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Vector 273 Worthen 2013-Fa BSFA
VECTOR 273 — AUTUMN 2013 Vector The critical journal of the British Science Fiction Association Best of 2012 Issue No. 273 Autumn 2013 £4.00 page 1 VECTOR 273 — AUTUMN 2013 Vector 273 The critical journal of the British Science Fiction Association ARTICLES Torque Control Vector Editorial by Shana Worthen ........................ 3 http://vectoreditors.wordpress.com BSFA Review: Best of 2012 Features, Editorial Shana Worthen Edited by Martin Lewis ................................ 4 and Letters: 127 Forest Road, Loughton, Essex IG10 1EF, UK [email protected] In Review: The Best of US Science Fiction Book Reviews: Martin Lewis Television, 2012 14 Antony House, Pembury Sophie Halliday ........................................... 10 Place, London E5 8GZ Production: Alex Bardy UK SF Television 2012: Dead things that [email protected] will not die Alison Page ..................................................12 British Science Fiction Association Ltd The BSFA was founded in 1958 and is a non-profitmaking organisation entirely staffed by unpaid volunteers. Registered in England. Limited 2012 in SF Audio by guarantee. Tony Jones ................................................... 15 BSFA Website www.bsfa.co.uk Company No. 921500 Susan Dexter: Fantasy Bestowed Registered address: 61 Ivycroft Road, Warton, Tamworth, Mike Barrett ................................................ 19 Staffordshire B79 0JJ President Stephen Baxter Vice President Jon Courtenay Grimwood RECURRENT Foundation Favourites: Andy Sawyer ... 24 Chair Ian Whates [email protected] Kincaid in Short: Paul Kincaid ................. 26 Treasurer Martin Potts Resonances: Stephen Baxter ................... 29 61 Ivy Croft Road, Warton, Nr. Tamworth B79 0JJ [email protected] THE BSFA REVIEW Membership Services Peter Wilkinson Inside The BSFA Review ............................ 33 Flat 4, Stratton Lodge, 79 Bulwer Rd, Barnet, Hertfordshire EN5 5EU Editorial by Martin Lewis........................... -
The Hugo Awards for Best Novel Jon D
The Hugo Awards for Best Novel Jon D. Swartz Game Design 2013 Officers George Phillies PRESIDENT David Speakman Kaymar Award Ruth Davidson DIRECTORATE Denny Davis Sarah E Harder Ruth Davidson N3F Bookworms Holly Wilson Heath Row Jon D. Swartz N’APA George Phillies Jean Lamb TREASURER William Center HISTORIAN Jon D Swartz SECRETARY Ruth Davidson (acting) Neffy Awards David Speakman ACTIVITY BUREAUS Artists Bureau Round Robins Sarah Harder Patricia King Birthday Cards Short Story Contest R-Laurraine Tutihasi Jefferson Swycaffer Con Coordinator Welcommittee Heath Row Heath Row David Speakman Initial distribution free to members of BayCon 31 and the National Fantasy Fan Federation. Text © 2012 by Jon D. Swartz; cover art © 2012 by Sarah Lynn Griffith; publication designed and edited by David Speakman. A somewhat different version of this appeared in the fanzine, Ultraverse, also by Jon D. Swartz. This non-commercial Fandbook is published through volunteer effort of the National Fantasy Fan Federation’s Editoral Cabal’s Special Publication committee. The National Fantasy Fan Federation First Edition: July 2013 Page 2 Fandbook No. 6: The Hugo Awards for Best Novel by Jon D. Swartz The Hugo Awards originally were called the Science Fiction Achievement Awards and first were given out at Philcon II, the World Science Fiction Con- vention of 1953, held in Philadelphia, Pennsylvania. The second oldest--and most prestigious--awards in the field, they quickly were nicknamed the Hugos (officially since 1958), in honor of Hugo Gernsback (1884 -1967), founder of Amazing Stories, the first professional magazine devoted entirely to science fiction. No awards were given in 1954 at the World Science Fiction Con in San Francisco, but they were restored in 1955 at the Clevention (in Cleveland) and included six categories: novel, novelette, short story, magazine, artist, and fan magazine. -
WAYS to USE SCIENCE FICTION in the SCIENCE CLASSROOM by Connie Willis, David Katz, and Courtney Willis ©1999 by Connie Willis, David Katz and Courtney Willis
