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“He Was One of Us” – Joseph Conrad As a Home Army Author
Yearbook of Conrad Studies (Poland) Vol. 13 2018, pp. 17–29 doi: 0.4467/20843941YC.18.002.11237 “HE WAS ONE OF US” – JOSEPH CONRAD AS A HOME ARMY AUTHOR Stefan Zabierowski The University of Silesia, Katowice Abstract: The aim of this article is to show how Conrad’s fiction (and above all the novelLord Jim) influenced the formation of the ethical attitudes and standards of the members of the Polish Home Army, which was the largest underground army in Nazi-occupied Europe. The core of this army was largely made up of young people who had been born around the year 1920 (i.e. after Poland had regained her independence in 1918) and who had had the opportunity to become acquainted with Conrad’s books during the interwar years. During the wartime occupation, Conrad became the fa- vourite author of those who were actively engaged in fighting the Nazi regime, familiarizing young conspirators with the ethics of honour—the conviction that fighting in a just cause was a reward in itself, regardless of the outcome. The views of this generation of soldiers have been recorded by the writers who were among them: Jan Józef Szczepański, Andrzej Braun and Leszek Prorok. Keywords: Joseph Conrad, World War II, Poland, Polish Home Army, Home Army, Warsaw Uprising 1 In order to fully understand the extraordinary role that Joseph Conrad’s novels played in forming the ethical attitudes and standards of those Poles who fought in the Home Army—which was the largest underground resistance army in Nazi-occupied Europe—we must go back to the interwar years, during which most of the members of the generation that was to form the core of the Home Army were born, for it was then that their personalities were formed and—perhaps above all—it was then that they acquired the particular ethos that they had in common. -
Apocalypse Now, Vietnam and the Rhetoric of Influence Autor(Es): Childs, Jeffrey Publicado Por: Centro De Literatura Portuguesa
Apocalypse now, Vietnam and the rhetoric of influence Autor(es): Childs, Jeffrey Publicado por: Centro de Literatura Portuguesa URL persistente: URI:http://hdl.handle.net/10316.2/30048 DOI: DOI:http://dx.doi.org/10.14195/2182-8830_1-2_1 Accessed : 30-Sep-2021 22:18:52 A navegação consulta e descarregamento dos títulos inseridos nas Bibliotecas Digitais UC Digitalis, UC Pombalina e UC Impactum, pressupõem a aceitação plena e sem reservas dos Termos e Condições de Uso destas Bibliotecas Digitais, disponíveis em https://digitalis.uc.pt/pt-pt/termos. Conforme exposto nos referidos Termos e Condições de Uso, o descarregamento de títulos de acesso restrito requer uma licença válida de autorização devendo o utilizador aceder ao(s) documento(s) a partir de um endereço de IP da instituição detentora da supramencionada licença. Ao utilizador é apenas permitido o descarregamento para uso pessoal, pelo que o emprego do(s) título(s) descarregado(s) para outro fim, designadamente comercial, carece de autorização do respetivo autor ou editor da obra. Na medida em que todas as obras da UC Digitalis se encontram protegidas pelo Código do Direito de Autor e Direitos Conexos e demais legislação aplicável, toda a cópia, parcial ou total, deste documento, nos casos em que é legalmente admitida, deverá conter ou fazer-se acompanhar por este aviso. impactum.uc.pt digitalis.uc.pt Apocalypse Now, Vietnam and the Rhetoric of Influence JEFFREY CHILDS Universidade Aberta | Centro de Estudos Comparatistas, Univ. de Lisboa Abstract Readings of Francis Ford Coppola's Apocalypse Now (1979) often confront the difficulty of having to privilege either its aesthetic context (considering, for instance, its relation to Conrad's Heart of Darkness [1899] or to the history of cinema) or its value as a representation of the Vietnam War. -
THE CONCEPT of the DOUBLE JOSEPH'conrad by Werner
