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Guide to Ella Fitzgerald Papers
Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996................................................................. -
The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS -
Guide to the Bill Holman Collection
Guide to the Bill Holman Collection NMAH.AC.0733 Scott Schwartz, Ann Kuebler, and Pam Kirby 2001 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Scope and Contents........................................................................................................ 3 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Music Manuscripts, 1952 - 1999.............................................................. 4 Series 2: Photographs and Business Records, 1975-1997.................................... 28 Bill Holman Collection NMAH.AC.0733 Collection Overview Repository: Archives Center, National Museum of American History Title: Bill Holman Collection Identifier: NMAH.AC.0733 Date: -
The Man I Love Full Score
Jazz Lines Publications the man i love Presents recorded by sarah vaughan Arranged by benny carter prepared for publication by rob duboff and jeffrey sultanof full score jlp-9797 Words by Ira Gershwin Music by George Gershwin Copyright © 2021 The Jazz Lines Foundation, Inc. Logos, Graphics, and Layout Copyright © 2021 The Jazz Lines Foundation Inc. This Arrangement Has Been Published with the Authorization of the Benny Carter Estate. Published by the Jazz Lines Foundation Inc., a not-for-profit jazz research organization dedicated to preserving and promoting America’s musical heritage. The Jazz Lines Foundation Inc. PO Box 1236 Saratoga Springs NY 12866 USA sarah vaughan series the man i love (1963) Sarah Vaughan Biography: Sarah Lois Vaughan was born on March 27, 1924, in Newark New Jersey. She was born into a very musical churchgoing family, and this gave her the chance to discover and begin developing her stunning abilities at an early age. She began piano lessons while in elementary school, and played and sang in the church choir, as well as during church services. During her teens she began seriously performing and attending nightclubs, and while she did eventually attend an arts-based high school, she dropped out before graduating to focus on her burgeoning musical exploits. Encouraged by a friend or friends to give the famous career-making Amateur Night at the Apollo Theater in Harlem, New York City a try (the exact date and circumstances are debated), she sang Body and Soul and won. This led to her coming to the attention of Earl Hines, whose band at the time was a revolutionary group at the forefront of the bebop movement. -
American Music Review the H
American Music Review The H. Wiley Hitchcock Institute for Studies in American Music Conservatory of Music, Brooklyn College of the City University of New York Volume XLII, Number 2 Spring 2013 Invisible Woman: Vi Redd’s Contributions as a Jazz Saxophonist By Yoko Suzuki, University of Pittsburgh The story of alto saxophonist Vi Redd illustrates yet another way in which women jazz instrumentalists have been excluded from the dominant discourse on jazz history. Although she performed with such jazz greats as Count Basie, Max Roach, Dizzy Gillespie, and Earl Hines, she is rarely discussed in jazz history books except for those focusing specifically on female jazz musicians. One reason for her omission is that jazz historiography has heavily relied on commercially produced recordings. Despite her active and successful career in the 1960s, Redd released only two recordings as a bandleader, in 1962 and 1964. Reviews of these recordings, along with published accounts of her live performances and memories of her fellow musicians illuminate how Redd’s career as a jazz instrumentalist was greatly shaped by the established gender norms of the jazz world. Elvira “Vi” Redd was born in Los Angeles in 1928. Her father, New Orleans drummer Alton Redd, worked with such jazz greats as Kid Ory, Dexter Gordon, and Wardell Gray. Redd began singing in church when she was five, and started on alto saxophone around the age of twelve, when her great aunt gave her a horn and taught her how to play. Around 1948 she formed a band with her first husband, trumpeter Nathaniel Meeks. She played the saxophone and sang, and began performing professionally. -