WAYS TO USE SCIENCE FICTION IN THE SCIENCE CLASSROOM by Connie Willis, David Katz, and Courtney Willis ©1999 by Connie Willis, David Katz and Courtney Willis. All rights reserved. Reproduced with permission of the authors. Reproduction for classroom use must contain the original copyright. Originally presented as part of a symposium on Science and Science Fiction, National Science Teachers Association national meeting, Boston, MA, March 25-28, 1999. 1. SF can be used to teach science concepts Many stories explain and incorporate science concepts. --Arthur C. Clarke's "Silence, Please" discusses wave interference --Larry Niven's RINGWORLD shows us a Dyson sphere --the setting in Connie Willis's "The Sidon in the Mirror" is based on Harlow Shapley's theory of red giants --H. Beam Piper's "Omnilingual"'s plot revolves around the periodic table --George Gamow's MR. TOMPKINS IN PAPERBACK dreams of relativity and quantum effects --Anthologies such as THE UNIVERSE, THE PLANETS, AND THE MICROVERSE (edited by Byron Preiss) put essays by eminent scients and stories by noted sf authors side-by-side --Hal Clement, a retired high school chemistry teacher, has written a number of stories, including the classic MISSION OF GRAVITY, about all those things you learned in high school science classes. Bad science in science fiction (especially in the movies) can teach science concepts, too. --Why is it impossible for the spaceship in CAPRICORN ONE to make it back from mars in a mere three months? --Why does the strength to mass ratio make King Kong and Godzilla impossible? --What about all those loud explosions in outer space? And those spaceships that bank and turn just like fighter planes? 2. -
Special Hugo Award Issue Novel Novella Blackout/ All Clear the Lifecycle of Software Connie Willis Objects (Ballantine Spectra) Ted Chiang (Subterranean)
The Saturday Evening H T August 20, 2011 Special Hugo Award Issue Novel Novella Blackout/ All Clear The Lifecycle of Software Connie Willis Objects (Ballantine Spectra) Ted Chiang (Subterranean) Novelette The Emperor of Mars Allen M. Steele (Asimov’s, June 2010) Short Story For Want of A Nail Mary Robinett e Kowal (Asimov’s, September 2010) 2 August 20, 2011 The High Space Drifter SemiProzine Fanzine Clarkesworld The Drink Edited by Neil Clarke, Cheryl Tank Morgan, and Sean Wallace Edited by Christopher Podcast directed by Kate Baker J Garcia and James Bacon Fan Writer Professional Claire Brialey Artist Shaun Tan Editor, Long Form Lou Anders Fan Artist Brad W. Foster The High Space Drifter August 20, 2011 3 Graphic Story Dramatic Girl Genius, Presentation, Volume 10: Agatha Heterodyne and the Long Form Guardian Muse Inception Writt en by Phil and Kaja Foglio Writt en and Directed by Art by Phil Foglio Christopher Nolan Colors by Cheyenne Wright (Warner) (Airship Entertainment) Dramatic Presentation, Short Form Doctor Who: “The Pandorica Opens/ The Big Bang” Writt en by Stephen Moff at; Directed by Toby Haynes (BBC Wales) Editor, Related Work Short Form Chicks Dig Time Sheila Williams Lords: A Celebration of Doctor Who by the Women Who Love It Edited by Lynne M. Thomas and Tara O’Shea (Mad Norwegian) 4 August 20, 2011 The High Space Drifter Hugo Award John W. Campbell Award Trophy Base for Best New Writer Lev Grossman Award for the best new professional science fi ction or fantasy writer of 2009 or 2010, sponsored by Dell Magazines (not a Hugo Award). -
Philip K. Dick: Five Novels Free
FREE PHILIP K. DICK: FIVE NOVELS PDF Jonathan Lethem | 1000 pages | 13 Nov 2008 | The Library of America | 9781598530254 | English | New York, United States Library of America Philip K. Dick Edition Dick: Four Novels of the sedited by Jonathan Lethem. Now comes a companion Philip K. Dick: Five Novels collecting five novels that offer a breathtaking Philip K. Dick: Five Novels of the range of this science-fiction master. Philip K. Dick was a writer of incandescent imagination who made and unmade world-systems with ferocious rapidity and unbridled speculative daring. Bloodmoney, or How We Got Along After the Bomb chronicles the deeply-interwoven stories of a multi-racial community of survivors, including the scientist who may have been responsible for World War III. Famous, among other reasons, for a therapy session involving a talking taxicab, Now Wait for Last Year explores the effects of JJ, a hallucinogen that alters not only perception, but reality. In Flow My Tears, the Policeman Saida television star seeks to unravel a mystery that has left him stripped of his identity. The Library of America series includes more than volumes to date, authoritative editions that average 1, pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper Philip K. Dick: Five Novels will last for centuries. When you buy a book, we donate a book. Sign in. The Biggest Books of the Month. Jul 31, ISBN Add to Cart. Also available from:. Hardcover —. About Philip K. Also in Library of America Philip K. Dick Edition. -
