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DAN LEIGH Production Designer
(3/31/17) DAN LEIGH Production Designer FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “GYPSY” Sam Taylor-Johnson Netflix Rudd Simmons (TV Series) Scott Winant Universal Television Tim Bevan “THE FAMILY” Paul McGuigan ABC David Hoberman (Pilot / Series) Mandeville Todd Lieberman “FALLING WATER” Juan Carlos Fresnadillo USA Gale Anne Hurd (Pilot) Valhalla Entertainment Blake Masters “THE SLAP” Lisa Cholodenko NBC Rudd Simmons (TV Series) Michael Morris Universal Television Ken Olin “THE OUTCASTS” Peter Hutchings BCDF Pictures Brice Dal Farra Claude Dal Farra “JOHN WICK” David Leitch Thunder Road Pictures Basil Iwanyk Chad Stahelski “TRACERS” Daniel Benmayor Temple Hill Entertainment Wyck Godfrey FilmNation Entertainment D. Scott Lumpkin “THE AMERICANS” Gavin O'Connor DreamWorks Television Graham Yost (Pilot) Darryl Frank “VAMPS” Amy Heckerling Red Hour Adam Brightman Lucky Monkey Stuart Cornfeld Molly Hassell Lauren Versel “PERSON OF INTEREST” Various Bad Robot J.J. Abrams (TV Series) CBS Johanthan Nolan Bryan Burk Margot Lulick “WARRIOR” Gavin O’Connor Lionsgate Greg O’Connor Solaris “MARGARET” Kenneth Lonergan Mirage Enterprises Gary Gilbert Fox Searchlight Sydney Pollack Scott Rudin “BRIDE WARS” Gary Winick Firm Films Alan Riche New Regency Pictures Peter Riche Julie Yorn “THE BURNING PLAIN” Guillermo Arriaga 2929 Entertainment Laurie MacDonald Walter F. Parkes SANDRA MARSH & ASSOCIATES Tel: (310) 285-0303 Fax: (310) 285-0218 e-mail: [email protected] (3/31/17) DAN LEIGH Production Designer ---2-222---- FILM & TELEVISION COMPANIES -
It 2.007 Vc Italian Films On
1 UW-Madison Learning Support Services Van Hise Hall - Room 274 rev. May 3, 2019 SET CALL NUMBER: IT 2.007 VC ITALIAN FILMS ON VIDEO, (Various distributors, 1986-1989) TYPE OF PROGRAM: Italian culture and civilization; Films DESCRIPTION: A series of classic Italian films either produced in Italy, directed by Italian directors, or on Italian subjects. Most are subtitled in English. Individual times are given for each videocassette. VIDEOTAPES ARE FOR RESERVE USE IN THE MEDIA LIBRARY ONLY -- Instructors may check them out for up to 24 hours for previewing purposes or to show them in class. See the Media Catalog for film series in other languages. AUDIENCE: Students of Italian, Italian literature, Italian film FORMAT: VHS; NTSC; DVD CONTENTS CALL NUMBER Il 7 e l’8 IT2.007.151 Italy. 90 min. DVD, requires region free player. In Italian. Ficarra & Picone. 8 1/2 IT2.007.013 1963. Italian with English subtitles. 138 min. B/W. VHS or DVD.Directed by Frederico Fellini, with Marcello Mastroianni. Fellini's semi- autobiographical masterpiece. Portrayal of a film director during the course of making a film and finding himself trapped by his fears and insecurities. 1900 (Novocento) IT2.007.131 1977. Italy. DVD. In Italian w/English subtitles. 315 min. Directed by Bernardo Bertolucci. With Robert De niro, Gerard Depardieu, Burt Lancaster and Donald Sutherland. Epic about friendship and war in Italy. Accattone IT2.007.053 Italy. 1961. Italian with English subtitles. 100 min. B/W. VHS or DVD. Directed by Pier Paolo Pasolini. Pasolini's first feature film. In the slums of Rome, Accattone "The Sponger" lives off the earnings of a prostitute. -
Marzo 2014 Proposte