Basie, Ballads, Bebop & Blues
BASIE, BALLADS, BEBOP & BLUES RECOMMENDED CLASSIC & NEWER WORKS FOR THE JAZZ ENSEMBLE, GRADES 2 – 4+ Compiled by Dr. Michael Parkinson Chair, Department of Music Webster University, St. Louis, Missouri © 2006 Educational Specialist – Benge Trumpets, Conn-Selmer, Inc. With the assistance of Robert Waggoner, Jim Cochran, and Ron Allen AND Tom Whaley, CMEA Jazz Representative (2005-2007) Works selected from the following publishing sources: Advance, Alfred, Barnhouse, Doug Beach (Kendor), CPP-Belwin, DPZ, FJH, Hal Leonard Heritage, Increase Music, JPM, Jazz at Lincoln Center (Alfred-JLC), Kendor, Kjos, Little Bear, Ludwig, Matrix, Really Good Music, Second Floor (Leonard), Sierra, Smart Chart, Stitzel, Three-Two, UNC & Walrus Bold face = recommended works; CAPITALIZED = outstanding choices, * Playable by a smaller ensemble BALLADS: TITLE: COMP/ARR: SOURCE and/or RECORDING: FEATURES: PUB: GR: A Child is Born Thad Jones Trumpet/Flugel Kendoe 3 AFTER YOU’VE GONE Layton/M. Taylor 1920s standard, Publisher’s disc Swing 8th, ensemble, piano Leonard 4 All The Things You Are J. Kern/S. Kenton 1950s Stan Kenton Orchestra Trombones, piano, sax soli Sierra 4 ALWAYS & FOREVER P. Metheny/B. Curnow 1990s Pat Metheny Group & Bob Curnow Big Band Alto sax, flugel horn, or guitar Sierra 4 At First Light Ellen Rowe Original , publisher’s disc Alto sax, light rock ballad Sierra 3 AUTUMN Bob Florence 1980s Bob Florence Orchestra (opt. doubles) Tenor sax feature Walrus 4 Beauty and the Beast G. Goodwin Band/Tenor Leonard 5 Black, Brown & Beautiful Oliver Nelson 1970s Oliver Nelson Orchestra Alto Sax (Johnny Hodges) Sierra 3 BLUE B. Shew/G. Brisker 1970s Louie Bellson Orchestra Trumpet (Bobby Shew) Beach/Kendor 4 Blue & Sentimental C. -
Trumpeter Scotty Barnhart Appointed New Director of the Count Basie Orchestra
September 23, 2013 To: Listings/Critics/Features From: Jazz Promo Services Press Contact: Jim Eigo, [email protected] www.jazzpromoservices.com Trumpeter Scotty Barnhart Appointed New Director of The Count Basie Orchestra For Immediate Release The Count Basie Orchestra and All That Music Productions, LLC, is pleased to announce the appointment of Scotty Barnhart as the new Director of The Legendary Count Basie Orchestra. He follows Thad Jones, Frank Foster, Grover Mitchell, Bill Hughes, and Dennis Mackrel in leading one of the greatest and most important jazz orchestras in history. Founded in 1935 by pianist William James Basie (1904-1984), the orchestra still tours the world today and is presently ending a two-week tour in Japan. The orchestra has released hundreds of recordings, won every respected jazz poll in the world at least once, has appeared in movies, television shows and commercials, Presidential Inaugurals, and has won 18 Grammy Awards, the most for any jazz orchestra. Many of its former members are some of the most important soloists, vocalists, composers, and arrangers in jazz history. That list includes Lester Young, Billie Holiday, Harry “Sweets” Edison, Jo Jones, Frank Foster, Frank Wess, Thad Jones, Joe Williams, Sonny Payne, Snooky Young, Al Grey, John Clayton, Dennis Mackrel and others. Mr. Barnhart, born in 1964, is a native of Atlanta, Georgia. He discovered his passion for music at an early age while being raised in Atlanta's historic Ebenezer Baptist Church where he was christened by Dr. Martin Luther King, Jr.He has been a featured trumpet soloist with the Count Basie Orchestra for the last 20 years, and has also performed and recorded with such artists as Wynton Marsalis, Marcus Roberts, Frank Sinatra, Diana Krall, Clark Terry, Freddie Hubbard, The Duke Ellington Orchestra, Nat Adderley, Quincy Jones, Barbara Streisand, Natalie Cole, Joe Williams, and many others. -
Stage Door Swings Brochure
