.

Joe Weatherstone – Producer

Joe studied producing at The Australian Film Television and Radio School (AFTRS). On graduation she won the FFC’s creative producer award and in 2003 was nominated for an Academy Award for the live action short film INJA with director Steve Pasvolsky. She was the series producer on the Logie nominated, half hour comedy series HOUSOS, series producer on SWIFT AND SHIFT COURIERS series 2 starring Amanda Keller and Ian Turpie, BOGAN HUNTERS for 7Mate and the Screen Australia funded web series DUMB CRIMINALS. She produced the feature films HOUSOS VS AUTHORITY, FAT PIZZA VS HOUSOS, and DUMB CRIMINALS – THE MOVIE all distributed by Transmission Films.

Joe has had a long creative partnership with Damien, producing his short PEEKABOO and his debut feature KILLING GROUND.

Lisa Shaunessy – Producer

An independent Australia producer, Lisa was a producer at Russell Crowe’s South Sydney Media, an executive on Crowe’s directorial debut, THE WATER DIVINER and ACS award-winning producer of documentary SLAMMIN SAM: THE SAM BURGESS STORY. Prior to SSM, Lisa headed up fellow Aussie actor and producer, Hugh Jackmans’ Seed Productions, working on the development and production of Jackman starrers, DECEPTION; X-MEN ORIGINS: WOLVERINE and three 6 x 1hr documentary series, AN AUSSIE GOES BARMY, BOLLY and CALYPSO. Producer of AACTA award-winning series, HIPSTERS for SBS in 2015; Lisa’s company with producers Leonie Mansfield and Alex Burke, Arcadia, has several film and TV projects in development, including a follow up series to HIPSTERS; Seth Larney’s feature SUBJECT 14, Brooke Goldfinch’s SPLITTERS and a series based on Meg Mason’s novel SAY IT AGAIN IN A NICE VOICE. Lisa co-produced John Winter’s directorial debut, BLACK & WHITE & SEX and Damien Power’s KILLING GROUND.

Lisa previously held posts at the Australian Film Commission and as a freelancer on STAR WARS II & III, SUPERMAN RETURNS, STEALTH, THE GREAT RAID, SCOOBY DOO and PETER PAN, and TV series, THE LOST WORLD: SERIES II in various production roles. Lisa is a graduate of the Australian Film, Television and Radio School.

©Hypergiant Films Pty ltd, Killing Ground 2017

Simon Chapman – DOP

Since graduating from the Australian Film, Television and Radio School in 2002 with honors in Cinematography, Chapman has spent the last 14 years working across features films, television series', documentaries and commercials.

In 2009 Chapman shot Sean Byrne's debut feature THE LOVED ONE. It went on to win numerous awards including Best Film in the Toronto Film Festival’s Midnight Madness section. Chapman was awarded a gold ACS award for Best Feature Film for his work on the film. The pair recently collaborated again with the U.S production THE DEVIL’S CANDY, receiving its Australian debut at the 2016 Sydney International Film Festival. Chapman has also shot feature films GRIFF THE INVISIBLE, Josh Lawson’s THE LITTLE DEATH, Tony Ayers’ CUT SNAKE and Damien Power’ KILLING GROUND. Simon has shot five of Damien’s short films.

Along with extensive feature credits, Chapman has shot numerous television series. Working with director Trent O'Donnell, Chapman shot ABC comedy series’ WOODLEY, PROBLEMS and A MOODY CHRISTMAS. He shot AACTA and LOGIE winning kids series NOWHERE BOYS for Matchbox Pictures and followed with the acclaimed supernatural drama GLITCH directed by Emma Freeman. Chapman also shot the TV series for Playmaker/Network 10, THE WRONG GIRL with director Daina Reid.

Katie Flaxman – Editor

Katie is an experienced editor who has worked in film, television and documentary for over fifteen years. She has edited a number of award-winning short and feature films, many of which have been selected for national and international film festivals. These festivals include Sundance, Berlin, Tribeca, Tokyo, Palm Springs, Karlovy Vary, Sydney and Melbourne International Film Festivals. A recent film Katie edited, PERCEPTION, directed by Miranda Nation, won best film at the Sydney Film Festival. FLORENCE HAS LEFT THE BUILDING a short directed by Mirrah Foulkes, won the AACTA for best Live Action Short in 2015. Katie has also won awards for her editing at Flickerfest and WOW as well as being nominated for Best Editing in a short by The Australian Screen Editors’ Guild.

