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PLACES of ENTERTAINMENT in EDINBURGH Part 5
PLACES OF ENTERTAINMENT IN EDINBURGH Part 5 MORNINGSIDE, CRAIGLOCKHART, GORGIE AND DALRY, CORSTORPHINE AND MURRAYFIELD, PILTON, STOCKBRIDGE AND CANONMILLS, ABBEYHILL AND PIERSHILL, DUDDINGSTON, CRAIGMILLAR. ARE CIRCUSES ON THE WAY OUT? Compiled from Edinburgh Theatres, Cinemas and Circuses 1820 – 1963 by George Baird 2 TABLE OF CONTENTS MORNINGSIDE 7 Cinemas: Springvalley Cinema, 12 Springvalley Gardens, 1931; the seven cinemas on the 12 Springvalley Gardens site, 1912 – 1931; The Dominion, Newbattle Terrace, 1938. Theatre: The Church Hill Theatre; decision taken by Edinburgh Town Council in 1963 to convert the former Morningside High Church to a 440 seat theatre. CRAIGLOCKHART 11 Skating and Curling: Craiglockhart Safety Ponds, 1881 and 1935. GORGIE AND DALRY 12 Cinemas: Gorgie Entertainments, Tynecastle Parish Church, 1905; Haymarket Picture House, 90 Dalry Road, 1912 – became Scotia, 1949; Tivoli Picture House, 52 Gorgie Road, 1913 – became New Tivoli Cinema, 1934; Lyceum Cinema, Slateford Road, 1926; Poole’s Roxy, Gorgie Road, 1937. Circus: ‘Buffalo Bill’, Col. Wm. Frederick Cody, Gorgie Road, near Gorgie Station, 1904. Ice Rink: Edinburgh Ice Rink, 53 Haymarket Terrace, 1912. MURRAYFIELD AND CORSTORPHINE 27 Cinema: Astoria, Manse Road, 1930. Circuses: Bertram Mills’, Murrayfield, 1932 and 1938. Roller Skating Rink: American Roller Skating Rink, 1908. Ice Rink: Murrayfield Ice Rink; scheme sanctioned 1938; due to open in September 1939 but building was requisitioned by the Government from 1939 to 1951; opened in 1952. PILTON 39 Cinema: Embassy, Boswall Parkway, Pilton, 1937 3 STOCKBRIDGE AND CANONMILLS 40 St. Stephen Street Site: Anderson’s Ice Rink, opened about 1895;Tivoli Theatre opened on 11th November 1901;The Grand Theatre opened on 10th December 1904;Building used as a Riding Academy prior to the opening of the Grand Picture House on 31st December 1920;The Grand Cinema closed in 1960. -
Survival Guide
Edinburgh Festivals SURVIVAL GUIDE Introduction by Alexander McCall Smith INTRODUCTION The original Edinburgh Festival was a wonderful gesture. In 1947, Britain was a dreary and difficult place to live, with the hardships and shortages of the Second World War still very much in evidence. The idea was to promote joyful celebration of the arts that would bring colour and excitement back into daily life. It worked, and the Edinburgh International Festival visitor might find a suitable festival even at the less rapidly became one of the leading arts festivals of obvious times of the year. The Scottish International the world. Edinburgh in the late summer came to be Storytelling Festival, for example, takes place in the synonymous with artistic celebration and sheer joy, shortening days of late October and early November, not just for the people of Edinburgh and Scotland, and, at what might be the coldest, darkest time of the but for everybody. year, there is the remarkable Edinburgh’s Hogmany, But then something rather interesting happened. one of the world’s biggest parties. The Hogmany The city had shown itself to be the ideal place for a celebration and the events that go with it allow many festival, and it was not long before the excitement thousands of people to see the light at the end of and enthusiasm of the International Festival began to winter’s tunnel. spill over into other artistic celebrations. There was How has this happened? At the heart of this the Fringe, the unofficial but highly popular younger is the fact that Edinburgh is, quite simply, one of sibling of the official Festival, but that was just the the most beautiful cities in the world. -
Planning Committee