MARZO 2014 MARZO 2014 PROPOSTE Ogni mese il Centro Audiovisivi di Bolzano mette a disposizione questa brochure contenente Proposte, Ritratti Novità, Ricorrenze. di donne PROPOSTE nel cinema Un’occasione per conoscere e imparare ad amare il grande cinema. Ogni mese viene proposto un tema di- di ieri e di oggi verso per suggerire attraverso la cinematografia d’au- tore spunti di riflessione e valorizzare il patrimonio della mediateca del Centro Audiovisivi di Bolzano. NOVITÀ NOVITÀ Cinema La raccolta cinematografica è in grande crescita e comprende film, documentari e libri a partire dalle Film dalle origini origini della storia del cinema fino a oggi. Ogni mese ai giorni nostri si arricchisce di ulteriori film di qualità che vengono messi a disposizione di tutti i cittadini interessati. Documentari RICORRENZE La ricorrenza della data di nascita di alcuni dei più RICORRENZE famosi attori, attrici e registi della storia del cinema è occasione per ricordare ogni mese i capolavori che Piera Degli Esposti loro hanno realizzato. Invito tutti a rivedere, scoprire e riscoprire le loro opere nella mediateca. Luc Besson Keira Knightley Buona visione! Quentin Tarantino MARZO 2014 PROPOSTE MARZO 2014 Ritratti Lulu di donne Donne nel cinema L’onorevole Angelina di ieri e di oggi Siamo donne PROPOSTE Sabrina Sedotta e abbandonata Tre donne Il raggio verde Speriamo che sia femmina Thelma & Louise Il cerchio Ti do i miei occhi Vogliamo anche le rose Changeling – Una storia vera Beyond Potiche – La bella statuina Le donne del 6° piano We Want Sex 4 5 LULU SIAMO DONNE DEU / 1929 / DRAMMATICO / 128' / B/N / MUTO ITA / 1953 / EPISODI / 95' / B/N / SONORO REGIA Lulù, una ex fioraia, vuole fare carriera nel mondo del varietà, REGIA Film collettivo diviso in cinque parti. -
JEANNE MOREAU: NOUVELLE VAGUE and BEYOND February 25 - March 18, 1994
The Museum of Modern Art For Immediate Release February 1994 JEANNE MOREAU: NOUVELLE VAGUE AND BEYOND February 25 - March 18, 1994 A film retrospective of the legendary French actress Jeanne Moreau, spanning her remarkable forty-five year career, opens at The Museum of Modern Art on February 25, 1994. JEANNE MOREAU: NOUVELLE VAGUE AND BEYOND traces the actress's steady rise from the French cinema of the 1950s and international renown as muse and icon of the New Wave movement to the present. On view through March 18, the exhibition shows Moreau to be one of the few performing artists who both epitomize and transcend their eras by the originality of their work. The retrospective comprises thirty films, including three that Moreau directed. Two films in the series are United States premieres: The Old Woman Mho Wades in the Sea (1991, Laurent Heynemann), and her most recent film, A Foreign Field (1993, Charles Sturridge), in which Moreau stars with Lauren Bacall and Alec Guinness. Other highlights include The Queen Margot (1953, Jean Dreville), which has not been shown in the United States since its original release; the uncut version of Eva (1962, Joseph Losey); the rarely seen Mata Hari, Agent H 21 (1964, Jean-Louis Richard), and Joanna Francesa (1973, Carlos Diegues). Alternately playful, seductive, or somber, Moreau brought something truly modern to the screen -- a compelling but ultimately elusive persona. After perfecting her craft as a principal member of the Comedie Frangaise and the Theatre National Populaire, she appeared in such films as Louis Malle's Elevator to the Gallows (1957) and The Lovers (1958), the latter of which she created a scandal with her portrayal of an adultress. -
The Role of Literature in the Films of Luchino Visconti