. 0 A G 6 E C R 2 G , O 1 FEATURING A H . T T D C I O I S F A N O E O A P T B R I . P P G The Palladium Big 3 Orchestra S M . N N R U O E O Featuring the combined orchestras N P L of Tito Puente, Machito and Tito Rodriguez presents Manteca - The Afro-Cuban Music of The Dizzy Gillespie Big Band FROM with special guest Candido CUBAN FIRE Brazilliance featuring TO SKETCHES Bud Shank OF SPAIN The Music of Chico O’ Farrill Big Band Directed by Arturo O’Farrill Bill Holman Band- Echoes of Aranjuez 8 3 0 Armando Peraza 0 - 8 Stan Kenton’s Cuban Fire 0 8 0 Viva Tirado- 9 e The Gerald Wilson Orchestra t A u t C i Jose Rizo’s Jazz on , t s h the Latin Side All-Stars n c I a z Francisco Aguabella e z B a Justo Almario J g n s o Shorty Rogers Big Band- e l L , e Afro-Cuban Influence 8 g 3 n Viva Zapata-The Latin Side of 0 A 8 The Lighthouse All-Stars s x o o L Jack Costanzo B . e O h Sketches of Spain . P T The classic Gil Evans-Miles Davis October 9-12, 2008 collaboration featuring Bobby Shew Hyatt Regency Newport Beach Johnny Richards’ Rites of Diablo 1107 Jamboree Road www.lajazzinstitute.org Newport Beach, CA The Estrada Brothers- Tribute to Cal Tjader about the LOS PLATINUM VIP PACKAGE! ANGELES The VIP package includes priority seats in the DATES HOW TO amphitheater and ballroom (first come, first served JAZZ FESTIVAL | October 9-12, 2008 PURCHASE TICKETS basis) plus a Wednesday Night bonus concert. -
Concert: Ithaca College Jazz Workshop
Ithaca College Digital Commons IC All Concert & Recital Programs Concert & Recital Programs 12-1-1998 Concert: Ithaca College Jazz Workshop Monday Jazz Lab Wednesday Jazz Lab Todd Hearn Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Jazz Lab, Monday; Jazz Lab, Wednesday; and Hearn, Todd, "Concert: Ithaca College Jazz Workshop" (1998). All Concert & Recital Programs. 7849. https://digitalcommons.ithaca.edu/music_programs/7849 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons IC. ITHACA COLLEGE JAZZ WORKSHOP Monday Jazz Lab and Wednesday Jazz Lab Todd Hearn, musical director Nutville Horace Silver arranged by Greg Hopkins A Warm Breeze Sammy Nestico Us Thad Jones Hay Burner Sammy Nestico Early Bird Special Lennie Niehaus INTERMISSION Yardbird Suite Charlie Parker arranged by Dick Lieb Emancipation Blues Oliver Nelson Ballad for Benny Oliver Nelson Big Dipper Thad Jones Basie Straight Ahead Sammy Nestico Ford Hall Auditorium Tuesday, December 1, 1998 8:15 p.m. ITHACA COLLEGE JAZZ WORKSHOP Monday Jazz Lab Todd Hearn, musical director Saxophone Trumpets Joe Tubiolo John Lufburrow Gordon Greenley Bill Bertram Jeff Stepien Matt Leskovic Dieter Winterle Karl Smith Jason Rugg Devin Sokolowski Trombone Guitar Kristina Westin Brock Smith Christopher Clark Chris DeGraw Bass Brian Lane Patrick Rodgers Piano Sandy Hales Drums ' I Phil Shrut The Jazz Workshop was organized to give those sincerely interested in Jazz as an art form an opportunity to participate in organized ensembles where creativity through improvisation and composition is encouraged. -
Jmu Jazz Band/Jazz Ensemble Audition Material
JMU JAZZ BAND/JAZZ ENSEMBLE AUDITION MATERIAL SPRING 2018 Auditions: Monday, January 8, 2018, room B12 in the School of Music (in the practice room area of the basement) The audition sign up sheet is on the door to B12 (drummers sign up as indicated; others may sign up for any available time) Everyone hoping to be placed into one of the two big bands must audition. Auditions will consist of playing the prepared excerpts (see below) and optional improvisation on a blues. Drummers will also asked to demonstrate various styles. No sight reading will be required at this audition. Trumpet and tenor trombone players may prepare either lead or section excerpts. Vocalists: no required excerpt; sing a prepared piece (melody only) of your choice that you feel best demonstrates your interpretation of jazz style. Choose any key that fits your preferred tessitura; be prepared to sing the melody a cappella. Jazz standards or Great American Songbook pieces are preferred. You do not need to supply sheet music. All saxes/woodwinds/vibes (play as written, transposition is not necessary): Butch and Butch (recorded on Blues and the Abstract Truth, Oliver Nelson) The Queen Bee (Sammy Nestico; recorded on Basie Straight Ahead, the Count