Planning Committee 2.00pm, Wednesday, 12 December 2018 Planning Schemes of Delegation Item number Report number Executive/routine Wards All Council Commitments Executive Summary The schemes of delegation on planning applications allow officers to make decisions in the interests of an effective and efficient service. However, safeguards are required to ensure that there is an appropriate level of scrutiny by the Development Management Sub-committee of applications which raise issues of significant public interest. Following an investigation of circumstances leading to a delegated decision to approve a planning application at a major sporting venue, procedures are being tightened to reduce risk and deliver quality assurance. While the planning decision in this case remains as granted, it is recognised that a process was not in place which would have escalated the application to more senior Planning Officers for a second opinion. Report Planning Schemes of Delegation 1. Recommendations 1.1 That the Committee agrees to the proposed changes to procedures specified in paragraphs 3.24 – 3.28 to reduce risk and deliver quality assurance. 1.2 In relation to the planning application for an additional rugby stadium at Murrayfield, that the Committee notes the apology to interested parties from the Executive Director of Place in relation to the lack of a process which would have escalated the application to more senior Planning Officers for a second opinion on whether to refer the application to the Development Management Sub-committee for determination. 2. Background 2.1 In the main, delegated powers in respect of planning fall within the Council’s overall scheme of delegation to officers set out in terms of the Local Government (Scotland) Act 1973. -
Grumpuss 20Th Anniversary Plat
and the joys and woes surrounding the Post- card scene. Ultimately, this details the most successful of all Big Gold Dream’s studies, Or- ange Juice. Ironically, wider success only came after the Edwyn Collins-led group signed with Polydor; turning away from trebly Byrds / Vel- vets fixated awkward pop vignettes towards a horrible funky-pop style hybrid in the pro- DVD cess. (Lenny Helsing) REVIEWS TRAVIS PIKE – Grumpuss 20th Anniversary Plat- inum Edition DVD BIG GOLD DREAM – The Sound Of Young Scot- Last year, Ugly Things introduced sixties land (Tartan Features / Year Zero Pictures) DVD rocker, Travis Edward Pike to its readership. Documentary film-maker Grant McPhee en- “Watch Out Woman” and “The Way That I Need ables the telling of this fascinating story of Scot- You,” songs Pike performed in the 1966 mov- Travis Pike, 1965. land’s record label scene of the late 1970s/ early ie Feelin’ Good, have since been released by ‘80s. Focusing on two significant players, firstly State Records, and the original 1967 recording scouted it. That rascal’s joke led me to the per- Edinburgh’s Fast Product, run by Bob Last and of Travis Pike’s Tea fect location for my world premiere. With Anna Hilary Morrison, and Party’s “If I Didn’t Scott in the role of the Queen of the Sidh, and Glasgow’s compact Love You Girl” and three of British Gymnastic young ladies to play and bijou Postcard “The Likes of You” is the waifs the queen holds in thrall, all that re- Records affair run by due for release on a mained was for my English friend, David Carr, Alan Horne. -
Scanned Image
INSIDE Singleschart,6-7;Album chart,17; New Singles,18; New Albums, 13; Airplay guide, 14-15; Independent Labels, 5; Retailing, 12. British Talent on Top Of The World, 8-9. p January 31, 1983 VOLUME FIVE Number 41 75p WEA uses free British acts dominate US tape to push two `hit' 45s labels' Spring schedules WEA HAS introduced a marketing innovation almost unnoticed amid the AFTERA year of major gains for UKflag flying year for the British (see(Atlantic), Gary Moore (Mirage), Light acts in America the US companies havefeature p8 and Mullings p.3). furore of complaints against some of Of The World, Eddie Jobson of Roxyits competitors. lined up a Spring programme of new New music, or techno-pop, domin-Music (Capitol), Fast Way, featuring acts, heavily dominated by the British.ates with such acts as Simple Minds The company is, for a limited edi- Eddie Clark, (Columbia), The Nolanstion, giving away four -track cassettes The beginning of theyearisa(A&M), Heaven 17 (Arista), Malcolm(Epic), Eddy Grant (Portrait), Jakki traditional time for US labels to unveil with two of its chart singles and is McLaren, Blancmange, and Paul HaigWhitren & Tom Cartwright (Elektra),happy to write off the manufacturing the new talent. After the success in '82(all Island), Thomas Dolby (Capitol),Kelly Groucutt of ELO (Riva), Robert by UK acts, and no doubt mindful of the loss. Naked Eyes (EMI America), The Pas-Ellis Orrall (RCA), Rodway (Millen- "I think we've found a novel form of high cost of signing American acts, thesions(Polygram),Tears ForFearsnium). -