From Page to Screen: the Role of Literature in the Films of Luchino Visconti Lucia Di Rosa A thesis submitted in confomity with the requirements for the degree of Doctor of Philosophy (Ph. D.) Graduate Department of ltalian Studies University of Toronto @ Copyright by Lucia Di Rosa 2001 National Library Biblioth ue nationale du Cana2 a AcquisitTons and Acquisitions ef Bibliographie Services services bibliographiques 395 WeOingtOn Street 305, rue Wellington Ottawa ON K1A ON4 Otiawa ON K1AW Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence ailowing the exclusive ~~mnettantà la Natiofliil Library of Canarla to Bibliothèque nation& du Canada de reprcduce, loan, disûi'bute or seil reproduire, prêter, dishibuer ou copies of this thesis in rnicroform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nlm, de reproduction sur papier ou sur format é1ectronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation, From Page to Screen: the Role of Literatuce in the Films af Luchino Vionti By Lucia Di Rosa Ph.D., 2001 Department of Mian Studies University of Toronto Abstract This dissertation focuses on the role that literature plays in the cinema of Luchino Visconti. The Milanese director baseci nine of his fourteen feature films on literary works. -
Lakeshore Entertainment, the Solution Entertainment Group, Qed International, Gfm and Arclight Among the Latest Leading Sales Agents to Join Rightstrade Marketplace
LAKESHORE ENTERTAINMENT, THE SOLUTION ENTERTAINMENT GROUP, QED INTERNATIONAL, GFM AND ARCLIGHT AMONG THE LATEST LEADING SALES AGENTS TO JOIN RIGHTSTRADE MARKETPLACE Cannes, France, May 2015 – RightsTrade, the leading online global marketplace for film and television rights, has closed deals with leading film sales companies Lakeshore Entertainment, The Solution Entertainment Group, QED International, GFM and Arclight to utilize its sales and screening platform. Other recent signings also include Altitude Films, Inception Media, Mongrel Media, and Electric Entertainment. “The addition of these leading sales agents immediately adds over 200 high quality titles to the RightsTrade marketplace. The velocity with which we are adding new clients, as well as last month’s recognition by MIPTV as “Best B2B Startup in the TV and Online Video Industry” are terrific validation that the market has embraced RightsTrade’s next-generation toolkit for content licensing. We are looking forward to speeding up the steps in the licensing process from screening to signature, so that our clients can close more deals, faster,” said RightsTrade CEO Steven Polster. “The RightsTrade platform facilitates our licensing efforts by providing our team with unparalleled screening and sales features. It is simple to use and yet offers all the analytics and security options that we could envision,” said Laura Austin-Little, Head of International Sales of Lakeshore. “From sending and tracking secure screeners to streamlining deals, RightsTrade has the potential to become the Airbnb of content licensing,” said Lisa Wilson, Co-Founder and Partner of The Solution Entertainment Group. “We are looking forward to making the most of their powerful platform to boost our sales.” “RightsTrade is a remarkable selling tool, that enables us to do our job, faster, more efficiently and with the confidence of security,” said Clay Epstein, SVP Sales & Acquisition of Arclight Films. -
Larry D. Horricks Society of Motion Picture Stills Photographers
