Canadian Embroiderers Guild Guelph LIBRARY LIST by AUTHOR August
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JANICE WILLIAMS THREADS - Shiny & Glittery Threads Etc
CREATIONS nature Silken Strands & Fantasy Fabrics JANICE WILLIAMS THREADS - shiny & glittery threads etc... GOLDWORK AND JAPANESE EMBROIDERY Natesh Indian Rayons - 300+ colours. 95 Multi. We stock a wide range of traditional Madeira - Rayons, Metallics, Pure Silks & Lana. and contemporary metal threads; DMC, Perlé (especially 8’s & 12’s), Japanese metallics, including fine, coloured metallics, GIMP, Aquafilm, Solvy, Rajmahal. and over 200 shades of flat silks; YLI, Seta Reale, traditional & glass shisha Metallic skin in gold, silver, copper, and pewter; Books on goldwork and other embroidery techniques. Visitors by Appointment only please We also stock the full range of Appleton’s crewel wool. Lots more as well: www.silkenstrands.co.uk Prompt mail order service E: [email protected] Please send 2 x 1st class stamps for our price list which includes details of the GOLDWORK GUILD magazine and events 01248 362361 Sheldon Cottage Studio (W), Epney, Gloucester, GL2 7LN The Spaldings, Silken Strands, 20 Y Rhos, Bangor, LL57 2LT Tel/Fax: 01452 740639 Visitors by appointment only ADVERTISE Not just for lace... Huge range of threads Threads - Sewing cotton Tools - Tatting shuttles HERE FROM - Fine crochet cotton - Scissors Mail Order & Online Shopping - Perle cotton - Pins and needles Suppliers of hand wound packs - Silks Mounting - Frames, velour of pure silk thread in beautiful JUST £40 - Linen …and lots more! colour schemes • Topics Connoisseur Range • Ribbons Call us now on - Metallic E: [email protected] Call on 01425 483450 www.mulberrysilks- 01395 233 247 85 North Poulner Road, Ringwood, Hants BH24 3LA patriciawood.com Email: [email protected] 2 The Old School, Stratford Road, Shipston-on-Stour, CV36 4AU www.claireslace.co.uk APPLETON’S WOOLS Shade Cards and complete range of 4ply tapestry and 2ply crewel skeins from stock. -
Textile Society of America Newsletter 28:1 — Spring 2016 Textile Society of America
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Newsletters Textile Society of America Spring 2016 Textile Society of America Newsletter 28:1 — Spring 2016 Textile Society of America Follow this and additional works at: https://digitalcommons.unl.edu/tsanews Part of the Art and Design Commons Textile Society of America, "Textile Society of America Newsletter 28:1 — Spring 2016" (2016). Textile Society of America Newsletters. 73. https://digitalcommons.unl.edu/tsanews/73 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Newsletters by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. VOLUME 28. NUMBER 1. SPRING, 2016 TSA Board Member and Newsletter Editor Wendy Weiss behind the scenes at the UCB Museum of Anthropology in Vancouver, durring the TSA Board meeting in March, 2016 Spring 2016 1 Newsletter Team BOARD OF DIRECTORS Roxane Shaughnessy Editor-in-Chief: Wendy Weiss (TSA Board Member/Director of External Relations) President Designer and Editor: Tali Weinberg (Executive Director) [email protected] Member News Editor: Caroline Charuk (Membership & Communications Coordinator) International Report: Dominique Cardon (International Advisor to the Board) Vita Plume Vice President/President Elect Editorial Assistance: Roxane Shaughnessy (TSA President) [email protected] Elena Phipps Our Mission Past President [email protected] The Textile Society of America is a 501(c)3 nonprofit that provides an international forum for the exchange and dissemination of textile knowledge from artistic, cultural, economic, historic, Maleyne Syracuse political, social, and technical perspectives. -
Lone Star Library, Alphabetic by Author