Katie’s television work (both drama and factual) has screened nationally across all networks in Australia and also in the US. Following the success of Cambodian feature film, THE LAST REEL Katie has recently completed post-production on Damien Power’s first feature film, KILLING GROUND. She has edited a number of Damien’s shorts including PEEKABOO, BOOT and HITCHHIKER. She continues to work in factual television, documentary and drama in Melbourne, Australia.

©Hypergiant Films Pty ltd, Killing Ground 2017 KILLING GROUND full credits

Screen Australia pre animated logo prior to credits

OPENING CREDITS

SCREEN AUSTRALIA and CAMPFIRE FILMS presents

A Hypergiant Film / Superpower Film Production/ Arcadia

In association with SCREEN NSW

In association with FILMS DISTRIBUTION

In association with MUSHROOM PICTURES

AARON PEDERSEN

IAN MEADOWS, HARRIET DYER (Ian Top Right, Harriet Bottom Left)

MAYA STANGE, JULIAN GARNER, TIARNIE COUPLAND and LIAM AND RILEY PARKES

AND AARON GLENANE

CASTING DIRECTOR – Marianne Jade - Maura Fay Casting

VISUAL EFFECTS BY – Scott Geerson

COSTUME & PRODUCTION DESIGN – Claire Granville

SOUND DESIGNERS – Serge Lacroix and Cate Cahill

MUSIC BY – Leah Curtis

EDITOR – Katie Flaxman

DOP – Simon Chapman A.C.S

ASSOCIATE PRODUCER – Matthew Carter

EXECUTIVE PRODUCERS - Michael Gudinski & John Molloy

PRODUCERS – Joe Weatherstone & Lisa Shaunessy

WRITER AND DIRECTOR - Damien Power

©Hypergiant Films Pty ltd, Killing Ground 2017 KILLING GROUND

ENDING ROLLING CREDITS

Cast:

German AARON PEDERSEN Ian Smith IAN MEADOWS Samantha Shaw HARRIET DYER Chook AARON GLENANE Margaret Voss MAYA STANGE Rob Baker JULIAN GARNER Em Baker TIARNIE COUPLAND Ollie Baker LIAM AND RILEY PARKES Senior Constable Chris Armstrong STEPHEN HUNTER Vicki MITZI RUHLMANN Jess AIRLIE DODDS Dawn JACKIE MURRAY Constable John Barrow MIKE DUNCAN Em Body Double CHERRY PEARCE Stunt Performers MARK DUNCAN MIKE DUNCAN JACKIE MURRAY Stunt Double/Chook Double AIDEN GILLETT Stunt Double/Ian Double TOBY FULLER Stunt Double NEAL HORTON

Crew:

Script Editor RACHEL POWER

First Assistant Director RICK BEECROFT

Production Co-ordinator ANA JIMENEZ Script Supervisor MILA GISBERT Production Accountant MATT CARTER Producer’s Assistant FIONA TOY Production Assistant MICHAEL KNOTT Production Assistant SARAH BROWN Production Assistant CLAUDIA ALLISON Production Runner TIFFANY CHAISSON Location Scout/Manager GRACE BOLT

Second Assistant Director SCOTT INCE

On set PA ENVER LARNEY On set PA CLAUDIA ALLISON On set PA NICK MARTINELLI On set PA ANDRE FLAMENT

1st Assistant Camera IñAKI DE UBAGO 2nd Assistant Camera/DIT JAY KEEGAN Stedicam Operator JONATHAN TYLER Additional 1st AC MATT FLOYD Additional 1st AC DANIEL FOELDES Camera Attachment CAROLINA IZQUERDO Camera Attachment BRENDAN BLACKLOCK Camera Attachment DANIEL ANDERSON Camera Attachment LUKE WALKER Camera Attachment DAN ABOTT

©Hypergiant Films Pty ltd, Killing Ground 2017 Camera Equipment RED APPLE CAMERA RENTALS