Larry D. Horricks Society of Motion Picture Stills Photographers www.larryhorricks.com Feature Films: Spaceman of Bohemia – Netflix – Johan Renck Director Cast – Adam Sandler, Carey Mulligan Producers: Michael Parets, Max Silva, Ben Ormand, Barry Bernardi White Bird – Lionsgate – Marc Forster Director (Unit + Specials_ Cast: Gillian Anderson ,Helen Mirren, Ariella Glaser, Orlando Schwerdt Producers: Marc Forster, Tod Leiberman, David Hoberman, Raquel J. Palacio Oslo – Dreamworks Pictures / Amblin / HBO / Marc Platt Prods.– Bart Sher Director (Unit + Specials) Cast: Ruth Wilson, Andrew Scott, Jeff Wilbusch,Salim Dau, Producers: Steven Spielberg, Kristie Macosko Krieger, Marc Platt, Cambra Overend, Mark Taylor Atlantic 437 – Netflix. Ratpack Entertainment – Director Peter Thorwath Producers: Chritian Becker,Benjamin Munz The Dig – Netflix, Magnolia Mae Films – Simon Stone Director Cast: Ralph Fiennes, Carey Mulligan, Lily James, Ken Stott, Johnny Flynn Producers: Gabrielle Tana, Carolyn Marks Blackwood, Redmond Morris A Boy Called Christmas – Netflix – Gil Kenan Director (Unit + Specials) Cast: Sally Hawkins, Kristen Wiig,Maggie Smith, Jim Broadbent, Toby Jones, Michiel Huisman, Harry Lawful Producers: Graham Broadbent, Pete Czernin, Kevan Van Thompson Minamata - Metalwork Pictures /HanWay Films / MGM - Andrew Levitas Director (Unit + Specials) Cast: Johnny Depp, Bill Nighy, Minami, Hiro Sanada, Ryo Kase, Sato Tadenobu, Jun Kunimura Producers: Andrew Levitas,Gabrielle Tana, Jason Foreman, Johnny Depp, Sam Sarkar, Stephen Deuters, Kevan -
Company Profile Fenix Entertainment About Us
COMPANY PROFILE FENIX ENTERTAINMENT ABOUT US Fenix Entertainment is a production company active also in the music industry, listed on the stock exchange since August 2020, best newcomer in Italy in the AIM-PRO segment of the AIM ITALIA price list managed by Borsa Italiana Spa. Its original, personalized and cutting-edge approach are its defining features. The company was founded towards the end of 2016 by entrepreneurs Riccardo di Pasquale, a former bank and asset manager and Matteo Di Pasquale formerly specializing in HR management and organization in collaboration with prominent film and television actress Roberta Giarrusso. A COMBINATION OF MANY SKILLS AT THE SERVICE OF ONE PASSION. MILESTONE 3 Listed on the stock exchange since 14 Produces the soundtrack of Ferzan Produces the film ‘’Burraco Fatale‘’. August 2020, best newcomer in Italy in Ozpetek's “Napoli Velata” the AIM-PRO segment of the AIM ITALIA price list managed by Borsa Italiana Spa First co-productions Produces the soundtrack "A Fenix Entertainment cinematographic mano disarmata" by Claudio Distribution is born Bonivento Acquisitions of the former Produces the television Produces the film works in the library series 'That’s Amore' “Ostaggi” Costitution Fenix Attend the Cannes Film Festival Co-produces the film ‘’Up & Produces the “DNA” International and the International Venice Film Down – Un Film Normale‘’ film ‘Dietro la product acquisition Festival notte‘’ 2016 2017 2018 2019 2020 “LA LUCIDA FOLLIA DI MARCO FERRERI” “UP&DOWN. UN FILM “NAPOLI VELATA” original “BEST REVELATION” for Fenix Entertainment • David di Donatello for Best Documentary NORMALE” Kineo award soundtrack Pasquale Catalano Anna Magnani Award to the production team • Nastro d’Argento for Best Film about Cinema for Best Social Docu-Film nominated: • David di Donatello for Best Musician • Best Soundtrack Nastri D’Argento “STIAMO TUTTI BENE” by Mirkoeilcane “DIVA!” Nastro D’Argento for the Best “UP&DOWN. -
