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Models of Time Travel
MODELS OF TIME TRAVEL A COMPARATIVE STUDY USING FILMS Guy Roland Micklethwait A thesis submitted for the degree of Doctor of Philosophy of The Australian National University July 2012 National Centre for the Public Awareness of Science ANU College of Physical and Mathematical Sciences APPENDIX I: FILMS REVIEWED Each of the following film reviews has been reduced to two pages. The first page of each of each review is objective; it includes factual information about the film and a synopsis not of the plot, but of how temporal phenomena were treated in the plot. The second page of the review is subjective; it includes the genre where I placed the film, my general comments and then a brief discussion about which model of time I felt was being used and why. It finishes with a diagrammatic representation of the timeline used in the film. Note that if a film has only one diagram, it is because the different journeys are using the same model of time in the same way. Sometimes several journeys are made. The present moment on any timeline is always taken at the start point of the first time travel journey, which is placed at the origin of the graph. The blue lines with arrows show where the time traveller’s trip began and ended. They can also be used to show how information is transmitted from one point on the timeline to another. When choosing a model of time for a particular film, I am not looking at what happened in the plot, but rather the type of timeline used in the film to describe the possible outcomes, as opposed to what happened. -
In Re Gemstar-TV Guide International, Inc. Securities Litigation 02-CV
1 BERNSTEIN LITOWITZ BERGER ti & GROSSMANN LLP 2 ALAN SCHULMAN (Bar No . 128661 ) ROBERT S . GANS (Bar No. 214420) 3 BLAIR A. NICHOLAS (Bar No . 178428 ) 12544 High Bluff Drive, Suite 15 0 4 San Diego, CA 92130 = 0 Tel: (858) 793-0070 5 Fax: (858) 793-0323 6 Attorneys for Plaintiffs and Lead Counsel for the Clas s 7 8 UNITED STATES DISTRICT COURT 9 CENTRAL DISTRICT OF CALIFORNIA 10 WESTERN DIVISION 1 1 In re GEMSTAR-TV GUIDE Master File No . 02-2775-MRP (PLAx) INTERNATIONAL INC . 12 SECURITIES LITIGATION CLASS ACTION 13 SECOND AMENDED CLASS 14 ACTION COMPLAINT FOR VIOLATIONS OF THE FEDERAL 15 SECURITIES LAWS 16 17 This Document Relates To : 18 All Actions. 19 20 21 22 23 24 25 26 27 28 SECOND AMENDED CLASS ACTION COMPLAINT Master File No. 02-2775-MRP (PLAx) I 1. INTRODUCTION 2 1 . This securities class action is brought on behalf of plaintiffs and other 3 persons and entities who purchased or otherwise acquired Gemstar-TV Guide 4 International Inc.'s ("Gemstar" or the "Company") common stock between June 1, 5 2000 and April 1, 2002 (the "Class Period"), to recover damages caused by 6 defendants' violations of §§ 10(b) and 20(a) of the Securities Exchange Act of 7 1934 ("Exchange Act"), §§ 11 and 15 of the Securities Act of 1933 (the "Securities 8 Act"), and Securities and Exchange Commission ("SEC") Rule 1Ob-5 . 9 II. SOURCES OF ALLEGATIONS 10 2. The allegations below are pled based on one or more of the following 1 1 sources of information: 12 (a) Source 1 : Director of Finance ("Director of Finance" or 1 3 "DF") . -
Oltre L'ultima Frontiera
OLTRE L’ULTIMA FRONTIERA Guida non ufficiale a Star Trek Serie Classica Con Sezioni Extra sulla Serie Animata e la Phase II Giuseppe Turdo Renata Bertola in collaborazione con www.serietv.net TOPES EDIZIONI Anno di pubblicazione: 2018 Copyright © 2018 by Giuseppe Turdo e Renata Bertola I CONTENUTI DEL LIBRO POSSONO ESSERE LIBERAMENTE COPIATI DA CHIUNQUE A SCOPO DI CRITICA, CONFRONTO E RICERCA, CITANDO L’AUTORE E LA FONTE Tutti i diritti sono riservati. È vietata qualsiasi utilizzazione, totale o parziale, dei contenuti inseriti nel libro, ivi inclusa la memorizzazione, riproduzione, rielaborazione, diffusione o distribuzione dei contenuti stessi mediante qualunque piattaforma tecnologica, supporto o rete telematica, senza previa autorizzazione scritta di Giuseppe Turdo o Renata Bertola. Per eventuali rettifiche e per segnalazioni si prega di inviare una e-mail a: [email protected] Tutti i diritti riservati Prima edizione: Gennaio 2018 ISBN: 978-0-244-37374-0 Copertina: Claudio Secco. CONTENUTI RINGRAZIAMENTI ..................................................................... ix INTRODUZIONE .......................................................................... 