The concept of the double in Joseph Conrad Item Type text; Thesis-Reproduction (electronic) Authors Bruecher, Werner, 1927- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 16:33:07 Link to Item http://hdl.handle.net/10150/318966 THE CONCEPT OF THE DOUBLE JOSEPH'CONRAD by Werner Bruecher A Thesis Snbmitted to tHe Faculty of the .' DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS In the Graduate College THE OTHERS TTY OF ' ARIZONA ' STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of requirements for an advanced degree at The University of Arizona and is deposited in The University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable with out special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in their judgment the proposed use of the material is in the interests of scholar ship. In all other instances, however, permission must be obtained from the author. SIGNED: APPROVAL BY THESIS DIRECTOR This thesis has been approved on the date shown below ^/viz. -
Conrad and Coppola: Different Centres of Darkness
E. N. DORALL Conrad and Coppola: Different Centres of Darkness (From Southeast Asian Review of English, 1980. in Kimbrough, Robert, ed. Heart of Darkness: Norton Critical Edition. New York: Norton & Company, 1988.) When a great artist in one medium produces a work based on a masterpiece in the same or another medium, we can expect interesting results. Not only will the new work be assessed as to its merits and validity as a separate creation, but the older work will also inevitably be reassessed as to its own durability, or relevance to the new age. I am not here concerned with mere adaptations, however complex and exciting they may be, such as operas like Othello, Falstaff and Beatrice et Benedict, or plays like The Innocents and The Picture of Dorian Gray. What I am discussing is a thorough reworking of the original material so that a new, independent work emerges; what happens, for example, in the many Elizabethan and Jacobean plays based on Roman, Italian and English stories, or in plays like Eurydice, Antigone and The Family Reunion, which reinterpret the ancient Greek myths in modern terms. In the cinema, in many ways the least adventurous of the creative arts, we have been inundated by adaptations, some so remote from the original works as to be, indeed, new works in their own right, but so devoid of any merit that one cannot begin to discuss them seriously. But from time to time an intelligent and independent film has been fashioned from the original material. At the moment I can recall only the various film treatments of Hemingway's To Have and Have Not. -
Assessment of Enamel Discoloration in Vitro Following Exposure to Cigarette Smoke and Emissions from Novel Vapor and Tobacco Heating Products
_______________________________________________________________________________________________________________________________________________________________ Research Article _______________________________________________________________________________________________________________________________________________________________ Assessment of enamel discoloration in vitro following exposure to cigarette smoke and emissions from novel vapor and tobacco heating products ANNETTE DALRYMPLE, BSC (HON), PHD, THOMAS C. BADROCK, ANYA TERRY, BSC (HON), MARK BARBER, PETER J. HALL, BSC (HON), PHD, DAVID THORNE, BSC (HON), MSC, MARIANNA D. GACA, BSC (HON), MSC, PHD, STEVEN COBURN, BSC (HON), PHD & CHRISTOPHER PROCTOR, BSC (HON), PHD Abstract: Purpose: To evaluate in vitro enamel sample discoloration following exposure to a scientific reference cigarette (3R4F) or emissions from next generation tobacco and nicotine products (NGPs) such as electronic cigarettes (EC) and tobacco heating products (THP). Methods: Bovine enamel blocks (6.5 × 6.5 mm) were prepared and pre-incubated with human or artificial saliva, to form a pellicle layer before exposure to either particulate matter (PM) or whole aerosols. PM was prepared by capturing 3R4F cigarette smoke (CS), a commercial THP (THP1.0) or a novel vapor product (NVP)/next generation e-cigarette aerosols on Cambridge filter pads followed by elution with dimethyl sulfoxide (DMSO). Ten enamel samples were exposed to each PM for 14 days. For aerosol exposure, 12 enamel samples were exposed (200 puffs per day, for 5 consecutive days) to 3R4F CS or THP1.0 and NVP aerosols. Control samples were incubated with DMSO (PM study) or phosphate buffered saline (PBS, aerosol study). Individual enamel sample color readings (L*, a*, b*) were measured at baseline and on each exposure day. Mean ΔL*, Δa*, Δb* and ΔE values were calculated for each product or control. A one-way ANOVA was used to assess the differences between the products and controls. -
Heart of Darkness (Paginated)