Sound Recordist FRANCIS BYRNE Boom Operators FRANKY FENECH LUKE HILDERBRAAT

Gaffer VILIAMI TOPUI Best Boy RALF WILLIAMS Best Boy RENIER BRONN Additional Electrics MOSES FOTOFILI Additional Electrics ANDREW WARD Lighting Equipment MOSES FOTOFILI - FOTOFILM Generator JASON ROGERS – JOLT GENERATORS

Key Grip CRAIG BARTLETT-SWEIGER Grip BRYAN SOULBRANDT Additional Grip ANGUS GOWANS Additional Grip EFFRON HEATHER Additional Grip HOUSTON CHORLEY Additional Grip Assist DARCY VOUMARD

Costume Buyer BEC SHEEDY Standby Props GEORGE ZAMMIT Costume Standby JACQUI SCHOFIELD Buyer \ Art Dept. Assist HARRIET MACARTHUR Additional Costume Assistant JESSICA WATTSON Additional Art Depart Standby KATE ENGLEFIELD Vehicle Tech LON LUCINI MATT CLARKE JOHN WHEELER DION HOLDEN Special Effects DAN OLIVER TIM RIACH LOU STEFANO

Make-up & Hair Designer TROY FOLLINGTON

Make-up & Hair Artist VICTORIA WALTON Additional Make-up & Hair ELIZA CAMPAGNA

Armourer JOHN LEFFLER Armourer Assist RAY LEFFLER Cocoa (dog) MEL ISAACS - ANIMAL TALENT TIME Coco (boar) ANN HARRIS - ANIMAL TALENT TIME

Safety Supervisor MIKE DUNCAN Assistant Safety Supervisor JACKIE MURRAY

Stunt Coordinator MARK DUNCAN Assistant Stunt Coordinator MIKE DUNCAN Stunt Assist RYAN TARREN Stunt Assist JACK KINGSLEY Stunt Assist attachment KYRAN LYNCH Stunt Assist BEN TOYER Stunt Rigger DARVIN DELA CRUZ Medic JUSTIN SMITH

Unit Manager BORIS SUJDOVIC Unit Assistant/Driver MIKE PRENZLER Caterer ANDREW TEO - GYPSY KITCHEN

Night Watchman MATTHEW DETTMER

©Hypergiant Films Pty ltd, Killing Ground 2017 Unit Nurse BARBARA BEDFORD Traffic Control MICHAEL PARKER NICK MARTINELLI HAL BADDOCK Unit Vehicles BORIS SUJDOVIC – CHANGES FILM SERVICES Greenroom Vehicles RIC PETRO – LOCATION FILM SERVICES Unit Generator RUNSWELL MACHINERY

Stills Photographer JOHN PLATT

EPK Producer/Director MICHAEL KNOTT EPK DOP LUKE WALKER

Second Unit Director SETH LARNEY

2nd Unit 1st AD SERENA HUNT Director of Photography ASHLEY BARRON 1st Camera Assistant GERARD MAHER Sound Recordist RAFAL DABROWSKI Key Grip Pickups TONY BOSCH Gaffer Pickups RUSSELL FEWTRELL Art Department TYLAH PRATT

Additional Editor MARCUS D’ARCY

Assistant Editor DANIEL PARDY Colourist BILLY WYCHGEL Online Editor THE POST OP GROUP Post Supervisor Post Op PAUL CLARKE

Sound Supervisor SERGE LACROIX Sound Effects Editor CATE CAHILL Dialogue Editor TONY MURTAGH Foley Artist HELEN BROWN Foley Recordist PAUL HUNTINGFORD Re-recording Mixers SERGE LACROIX LAKI FOTOPOULOS CATE CAHILL ADR Engineer MARK FORESTER

Visual Effects SUBSTANCE

Conductor LEAH CURTIS Violin Soloist SAVANNAH JO LACK Music Score Recording Engineer BEN TOLLIDAY Music Scoring Mixer CHRISTO CURTIS

Poster By JEREMY SAUNDERS Title Design SCOTT GEERSON / SUBSTANCE

Completion Guarantor FACB - DAVID NOAKES, CORRIE SOETERBOEK

Production Legals MICHAEL EASTON Disbursement Service SCREENRIGHTS DISBURSEMENT SERVICE Audience Testing By BERGENT RESEARCH Auditor CHRIS COOTE & ASSOCIATES