Connie Willis, June 2019
Science Fiction Book Club Interview with Connie Willis, June 2019 Connie Willis has won eleven Hugo Awards and seven Nebula Awards more major awards than any other writer—most recently the "Best Novel" Hugo and Nebula Awards for Blackout/All Clear (2010). She was inducted by the Science Fiction Hall of Fame in 2009 and the Science Fiction Writers of America named her its 28th SFWA Grand Master in 2011. Wow! So many questions! I’m not sure I can answer all of them, but here goes. 1. Why writing? I don’t think any writer has a good answer for this. You don’t pick it--it picks you. I’ve loved books since I first discovered them--the first one I remember began, "There’s a cat in a hat in a ball in the hall," and I instantly knew, like Rudyard Kipling, that books held in them everything that would make me happy. When I learned to read, I saw that this was true, and I gobbled up LITTLE WOMEN and Gene Stratton Porter’s A GIRL OF THE LIMBERLOST and L. Frank Baum’s WIZARD OF OZ books and everything else I could get my hands on, which mostly meant the books at the public library, though the girl across the street loaned me Frances Hodgson Burnett’s A LITTLE PRINCESS and my great aunt left me Grace Livingston Hill’s THE WHITE FLOWER and one of my mother’s friends loaned me Valentine Davies’ A MIRACLE ON THIRTY-FOURTH STREET. Many of the books I read were had writers as characters--Jo March and Anne of Green Gables and Betsy of the BETSY, TACY, AND TIB books--and I wanted to be exactly like them, which to me meant not only writing books, but wearing long dresses, sitting in a garret reading and eating russet apples, and tying my hand-written manuscripts up with red ribbons. -
2006 Heinlein Awards to Be Given to Williamson and Bear in Anaheim At
2006 Heinlein Awards To Be Given to Williamson and Bear In Anaheim at World Con The principal mailing address of The Heinlein Society, a non-profit charitable corporation, is PO Box 1254, Venice, CA USA 90294-1254 JulyContents 2006 2006 Heinlein Awards ......Pages 1 and 3 Secretaryʼs Report and Annual Notice Election of Directors.........Pages 2 and 3 Inaugural Heinlein Prize Awarded. .................................................Pages 4 to 9 Notice of Bylaw Amendment................ ...........................................................Page 10 Owenby Obituary..................... Page 10 New Directors Appointed......Page 11 Jack Williamson Greg Bear Committee Reports....Pages 12 to 19 Jack Williamson and Greg admired Heinlein as a writer and a Bear, two legendary authors of man, but also because he was a val- Book Reviews....Pages 20. 21 and 23 speculative fiction, have been ued friend,” said Williamson, wide- Membership Application........Page 22 named recipients of the 2006 ly recognized as the dean of sci- Robert A. Heinlein Award for their ence fiction. The author of dozens A “few small things”................Page 24 overall body of work. of novels and winner of both the The award, administered by the Nebula and Hugo Awards, in 1976 We Continue To Need Heinlein Society, will be presented Williamson was named a Damon A Newsletter Editor formally by Jerry Pournelle, a past Knight Memorial Grand Master by A successful applicant will need to be able to attend, on-line, one two-hour recipient, director of the Society SFWA — only the second author monthly board business meeting and initi- and a member of the Advisory so honored after Heinlein in 1975. ate articles of interest to membership, by Board for the Heinlein Award, at Williamson’s most recent novel is encouraging Society officers and members the World Science Fiction Conven- the world-hopping adventure The to prepare them, and by writing them him tion in Los Angeles, California, on Stonehenge Gate. -
3000+ Books Sent Blood Drives