Heart of Darkness (paginated) Heart of Darkness Conrad, Joseph, 1857-1924 Electronic Text Center, University of Virginia Library All on-line databases About the electronic version Heart of Darkness Conrad, Joseph, 1857-1924 Creation of machine-readable version: Judy Boss Conversion to TEI-conformant markup: University of Virginia Library Electronic Text Center ca. 225 kilobytes -- rounded up to the nearest 5KB Publisher: Charlottesville, Va. Copyright 1999, by the Rector and Visitors of the University of Virginia http://etext.lib.virginia.edu/ Commercial use prohibited; all usage governed by our Conditions of Use:http://etext.lib.virginia.edu/conditions.html 1993 About the print version Heart of Darkness Joseph Conrad Note: Checked against the Signet Classics reprint: New American Library spell-check and verification made against printed text using WordPerfect spell checker Published: 1902 Revisions to the electronic version http://chss.montclair.edu/english/furr/i2l/hod-uva.html (1 of 54) [4/5/2004 7:59:47 AM] Heart of Darkness (paginated) October 1992 corrector David SeamanSpellchecked; unambiguous line-end hyphenation removed; basic TEI tagging; paginated to the Signet Classic edition, based on source information supplied by Judy Boss. [email protected]. Commercial use prohibited; all usage governed by our Conditions of Use: http://etext.lib.virginia.edu/conditions.html Page 65 The NELLIE, a cruising yawl, swung to her anchor without a flutter of the sails, and was at rest. The flood had made, the wind was nearly calm, and being bound down the river, the only thing for it was to come to and wait for the turn of the tide. -
Bibliography and References
Bibliography and References (NoTE: the following list does not pretend to be exhaustive; items are only included if they are mentioned in text.) Primary sources and collections Conrad, J., Heart of Darkness (Harmondsworth: Penguin Modern Classics, 1982, first published 1902). Conrad, J., Preface to The Nigger of the Narcissus ( 1897) (Penguin Modern Classics Edition). Conrad, J., Tales ofHearsay and Last Essays (London, 1928 and 1955). Cox, C. B. (ed.), Casebook: Heart of Darkness, Nostromo, Under Western Eyes (London, 1981). Dean, L. F. (ed.), Heart of Darkness: Backgrounds and Criticism (Engle wood Cliffs, NJ, 1960). Kimbrough, R. ( ed.), Heart of Darkness: An Authoritative Text, Criti cism, Backgrounds, Sources, 3rd edn (New York & London: Norton edn, 1988). Mudrick, M. (ed.), Conrad: A Collection of Critical Essays (Twentieth Century Views Series) (Englewood Cliffs, NJ, 1966). Sherry, N. (ed.), Conrad: The Critical Heritage (London, 1973). Secondary sources Achebe, C., 'An Image of Africa: Racism in Conrad's Heart of Dark ness' ( 1975) (amended 1987), reprinted in Kimbrough (ed.) ( 1988). Baker, R. S., 'Watt's Conrad' (1981 and 1986) in Kimbrough (ed.) (1988). Bakhtin, M. M., The Dialogic Imagination (Austen, Texas, 1981). Barthes, R., S/Z (London, 1975; orig. in French 1970). 84 HEART OF DARKNESS Barthes, R., /mage-Music-Text: Essays (translated and edited by Heath, S.,) (Glasgow, 1977). Belsey, C., Critical Practice (London, 1980). Belsey, C., TheSubjectofTragedy (London, 1985). Benjamin, W., Illuminations (Glasgow, 1977). Bhabha, H. K., 'The other question: difference, discrimination, and the discourse of colonialism', in Barker et al. (eds), Literature, Politics, and Theory (London, 1986). Blake, S. L., 'Racism and the Classics: Teaching Heart of Darkness', College Language Association Journal, 25, no. -
6. Nostromo and the Mechanics of History