1 INIZI DI UN MITO TELEVISIVO ............................................... 3 EPISODIO PILOTA FUORI SERIE – LO ZOO DI TALOS ..... 7 PRIMA STAGIONE - IL CAST COMPLETO........................... 17 EPISODIO 1 – OLTRE LA GALASSIA .................................... 20 EPISODIO 2 – L’ESPEDIENTE DELLA CARBONITE ......... 23 EPISODIO 3 – IL FILTRO DI VENERE ................................. -
Stars in My Crown Torrent Download
stars in my crown torrent download [PDF] Crown of Stars Book (Crown of Stars) Free Download (672 pages) Free download or read online Crown of Stars pdf (ePUB) (Crown of Stars Series) book. The first edition of the novel was published in 2nd 2006, and was written by Kate Elliott. The book was published in multiple languages including English, consists of 672 pages and is available in Paperback format. The main characters of this fantasy, fiction story are , . The book has been awarded with , and many others. Crown of Stars PDF Details. Author: Kate Elliott Original Title: Crown of Stars Book Format: Paperback Number Of Pages: 672 pages First Published in: 2nd 2006 Latest Edition: January 2nd 2007 Series: Crown of Stars #7 Language: English category: fantasy, fiction Formats: ePUB(Android), audible mp3, audiobook and kindle. The translated version of this book is available in Spanish, English, Chinese, Russian, Hindi, Bengali, Arabic, Portuguese, Indonesian / Malaysian, French, Japanese, German and many others for free download. Please note that the tricks or techniques listed in this pdf are either fictional or claimed to work by its creator. We do not guarantee that these techniques will work for you. Some of the techniques listed in Crown of Stars may require a sound knowledge of Hypnosis, users are advised to either leave those sections or must have a basic understanding of the subject before practicing them. DMCA and Copyright : The book is not hosted on our servers, to remove the file please contact the source url. If you see a Google Drive link instead of source url, means that the file witch you will get after approval is just a summary of original book or the file has been already removed. -
Have Gun, Will Travel: the Myth of the Frontier in the Hollywood Western John Springhall
Feature Have gun, will travel: The myth of the frontier in the Hollywood Western John Springhall Newspaper editor (bit player): ‘This is the West, sir. When the legend becomes fact, we print the legend’. The Man Who Shot Liberty Valance (dir. John Ford, 1962). Gil Westrum (Randolph Scott): ‘You know what’s on the back of a poor man when he dies? The clothes of pride. And they are not a bit warmer to him dead than they were when he was alive. Is that all you want, Steve?’ Steve Judd (Joel McCrea): ‘All I want is to enter my house justified’. Ride the High Country [a.k.a. Guns in the Afternoon] (dir. Sam Peckinpah, 1962)> J. W. Grant (Ralph Bellamy): ‘You bastard!’ Henry ‘Rico’ Fardan (Lee Marvin): ‘Yes, sir. In my case an accident of birth. But you, you’re a self-made man.’ The Professionals (dir. Richard Brooks, 1966).1 he Western movies that from Taround 1910 until the 1960s made up at least a fifth of all the American film titles on general release signified Lee Marvin, Lee Van Cleef, John Wayne and Strother Martin on the set of The Man Who Shot Liberty Valance escapist entertainment for British directed and produced by John Ford. audiences: an alluring vision of vast © Sunset Boulevard/Corbis open spaces, of cowboys on horseback outlined against an imposing landscape. For Americans themselves, the Western a schoolboy in the 1950s, the Western believed that the western frontier was signified their own turbulent frontier has an undeniable appeal, allowing the closing or had already closed – as the history west of the Mississippi in the cinemagoer to interrogate, from youth U. -
It Just Means More
