Artist That Have Contracts with Live Nation
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
February 12, 2019: SXSW Announces Additional Keynotes and Featured
SOUTH BY SOUTHWEST ANNOUNCES ADDITIONAL KEYNOTES AND FEATURED SPEAKERS FOR 2019 CONFERENCE Adam Horovitz and Michael Diamond of Beastie Boys, John Boehner, Kara Swisher, Roger McNamee, and T Bone Burnett Added to the Keynote Lineup Stacey Abrams, David Byrne, Elizabeth Banks, Aidy Bryant, Brandi Carlile, Ethan Hawke, Padma Lakshmi, Kevin Reilly, Nile Rodgers, Cameron and Tyler Winklevoss, and More Added as Featured Speakers Austin, Texas — February 12, 2019 — South by Southwest® (SXSW®) Conference and Festivals (March 8–17, 2019) has announced further additions to their Keynote and Featured Speaker lineup for the 2019 event. Keynotes announced today include former Speaker of the U.S. House of Representatives John Boehner with Acreage Holdings Chairman and CEO Kevin Murphy; a Keynote Conversation with Adam Horovitz and Michael Diamond of Beastie Boys with Amazon Music’s Nathan Brackett; award-winning producer, musician and songwriter T Bone Burnett; investor and author Roger McNamee with WIRED Editor in Chief Nicholas Thompson; and Recode co-founder and editor-at-large Kara Swisher with a special guest. Among the Featured Speakers revealed today are national political trailblazer Stacey Abrams, multi-faceted artist David Byrne; actress, producer and director Elizabeth Banks; actress, writer and producer Aidy Bryant; Grammy Award-winning musician Brandi Carlile joining a conversation with award-winning actress Elisabeth Moss; professional wrestler Charlotte Flair; -
Garbage & the Temper Trap Join for Next Winery Series!
Media Release – Thursday July 28 GARBAGE & THE TEMPER TRAP JOIN FOR NEXT WINERY SERIES! With the Preatures, Tash Sultana and Adalita a day on the green has assembled an epic line-up for its next series of winery concerts. Alt-rock pioneers Garbage and Australia’s own multi-platinum chart toppers The Temper Trap will come together as part of their respective national tours for five outdoor events through November/December. The concerts will feature a stellar under-card with special guests The Preatures, Tash Sultana and Adalita. The five band bill kicks off at Victoria’s Rochford Wines on Saturday November 26. These will be the Garbage’s first Australian shows since 2013 and celebrate their acclaimed sixth studio album Strange Little Birds (out now via Liberator Music). To create Strange Little Birds, their first album in four years, Garbage (Shirley Manson, Steve Marker, Duke Erikson and Butch Vig) drew on a variety of influences including the albums they loved growing up. Upon its June release, the album debuted at #9 on the ARIA Album Chart and picked up widespread acclaim: ‘20-plus years after forming, each band member is still fired up to mine new sounds and approaches for inspiration. That willingness to be uncomfortable and look beneath the surface makes Strange Little Birds a rousing success.’ – The A.V. Club ‘The electronic rockers return with a sixth studio album as cool and caustic as their 1995 debut’ – NME ‘Garbage haven’t released an album this immediate, melodically strong and thematically interesting since their self-titled 1995 debut.’ – Mojo In support of the album’s release, Garbage performed a powerful two-song performance on Jimmy Kimmel Live! – watch ‘Empty’ here and ‘Push It’ here. -
Country Star Brantley Gilbert Brings “Let It Ride Tour” to KFC Yum! Center on April 18
Country Star Brantley Gilbert Brings “Let it Ride Tour” to KFC Yum! Center on April 18 Tickets On Sale Friday, February 21 at 10AM Contact: Sandra Kendall Deanna Southerling Marketing Director Marketing /Social Media Specialist (502) 991-1546 (502) 690-9014 Louisville, KY (February 17, 2014) – Brantley Gilbert is kicking off 2014 in high gear with new music and a headline tour that will come to the KFC Yum! Center on Friday, April 18 with special guests Thomas Rhett and Eric Paslay. Tickets will go on sale Friday, February 21 at 10:00 a.m. at the KFC Yum! Center Box Office, all Ticketmaster locations, Ticketmaster.com and by phone at 1-800-745-3000. Brantley Gilbert’s new single "Bottoms Up" recently hit country radio and is the first new music the Georgia native has produced for his loyal BG Nation fans in over four years. The lead single from Brantley's forthcoming album on The Valory Music Co. was made available in late December and quickly shot up the iTunes charts peaking at #1 on the Country Singles Chart and #8 All Genres. Coinciding with the single release, fans were also able to purchase the accompanying video, which was shot in Nashville and flashes from 1930’s vintage to modern day party scenes. Directed by CMA Award-winning Shane Drake, the video has already garnered over 1.2 million views on VEVO. Watch here. The Country rocker will preview additional new material during his 22-city LET IT RIDE TOUR, beginning 3/27 with special guests Thomas Rhett and Eric Paslay. -