6. Nostromo and the Mechanics of History The process of history becomes Nostromo’s dominant theme through Conrad’s narrative strategies concerning time, place, and characters. Despite its title the focus of Nostromo is not on a particular figure but on a whole country, the fictional South American state Costaguana. Although the central action of the novel – the events leading up to the foundation of the Occidental Republic – spans just a few days in 1890 (cf. Watts, Nostromo 61-66), there are countless references to the past as far back as the Spanish Conquest in the sixteenth and seventeenth centuries and to about ten years to the future of the secession of Sulaco from Costaguana. Conrad’s use of such a large time-scale enables him to give the reader multiple perspectives of the main events. He can zoom in on the characters involved in the War of Separation but he can show at the same time that this upheaval is just one of many similar ones that have occurred in the past and will occur again in the future. Not only the treatment of time and place thus draws attention to the process of history but also the social panorama that is presented. In the course of the narrative we come across representatives of numerous classes and ethnic groups that constitute the society of the country. This enormous canvas facilitates the identification of the characters with a certain social class and/or ethnic group and allows for the action of the novel to be analysed in abstract political and historical terms. -
WINNIE VERLOC and HEROISM in the SECRET AGENT THESIS Presented to the Graduate Council of the University of North Texas in Parti
7w WINNIE VERLOC AND HEROISM IN THE SECRET AGENT THESIS Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of Master of Arts By Cynthia Joy Henderson, B.A. Denton, TX May, 1993 Henderson, Cynthia Joy. Winnie Verloc and Heroism in The Secret Agent. Master of Arts (English), May 1993, 77 pp., bibliography, 65 titles. Winnie Verloc's role in The Secret Agent has received little initial critical attention. However, this character emerges as Conrad's hero in this novel because she is an exception to what afflicts the other characters: institutionalism. In the first chapter, I discuss the effect of institutions on the characters in the novel as well as on London, and how both the characters and the city lack hope and humanity. Chapter II is an analysis of Winnie's character, concentrating on her philosophy that "life doesn't stand much looking into," and how this view, coupled with her disturbing experience of having looked into the "abyss," makes Winnie heroic in her affirmative existentialism. Chapters III and IV broaden the focus, comparing Winnie to Conrad's other protagonists and to his other female characters. TABLE OF CONTENTS INTRODUCTION . - - - - - - - 1 CHAPTER I THE PLAYERS AND THEIR SETTING . 5 CHAPTER II WINNIE . .......... 32 CHAPTER III WINNIE AMONG CONRAD'S MEN AND WOMEN . 60 CHAPTER IV MADNESS AND DESPAIR . 71 WORKS CITED . ... 76 WORKS CONSULTED . ...... 79 iii INTRODUCTION The Secret Agent, although primarily approached by the critics as a political novel, is also a social and a domestic drama played out in the back parlour of a secret agent's pornography shop, and on the dreary streets of London. -
The Real Cinema of Malaysia
SHOWCASE CINEMA OF IDENTITY AND VIBRANCY: THE REAL CINEMA OF MALAYSIA a SHOWCASE CINEMA OF IDENTITY AND VIBRANCY: THE REAL CINEMA OF MALAYSIA CONTENTS IN-CONVERSATION WITH PHILIP CHEAH 4 WELCOME PROFESSOR HERMAN VAN EYKEN 6 OF IDENTITY AND VIBRANCY: THE REAL CINEMA OF MALAYSIA DR NICO MEISSNER 11 IT’S BEEN A LONG TIME COMING!! TEN QUESTIONS WED 28 SEPTEMBER, 4-6PM WITH U-WEI BIN HAJI SAARI… Philip Cheah & U-Wei Haji Saari on AND THEN SOME… Local Storytelling in Films PHILIP CHEAH 16 JOGHO 18 NOVA (TERBAIK DARI LANGIT) 20 JAGAT 22 THE SHORT FILMS OF EDMUND YEOH WED 5 OCTOBER, 12-1PM 24 BUNOHAN Nandita Solomon & Philip Cheah on Working Across Borders: multi-national 26 MEN WHO SAVE THE WORLD crews and international festival journeys (LELAKI HARAPAN DUNIA) THURS 6 OCTOBER, 1-4PM 28 MALAYSIAN NON-FICTION: Philip Cheah & Nandita Solomon on A SHORT PROGRAM Making Shorts/Features for Festivals (Philip) and Building Careers in the film 32 ACKNOWLEDGEMENTS business (Nandita) SHOWCASE CINEMA MALAYSIA JOGHO (1999) BUNOHAN (2011) U-WEI HAJI SAARI DAIN SAID 94 MINUTES 97 MINUTES SCREENING: SCREENING: 28 SEPTEMBER, 6–8PM 5 OCTOBER, 6–8PM NOVA (TERBAIK DARI MEN WHO SAVE THE LANGIT, 2014) WORLD (LELAKI NIK