Privatisation and Supply Chain Management: on the Effective Alignment of Purchasing and Supply After Privatisation/Andrew Cox, Lisa Harris, and David Parker
Privatisation and Supply Chain Management Privatisation and Supply Chain Management brings together two of the most important issues in current management thinking: the impact of privatisation on the performance and behaviour of the companies involved, and the increasingly important role of purchasing and supplier relationships. The notion that efficiency is improved with privatisation is critically examined, as is the idea that privatised organisations have recognised the importance of the procurement role and developed both their procurement functions and supplier relationships so as to enhance competitiveness. Grounded in economic theory, and providing rich case study material, this volume makes a major contribution to an increasingly important area. It will be of interest to students and researchers in economics, business and management studies and specialist courses in procurement management. Andrew Cox is Professor of Strategic Procurement Management and Director of the Centre for Strategic Procurement Management at Birmingham Business School, University of Birmingham, UK. Lisa Harris works in supply management for the BMW/Rover Group. David Parker is Professor of Business Economics and Strategy and Head of the Strategic Management Group at the Aston Business School, Aston University, Birmingham, UK. Routledge studies in business organizations and networks 1 Democracy and Efficiency in the Economic Enterprise Edited by Ugo Pagano and Robert Rowthorn 2 Towards a Competence Theory of the Firm Edited by Nicolai J.Foss and Christian -
Alterfactual History and the 1984-5 Miners' Strike
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Salford Institutional Repository ALTERFACTUAL HISTORY AND THE 1984-5 MINERS’ STRIKE Article for Capital and Class April 2005 Dr. Ralph Darlington, School of Management, University of Salford, Salford M5 4WT [email protected] - - 1 INTRODUCTION In the early 1970s Britain was swept by a wave of militant industrial struggle, the depth and political character of which was unprecedented since the 1920s, both in terms of the sheer scale of strike activity involved and because it witnessed some of the most dramatic confrontations between unions and government in postwar Britain. One of the most notable high points of struggle was the 1972 miners’ strike for higher wages, which delivered the miners their ‘greatest victory’ (Hall, 1981) and inflicted a devastating defeat on the Conservative government headed by Edward Heath. The strike, with its mass pickets, provided a vivid illustration of the power and confidence of shopfloor union organization that had been built up in the post-war period (Darlington and Lyddon, 2001; Lyddon and Darlington, 2003). Although the miners won another victory in 1974, culminating in a general election that brought down the Heath government, this strike was altogether a much more passive dispute compared with 1972, with a tight control on picketing under TUC-supported guidelines of only six pickets imposed by the NUM executive. A much more marked contrast occurred with the 1984-5 miners’ strike, which took place against the backcloth of a deep economic recession, an avalanche of redundancies and closures, and a neo-liberal Conservative government headed by Margaret Thatcher that displayed its resolve to fight with and beat any trade-union (the ‘enemy within’) that sought to challenge its authority. -
Hampden Park - Scotland’S National Stadium Sunday, 30Th October 2016