Amazon Looking to Sell Sports, Music Tickets and Encroach on Ticketmaster 11 August 2017, by Mike Snider, Usa Today
Report: Amazon looking to sell sports, music tickets and encroach on Ticketmaster 11 August 2017, by Mike Snider, Usa Today Live Nation earlier this week reported $2.8 billion in revenue for its second-quarter, which ended June 30. That up 27% over the $2.2 billion in the same period last year. Amazon has several jobs listed online for its Amazon Tickets, including a project manager for "Earth's most customer-centric ticketing company, a place where event-goers can come to find and discover any ticket they might want to buy online." Selling tickets could drive Amazon Prime memberships and bundled merchandise sales, according to the report. Amazon is reportedly in talks with sports and concert venues to sell tickets, a move that could Amazon and Live Nation declined to comment on challenge Ticketmaster's dominance in the the report. business. ©2017 USA Today Amazon, which two years ago began selling tickets Distributed by Tribune Content Agency, LLC. in the U.K., has approached U.S. venue owners about partnering to sell tickets here, too, Reuters reported Thursday, citing four sources knowledgeable about the development. The strategy amounts to a shot across the bow of event heavyweight Live Nation, which owns Ticketmaster and owns or is aligned with 196 U.S. venues, including The Fillmore in San Francisco, the Hollywood Palladium and House of Blues venues. Amazon hopes to take advantage of consumer displeasure in the current state of ticket fees and sports leagues and venue operators' desire for additional competition, Reuters reported. Ticket sales represent a prime business in the U.S. -
Do Ticketmaster's Exclusive Agreements with Concert Venues Violate Federal Antitrust Law?
Journal of Civil Rights and Economic Development Volume 10 Issue 2 Volume 10, Spring 1995, Issue 2 Article 7 "Not for You"; Only for Ticketmaster: Do Ticketmaster's Exclusive Agreements with Concert Venues Violate Federal Antitrust Law? Matthew K. Finkelstein Colleen Lagan Follow this and additional works at: https://scholarship.law.stjohns.edu/jcred This Note is brought to you for free and open access by the Journals at St. John's Law Scholarship Repository. It has been accepted for inclusion in Journal of Civil Rights and Economic Development by an authorized editor of St. John's Law Scholarship Repository. For more information, please contact [email protected]. "NOT FOR YOU";, ONLY FOR TICKETMASTER: DO TICKETMASTER'S EXCLUSIVE AGREEMENTS WITH CONCERT VENUES VIOLATE FEDERAL ANTITRUST LAW? America's antitrust laws are premised upon the belief that com- petition fosters the best allocation of resources within a given in- dustry.2 Lower prices, higher output, and better product quality that result from vigorous competition 3 are desirable from both so- cial and economic perspectives.4 The inherent conflict in applying antitrust law is that an effi- cient or innovative company may drive competitors out of busi- ness.5 A question then arises as to whether the dominant firm may have violated antitrust law simply because, through effi- 1 PEARL JAm, Not For You, on VrrALOGy (Sony Records 1994). 2 See National Soc'y of Professional Eng'rs v. United States, 435 U.S. 679, 695 (1978). In Professional Eng'rs, the Court stated that "[t]he Sherman Act reflects a legislative judg- ment that ultimately competition will produce lower prices, but better goods and services." Id.; see also Northern Pac. -
Trade Marks Inter Partes Decision O/267/17