Cis Tv & Film Cv 2018-10
LANA VEENKER CSA & ERYN GOODMAN CSA SELECTED FILM CREDITS “Timmy Failure” Principal Casting (OR) Walt Disney Studios/Fayleure Prods | p. Jim Whitaker “Bad Samaritan” Principal Casting (OR) Electric Entertainment | d. Dean Devlin “Preserve” Principal Casting (OR) Preserve LLC/CineReach | d. Nicole Perlman “Wild” Principal Casting (OR) Fox Searchlight/Pacific Standard | d. Jean-Marc Vallée “Gone” Principal Casting (OR) Lakeshore Entertainment | d. Heitor Dhalia “Twilight” Principal Casting (OR & WA) Summit Entertainment | d. Catherine Hardwicke “Paranoid Park” Principal Casting MK2/Tsetse Fly Film Co. | d. Gus Van Sant “The Burning Plain” Principal Casting (OR) 2929 Productions | d. Guillermo Arriaga “Management” Principal Casting (OR) Sidney Kimmel Entertainment | d. Stephen Belber “The Heretic” Principal Casting (OR) Havoc Films | d. Tim Robbins “Chacun Son Cinéma: First Kiss” Principal Casting ARTE/Canal+/Elzevir | d. Gus Van Sant “Feast of Love” Principal Casting (OR & WA) Lakeshore Entertainment | d. Robert Benton “Into the Wild” Additional Casting (OR) Paramount Vantage | d. Sean Penn SELECTED TV CREDITS Trinkets (S1) Principal Casting (NW) Netflix/Awesomeness TV | e.p. Linda Gase American Vandal (S2) Principal Casting (NW) Netflix/CBS Studios/Funny or Die | d. Tony Yacenda Pretty Little Liars: The Perfectionists (S1) Principal Casting (NW) Warner Horizon/Freeform | d. Marlene King Staties (Pilot) Principal Casting (NW) ABC Studios/Maniac Productions | d. Rob Bowman Angie Tribeca (1 episode) Principal Casting (OR) TBS/Carousel Prods | e.p. Nancy Carell & Steve Carell “Here and Now” (S1) Principal Casting (OR) HBO/Perplexed Production Services | e.p. Alan Ball “The Show” (Pilot) Series Regulars (US Search) BLACKPILLS/Together Media/Vice | e.p. Luc Besson The Wonderland Murders (S1) Principal Casting (OR) American Chainsaws Ent./Baltic Tiger | d. -
Maya Sansa - Claudio Casadio Greta Zuccheri-Montanari Dans
présente Alba Rohrwacher - Maya Sansa - Claudio Casadio Greta Zuccheri-Montanari dans (L’uomo che verrà) SORTIE NATIONALE LE 16 JANVIER 2013 Durée : 115 mn Italie – 2009 – Couleur – 35 mm Cinémascope – VOSTF Matériel disponible sur http://bit.ly/lhommequiviendra Distribution Programmation Relations presse 61 rue Claude Bernard 75005 Paris Philippe Chevassu Stéphane Ribola 06 08 28 79 65 01 43 59 01 01 01 45 78 77 62 / 06 11 73 44 06 [email protected] [email protected] [email protected] Synopsis Hiver 1943. Martina, fille unique d'une humble famille de paysans, a huit ans et vit sur les flancs du Monte Sole, près de Bologne. Martina ne parle plus depuis la mort à la naissance d’un petit frère qu’elle espérait tant. Sa mère est de nouveau enceinte et Martina vit dans l'attente de l'enfant qui va naître, tandis que la guerre avance et que la vie devient de plus en plus difficile, entre les brigades partisanes du commandant Lupo et l'avancée des nazis. Dans la nuit du 28 au 29 septembre 1944, l'enfant voit enfin le jour. Au même moment, les SS se livrent dans la région à une série d’exactions sans précédent, inscrites dans l'histoire comme “les massacres de Marzabotto”, l’Oradour-sur-Glane italien. Contexte historique – « Les Massacres de Marzabotto » Hiver 1943. L’Italie est coupée en deux depuis l’armistice signée en septembre par le Maréchal Badoglio. La fuite du Roi et du gouvernement dans le sud laisse le centre et le nord de la péninsule aux mains des Allemands et des fascistes de la République de Salò. -