Hampden Park - Scotland’s National Stadium Sunday, 30th October 2016 SUPPORTED BY Another great night at Hampden Park The List of Inductees Once again, Scotland’s National Stadium plays host to the Scottish Football Hall of Fame The inaugural Scottish Football Hall of Fame Dinner in 2004 saw twenty greats of the Scottish game Annual Inductees Dinner. In what promises to be another great evening, guests will see inducted in the Hall of Fame. Since then, there have been over seventy additions to this select band. several new inductees into the Hall of Fame. The evening’s proceedings will be followed 2004 2005 2007 BERTIE AULD 2013 ALAN MORTON WILLIE BAULD PAUL LAMBERT ALAN ROUGH by a tribute to one of Scotland’s true footballing greats. WILLIE WOODBURN ALEX McLEISH ERIC CALDOW JIMMY DELANEY MARTIN BUCHAN JIM BAXTER BOBBY LENNOX JIMMY COWAN MAURICE JOHNSTON EDDIE GRAY Since its inauguration in 2004 over 90 greats of our Sir ALEX FERGUSON ALEX JAMES ALAN HANSEN TOMMY DOCHERTY GRAEME SOUNESS national game have been inducted into the Scottish CHARLES CAMPBELL ALLY McCOIST 2010 SCOT SYMON JOHN GREIG Football Hall of Fame. Who will be joining such GEORGE YOUNG ROSE REILLY CRAIG BROWN BOBBY WALKER JOCK STEIN legendary characters as Denis Law, Kenny Dalglish, JIM McLEAN WALTER SMITH ANDY GORAM BILL SHANKLY Rose Reilly - the fi rst woman to be inducted - and JOE JORDAN GORDON STRACHAN PAUL McSTAY 2014 BILLY McNEILL DAVID NAREY international superstars Henrik Larsson and Brian JOHN WHITE EDDIE TURNBULL PETER LORIMER JIMMY McGRORY LAWRIE REILLY TOM ‘Tiny’ WHARTON DAVIE WILSON Laudrup? DANNY McGRAIN WILLIE WADDELL 2008 BOBBY JOHNSTONE CHARLIE NICHOLAS BOBBY MURDOCH JOHN THOMSON BILL BROWN This year promises to be yet another memorable JIMMY JOHNSTONE 2006 BILL STRUTH 2011 McCRAE’S occasion. -
Music 10378 Songs, 32.6 Days, 109.89 GB
Page 1 of 297 Music 10378 songs, 32.6 days, 109.89 GB Name Time Album Artist 1 Ma voie lactée 3:12 À ta merci Fishbach 2 Y crois-tu 3:59 À ta merci Fishbach 3 Éternité 3:01 À ta merci Fishbach 4 Un beau langage 3:45 À ta merci Fishbach 5 Un autre que moi 3:04 À ta merci Fishbach 6 Feu 3:36 À ta merci Fishbach 7 On me dit tu 3:40 À ta merci Fishbach 8 Invisible désintégration de l'univers 3:50 À ta merci Fishbach 9 Le château 3:48 À ta merci Fishbach 10 Mortel 3:57 À ta merci Fishbach 11 Le meilleur de la fête 3:33 À ta merci Fishbach 12 À ta merci 2:48 À ta merci Fishbach 13 ’¡¡ÒàËÇèÒ 3:33 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 14 ’¡¢ÁÔé’ 2:29 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 15 ’¡à¢Ò 1:33 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 16 ¢’ÁàªÕ§ÁÒ 1:36 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 17 à¨éÒ’¡¢Ø’·Í§ 2:07 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 18 ’¡àÍÕé§ 2:23 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 19 ’¡¡ÒàËÇèÒ 4:00 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 20 áÁèËÁéÒ¡ÅèÍÁÅÙ¡ 6:49 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 21 áÁèËÁéÒ¡ÅèÍÁÅÙ¡ 6:23 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 22 ¡ÅèÍÁÅÙ¡â€ÃÒª 1:58 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 23 ¡ÅèÍÁÅÙ¡ÅéÒ’’Ò 2:55 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 24 Ë’èÍäÁé 3:21 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 25 ÅÙ¡’éÍÂã’ÍÙè 3:55 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 26 ’¡¡ÒàËÇèÒ 2:10 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 27 ÃÒËÙ≤˨ђ·Ãì 5:24 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… -
Table of Contents
1 •••I I Table of Contents Freebies! 3 Rock 55 New Spring Titles 3 R&B it Rap * Dance 59 Women's Spirituality * New Age 12 Gospel 60 Recovery 24 Blues 61 Women's Music *• Feminist Music 25 Jazz 62 Comedy 37 Classical 63 Ladyslipper Top 40 37 Spoken 65 African 38 Babyslipper Catalog 66 Arabic * Middle Eastern 39 "Mehn's Music' 70 Asian 39 Videos 72 Celtic * British Isles 40 Kids'Videos 76 European 43 Songbooks, Posters 77 Latin American _ 43 Jewelry, Books 78 Native American 44 Cards, T-Shirts 80 Jewish 46 Ordering Information 84 Reggae 47 Donor Discount Club 84 Country 48 Order Blank 85 Folk * Traditional 49 Artist Index 86 Art exhibit at Horace Williams House spurs bride to change reception plans By Jennifer Brett FROM OUR "CONTROVERSIAL- SUffWriter COVER ARTIST, When Julie Wyne became engaged, she and her fiance planned to hold (heir SUDIE RAKUSIN wedding reception at the historic Horace Williams House on Rosemary Street. The Sabbats Series Notecards sOk But a controversial art