Basie Orchestra) Lead Trumpet/Section Trumpet/Lead Trombone/Trombone 2-3/Bass Trombone: Butch and Butch (recorded on Blues and the Abstract Truth, Oliver Nelson) Presidential Manor (Billy Byers; various recordings on youtube; excerpt may be played at the tempo indicated, not the faster tempi of many recordings) Piano Butch and Butch (recorded on Blues and the Abstract Truth, Oliver Nelson) Presidential Manor (Billy Byers; various recordings on youtube; excerpt should be played at the tempo indicated, not the faster tempi of many recordings) Guitar/Double Bass Butch and Butch (recorded on Blues and the Abstract Truth, Oliver Nelson) Told You So (Bill Holman; recorded on I Told You So, Count Basie Orchestra) Drumset The Queen Bee (Sammy Nestico; recorded on Basie Straight Ahead, the Count Basie Orchestra) . -
North Allegheny School District January 19, 2011
NORTH ALLEGHENY SCHOOL DISTRICT JANUARY 19, 2011 – WORK SESSION MINUTES Board in Attendance: Mrs. Grosheider, Mr. Shuckrow, Mrs. Bishop, Mrs. Boujoukos, Mr. Cunningham Mr. Hubert, Mrs. Ludwig, Mr. Pagone, Mr. Schwartzmier Board Absent: None Student in Attendance: Ms. Nahay - NAI Student Absent: Mr. Daye - NASH Also in Attendance: Dr. Green, Mr. Brungo (Solicitor), Dr. Andreyko, Mr. Botti, Mrs. Ed, Mr. Gaertner, Ms. Gaetano, Mrs. Ludwig (for Mr. Hopkins), Dr. Miller, Dr. Stropkaj, Dr. Wheat, Mrs. Ryan (Secretary) MST in Attendance: None Prior to the meeting, the Board presented a number of awards to staff and students. These included the following: ABOVE AND BEYOND AWARD The Board presented an Above and Beyond Award to Dr. Patricia Green for her receipt of the “Spirit of Unity” award earlier this month. KEYSTONE AWARDS The Keystone Awards were presented to 11 of our schools that achieved Adequate Yearly Progress (AYP) in their buildings. Below is a list of individuals who came out on this evening to accept this award for academic achievement: BRADFORD WOODS ELEMENTARY Ms. Debra Somerhalder Principal Ms. Jennifer McElroy Teacher - Speech/Language Ms. Danielle Harvey Teacher - Grade 3 FRANKLIN ELEMENTARY Mr. Jeff Anderchak Principal Ms. Joni Neuberger Teacher - Grade 2 Ms. Carly Price Teacher - Grade 3 Work Session January 19, 2011 Page 2 HOSACK ELEMENTARY Mr. Craig Slaubaugh Principal Ms. Christina Kralic Teacher - GOAL Ms. Amy DeVenzio Teacher - Grade 4 INGOMAR ELEMENTARY Dr. Paul Chmara Principal Ms. Marcia Casey Teacher - Grade 1 Ms. Christy Franck Teacher - Grade 4 MARSHALL ELEMENTARY Dr. James Bradley Principal Ms. Amanda Mathieson Asst. Principal Ms. Lynn Graper Teacher - Grade 1 Mr. -
A Day in May
Pennsylvania Symphonic Winds Members The Pennsylvania Symphonic Winds Flute/Piccolo Bassoon Trumpet In Concert Ray Brebach Mike Millard David Burkhart Phil Evans, Director Bob Carpency Erin Trautmann Ian Currie Andrea Hahn Mike Goodkin Alto Saxophone Alison Grady Oboe Jeff Hart Tony June Rachel Edwards Terri Shephard Ginny Lockwood John Kirkner Raymond Richards Tenor Saxophone Gary Van Horn Clarinet Walt Blauvelt Dwight Weaver Bob Blacksberg Leslie Burnick Bari Saxophone Trombone Bailey Claeys Frank Mathews Ted Lenthe Jim Delikatny Karen Marvin Richard Foote Horn Josy Conklin John Frank Tyler Bjerke Caitlyn Stratman Rachel Braddick Bass Trombone Karen Temme Diane Frank Aaron Gould Jess Weimer Kim Newell David Reif Tuba Eb Clarinet Jim Hicks Kristin Nelson Euphonium Chuck Neidhardt Mary Beth Kait Bass Clarinet Percussion Al Skipper String Bass Tim Downey Richard Conn Chris Garrell Ben Hemsley Robert Kirchner Guest Performer Jim Lien A Day in May Sunday, May 21, 2017 Keep in touch with us – we’ll keep in touch with you! www.PennsylvaniaSymphonicWinds.org 2:30 pm – Pennsylvania Symphonic Winds – @PASymphWinds Radnor Middle School, Wayne, PA Sign up for concert announcements by texting “PSW” to 22828, or by clicking the links on our Facebook page or our webpage. Symphonic Dances #3: Fiesta Welcome to our Clifton Williams This is one of five symphonic dances commissioned by the San Antonio Symphony Orchestra to celebrate its 25th anniversary in 1964. The composer rescored this work for band and it was first Spring Concert! performed in 1967