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Ecology, Harvest, and Use of Harbor Seals and Sea Lions: Interview Materials from Alaska Native Hunters
Ecology, Harvest, and Use of Harbor Seals and Sea Lions: Interview Materials from Alaska Native Hunters Technical Paper No. 249 Terry L. Haynes and Robert J. Wolfe, Editors Funded through the National Oceanic and Atmospheric Administration, National Marine Fisheries Service, Subsistence Harvest and Monitor System (No. 50ABNF700050) and Subsistence Seal and Sea Lion Research (NA66FX0476) Alaska Department of Fish and Game Division of Subsistence Juneau, Alaska August 1999 The Alaska Department of Fish and Game conducts all programs and activities free from discrimination on the basis of sex, color, race, religion, national origin, age, marital status, pregnancy, parenthood, or disability. For information on alternative formats available for this and other department publications, please contact the department ADA Coordinator at (voice) 907-465-4120, (TDD) 1-800-478-3648 or (FAX) 907-586-6595. Any person who believes s/he has been discriminated against should write to: ADF&G, P.O. Box 25526, Juneau, Alaska 99802-5526; or O.E.O., U.S. Department of the Interior, Washington, D.C. 20240. TABLE OF CONTENTS Page INTRODUCTION....................................................................................................... 1 ALEUTIAN ISLANDS ............................................................................................... 11 Akutan................................................................................................................. 11 Atka .................................................................................................................... -
The Pogues If I Should Fall from Grace with God Mp3, Flac, Wma
The Pogues If I Should Fall From Grace With God mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: If I Should Fall From Grace With God Country: Canada Released: 2004 Style: Alternative Rock, Folk Rock, Punk MP3 version RAR size: 1240 mb FLAC version RAR size: 1832 mb WMA version RAR size: 1740 mb Rating: 4.1 Votes: 303 Other Formats: VOC AC3 ASF AU TTA DXD DMF Tracklist Hide Credits 1 If I Should Fall From Grace With God 2:21 2 Turkish Song Of The Damned 3:27 3 Bottle Of Smoke 2:47 Fairytale Of New York 4 4:36 Vocals – Kirsty MacColl Metropolis 5 2:50 Written-By – The Pogues 6 Thousands Are Sailing 5:28 7 Fiesta 4:13 Medley: The Recruiting Sergeant / The Rocky Road To Dublin / The Galway Races 8 4:01 Arranged By – The PoguesWritten By – Traditional 9 Streets Of Sorrow / Birmingham Six 4:39 10 Lullaby Of London 3:31 11 Sit Down By The Fire 2:18 12 The Broad Majestic Shannon 2:52 Worms 13 1:05 Arranged By – Andrew Ranken, James FearnleyWritten By – Traditional 14 The Battle March (Medley) 4:10 The Irish Rover 15 4:07 Written-By – Joseph Crofts Mountain Dew 16 2:19 Arranged By – The Dubliners, The PoguesWritten By – Traditional 17 Shanne Bradley 3:41 18 Sketches Of Spain 2:14 South Australia 19 3:27 Arranged By – The PoguesWritten By – Traditional Credits Accordion, Piano, Mandolin, Dulcimer, Guitar, Cello, Percussion – James Fearnley Arranged By – Fiachra Trench, James Fearnley Artwork By [Cd Package Design] – Phil Smee Banjo [Tenor], Spoons, Mandolin – Ron Kavana Banjo, Performer [Mandola], Saxophone – Jem Finer Bass, Percussion, -
The Foreign Service Journal, October 2012