O-267-17 TRADE MARKS ACT 1994 IN THE MATTER OF TRADE MARK APPLICATION NO. 3128564 BY KARMA COMMUNICATIONS GROUP LIMITED TO REGISTER THE FOLLOWING TRADE MARK IN CLASSES 9, 35, 38, 41 & 42: KREAM AND OPPOSITION THERETO (NO. 405844) BY CREAM HOLDINGS LIMITED Background and pleadings 1. Trade mark no. 3128564 consists of the word KREAM and was filed by Karma Communications Group Limited (“the applicant”) on 24 September 2015. It was published for opposition purposes on 16 October 2015. Registration is sought for the following goods and services: Class 9: Computer hardware; computer firmware; floppy discs; hard discs; CD ROMs, DVDs; teaching apparatus; computer games for use with televisions; electronic publications; computer software for use in production of digital advertising; interactive data media; broadcasting apparatus and equipment; apparatus for recording, transmission or reproduction of sound and/or images for use in advertising; electronic publications; communications and telecommunications apparatus; mobile applications; electronic scoring instruments for recording the score in games; multi-media recordings and publications; downloadable files including images; all of the aforesaid only for use in, or in relation to, advertising and the production of digital advertising. Class 35: Advertising agency services; advertising research services; the design of digital advertising and marketing materials; design of marketing and advertising materials; brand and name creation services; design of publicity and advertising materials; marketing agency services; business advice relating to strategic marketing and advertising; strategic business consultancy; strategic business planning; business strategic planning; brand consultancy and brand creation services; marketing and public relations services; production of advertisements; production for advertisements; advisory and information services relating to the aforesaid. -
Ticketmaster L.L.C
AL/DMP:CRH/ICR F. #2020R01158 UNITED STATES DISTRICT COURT EASTERN DISTRICT OF NEW YORK - - - - - - - - - - - - - - - - - - - - - - - - - - - - - X UNITED STATES OF AMERICA DEFERRED PROSECUTION AGREEMENT - against - Cr. No. 20-563 (MKB) TICKETMASTER L.L.C., Defendant. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - X DEFERRED PROSECUTION AGREEMENT Defendant Ticketmaster L.L.C. (the “Company”), pursuant to authority granted by the Company’s Board of Directors, reflected in Attachment B, and the United States Attorney’s Office for the Eastern District of New York (the “Office”), enter into this deferred prosecution agreement (the “Agreement”). Criminal Information and Acceptance of Responsibility 1. The Company acknowledges and agrees that the Office will file the attached criminal information (the “Information”) in the United States District Court for the Eastern District of New York charging the Company with: (i) one count of conspiracy to commit offenses against the United States, in violation of Title 18, United States Code, Section 371, that is, to violate provisions of the Computer Fraud and Abuse Act (“CFAA”) as amended, see Title 18, United States Code, Sections 1030(a)(2)(C) and 1030(a)(4); (ii) one substantive count of computer intrusion for commercial advantage or private financial gain, in violation of Title 18, United States Code, Section 1030(a)(2)(C); (iii) one substantive count of computer intrusion in furtherance of 1 fraud, in violation of Title 18, United States Code, Section 1030(a)(4); (iv) one count of conspiracy to commit wire fraud, in violation of Title 18, United States Code, Section 1349; and (v) one substantive count of wire fraud, in violation of Title 18, United States Code, Section 1343. -
Important Notice
IMPORTANT NOTICE NOT FOR DISTRIBUTION TO ANY U.S. PERSON OR TO ANY PERSON OR ADDRESS IN THE UNITED STATES OF AMERICA (“UNITED STATES”) IMPORTANT: You must read the following before continuing. The following applies to the Registration Document (the "Registration Document" or the “Document”) following this page, and you are therefore advised to read this carefully before reading, accessing or making any other use of the Registration Document. In accessing the Registration Document, you agree to be bound by the following terms and conditions, including any modifications to them any time you receive any information from us as a result of such access. NOTHING IN THIS REGISTRATION DOCUMENT CONSTITUTES AN OFFER TO SELL OR THE SOLICITATION OF AN OFFER TO BUY THE SECURITIES OF THE ISSUER IN THE UNITED STATES OR ANY OTHER JURISDICTION WHERE IT IS UNLAWFUL TO DO SO. THE BONDS HAVE NOT BEEN AND WILL NOT BE REGISTERED UNDER THE UNITED STATES SECURITIES ACT OF 1933, AS AMENDED (THE "SECURITIES ACT"), OR ANY SECURITIES LAWS OF ANY STATE OF THE UNITED STATES. THE BONDS MAY NOT BE OFFERED OR