IT JUST MEANS MORE. Scholars. Champions. Leaders. These are the pillars of the Southeastern Conference, and together they represent the The SEC is a place where Innovation and Leadership are vision for an 86-year-old intercollegiate athletic conference expected and pursued. However, the pursuit extends beyond that continues to experience unparalleled success. Ranging championship rings and trophies to include officiating, ad- from record-breaking accomplishments by student-athletes ministration, and other initiatives. For example, on the heels and administrators to significant growth in media, sponsor- of its football and men’s basketball collaborative replay suc- ship, and branding, the SEC continues to prove on every cess, this year the SEC became the first collegiate conference front why it is SECond to None. to introduce centralized video review in baseball. The Conference continues to deliver record financial distri- The SEC has also amplified its position relative to Branding butions to its member universities, which makes it possible and Celebration efforts. As SECU was renamed “SEC Aca- for the Conference to support scholars through and beyond demic Relations,” it heightened its focus on programs and graduation, win championships in every sponsored varsity activities designed to highlight the teaching, research and sport, and ultimately prepare young people to change the service accomplished on SEC campuses. The Conference world. also executed Year Four of the “It Just Means More” branding campaign, continuing its presence on radio, TV and online The SEC’s leadership believes strongly that intercollegiate while saturating national championship cities with digital athletic conferences have an obligation to aid in Student- outdoor exposure. -
Raoul Walsh to Attend Opening of Retrospective Tribute at Museum
The Museum of Modern Art jl west 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart NO. 34 FOR IMMEDIATE RELEASE RAOUL WALSH TO ATTEND OPENING OF RETROSPECTIVE TRIBUTE AT MUSEUM Raoul Walsh, 87-year-old film director whose career in motion pictures spanned more than five decades, will come to New York for the opening of a three-month retrospective of his films beginning Thursday, April 18, at The Museum of Modern Art. In a rare public appearance Mr. Walsh will attend the 8 pm screening of "Gentleman Jim," his 1942 film in which Errol Flynn portrays the boxing champion James J. Corbett. One of the giants of American filmdom, Walsh has worked in all genres — Westerns, gangster films, war pictures, adventure films, musicals — and with many of Hollywood's greatest stars — Victor McLaglen, Gloria Swanson, Douglas Fair banks, Mae West, James Cagney, Humphrey Bogart, Marlene Dietrich and Edward G. Robinson, to name just a few. It is ultimately as a director of action pictures that Walsh is best known and a growing body of critical opinion places him in the front rank with directors like Ford, Hawks, Curtiz and Wellman. Richard Schickel has called him "one of the best action directors...we've ever had" and British film critic Julian Fox has written: "Raoul Walsh, more than any other legendary figure from Hollywood's golden past, has truly lived up to the early cinema's reputation for 'action all the way'...." Walsh's penchant for action is not surprising considering he began his career more than 60 years ago as a stunt-rider in early "westerns" filmed in the New Jersey hills. -
Available Videos for TRADE (Nothing Is for Sale!!) 1
Available Videos For TRADE (nothing is for sale!!) 1/2022 MOSTLY GAME SHOWS AND SITCOMS - VHS or DVD - SEE MY “WANT LIST” AFTER MY “HAVE LIST.” W/ O/C means With Original Commercials NEW EMAIL ADDRESS – [email protected] For an autographed copy of my book above, order through me at [email protected]. 1966 CBS Fall Schedule Preview 1969 CBS and NBC Fall Schedule Preview 1997 CBS Fall Schedule Preview 1969 CBS Fall Schedule Preview (not for trade) Many 60's Show Promos, mostly ABC Also, lots of Rock n Roll movies-“ROCK ROCK ROCK,” “MR. ROCK AND ROLL,” “GO JOHNNY GO,” “LET’S ROCK,” “DON’T KNOCK THE TWIST,” and more. **I ALSO COLLECT OLD 45RPM RECORDS. GOT ANY FROM THE FIFTIES & SIXTIES?