7/5/2018 Lone Star Library, Alphabetic by Author 1 Agnew, Patience Needlepoint for Churches 2 Aimee Stitch Your State 3 Alderson, Chottie Stitchin' with Chottie, Bk 1 4 Alderson, Chottie A Rare Delight, Or Nue Project 5 Alderson, Chottie Stitchin' with Chottie, Bk 2 6 Alderson, Chottie Stitchin' with Chottie, Bk 3 7 Alderson, Chottie Stitchin' with Chottie, Bk 4 8 Alderson, Chottie Stitchin' with Chottie, Bk 5, Albuquerque Game 9 Altherr, Ilse Blackwork and Holbein Embroidery 10 Altherr, Ilse Mastering the Art of Pulled Thread Embroidery 11 Ambuter, Carolyn Carolyn Ambuter's Complete Book of Needlepoint 12 Ambuter, Carolyn Carolyn Ambuter's Even More Complete Book of Needlepoint 13 Ambuter, Carolyn The Open Canvas 14 Anchor Mezzopunto e Punti di Tappezzeria 15 ANG A Stitch Book 25th Anniversary of ANG 16 ANG Stitch Book II 17 ANG, Atlanta Chapter A Canvas Christmas II 18 ANG, Masters Teacher Program Teachers' Treasures South Central Area's 2003 ANG Seminar Project: Two-Sided 19 ANG, South Central Area Nativity Set with Stable 20 ARO Designs Historic Houston 21 ARO Designs Houston Skyline Shapes of Needlepoint, Series I, 22 Arthur, Sandra Circles/Squares/Triangles/Rectangles Shapes of Needlepoint, Series II, 23 Arthur, Sandra Diamonds/Hearts/Octagons/Stars Shapes of Needlepoint, Series III, 24 Arthur, Sandra Corners/Hexagons/Ovals/Parallelograms Shapes of Needlepoint, Series IV, 25 Arthur, Sandra Diagonals/Horizontals/Verticals 26 Ashby, D. & Woolsey, J. Creative Embroidery Techniques Using Color Through Gold 27 Ashby, D. & Woolsey, J. Ribbon Embroidery 28 Bahouth, Candace Flowers, Birds, and Unicorns: Medieval Needlepoint 29 Bahouth, Candace Romantic Needlepoint 30 Baird, Carolyn Hedge Favorite Stitches, Revised 31 Baird, Carolyn Hedge Favorite Stitches, Volume 2 32 Baird, Carolyn Hedge Merry Easter Eggs 33 Baird, Carolyn Hedge Merry Needlepoint 34 Baker, Muriel The ABC's of Canvas Embroidery 35 Baker, Muriel The XYZ's of Canvas Embroidery 36 Baker, Muriel Scribner Book of Embroidery Designs 37 Banbury, G. -
Talliaferro Classic Needleart Has Generously Contributed Two Motifs of Her Own Design for You to Interpret Into Stitch
rancisco Scho n F ol o Sa f Stitch at Home Challenge Deadline: April 15, 2017 What is the “Stitch at Home Challenge”? We have created the “Stitch at Home Challenge” as a way to encourage and inspire people to stitch. This is not a competition but a challenge. For each challenge we will provide you with an inspiration and you may use any needlework technique or combination of techniques in order to make a piece of textile art. We will offer a new Challenge and Inspiration quarterly. Who can enter? Anyone! We know that many of you live far away. If you can’t come and visit us here in San Francisco, this is a great opportunity for you to join our stitching community. If you live close by, you may have the chance to come in and see your work on display at our school during one of our exhibits! What do I do with my finished piece? Your finished piece of art belongs to you but for each challenge there will be a deadline for you to submit either a photograph of your piece or the actual piece itself for display in an exhibit. The Challenge Exhibit will be up for a month at SNAD and it is a great opportunity to showcase your work. With your permission, we will also display your work in an online gallery on our website. THIS CHALLENGE’S INSPIRATION: For this challenge, Anna Garris Goiser of Talliaferro Classic Needleart has generously contributed two motifs of her own design for you to interpret into stitch. -
Quilt Show 2005
Friendship Star Quilters Quiltline September 2004 President’s Message Next Meeting: September!!! I can hardly believe it. No more pool! No more trips to the September 20, 2004 lake! Cold weather! Today the neighborhood kids went to meet their 7:30 PM teachers for next year. Jo-Ann’s has already started putting pumpkins on clearance sale and leaves are falling! I am not ready for this. My daughter has come back from England and is now (with the cat I had all Speaker: Barbara Olson summer) teaching at Mississippi State, my son starts flying to China this “Designing Outside the Lines” month instead of Peru & I am pulling wallpaper off the guest room walls. This is such a busy month for all of us but we must make time to quilt. Coming in October: Mimi Dietrich The Fair is over and, although the new air conditioning may cause problems hanging quilts in our show, I was really happy to see the support many of you showed for our County Fair by submitting quilts. There were so many ribbons on Friendship Star quilts that I am at a loss WHAT’S INSIDE to name them all. We did well, ladies. Quilt Day at the Fair also went very well. I had a great time with all of you who came and worked with Upcoming Programs ....... 2 FSQ Officers ............. 3 us. The weather was spectacular, so fewer of the public felt the need to Minutes of Last Meeting .... 4 come in out of the heat and we had fewer people tying. -