9/29/2015 The Heinlein Society September 2015 Newsletter Subscribe Share Past Issues Translate RSS Facebook 0 March 20T1w5 iNtteewrs letter 0 Google +1 Short URL http://eepurl.com/bzZpXL Copy 2015 HEINLEIN SOCIETY ANNUAL MEETING Friend on Facebook It’s been a busy two months for The Heinlein Society! Since our last Newsletter, we’ve had the Follow on Twitter 2015 Heinlein Society Annual Meeting, which, for the second year in a row, ran as a teleconference with online materials. Our 2015 work and our plans for the 2016 year were Forward to a Friend reviewed, the results of our elections announced. Our Vice President/Secretary Geo Rule, is “very pleased with the turnout and the smoothness with which everything ran.” FOR MORE INFO>>> THS EXPANDS ANNUAL SCHOLARSHIPS WITH GINNY HEINLEIN MEMORIAL The Heinlein Society is pleased to announce, beginning with the 20162017 academic year, it has accepted the offer from a donor (who wishes to remain anonymous) for a multiyear donation to 3000+ Books endow a new annual “Virginia Gerstenfeld Heinlein Sent Scholarship” specifically for women undergraduates The Heinlein For Heroes majoring in STEM (scientific—physical or biological, program has passed 3000 technical, engineering, mathematics) subjects. The books sent to troops, candidates must attend an accredited college or veterans, and military university in any Englishspeaking country. The donor families. also wishes to augment the two scholarships already Contributions keep coming granted each year by the Society, which are open to in, and your help is still any qualified STEM (and SF as literature) major needed. -
The A. Heinlein Centennial July 5 to 8, 2007
The A. Heinlein Centennial July 5 to 8, 2007 he Centennial celebration of Robert A Heinlein's birth took place in Kansas City over the period from Thursday July 5 to Sunday July 8, 2007, attended by about 750 members of the Hcinlein community- TThe Centennial celebration was mounted by an ad hoc committee incorporated as Ileirdcin Centennial, Inc It was our goal to bring together as many different facets of the Heinlein community In one place as could be managed, and we are happy to report a resounding success. I he response of both the commercial and the government space community were very gratifying — and quite unlooked for. The gala itself, preceded by a buffet dinner, took place on Ileinlcm's hundredth birthday, which he had thoughtfully scheduled to fall on Saturday in his centennial year — and as Peter Scott emarked "Heinlein also had the foresight to schedule his centenary before the economy went in Ihe ci appcr " 1 hat last is perhaps more than a throw-away joke in the opening years of the Greater Depression; you will find throughout the comments by organizers and attendees oblique references to financial crises and a fantastic degree of sabotage by the organisation that should have been doing the Centennial but was not, Sketches of fuller tellings of the story have been archived on the Heinlein Nexus Forum but would overrun the space available in the JOURNAL, The remembrances of the participants are an embarrns tic ridiesscs. THE PROGRAM COMMENTS BY ORGANIZERS AND ATTENDEES: TllURSJMYjUIYS arly in 2009, Founding organizer of the Centennial, James O Ciffoid, announced on the newly established Heinlein Noon - 6:00 PM ENexus Forum that the Centennial's sponsoring organisa- SHR A Registration tion, Ileinlcin Centennial, Inc , was winding up its affairs. -
Koka2 Issue 2: Saturday Afternoon
The 2kon Newsletter Koka2 Issue 2: Saturday Afternoon Hugo Nominations Best Novel (334 nominations Best Related Book (167 Best Professional Artist (196 for 183 novels) nominations for 74 books) nominations for 103 artists) q A Civil Campaign by Lois q Minicon 34 Restaurant Guide q Jim Burns McMaster Bujold (Baen) by Karen Cooper and Bruce q Bob Eggleton q Cryptonomicon by Neal Schneier (Rune Press) q Donato Giancola Stephenson (Avon) q The Sandman: The Dream q Don Maitz q Darwin’s Radio by Greg Bear Hunters by Neil Gaiman and q Michael Whelan (HarperCollins UK; Del Rey) Yoshitaka Amano (DC Best Semiprozine (168 q A Deepness in the Sky by Comics/Vertigo) nominations for 38 Vernor Vinge (Tor) q Science Fiction of the 20th semiprozines) q Harry Potter and the Prisoner Century by Frank M. Robinson of Azkaban by J.K. Rowling (Collectors Press) q Interzone edited by David Pringle (Bloomsbury; Arthur A. q The Science of Discworld by Levine/Scholastic Press) Terry Pratchett, Ian Stewart, q Locus edited