** TV GUIDES & TV SITCOM COMIC BOOKS. SEE LIST OF SITCOM/TV COMIC BOOKS AT END AFTER WANT LIST. Always seeking “Dick Van Dyke Show” comic books and 1950s TV Guides. Many more. “A” ABBOTT & COSTELLO SHOW (several) (Cartoons, too) ABOUT FACES (w/o/c, Tom Kennedy, no close - that’s the SHOW with no close - Tom Kennedy, thankfully has clothes. Also 1 w/ Ben Alexander w/o/c.) ACADEMY AWARDS 1974 (***not for trade***) ACCIDENTAL FAMILY (“Making of A Vegetarian” & “Halloween’s On Us”) ACE CRAWFORD PRIVATE EYE (2 eps) ACTION FAMILY (pilot) ADAM’S RIB (2 eps - short-lived Blythe Danner/Ken Howard sitcom pilot – “Illegal Aid” and rare 4th episode “Separate Vacations” – for want list items only***) ADAM-12 (Pilot) ADDAMS FAMILY (1ST Episode, others, 2 w/o/c, DVD box set) ADVENTURE ISLAND (Aussie kid’s show) ADVENTURER ADVENTURES IN PARADISE (“Castaways”) ADVENTURES OF DANNY DEE (Kid’s Show, 30 minutes) ADVENTURES OF HIRAM HOLLIDAY (8 Episodes, 4 w/o/c “Lapidary Wheel” “Gibraltar Toad,”“ Morocco,” “Homing Pigeon,” Others without commercials - “Sea Cucumber,” “Hawaiian Hamza,” “Dancing Mouse,” & “Wrong Rembrandt”) ADVENTURES OF LUCKY PUP 1950(rare kid’s show-puppets, 15 mins) ADVENTURES OF A MODEL (Joanne Dru 1956 Desilu pilot. -
1001 Classic Commercials 3 DVDS
1001 classic commercials 3 DVDS. 16 horas de publicidad americana de los años 50, 60 y 70, clasificada por sectores. En total, 1001 spots. A continuación, una relación de los spots que puedes disfrutar: FOOD (191) BEVERAGES (47) 1. Coca-Cola: Arnold Palmer, Willie Mays, etc. (1960s) 2. Coca-Cola: Mary Ann Lynch - Stewardess (1960s) 3. Coca-Cola: 7 cents off – Animated (1960s) 4. Coca-Cola: 7 cents off – Animated (1960s) 5. Coca-Cola: “Everybody Need a Little Sunshine” (1960s) 6. Coca-Cola: Fortunes Jingle (1960s) 7. Coca-Cola: Take 5 – Animated (1960s) 8. Pet Milk: Mother and Child (1960s) 9. 7UP: Wet and Wild (1960s) 10. 7UP: Fresh Up Freddie – Animated (1960s) 11. 7UP: Peter Max-ish (1960s) 12. 7UP: Roller Coaster (1960s) 13. Kool Aid: Bugs Bunny and the Monkees (1967) 14. Kool Aid: Bugs Bunny and Elmer Fudd Winter Sports (1965) 15. Kool Aid: Mom and kids in backyard singing (1950s) 16. Shasta Orange: Frankenstein parody Narrated by Tom Bosley and starring John Feidler (1960s) 17. Shasta Cola: R. Crumb-ish animation – Narrated by Tom Bosley (1960s) 18. Shasta Cherry Cola: Car Crash (1960s) 19. Nestle’s Quick: Jimmy Nelson, Farfel & Danny O’Day (1950s) 20. Tang: Bugs Bunny & Daffy Duck Shooting Gallery (1960s) 21. Gallo Wine: Grenache Rose (1960s) 22. Tea Council: Ed Roberts (1950s) 23. Evaporated Milk: Ed & Helen Prentiss (1950s) 24. Prune Juice: Olan Soule (1960s) 25. Carnation Instant Breakfast: Outer Space (1960s) 26. Carnation Instant Breakfast: “Really Good Days!” (1960s) 27. Carnation: “Annie Oakley” 28. Carnation: Animated on the Farm (1960s) 29. Carnation: Fresh From the Dairy (1960s) 30. -
Crime Link Charge Johnson Discussed Domestic and Internationaj Problems, the White House Laid, While Mrs
link Statement Angers Legislators SEE STOUT BELOW Rain Expected THEDMY HOME Cloudy and mild today. Windy, with rain expected to- Red Bank, Freehold night. Windy and colder to- T morrow. Long Bnmeh J FINAL (Bet Detail* P**i 2) Monmouth County's Home Newspaper for 90 Years VOL. 91, NO. 120 RED BANK, N. J., FRIDAY, DECEMBER 13,1968 26 PAGES TEN CENTS ummmmmmmm .Nixon Studies Urban Woes NEW YORK (AP) — Presl, former Gov. William W. Scranton, who visited Israel Johnson, during the meet- meeting with Soviet leaders dent-elect Nixon, back from .Scranton of Pensylvania, and five Arab neighbors at tag, informed Nixon he was was discussed. "It was not Washington after naming a who has returned from a Nixon's behest, was to give available to meet individual- listed in their summary," he Cabinet and meeting with sometimes-controversial tour a personal report in the pri- ly with members of the in- said. President Johnson, is turning of the Middle East. vacy of the president-elect's coming Cabinet and that he Christian said the two men now to more specific prob- Fifth Avenue apartment. Leading a delegation from would confer first with Wil- did discuss the state of the lems of government at home the Urban Coalition was the After spending more than union, budget and economic and abroad. liam P. Rogers, Nixon's group's chairman, John W. eight hours with his new Cabi- messages which Johnson will Gardner, former secretary of choice for secretary of state To emphasize, the shifting net, in a series of briefings, deliver to Congress next of gears within his still-build- health, education and wel- Nixon drove to the White and thus, by protocol, the ing administration, Nixon fare in the Johnson adminis- House for a 65 - minute pri- ranking member of the new month; various housekeeping confers today with represen- tration. -