Editorial Calendar 2020
PRESERVING THE LEGACY OF NEEDLEWORK Editorial Calendar 2020 There are stories to be told, and PieceWork readers want to read them. Whether it’s a personal account of a master knitter (“Bertha Mae Shipley: A Navajo Knitter”) or a well-researched article on the embroidery that adorned alms purses (“Charitably Chic: The Eighteenth-Century Alms Purse”), PieceWork is the place to share these stories. People who care about handwork and who value its past and present role in the ongoing human story are PieceWork magazine’s core audience. PieceWork explores the personal stories of traditional makers and what they made and investigates how specific objects were crafted and the stories behind them. In-depth how-to techniques and step-by-step projects make the traditions come alive for today’s knitters, embroiderers, lacemakers, and crocheters. Beginning with the magazine’s inception in 1993, we have explored numerous needlework traditions and needleworkers. We’ve covered the prosaic—mending samplers—and the esoteric—the Pearly Kings and Queens of London. The stories have been poignant—the Triangle Shirtwaist Factory fire; inspiring—Safe Return Mittens; and entertaining—Rattlesnake Kate. Beginning with the Fall 2018 issue, PieceWork changed frequency from a bimonthly publication to a quarterly. The biggest bonus with this change was the addition of more editorial pages, allowing us to continue and expand upon PieceWork’s unusual blend of the elements behind a handwork tradition—who did it, how it was done, and why. Future issues will include core sections for techniques, including knitting, lace, embroidery, and crochet. Beyond these sections, there will be a wide variety of other needlework techniques. -
Quilting Around the Internet World: Our Favorite Links Click Here for a Printer Friendly Pdf Version of This List
Page 1 of 9 www.franklincountyquilters.org Quilting Around the Internet World: Our Favorite Links Click here for a printer friendly pdf version of this list. Websites with free patterns http://www.quilterscache.com/ http://www.blockcentral.com/quiltblocks.shtml http://www.quilterscache.com/QuiltBlocksGalore.html http://quilting.about.com/ http://www.freequilt.com/ http://www.blockcentral.com/ http://www.sewquilty.com/ http://www.judymartin.com/ Websites with below retail prices for fabric and notions http://www.zandsfabrics.com/ http://www.franklincountyquilters.org/fcqglinks.html 12/8/2011 Page 2 of 9 http://www.thethriftyneedle.com/ http://www.bighornquilts.com/ http://www.dutchlandquilts.com/store/textlist2col.asp?id=51 http://www.theoldcountrystore.com/fabrics/ Websites with quilting tips http://www.dianegaudynski.net/ http://www.blockcentral.com/tips.shtml http://www.quiltaholics.com/tips.htm http://www.jinnybeyer.com/quilttips/index.cfm http://quiltbug.com/articles/learn.htm http://www.bellaonline.com/subjects/2876.asp http://www.suzannesquilts.com/tips.htm http://www.getcreativeshow.com/seminars/quilt-tips.htm Websites with general quilting information http://quilting.about.com/ http://www.allpeoplequilt.com/ http://www.victorianaquiltdesigns.com Websites for well-known quilters Alex Anderson: http://www.alexandersonquilts.com/ Alex Anderson & Ricky Tims: http://www.thequiltshow.com/ Charlotte Angotti: http://www.charlotteangotti.com/ Jinny Beyer: http://www.jinnybeyer.com/ http://www.franklincountyquilters.org/fcqglinks.html 12/8/2011 -
Canadian Embroiderers Guild Guelph LIBRARY August 25, 2016
