Spitfire pilot Neil Williams in action (top), and stunt flying in MH434 during the filming of A Bridge Too Far

A gentle wingover should please them on the to be in. It would be, in a heavier our delight. There’s no place for the pilot for Auster back in the ’50s, used to carry out a ground. Sure we’re low, but there’s plenty of room machine. Even in a low-inertia aircraft unknown. flick from inverted at the top of a loop. First called to recover. there’s a tendency to pull out of the dive If the aircraft you normally fly is not a Porteus Loop, it is better known today as the ava- Oops, it’s turning into more of a than too hard, too soon, running the risk of a high- cleared to , that could be because its spin lanche. I’d intended. Really must resist that urge to show speed stall. Pride, anyway, dictates I hold the ver- is ugly. If a microlight, it’s just not allowed to. The secret to taming the spin is in the speed and off. Near the vertical. Watch the ASI. Best go right tical for a respectable instant. Does the aircraft somehow know the rules? authority of control deflection. How many lives might – left rudder in climb so more rudder to use. Boot Flying close to the ground concentrates the mind; It may have the sort of spin you wouldn’t want have been saved if a microlight pilot knew as a result it in. Wing pretty well at right angles to horizon. Bit hard contact with it hurts. At the same time, it’s a to get into by mistake; a mistake that’s less likely of training exactly what to do? Isn’t that what train- late, but she’ll go round. Halfway there. Chop throt- lively stimulant for the making of mistakes. if you’ve experienced deliberate spinning. So find ing is for? The too-often neglected role of the rudder tle. Will the engine keep running? Something feels How come it suddenly feels wrong in such a situ- someone who has a machine that spins and who can wrong. Can’t put finger on it. What’s different? ation? In most cases it’s imagined: partly because it show you what it’s all about; how to enter, what it’s Ground looks a lot closer than it should. She’s not matters more, partly because the ground introduces like to be in and how to recover. A spin close to the flying, but then I shouldn’t expect her to. Prop hesi- hazards you don’t find at altitude, partly because of ground is not good. A dizzy spin in the head makes tates, clunking unwillingly over compressions, mak- hubris. it worse. The mind is calmer if confident of recovery. ing noise as if being swung. I can hear the click of the Safety in flying is the product of knowing your air- Getting to know and love provides you impulse mag. We’re slicing down from a stall turn craft, yourself and the environment in which you fly. with experience of extreme attitudes and knowledge that nearly has a in it. To know each intimately you need to experience their of the aircraft’s limits. Better acquaintance with the Here’s where nearness of the ground plays games limits, so nothing can catch you unprepared. spin as a precision manoeuvre, in an aerobatic se- with the pilot. The ground looms large. We’re point- This is why it makes sense for every pilot to be quence, soon removes all anxiety. You learn to enter assumes ascendancy. If he or she is to recover with ing directly down at it. There’s no response to the taught spin recovery, aerobatics, formation and low at a precise point, execute an exact number of revo- minimum loss of height there must be nothing timid, controls. At 2000ft, it would feel normal. At 1000ft, flying. Only by appreciating what can happen is it lutions and continue along the chosen axis. A flick no hesitation in applying corrective action. errors are made. possible to be sure you can deal with it if it does. roll is nothing more than a spin executed at a higher Another benefit of aerobatics is learning to reg- Memory tells me this is an unacceptable attitude Fear of the unknown leads to panic. Flying is for airspeed, often in the horizontal. Ranald Porteus, test ister g. Non-aerobatic aircraft are not fitted with ac- w