PUBLISHED BY THE AMERICAN FOREIGN SERVICE ASSOCIATION OCTOBER 2012 THE NEW FOREIGN SERVICE GENERATION TEHRAN, 1979: THE UNTOLD STORY LOCAL LENS DEBUTS FOREIGN October 2012 SERVICE Volume 89, No. 10 FOCUS THE NEW FOREIGN SERVICE GENERATION AFSA NEWS Today’s New Hires: What They See, What They Say / 22 AFSA Celebrates High School Essay Contest Winner / 57 The hiring wave that began in 2008 with State’s Diplomacy 3.0 program and USAID’s Development Leadership Initiative increased these agencies’ State VP: Staying in Place Foreign Service ranks by 17 and 54 percent, respectively. Here’s a look in an Up-or-Out System / 58 at the new hires’ thoughts and expectations about their work. FCS VP: Water Under BY SHAWN DORMAN the Bridge / 59 FAS VP: The Mid-Level The Hiring Pendulum / 25 Staffing Gap / 60 The boom and bust hiring cycles at State and USAID have created serious staffing problems. FSOs Help Bosnian Street Dogs Survive / 60 BY SHAWN DORMAN Ambassador Chas Freeman Gen Y, and On to Z / 28 Gives Adair Lecture / 61 A retired ambassador shares her impressions of the new generations. AFSA Bylaw Amendments Pass / 63 BY EILEEN MALLOY TLG Intern Has “Fantastic” What I Wish I Had Known … / 38 Summer at State / 63 New hires talk about what they wish they had known before joining COLUMNS the Foreign Service. EDITED BY SHAWN DORMAN President’s Views / 7 Diplomatic Capacity Needs Professional Institutional Bridging the Foreign Service Generational Gulf / 42 Leadership More than half of the current Foreign Service has joined since 9/11. BY SUSAN R. -
Hothouse Flowers
MTM Checks Out Europe's Own MTV Unplugged. Also, GrooveMix Looks At French Club Charts. See page 10 & 12. Europe's Music Radio Newsweekly Volume 10 . Issue 11 . March 13, 1993 . £ 3, US$ 5, ECU 4 Radio Wins UK PolyGram Operating Copyright Battle Income Up 7% broadcasting revenue, including by Thom Duffy & income from sponsorship, barter Mike McGeever and contra deals for the first time, by Steve Wonsiewicz Record companies inthe UK as well as advertising revenue. Worldwide music and entertain- have been dealt a major setback The ratefor stations with net ment group PolyGram reported in their bid to boost the royalty broadcastingrevenuebetween a 7.3% increaseinoperating payments they receive from com- US$1.02 million and US$525.000 income to Dfl 789 million (app. mercial radio stations, under a will drop to 3% and 2% for those US$448 million) on a 4.6% rise ruling handed down March 2 by with net income below in sales to Dfl 6.62 billion last the Copyright Tribunal. US$525.000. The royaltiesare year, despite a severe recession DANISH GRAMMIES - Danish band Gangway (BMG/Genlyd Den- In an action brought by the retroactive to April 1, 1991. in several of its key European mark) received four prizes in this year's Danish Grammy Show while Association ofIndependent The total operating profit of markets. Lisa Nilsson (Diesel Music, Sweden) took two awards. Pictured (4) are: Radio Contractors (AIRC) to set the commercial UK radio indus- Net income for thefiscal Tonja Pedersen (musician, Lisa Nilsson), Lasse Illinton (Gangway), BMG new broadcast royalty rates for 79 try in 1990-91 was approximately year ended December 31 was up label manager Susanne Kier, Diesel Music MD Torbjorn Sten, Lisa Nils- commercialradiocompanies, US$11 millionwithCapital 13.5% to Dfl 506 million. -
Remembering Larry Reynolds, Fiddler: US Rep
November 2012 Boston’s hometown VOL. 23 #11 journal of Irish culture. $1.50 Worldwide at All contents copyright © 2012 Boston Neighborhood News, Inc. bostonirish.com BIR cites Rep. Neal, Muses, and Feeneys The Boston Irish Reporter hosted its third annual Boston Irish Honors on Fri., Oct. 19, at the Seaport Hotel on the South Boston waterfront. The event, which marked the 22nd anni- versary of the BIR, drew more than 350 persons to the mid-day luncheon. In his prepared remarks, publisher Ed Forry said, “In hon- oring these exemplary families and individu- als who em- body the fin- est qualities of our people, we seek to h o n o r t h e memories of our ancestors who came here in bygone days when it was far from clear that we could make this place our home. How proud those early immigrants would be of their descendants, who have made Boston a welcoming place— Larry Reynolds leading a session at the Green Briar Irish Pub in Brighton. not only for new waves of Irish Photo courtesy of Bill Brett, from “Boston: An Extended Family” © 2007 entrepreneurs and workers, but for people from around the globe. “Today’s honorees — the Muse family, the Feeney brothers and Remembering Larry Reynolds, fiddler: US Rep. Richard Neal—are agents of idealism and ingenu- ity who represent the best of the ‘He never, ever got tired of the music’ Boston Irish experience. They no room for all of them to come simply passed along by word of are devoted to a level of profes- By Sean Smith Ui Cheide, a sean-nos singer sionalism in their chosen fields and say goodbye to him. -