Canadian Embroiderers Guild Guelph LIBRARY August 25, 2016 GREEN text indicates an item in one of the Small Books boxes ORANGE text indicates a missing book PURPLE text indicates an oversize book BANNERS and CHURCH EMBROIDERY Aber, Ita THE ART OF JUDIAC NEEDLEWORK Scribners 1979 Banbury & Dewer How to design and make CHURCH KNEELERS ASN Publishing 1987 Beese, Pat EMBROIDERY FOR THE CHURCH Branford 1975 Blair, M & Ryan, Cathleen BANNERS AND FLAGS Harcourt, Brace 1977 Bradfield,Helen; Prigle,Joan & Ridout THE ART OF THE SPIRIT 1992 CEG CHURCH NEEDLEWORK EmbroiderersGuild1975T Christ Church Cathedral IN HIS HOUSE - THE STORY OF THE NEEDLEPOINT Christ Church Cathedral KNEELERS Dean, Beryl EMBROIDERY IN RELIGION AND CEREMONIAL Batsford 1981 Exeter Cathedra THE EXETER RONDELS Penwell Print 1989 Hall, Dorothea CHURCH EMBROIDERY Lyric Books Ltd 1983 Ingram, Elizabeth ed. THREAD OF GOLD (York Minster) Pitken 1987 King, Bucky & Martin, Jude ECCLESSIASTICAL CRAFTS VanNostrand 1978 Liddell, Jill THE PATCHWORK PILGRIMAGE VikingStudioBooks1993 Lugg, Vicky & Willcocks, John HERALDRY FOR EMBROIDERERS Batsford 1990 McNeil, Lucy & Johnson, Margaret CHURCH NEEDLEWORK, SANCTUARY LINENS Roth, Ann NEEDLEPOINT DESIGNS FROM THE MOSAICS OF Scribners 1975 RAVENNA Wolfe, Betty THE BANNER BOOK Moorhouse-Barlow 1974 CANVASWORK and BARGELLO Alford, Jane BEGINNERS GUIDE TO BERLINWORK Awege, Gayna KELIM CANVASWORK Search 1988 T Baker, Muriel: Eyre, Barbara: Wall, Margaret & NEEDLEPOINT: DESIGN YOUR OWN Scribners 1974 Westerfield, Charlotte Bucilla CANVAS EMBROIDERY STITCHES Bucilla T. Fasset, Kaffe GLORIOUS NEEDLEPOINT Century 1987 Feisner,Edith NEEDLEPOINT AND BEYOND Scribners 1980 Felcher, Cecelia THE NEEDLEPOINT WORK BOOK OF TRADITIONAL Prentice-Hall 1979 DESIGNS Field, Peggy & Linsley, June CANVAS EMBROIDERY Midhurst,London 1990 Fischer,P.& Lasker,A. -
Authenticity in the Revival of Orthodox Ecclesiastical Embroidery in Post-Soviet Russia Luba Dovgan Nurse, Dinah Eastop and Mary M
Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia Luba Dovgan Nurse, Dinah Eastop and Mary M. Brooks ABSTRACT The Russian Orthodox Church, together with the skills and practice of ecclesiastical hand embroidery, was undermined during the Soviet period of 1917–1991. The late 20th- century revival of ecclesiastical embroidery was possible because of the work of conservators and historians in museums in Russia who ensured the preservation of both the artefacts and the understanding of their ecclesiastical use. This paper focuses on the idea of the authenticity of these new embroideries, which is sought by the embroiderers as a key attribute to assert in relation to other types of ecclesiastical textile production. The case study provides a vivid example of the importance of authenticity and how it is invoked. Introduction argues, first, that this emphasis on authentic- ity manifests the Russian Orthodox Church’s This paper explores the nature of the ‘real central, but contested, position in Russian soci- thing’ by examining the authenticity attrib- ety and, secondly, that women have played an uted to embroidery made for use in the important role in constructing the perceived Russian Orthodox Church in the post-Soviet authenticity of this revived Orthodox art form. era.1 This ecclesiastical embroidery (tserko- Interviews with embroiderers and conservators vnaia vyshivka) has two names according to conducted by Luba Dovgan Nurse in Russia the techniques and materials used: metal thread in 2006 provide the primary source for this (zolotnaia) and pictorial (litsevaia). The latter research.2 term derives from the word lik meaning face, image or representation, and is closely related to the art of religious illustration as in the illus- trated biblical chronicles (litsevye rukopisi) and Revival of the Russian Orthodox Church to icons. -
Georgian Flower II: Goldwork and Finishing
Session 8: Georgian Flower II: Goldwork and Finishing In this session we are going to look at some goldwork stitches and techniques, as well as finishing off the embroidery itself. I will be showing you how to work with ‘Passing Thread’, which is an historical type of metallic thread which can be used for different stitches to give variety to your goldwork stitching. Passing thread was the main goldwork thread available during the 18th century when designs like this one were popular. It differs from Jap in that it is more tightly wrapped around its core, so it can be used to sew THROUGH the fabric in a way which is very difficult with Jap thread. You can also use it for all the stitching you can do with Jap, so I tend to use it most of the time! MATERIALS AND EQUIPMENT NEEDED FOR THIS SESSION: • Embroidery