exhibit dis A spectacular set of 8 color notecards^^ played in the house prompted Wyne to reproductions of original oil paintings by Sudie change her plans and move the Feb. IS Rakusin. Each personifies one Sabbat and holds the reception to the Siena Hotel. symbols, phase of the moon, the feeling of the season, The exhibit, by Hillsborough artist what is growing and being harvested...against a Sudie Rakusin, includes paintings of background color of the corresponding chakra. The 8 scantily clad and bare-breasted women. Sabbats are Winter Solstice, Candelmas, Spring "I have no problem with the gallery Equinox, Beltane/May Eve, Summer Solstice, showing the paintings," Wyne told The Lammas, Autumn Equinox, and Hallomas. -
Series Team Checklist I Have the Complete Set 1970/71 A&BC Chewing Gum (Scottish) Footballers, Green Backs
Nigel's Webspace - English Football Cards 1965/66 to 1979/80 Series team checklist I have the complete set 1970/71 A&BC chewing gum (Scottish) Footballers, Green backs 139 Tommy Gemmell Dunfermline Athletic 085 Checklist 1-84 154 Steve Chalmers 023 Willie Callaghan 170 Checklist 85-170 (variant) 164 Jimmy Johnstone 047 Willie Renton 170 Checklist 85-171 Chelsea 063 John Lunn Aberdeen 019 Charlie Cooke 079 Barrie Mitchell 003 George Murray 036 Tommy Hughes 086 Pat Gardner 021 James (Jim) Forrest 045 John Boyle 090 John Lunn 037 Ernie McGarr 097 Eddie McCreadie 096 Ian Cowan 051 Jim Hermiston Clyde 106 Kenny Thompson 068 David Robb 065 Jim Burns 117 George McLean 089 Steve Murray 110 John McHugh 144 Alex Edwards 101 Derek McKay 147 Billy Hulston 152 John McGarty 119 Joe Harper 167 Eddie Mulheron 160 Willie Duff 133 Bobby Clark Coventry City Everton 145 Martin Buchan 004 Willie Carr 008 Alex (Sandy) Brown 155 Henning Boel 103 Roy Barry Falkirk Airdrieonians Cowdenbeath 104 Alex Scott 009 Derek Whiteford 122 Denis Jack 116 Alex Ferguson 033 Drew Jarvie 138 Andy Kinnell 129 George Gibson 102 Roddie McKenzie 140 John Dickson 143 George Miller Arsenal 159 Billy Mullen 153 Andy Roxburgh 067 Frank McLintock Crystal Palace Hearts 087 George Graham 015 John McCormick 016 Alan Anderson Ayr United 022 James (Jim) Scott 035 Peter Oliver 012 David Stewart 107 Gerry Queen 049 Donald Ford 044 Quinton Young 135 Roger Hynd 091 Dave Clunie 127 Doug Mitchell Derby County 124 Jim Brown 158 Rene Moller 161 Dick Malone 060 Dave Mackay 163 Jim Cruickshank 166 -
Apex Scotland Annual Report 2015
ONE PURPOSE MANY APPROACHES ANNUAL REPORT 2015 1 www.apexscotland.org.uk Contents One Purpose; Many Approaches 3 Our Services 4 New Initiatives 6 Inclusion 8 Investing in Young People 11 Community Support 14 Volunteering 16 Embracing Challenges 18 Mentoring 19 Award Winners 22 Placements 23 Rewarding Achievements 24 Social Enterprise 25 Training 27 Partnership 28 Conference Collaboration 30 Apex Scotland Board Policy and Influence 31 Brian Fearon, Chair Brian Cole Research 32 Anne Pinkman Bryan Rankin Finance 33 Beth Smith Eric Murch (retired July 2014) Chair’s Report 34 Gordon Samson Sheriff Frank Crowe John Ross Hamish Lorrain-Smith Malcolm McMillan Patrons Rt Hon Sir Menzies Campbell CBE QC William Moodie Viscount Weir 2 www.apexscotland.org.uk One Purpose; Many Approaches The 2014 Apex Lecture which, as always, proved a great success, was delivered by Professor Lesley McAra from the University of Edinburgh and focused upon the outcomes of the latest set of results from the acclaimed Edinburgh Youth Transitions study. Perhaps not surprisingly this longitudinal study of behaviours and social outcomes continues to demonstrate the inter-connectedness of so many aspects of human action and, more controversially, suggests that we can do much to predict and divert such behaviours. In her analysis Professor McAra draws together the contributing factors which may promote or enable offending, including poverty, education, upbringing, environment, culture and opportunity, and robustly makes the case for earlier intervention and prevention to divert those young people who are most at risk of becoming ‘offenders’ into more productive behaviour patterns. On the night someone said to me: “That sounds like she is reading the Apex manifesto”; and I have to agree with them.