by Charles N. and Jack Cohen (Ebury Press) Brown Best Novella (191 nominations q The New York Review of for 58 novellas) q Spectrum 6: The Best in Contemporary Fantastic Art Science Fiction edited by q “The Astronaut From edited by Cathy and Arnie Kathryn Cramer, Ariel Wyoming” by Adam-Troy Fenner (Underwood) Hamion, David G. Hartwell, Castro and Jerry Oltion and Kevin Maroney (Analog 7-8/99) Best Dramatic Presentation q Science Fiction Chronicle edited q “Forty, Counting Down” by (304 nominations for 106 by Andrew I. Porter Harry Turtledove (Asimov’s dramatic presentations) q Speculations edited by Kent 12/99) q Being John Malkovich (Single Brewster q “Hunting the Snark” by Mike Cell Pictures/Gramercy Best Fanzine (195 nominations Resnick (Asimov’s 12/99) Pictures/Propaganda Films) for 94 fanzines) q “Son Observe the Time” by Directed by Spike Jonze; q Ansible edited by Dave Kage Baker (Asimov’s 5/99) Written by Charlie Kaufman Langford q “The Winds of Marble Arch” by q Galaxy Quest (DreamWorks q Challenger edited by Guy H. -
New Science Fiction and Fantasy at the Larkspur Library Fall 2013
New Science Fiction and Fantasy at the Larkspur Library Fall 2013 2312, by Kim Stanley Robinson One of the best “hard SF” novels to come out this year, this sequel to Kim Stanley Robinson’s “Mars” trilogy depicts a future in which humanity has terraformed the entire solar system, and is full of intriguing ideas: the city of Terminator on Mercury, which rolls forward on rails to keep ahead of the sun, windsurfing the rings of Saturn, quantum computing and androids. The book is heavy on exposition and the space opera style plot moves slowly, but the ideas are very engaging. MaddAddam, by Margaret Atwood The conclusion to Atwood’s trilogy which began with Oryx and Crake and continued with The Year of the Flood. A waterless flood has wiped out most of humanity. Ren and Toby have returned to the MaddAddamite cob house, while Zeb, searching for God's Gardeners founder, Adam One, discov- ers his past. A wonderful dystopian novel from one of the writers who created the genre, and readable even if you have not read the first two books. The Best of Connie Willis : Award-Winning Stories Connie Willis has won six Nebula Awards and ten Hugos—the most of any SF or Fantasy Author (although Robert Heinlein and Lois McMaster Bujold have won the Hugo for “Best Novel” more times than she has—Willis “only” won the Hugo for “Best Novel” three times). As the title states, every story in this book won an award, and it would be difficult to single one out to mention! This is an essential col- lection of Willis’ work. -
The Future of Cyberpunk Criticism: Introduction to Transpacific Cyberpunk
arts Editorial The Future of Cyberpunk Criticism: Introduction to Transpacific Cyberpunk Takayuki Tatsumi Department of English, Keio University, Tokyo 108-8345, Japan; [email protected] Received: 19 March 2019; Accepted: 21 March 2019; Published: 25 March 2019 The genesis of cyberpunk criticism could well be dated to March 1987, when Stephen P. Brown inaugurated the first cyberpunk journal Science Fiction Eye together with his friend Daniel J. Steffan, with Paul DiFilippo, Elizabeth Hand, and myself as contributing editors. Of course, it is the impact of William Gibson’s multiple-award-winning Neuromancer in 1984, featuring the anti-hero Case’s adventures in what Gibson himself called “cyberspace,” that aroused popular interest in the new style of speculative fiction. This surge of interest led Gibson’s friend, writer Bruce Sterling, the editor of the legendary critical fanzine Cheap Truth, to serve as unofficial chairman of the brand-new movement. Thus, on 31 August 1985, the first cyberpunk panel took place at NASFiC (The North American Science Fiction Convention) in Austin, Texas, featuring writers in Sterling’s circle: John Shirley, Lewis Shiner, Pat Cadigan, Greg Bear, and Rudy Rucker. As I was studying American literature at the graduate school of Cornell University during the mid-1980s, I was fortunate enough to witness this historical moment. After the panel, Sterling said, “Our time has come!” Thus, from the spring of 1986, I decided to conduct a series of interviews with cyberpunk writers, part of which are now easily available in Patrick A. Smith’s edited Conversations with William Gibson (University Press of Mississippi 2014).