Islander. VOL
The Islander. VOL. 1. HONOLULU, FRIDAY, OCTOBER 15, 1875. NO. 33 :rilE 1:'1.ANDER. acconnts tOl' the gl'eat number of nominal Chl'istians A 'Veekly Journal" devoted. .to Hllwaiian ioterests. Particular attention is whose Christianity cannot be discovered by any fmits, glVCQ 10 Scientific Researches; especiall}' among the Pacitl..: lalalU.ls. Home and to be more than nominal. "vVe agree most strongly Foreign Newli form a prominent feature of the paper.. It aima at lIiscu!!Isiug everything of ioterellt and imporlllUce a.nd ma.king itself us nec~8sary to tlie ,vith Arnold, that the prevailing theology needs im nome ali to the lIIan of lHl:!llne~s or the g~lIera.l student.. The list of contributors prr'vement j 'call the bet.ter something, new or old, we cmlJraces the belit literary talent of the islands. cal'e not, it is the lesson of Christ's words and life and o:::r CommUDlCalions to be addreAsed to THOS •. G. TnRUM, Busioess Agent, Honolulu, death, and it is best exemplified at the present day not Price Two Dollnr. and Fifty Cent. a year, or Twenly-nve Cenl. per Month. by creeds and dogmas, but, by the lives of those who Cash ahvaYlJ in advance. Single Copie~ TenCent:J. "visit the fatlierless and widows in their aflliction and who keep themselves unspotted from the world." THE ISLANDER. Sometimes the clergymen of the day preach this 'fUE Gazette of this week criticises at some length, gospel and sometimes they do not" 'Ve have heard and unfavorably, AI;nold's papero'ntbe " New Theol from church pulpits, purely selfish moti~es'appealed ogy" published in our last numbel". -
The Crusader Monthll,J Nelijsletter
THE CRUSADER MONTHLL,J NELIJSLETTER ROBERT F. WILLIAMS, EDITOR -IN EXILE- VoL . ~ - No. 9 MAY 1968 Afro-Americans & Slick John Kennedy Government of the United States is no government T~E of the Afro-Americans at all. The slick John Ken- nedy gang is operating one of the greatest sham govern- ment in the entire world. Afro-Americans and fair minded Od > ~- O THE wN«< /l~USL . lF Yov~Re EyER IN NE60, CALL ME AT whites must be gullible indeed to believe that the racist, KKK dominated so-called U.S. Government is concerned with the welfare and human rights of colored people. The colored people of the USA must bring themselves to realize that taken integration is a slick manuever to check the restlessness of an oppressed people fast becoming infect ed with the germ of total resistance policy developing among all of the oppressed peoples of the world. Token integration means nothing to the masses. Even an idiot should be able to see that so-called Token integration is no more than window dressing designed to lull the poor downtrodden Afro-American to sleep and to make the out side world think that the racist, savage USA is a fountainhead of social justice and democracy. The Afro-American in the USA is facing his greatest crisis since chattel slavery. All forms of violence and underhanded methods o.f extermination are being stepped up against our people. Contrary to what the "big daddies" and their "good nigras" would have us believe about all of the phoney progress they claim the race is making, the True status of the Afro-Ameri- can is s#eadily on the down turn. -
Arguelles Climbs to Victory In2.70 'Mech Everest'