SOLD WITHIN THE UNITED STATES OR TO, OR FOR THE ACCOUNT OR BENEFIT OF, U.S. PERSONS ("U.S. PERSONS"), AS DEFINED IN REGULATION S UNDER THE SECURITIES ACT ("REGULATIONS"), NOR U.S. RESIDENTS (AS DETERMINED FOR THE PURPOSES OF THE U.S. INVESTMENT COMPANY ACT OF 1940) ("U.S. RESIDENTS") EXCEPT PURSUANT TO AN EXEMPTION FROM SUCH REGISTRATION REQUIREMENTS. WITHIN THE UNITED KINGDOM (“UK”), THIS REGISTRATION DOCUMENT IS DIRECTED ONLY AT PERSONS WHO HAVE PROFESSIONAL EXPERIENCE IN MATTERS RELATING TO INVESTMENTS AND WHO QUALIFY EITHER AS INVESTMENT PROFESSIONALS IN ACCORDANCE WITH ARTICLE 19(5) OR AS HIGH NET WORTH COMPANIES, UNINCORPORATED ASSOCIATIONS, PARTNERSHIPS OR TRUSTEES IN ACCORDANCE WITH ARTICLE 49(2) OF THE FINANCIAL SERVICES AND MARKETS ACT 2000 (FINANCIAL PROMOTION) ORDER 2005 (TOGETHER, "EXEMPT PERSONS"). -
Ticketmaster Sponsorship 2011
DIGITAL & P RINT SPONSORSHIP OPPORTUNITIES a passion for music • Music elicits a visceral response in all of us • Music reminds us of relationships, good times with friends, a particular point in our lives 73% of young adults would give up food for a day • Music inspires and ignites rather than Music imagination 85% of adults listen to Music for an average of • Music is an expression of identity 3 ½ hours everyday 74% of consumers believe Live Music is the best • Music is immediate gratification form of entertainment Live Music is a Social • Music is both a physical and Experience: 83% prefer to emotional connection go to concerts with friends • Music represents modern diversity – many genres are enjoyed by all, regardless of who or where they are Data Sources: Odyssey – July 2003, Simmons Teens/Adults Fall 2004 Study, RIAA 2003 Consumer Trends Study, MTV Research, Simmons Spring 2004 NCS Adult Full Year Study, Pew Internet & American Life Project 2004, Scarborough 2004, 12 Month Release 2011 sees the dawn of a new era in the live music and entertainment industry... Presenting an opportunity to... attract high spending consumers engage with consumers along their daily journey improve business differentiation and loyalty measure impact on revenue and brand 3 Our TICKETING NETWORK powered by the #3 E-COMMERCE PLATFORM ON THE WEB Top 10 Internet e-retailers rank company 2008 transaction revenue ( $ ) 1 Amazon.com 19,170,000,000 • Over 130M tickets sold in 2009 2 Staples, Inc. 7,700,000,000 • 77% of tickets sold online 3 Ticketmaster / LN 6,769,656,076 4 Dell, Inc. -
Songwriting Studies at the Ivors Academy Press Release
EMBARGOED UNTIL 12 NOON THURS 8th AUGUST 2019 Nile Rodgers delivers keynote speech as songwriters Get Lucky. Ivor Novello Award-winning musician and producer Nile Rodgers surprised a room full of songwriters, music industry workers, and academics on 8th August, emerging as the unannounced keynote speaker for the Songwriting Studies Research Network event held at The Ivors Academy in London, UK. Billed as a conference around the activities of an academic research network, delegates had expected a day full of panel discussions, debates, and papers, but alongside the advertised schedule they also witnessed an intimate, hour-long discussion between Rodgers and music manager Merck Mercuriadis. In a rapid-fire exchange the pair covered a variety of topics, including the future of music publishing and the secrets of songwriting success, before answering questions from the crowd. Research project leader, Dr Simon Barber from the Birmingham Centre for Media and Cultural Research at Birmingham City University, said: “Getting these kinds of rarefied insights from people who have ascended the upper echelons of the music industries is priceless. We can’t thank Nile and Merck enough for spending time answering our questions and sharing their expertise with the network.” The event – the second in a series of national forums organised by the network – also saw the launch of the Songwriting Studies Journal, a new publication edited by Barber that will develop and share work from researchers and practitioners related to the culture and practice of songwriting. Delegates went away with details of the first issue and an invitation to contribute. Following the event at The Ivors Academy, Rodgers and Mercuriadis then joined Dr Barber and his colleague Brian O’Connor for a live recording of their renowned podcast Sodajerker On Songwriting at the Queen Elizabeth Hall as part of the Meltdown Festival, capping off a day when the role of the songwriter was the focus for all. -