Entering Cinecittà. Image from Newsreel, December 6, 1946. the Cinecittà Refugee Camp (1944–1950)*
Entering Cinecittà. Image from newsreel, December 6, 1946. The Cinecittà Refugee Camp (1944–1950)* NOA STEIMATSKY Yes, they have sacked and destroyed it; the few remaining buildings accommodate only destitute, displaced families. But permit me to believe that on the highest wall, within the concealing yellow foliage, an empty movie camera continues to roll on, its lens focused on the clouds, waiting for a poet to find it, dust it off, set it finally before men and facts and, with neither fake models nor backdrops, expose it, al naturale, to our sorrow and our hopes. —Gino Avorio, “Schedario segreto,” Star I.1 (August 12, 1944) I The conversion of one of Europe’s largest movie studios, Cinecittà, to a refugee camp has always seemed an odd footnote to the chronicles of Italian cinema. However, as one recognizes its material and historical vicissitudes, its true magnitude, the duration of its existence, and the broader social and political forces that gov- erned its development, the camp emerges as a stunning phenomenon and, in effect, a prime allegorical tableau of its time. Once confronted, the existence of the camp marks our vision of postwar film history, and, in particular, of Neorealism. * Research for this project was launched with a 2004–2005 National Endowment for the Humanities Fellowship at the American Academy in Rome, with additional support from the A. Whitney Griswold Faculty Research Fund and the European Studies Council Faculty Research Grant of Yale University. At the Cineteca Nazionale in Rome I am grateful to director Sergio Toffetti and especially to Mario Musumeci, the first who encouraged me to explore this topic. -
KENT, Melissa
Melissa Kent Editor FEATURES DIRECTOR PRODUCERS PRODUCTION CO. / STUDIO THE DIRT Jeff Tremaine Julie Yorn, Erik Olsen LBI Entertainment / Netflix THE INTRUDER Deon Taylor Mark Burg, Roxanne Avent Hidden Empire / Screen Gems TRAFFIK Deon Taylor Mark Burg, Roxanne Avent Hidden Empire / Lionsgate AMERICAN PASTORAL Ewan McGregor Tom Rosenberg, Gary Lucchesi Lakeshore Entertainment / Lionsgate THE AGE OF ADALINE Lee Toland Krieger Tom Rosenberg, Gary Lucchesi Lakeshore Entertainment / Lionsgate CAPTIVE Jerry Jameson Terry Botwick, David Oyelowo 1019 Entertainment / Paramount MAKE YOUR MOVE 3D Duane Adler Robert Cort, Eric Hetzel Robert Cort Prods. / Lionsgate Int’l THE VOW Michael Sucsy Jonathan Glickman Spyglass Entertainment / Screen Gems JUST WRIGHT Sanaa Hamri Debra Martin Chase Fox Searchlight Pictures FOUR CHRISTMASES (shared credit) Seth Gordon Jonathan Glickman New Line Cinema THE SISTERHOOD OF Sanaa Hamri Andrew Kosove, Broderick Johnson Alcon Entertainment / Warner Bros. THE TRAVELING PANTS 2 Denise Di Novi, Debra Martin Chase SOMETHING NEW Sanaa Hamri Stephanie Allain Focus Features CROSSROADS Tamra Davis Ann Carli Paramount CRAZY / BEAUTIFUL John Stockwell Harry J. Ufland, Rachel Pfeffer Touchstone THE VIRGIN SUICIDES Sofia Coppola Francis Ford Coppola, Julie Costanzo Paramount Classics SUPERNOVA Walter Hill Francis Ford Coppola MGM THE OUTSIDERS (additional editor) Francis Ford Coppola Kim Aubry Warner Bros. *2005 version THE RAINMAKER (co-editor) Francis Ford Coppola Fred Fuchs American Zoetrope / Paramount THE FANTASTICKS (additional