MIT's The Weather Oldest and Largest Today: Cloudy, 62°F (17°C) Tonight: Cloudy, misty, 52°F (11°C) Newspaper Tomorrow: Scattered rain, 63°F (17°C) Details, Page 2 Volume 119, Number 25 Cambridge, Massachusetts 02139 Friday, May 7, 1999 Arguelles Climbs to Victory In 2.70 'Mech Everest' Contest By Karen E. Robinson and lubricant. will travel to Japan next year to ,SS!)( '1.1fr: .vOl'S UHI! JR The ramps were divided into compete in an international design After six rounds of competition, three segments at IS, 30, and 4S competition. Two additional stu- D~vid Arguelles '01 beat out over degree inclines with a hole at the dents who will later be selected will 130 students to become the champi- end of each incline. Robots scored compete as well. on of "Mech Everest," this year's points by dropping the pucks into 2.;0 Design Competition. these holes and scored more points Last-minute addition brings victory The contest is the culmination of for pucks dropped into higher holes. Each robot could carry up to ten the Des ign and Engineering 1 The course was designed by Roger pucks to drop in the holes. Students (2,.007) taught by Professor S. Cortesi '99, a student of Slocum. could request an additional ten Alexander H. Slocum '82. Some robots used suction to pucks which could not be carried in Kurtis G. McKenney '01, who keep their treads from slipping the robot body. Arguelles put these finished in second place, and third down the table, some clung to the in a light wire contraption pulled by p\~ce finisher Christopher K. -
The Pogues Hell's Ditch Mp3, Flac, Wma
The Pogues Hell's Ditch mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Hell's Ditch Country: US Released: 1990 Style: Folk Rock MP3 version RAR size: 1139 mb FLAC version RAR size: 1906 mb WMA version RAR size: 1681 mb Rating: 4.7 Votes: 791 Other Formats: VOC MOD ADX VQF AHX AUD MPC Tracklist Hide Credits The Sunnyside Of The Street Accordion – J. Fearnley*Acoustic Guitar – P. Chevron*Banjo, Steel Guitar [Lap Steel] – J. 1 2:44 Finer*Bass, Backing Vocals – D. Hunt*Drums – A. Ranken*Mandolin – T. Woods*Vocals – S. MacGowan*Whistle – S. Stacy*Written-By – Finer*, MacGowan* Sayonara Acoustic Guitar – P. Chevron*Backing Vocals – D. Hunt*, P. Chevron*Banjo – J. 2 3:07 Fearnley*Bass – D. Hunt*Drums – A. Ranken*Vocals – S. MacGowan*Whistle – S. Stacy*Written-By – MacGowan* The Ghost Of A Smile Accordion, Piano – J. Fearnley*Acoustic Guitar – P. Chevron*Bass – D. Hunt*Drums – A. 3 2:58 Ranken*Electric Guitar, Mandolin – T. Woods*Vocals – S. MacGowan*Whistle – S. Stacy*Written-By – MacGowan* Hell's Ditch Accordion, Acoustic Guitar – J. Fearnley*Bass – D. Hunt*Cittern – T. Woods*Drums – A. 4 3:03 Ranken*Mandolin, Hurdy Gurdy – J. Finer*Percussion – Pogues*Vocals – S. MacGowan*Whistle – S. Stacy*Written-By – Finer*, MacGowan* Lorca's Novena Accordion, Guitar [Spanish] – J. Fearnley*Backing Vocals – A. Ranken*, D. Hunt*Bass, Bells 5 – D. Hunt*Cittern – T. Woods*Drums, Drums [Bed Side Kit] – A. Ranken*Electric Guitar – P. 4:40 Chevron*Hurdy Gurdy – J. Finer*Vocals – S. MacGowan*Whistle, Harmonica – S. Stacy*Written-By – MacGowan* Summer In Siam Accordion, Acoustic Guitar – P. -
MUSIC of IRELAND Fact Sheet PRESS FINAL
Premiering nationwide March 2010 on public television (check local listings), Music of Ireland – DVD plus exclusive Welcome Home tells the definitive story of bonus CD available contemporary Irish music, starting in 1960 with the only through public Clancy Brothers. Grammy-winner Moya Brennan television stations! (Clannad) hosts this new documentary featuring exclusive interviews and performances from The Chieftains’ Paddy Moloney , Riverdance ’s Michael Flatley & Bill Whelan , U2’s Bono & Adam Clayton , Sinéad O’Connor , Bob Geldof , Pete Seeger , The Dubliners’ John Sheahan , the late Liam Clancy ’s last interview before his death (12/2009), and other great icons of Irish popular culture. See vintage clips of The Clancy Brothers & Tommy Makem on The Ed Sullivan Show, Judy Collins playing music from the ‘old Companion CD of new & original country,’ The Pogues and Van Morrison with The songs from artists Chieftains on RTE’s “Late, Late Show,” Riverdance ’s in the program and debut at Eurovision and more! A must-see for music other Irish music fans, Music of Ireland explores the impact of Irish stars! music in America and the world. Preview video and more at wliw.org/musicofireland . Media Kit : wliw.org/pressroom Media Contacts Natasha Padilla Patti Conte Melani Rogers WNET.ORG Plan A Media Plan A Media [email protected] [email protected] [email protected] Phone: 212.560.8824 Phone: 212.337.1406 ext 16 Phone: 212.337.1406 ext 18 The greatest Irish musical artists of our time in the definitive story of contemporary Irish music -