AMIR MUSTAPHA HARAPAN DUNIA, 2014) 109 MINUTES SENG TAT LIEW SCREENING: 97 MINUTES 30 SEPTEMBER, 4–6PM SCREENING: 6 OCTOBER, 6–8PM JAGAT (2015) SHANJHEY KUMAR PERUMAL MALAYSIAN NON- 90 MINUTES FICTION: A SHORT SCREENING: PROGRAM 4 OCTOBER, 6–8PM MULTIPLE DIRECTORS 85 MINUTES THE SHORT FILMS OF SCREENING: EDMUND YEOH 10 OCTOBER, 9–11AM EDMUND YEOH SCREENING: 5 OCTOBER, 10AM–12PM SELAMAT DATANG! “Cinema is all about Identity” Lord David Puttnam, Griffith Film School, Brisbane, Autumn 2015 Welcome to our last but not least effort between tradition and modernity, the current to understand yet another great Cinema training needs and other very substantial Showcase, our vehicle for Screen Culture: government incentives to bring Malaysia Of Identity and Vibrancy, the Real Cinema of up to speed with the other ‘rich’ and high Malaysia. -
Nostromo a Tale of the Seaboard
NOSTROMO A TALE OF THE SEABOARD By Joseph Conrad "So foul a sky clears not without a storm." —SHAKESPEARE TO JOHN GALSWORTHY Prepared and Published by: Ebd E-BooksDirectory.com AUTHOR'S NOTE "Nostromo" is the most anxiously meditated of the longer novels which belong to the period following upon the publication of the "Typhoon" volume of short stories. I don't mean to say that I became then conscious of any impending change in my mentality and in my attitude towards the tasks of my writing life. And perhaps there was never any change, except in that mysterious, extraneous thing which has nothing to do with the theories of art; a subtle change in the nature of the inspiration; a phenomenon for which I can not in any way be held responsible. What, however, did cause me some concern was that after finishing the last story of the "Typhoon" volume it seemed somehow that there was nothing more in the world to write about. This so strangely negative but disturbing mood lasted some little time; and then, as with many of my longer stories, the first hint for "Nostromo" came to me in the shape of a vagrant anecdote completely destitute of valuable details. As a matter of fact in 1875 or '6, when very young, in the West Indies or rather in the Gulf of Mexico, for my contacts with land were short, few, and fleeting, I heard the story of some man who was supposed to have stolen single-handed a whole lighter-full of silver, somewhere on the Tierra Firme seaboard during the troubles of a revolution. -
Apocalypse Now
Sabrina Baiguera Università degli Studi di Bergamo Letteratura Anglo-americana LMI A.A. 2011/2012 Paolo Jachia’s Francis Ford Coppola: Apocalypse Now. Un’analisi semiotica , an intertextual reconstruction of the texts, of the cultural references that lie behind the film. Apocalypse Now (1979) Two versions: the orginal version (1979) and the extended version ( Apocalypse Now Redux: 2001 ), released in 2001. The film is set during the Vietnam war (the action takes place approximately in 1970) It tells the story of U.S. Army Captain Benjamin L. Willard who has the mission to proceed up the Nung river into Cambodia, find Colonel Kurtz and “terminate” his command, by whatever means available. Willard starts a journey up the Nung river on a PBR (Petrol Boat) with a four- man crew (Chef – a saucier; Chief – the chief of the boat; Clean – a 17 year- old young from Bronx; Lance – a professional surfer). Kurtz had deserted the U.S. Army to start his own private war in the middle of the jungle. There he is worshipped as a god by his own Montagnard army, but he has gone insane and his methods are “unsound”. The artistic dimension Source texts of Apocalypse Now : 1. Joseph Conrad’s novella Heart of Darkness (1899) 2. James G. Frazer’s The Golden Bough (1890) 3. Jessie Weston’s From ritual to romance (1920) 4. Goethe’s Faust (1808) 5. The Holy Bible 6. T.S.Eliot’s The Waste Land (1922) and The Hollow Men (1925) 7. Baudelaire’s The Albatross (1861) 8. The Doors’ The End Heart of Darkness (1899) “In the case of “Apocalypse,” there was a script written by the great John Milius, but, I must say, what I really made the film from was the little green copy of Heart of Darkness that I had done all those lines in.” (Coppola) Heart of Darkness was not credited as a source text when the film first came out.