Blurring Fiction with Reality: American Television and Consumerism in the 1950S
Blurring fiction with reality: American television and consumerism in the 1950s On the evening of 15 October 1958, veteran correspondent Edward R. Murrow stood at the podium and looked out over the attendees of the annual Radio Television Digital News Association gala. He waited until complete silence descended, and then launched into a speech that he had written and typed himself, to be sure that no one could possibly have had any forewarning about its contents. What followed was a scathing attack on the state of the radio and television industries, all the more meaningful coming from a man who was widely acknowledged as not only the architect of broadcast journalism but also a staunch champion of ethics and integrity in broadcasting.1 This was the correspondent who had stood on the rooftops of London with bombs exploding in the background to bring Americans news of the Blitz, whose voice was familiar to millions of Americans. This was the man who had publicly eviscerated the redbaiting Senator Joseph McCarthy, helping to put an end to a shameful period in America’s history (see e.g. Mirkinson, 2014, Sperber, 1986). And it became apparent that evening that this was also a man bitterly disappointed with the “incompatible combination of show business, advertising and news” that the broadcasting industry had become: Our history will be what we make it. And if there are any historians about fifty or a hundred years from now, and there should be preserved the kinescopes for one week of all three networks, they will there find recorded in black and white, or color, evidence of decadence, escapism and insulation from the realities of the world in which we live. -
Live on the Sunset Strip
robert landau Excerpt: Live on the Sunset Strip The street that made music history Robert Landau’s Rock ‘n’ Roll Billboards of the Sunset Strip was published in October 2012 by Angel City Press. Downloaded from http://online.ucpress.edu/boom/article-pdf/2/4/79/381413/boom_2012_2_4_79.pdf by guest on 28 September 2021 The Sunset Strip is that 1.7-mile stretch of Sunset Boulevard that is now part of the city of West Hollywood, connecting Hollywood on the east (where funky Laurel Canyon descends to Sunset and meets Crescent Heights) with Beverly Hills to the west (where Doheny Road climbs to the posh mansions of 90210-land). There are actually many Sunset Strips—versions that live in real time and space, and versions that live in our collective fantasy. The actual landscape of the Strip is typical of Los Angeles, featuring buildings of every imaginable architectural style, a look captured perfectly by artist Ed Ruscha in his 1966 book Every Building on the Sunset Strip. Outdoor advertising permeates the vista, ready to capture the attention of the steady stream of eyeballs that comes with continuously heavy traffic. Billboards of varying sizes are sandwiched between and above colorful hotels, restaurants, offices, gas stations, sleazy strip malls, and trendy retail shops. Now, thanks to digital technology, billboards engulf entire buildings and cover whole city buses, adding even more visual congestion to an already over- saturated urban scene. By day, the Sunset Strip was where the business of the music industry was conducted in the Sixties and Seventies. Both high-rise luxury offices and older, cottage-style buildings have long housed record companies, producers, talent scouts, business managers, personal managers, public relations executives, advertising agencies, design firms, and even a few film, photo, and recording studios.