20 Microlight Flying April 2014 21 w celerometers. It follows occasional quick glance at cockpit instruments, par- turbed close to the ground, by relief and surface ir- that most microlight ticularly the ball. regularities. These disturbances obviously influence pilots are unable to tell I have a friend who started up a school at Biggin the behaviour of the flying machine. The apparent how many g they’re using the Fournier avion-planeur. They put on duo velocity of the aircraft, due to visual cues from the pulling in recovery from formation displays. One time he was number two ex- ground, can lead to misjudgment. Proximity to the a dive. ecuting a low formation loop. The leader judged his ground can force errors. Seat-of-the-pants fly- recovery nicely but forgot my friend, stationed behind Not so long ago I had the good fortune to be in- ing relies upon the eyes, and below, who made and stayed in contact with the vited to fly free of the restraints imposed by the Rules the semi-circular canals ground. of the Air as they relate to low flying. The reason was and the buttocks. I tell Every pilot does a lot of low flying – when taking The Medallion, a Jacky Chan film to be filmed in the my students that I’m off and landing. And, ominously, it can be with delib- Wicklow mountains in Ireland. in constant commu- erately crossed controls. The relevant aviation authority issued a temporary nication with my but- Take the wing-down method of dealing with a exemption for the purposes of filming, and the ex- tocks during a lesson. crosswind landing. It’s sideslipping. In a low-inertia Richard Branson CFM Shadow flew without front Clenched and things aircraft it has the advantage of placing runway and canopy, with a lurid colour scheme and machine aren’t going too well. Re- machine in line, from approach to touchdown. guns under the wings. laxed and he or she will The crabbing technique relies upon inertia and The best bit was being shown into the wardrobe soon be going solo. It explains their occasional glanc- is better suited to heavier machines, but trickier for trailer and directed to the kit labelled “stunt pilot”. es at me to deduce if I’m taller or smaller in my seat. light ones. I was supposed to be Lee Evans, in aid of which Pulling g and knowing how close you are to the The trouble with crossed controls, though, is that I was given a brown wig and a silly grin, although structural limit would seem to be vital information they invite a spin if speed falls too low. in truth the latter came automatically from flying an when close to the ground and keen to keep flying. Crabbing, on the other hand, is good training. You open cockpit microlight with such freedom. In the absence of a gauge, a few hours of joyful aero- have to learn greater finesse in a low-inertia aircraft, Lessons learned in the RAF and many hours fly- batics are a good investment. Even buttocks can be kicking it straight the instant before its wheels con- ing over the unrestricted bush in Central Africa came taught. tact the ground. back. You think about the probable behaviour of Another benefit is learning to feel comfortable Just as formation teaches instinctive coordination the prevailing wind, as influenced generally by the with the ground suddenly anywhere: from immedi- of controls, and aerobatics teaches the extent of the mountains and specifically by the woods and trees, ately underneath the tail to above your head. performance envelope, so low flying teaches us to ap- as you skim the brow of a hill – shadow meeting Formation flying is also an effective training tool, preciate the two elements, air and earth, understand- Shadow – and plunge down into a narrow river valley and much under-rated. Apart from the fact that ma- ing their inter-relationship as they affect our aircraft. or skim the surface of a deep, steep-sided mountain noeuvring close to another concentrates the mind, At altitude we’re wholly concerned with the air we lake. You think about the terrain: is there sufficient it also gives a valuable lesson in developing intuitive fly in. The relevance of the earth is solely for naviga- room to turn back? Is the slope greater than the climb control inputs. tion. It’s odd how such a simple fact is still difficult angle of the aircraft? Because the formating pilot needs to respond to for some quite experienced aviators to grasp. It’s the: Recall the great Neil Williams, magical pilot, who Time passes. Instead of getting lighter, it gets changes instantly, he has no time to think about “Which way does the flag fly in an airborne balloon?” just once made a misjudgment and didn’t live to re- darker. The hairs on the back of your neck are alerted. pitch, roll, and yaw, just position. Also, like nothing syndrome. gret it. Sweat forms on upper lip. else, it develops coordinated control inputs. The closer to the ground, the more crucial the pi- Then there’s the downwash from the filming he- No gyro instruments. Which way is up? Which Next time you watch an inexperienced forma- lot’s appreciation of the air mass he’s flying in. The licopter to avoid (of whose presence one was only way down? What does it feel? Hurried look at instru- tion pair, observe how the formating aircraft is being ground, as friendly terrain to be navigated, becomes made aware by seeing his shadow little more than a ments, wondering which might help the most. I’m flown cross-controlled. Even the best do it. There’s a threat in several ways: as destroyer in the event of rotor blade’s length away from one’s own). turning. Or is that just compass swinging in the tur- little time to glance at the slip ball, but when the pilot impact, as disturber of smooth airflow, as source of You remember past mistakes. You make no as- bulence? Did I mention the turbulence? does, you can be sure he curses as he straightens one distracting visual cues, and as corrupter of measured sumptions: like the time in a J3 Cub in Southern Engine revs increasing. Ball well off centre. I didn’t leg. reasoning. Rhodesia flying down one side of a strip of euca- do that. Why would I? I’m doing everything I can A word of advice: beware blinkered, concentrat- Operating from farm strips calls for a good appre- lyptus trees and, in climbing up and over to reverse to fly straight and level. But where’s straight, where’s ed view of lead aircraft when line astern. Peripheral ciation of low-flying imperatives: drift, rotor, wind down the other side, discovering too late it was L- level? vision must not be ignored. It’s as important to be gradient, terrain details and relative velocity. The shaped, then stopping at the far side of Mount Hamp- Panic knocking on the door. conscious of the general environment as to take an relatively smooth air mass at altitude becomes dis- den airfield to pluck the offending branches from the Throttle back. ASI? Altimeter? Seat of pants? Ball? undercarriage before taxiing in. Tachometer? Hobbs meter? Christ! Practice at flying close to the ground, when not Suddenly, painfully aware that ignorance rules. thinking only of getting the flying machine to become Mindless terror takes over. Now I know what it neatly a land machine, is valuable experience. It rein- would be like riding fast along a motorway on the forces the important lesson about flying through the Ducati when suddenly made blind. Helpless. Utterly. air, unfazed by closeness to the ground. No time to enjoy the near-death euphoria we’re told It may save your life, if forced low by bad weather. about. I have a passenger. It will make you more confident in the circuit and It’s getting darker. I’ve no idea what attitude I’m more capable when flying the approach to a tree-lined in, or what to adopt. Farewell cruel world. farm strip. It will make you a more competent pilot. Or lucky and, like me, you may escape. As will a spell with a friend who’s qualified on But you will never enter cloud again. Never, ever. Right instruments, especially if you’ve ever been flying Unless your aircraft is properly equipped and your Anthony Preston blithely through open blue sky lumped with a few, 2 mind properly and recently trained and you know flying the Shadow oktas, bright, white, handsome and towering cumu- about clouds. Above as designed for lus tufts, and found yourself suddenly entering one Check them out to see for yourself with a quali- Ranald Porteous, The Medallion by mistake. fied friend in a qualified aircraft. Then we know you’ll who gave his name movie; and the Thinking it presents a momentary distraction, never, ever enter cloud in a microlight. to the manoeuvre paint scheme of nothing more than a moment’s white-out, you turn Which, along with experiences of low flying, spin, called the Porteus the open-cockpit to your passenger with a comforting smile and settle aerobatics and formation, make up the perfect recipe Loop; and aircraft back in the seat to seem more relaxed. for Flying for Delight. formation flying!

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