Christy Moore and the Irish Protest Ballad
“Ordinary Man”: Christy Moore and the Irish Protest Ballad MIKE INGHAM Introduction: Contextualizing the Modern Ballad In his critical study, The Long Revolution, Raymond Williams identified three definitions of culture, namely idealist, documentary, and social. He conceives of them as integrated strands of a holistic, organic cultural process pertaining to the “common associative life”1 of which creative artworks are an inalienable part. His renowned “structure of feeling” concept is closely related to this theoretical paradigm. The ballad tradition of popular and protest song in many ethnic cultural traditions exemplifies the core of Williams’s argument: it synthesizes the ideal aesthetic of the traditional folk song form as cultural production, the documentary element of the people, places, and events that the song records and the contextual resonances of the ballad’s source and target cultures. Likewise, the persistence and durability of the form over many centuries have ensured its survival as a rich source for ethnographic studies and an index of prevailing socio-political conditions and concerns. As twentieth-century commentators on the Anglophone ballad form, such as A. L. Lloyd, have observed, there is an evident distinction between the older ballad tradition, tending toward a more impersonal and distanced voice and perspective, and the more personal style of ballad composed after the anthropological research of ethnomusicologists such as Cecil Sharp, Alan Lomax, and others during the first half of the twentieth century. The former derives from a continuous lineage of predominantly anonymous or unattributed folk material that can be said to reside in the public domain, and largely resists recuperation or commodification by the music industry. -
“Whiskey in the Jar”: History and Transformation of a Classic Irish Song Masters Thesis Presented in Partial Fulfillment Of
“Whiskey in the Jar”: History and Transformation of a Classic Irish Song Masters Thesis Presented in partial fulfillment of the requirements for the degree of Master of Arts in the Graduate School of The Ohio State University By Dana DeVlieger, B.A., M.A. Graduate Program in Music The Ohio State University 2016 Thesis Committee: Graeme M. Boone, Advisor Johanna Devaney Anna Gawboy Copyright by Dana Lauren DeVlieger 2016 Abstract “Whiskey in the Jar” is a traditional Irish song that is performed by musicians from many different musical genres. However, because there are influential recordings of the song performed in different styles, from folk to punk to metal, one begins to wonder what the role of the song’s Irish heritage is and whether or not it retains a sense of Irish identity in different iterations. The current project examines a corpus of 398 recordings of “Whiskey in the Jar” by artists from all over the world. By analyzing acoustic markers of Irishness, for example an Irish accent, as well as markers of other musical traditions, this study aims explores the different ways that the song has been performed and discusses the possible presence of an “Irish feel” on recordings that do not sound overtly Irish. ii Dedication Dedicated to my grandfather, Edward Blake, for instilling in our family a love of Irish music and a pride in our heritage iii Acknowledgments I would like to thank my advisor, Graeme Boone, for showing great and enthusiasm for this project and for offering advice and support throughout the process. I would also like to thank Johanna Devaney and Anna Gawboy for their valuable insight and ideas for future directions and ways to improve.