hoop or small frame • Embroidery scissors • Completed work from Session 7: Georgian Flower I: Silk Shading and stems • Needles: o Crewel needle, size 9-10 o Crewel needle size 6-7 (big enough to take the Passing thread) o Tapestry needle size 22 • DMC Embroidery cottons 552, 726, 904, 906 • Gold Passing or Tambour thread, either size 4 or size 6, about 1.5 m (1.75 yds) • Yellow sewing cotton. READ ALL OF THE INSTRUCTIONS THROUGH BEFORE YOU START YOUR EMBROIDERY. SETTING UP YOUR FABRIC: Place your embroidery in the hoop and make sure it is taut. If you prefer, use a small roller frame or similar. Now you are ready to start stitching! WORKING THE EMBROIDERY: Finishing the cotton embroidery: All the stranded cotton embroidery is done with TWO strands of cotton in your needle. -
BEGINNERS Applique Canvas Quilting Patchwork Smocking Stitchery Blackwork Embroidery Design Machine Embroidery Drawn Fabric Patc
MERSEYSIDE EMBROIDERS' GUILD: LIST OF LIBRARY BOOKS, MARCH, 2019 BEGINNERS Applique Canvas Quilting Patchwork Smocking Stitchery Blackwork Embroidery Design Machine Embroidery Drawn Fabric Patchwork 2 Small Scale Weaving Cross Stitch Machine Patchwork Goldwork Beginners Guide to Crewel Embroidery Jane Rainbow Beginners Guide to Embroidered Boxes Janet Edmonds Beginners Guide to Machine Embroidery Pam Watts Beginner’s Guide to Stumpwork Kay Dennis EMBROIDERY Embroidered Books Isobel Hall Bead Embroidery Valerie Campbell-Harding & Pamela Watts Complete Guide to Blackwork Amanda Cox Blackwork, a New Approach Brenda Day Blackwork Mary Gostelow Embroidered Boxes Jane Lemon Page 1 of 7 English Church Embroidery 1883-1953 Mary Schoeser Embroidery in Religion and Ceremonial Beryl Dean Church Embroideries Beryl Dean Ideas for Canvas Work Mary Rhodes Dictionary of Canvas Work Stitches Mary Rhodes Needlepoint, the Art of Canvas Embroidery Mary Rhodes Canvas Embroidery Peggy Field and June Linsey The Open Canvas (Hardanger, Pulled Canvas Carolyn Ambuter Metal Thread Embroidery Barbara Dawson Machine Embroidery Gail Harker Machine Embroidery Stitch Techniques Valerie Campbell-Harding Layers of Stitch Contemporary Machine Embroidery Valerie Campbell-Harding & Maggie Grey Creative Embellishing for Needlepoint Machine Teresa Searle Stitch, Dissolve, Distort with Machine Embroidery Valerie Campbell-Harding & Maggie Grey Raising the Surface with Machine Embroidery Maggie Grey Celtic Inspirations for Machine Embroidery Valerie Campbell Harding and Maggie -
Overview of Pre-17Th Century Metal Work Embroidery Class Notes by THB Ceara Shionnach of Burbage House, Written January 2017
Overview of Pre-17th Century Metal Work Embroidery Class notes by THB Ceara Shionnach of Burbage House, written January 2017 https://cearashionnach.wordpress.com/ Introduction The purpose of this article is to: provide references that give an overview of metal embroidery techniques, give information on some metal work embroidery stitches and how they’re done, show examples of extant metal work from various pre-17th century periods and places, assist beginners and intermediate embroiderers in identifying resources they could use to start their own metal embroidery research and project, including the design and execution stages, as well as placing metal work embroidery in an SCA period context. Image Source: In-progress goldwork piece as part of a pair of 16th century Spanish inspired velvet embroidered cushions. This image depicts padded goldwork, paired couched passing thread and purl. For more information, see Embroidered Cushions by Ceara Shionnach (2010). Contents Introduction ......................................................................................................................................................... 1 Types and Styles ................................................................................................................................................... 3 Materials.............................................................................................................................................................. 3 Passing Thread.................................................................................................................................................