Screen Australia Investment Manager SUSAN WELLS / NAOMI WENCK Screen NSW Production Executives LUCY TAYLOR / MARK HAMLYN

Insurance supplied by SURA FILM AND ENTERTAINMENT JOE LO SURDO/ ELEANOR LAURIE

THANKS TO THE FEATURED EXTRAS:

Frances Weatherstone, Mike Prenzler, Krystie Grubba, Barbara Bedford, Brent Crosby, Thomas Heppell, Graham Taylor, Claudia Allison, Michael Knott, David Nash, Cameron Graf, Steve Little, Benjiman Sullivan, Dean Rochetariq Mackay- Cook, Grace Bolt, Tara Borg

The Producers Wish To Thank:

THANKS TO CAMPBELLTOWN CITY COUNCIL

Simmos Beach Recreation Reserve, Macquarie Fields Maroubra Sports Club Carrington Centennial Care

The Producers Would Like To Thank The Following Individuals And Companies For Their Invaluable Support In The Making Of This Motion Picture

KIP & CO TREE OF LIFE

Very Special Thanks:

SUSAN WELLS VINCENT SHEEHAN MARCUS D’ARCY, SERGE LACROIX, VIV SCANU

Luke Cross, Autumn Cross, Jacob Cross, Michael Neustein, Janet Neustein, David Neustein, Grace Mortlock, Ann Power, Laki Fotopoulos, Richard White-Smith, All The Staff At The Post Op Group, Ali Peck, Kirsty Mclarry, Don Parkes, Matthew Kirkcaldie, Matt Ravier, Elizaabeth Troyeur, Stephen Cleary, Matthew Dabner, Gabor Greiner, Sebastien Beffa, Francois Yon, Nicholas, Brigaud-Robert, Alexis Hamaide, Jerome Blesson, Bethany Jones, Graeme Mason, Sally Caplan, Naomi Wenck, Sue Collins, Lucy Taylor, Mark Hamlyn, Peta Gismondo, Ken Donaldson, George Papanicolaou, David Weaver, Ben Phelps, Joseph Mlikota, Susan Hennessy, Adam Hennessy, Cath Regan, David Wheel, Greg Scott, Amanda So, David Wheal, Erin O’connor, Fleur Griffin, Melina Mckenna, Simon Whipp, David Sheridan, David Noakes, Corrie Soeterboek, Antonia Batsakis, Christopher Robinson, Derek Chow, David Copeland, Tracy Mair, James Winter - Brand X, John Lorenzini, Orora Limited, Evan Myers, Lyn Watson, Sam Uther, Sam Walker, Matt Ward – Drunk On The Moon, Andrew Mason, Angie Fielder, Rosemary Blight, David Court, Barbara Gibbs, Annmaree Bell, Paul Sullivan, Killian Mcguire, Sara Moroney, Ric Petro, Abigael Whittaker, Morgan Healy, Kieran Cato, Joe Petty, Andy Robertson, Blake Annable, Greg King, Serena Hunt, Nerida Moore, Megan Simpson Huberman, Sam Jennings, Meg Lefauve, Sheila Hanahan Taylor, Collins Publishing, Anastasia Sideris.

Our cast and crew were accommodated at the Best Western Casula and The Country Comfort Hunts Liverpool

Checkerboard Banner stock media provided by Maraexsoft/Pond5.com

Barbara Baynton clearance kindly granted by Text Publishing Co

MUSIC CREDITS

“Alone With You” Written by J.Oxley (Mushroom Music) Performed by Sunnyboys Licensed courtesy of Warner Music Australia Pty Limited

El Condor Pasa Traditional Performed by Craig Stull

“Creepy Club” Composed and performed by George Papanicolaou Engineer Dave Weaver Original Score Studio

Completion Guaranty provided through First Australian Completion Bond Company Pty. Ltd

PRINCIPAL INVESTOR

DEVELOPED AND FINANCED WITH THE ASSISTANCE OF

No animals were harmed during the making of this motion picture. All characters, events, people and places depicted in this cinematographic film are fictitious and imaginary and any relation to any person living or dead is purely co-incidental. This cinematograph film (including, without limitation, the soundtrack thereof) is protected by the copyright laws of Australia and other applicable laws worldwide. FILMED AND POST-PRODUCED IN NEW SOUTH WALES, AUSTRALIA