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Neglected Jazz Figures of the 1950S and Early 1960S New World NW 275
Introspection: Neglected Jazz Figures of the 1950s and early 1960s New World NW 275 In the contemporary world of platinum albums and music stations that have adopted limited programming (such as choosing from the Top Forty), even the most acclaimed jazz geniuses—the Armstrongs, Ellingtons, and Parkers—are neglected in terms of the amount of their music that gets heard. Acknowledgment by critics and historians works against neglect, of course, but is no guarantee that a musician will be heard either, just as a few records issued under someone’s name are not truly synonymous with attention. In this album we are concerned with musicians who have found it difficult—occasionally impossible—to record and publicly perform their own music. These six men, who by no means exhaust the legion of the neglected, are linked by the individuality and high quality of their conceptions, as well as by the tenaciousness of their struggle to maintain those conceptions in a world that at best has remained indifferent. Such perseverance in a hostile environment suggests the familiar melodramatic narrative of the suffering artist, and indeed these men have endured a disproportionate share of misfortunes and horrors. That four of the six are now dead indicates the severity of the struggle; the enduring strength of their music, however, is proof that none of these artists was ultimately defeated. Selecting the fifties and sixties as the focus for our investigation is hardly mandatory, for we might look back to earlier years and consider such players as Joe Smith (1902-1937), the supremely lyrical trumpeter who contributed so much to the music of Bessie Smith and Fletcher Henderson; or Dick Wilson (1911-1941), the promising tenor saxophonist featured with Andy Kirk’s Clouds of Joy; or Frankie Newton (1906-1954), whose unique muted-trumpet sound was overlooked during the swing era and whose leftist politics contributed to further neglect. -
Seconded By~+--~· \ Gq '
PUBUC WORKS &GANG REDUCTiO. -. MOTION Gerald Wilson played for more than 75 years, a musician who delighted millions, all over the world, with his music. Wilson later served in the US Navy and while there he played with musicians like Clark Terry, Willie Smith and Jimmy Nottingham which would later be reunited as "The Great Lakes Experience Big Band." In the 1940s, Gerald made his way out to Los Angeles and began working the club circuit along the famous South Central Avenue corridor, including famous musical venues like and the Dunbar Hotel. It was along Central that Gerald solidified his musical career, providing guidance and assistance to a number of up and coming jazz musicians like Bobby Bryant, Harold Land Jr., Jack Wilkins and many others and helping to make Los Angeles the epicenter of Jazz on the west coast. Over more than seven decades, Gerald played and arranged for a tremendous number of jazz legends including Duke Ellington, Dizzy Gillespie, Nancy Wilson, Sarah Vaughan, Ray Charles, Julie London, Ella Fitzgerald and Dinah Washington, among many others. But Gerald was driven to do more for his community. So he spent several years as a professor at California State University Los Angeles, California State University Northridge, Cal Arts and the University of California at Los Angeles, helping to train a new generation of jazz aficionados and musicians and where he was recognized several times by students and faculty as "teacher ofthe year." I THEREFORE MOVE that the intersection of 42nd Place and S. Central Avenue be named as "Gerald Wilson Square" and that the Department of Transportation be directed to fabricate and install permanent ceremonial signs to this effect at this location, in consultation with Council District 9, in recognition of Gerald Wilson dedication to bringing music education to the Greater Los Angeles Community. -
Discography of the Mainstream Label
Discography of the Mainstream Label Mainstream was founded in 1964 by Bob Shad, and in its early history reissued material from Commodore Records and Time Records in addition to some new jazz material. The label released Big Brother & the Holding Company's first material in 1967, as well as The Amboy Dukes' first albums, whose guitarist, Ted Nugent, would become a successful solo artist in the 1970s. Shad died in 1985, and his daughter, Tamara Shad, licensed its back catalogue for reissues. In 1991 it was resurrected in order to reissue much of its holdings on compact disc, and in 1993, it was purchased by Sony subsidiary Legacy Records. 56000/6000 Series 56000 mono, S 6000 stereo - The Commodore Recordings 1939, 1944 - Billy Holiday [1964] Strange Fruit/She’s Funny That Way/Fine and Mellow/Embraceable You/I’ll Get By//Lover Come Back to Me/I Cover the Waterfront/Yesterdays/I Gotta Right to Sing the Blues/I’ll Be Seeing You 56001 mono, S 6001 stereo - Begin the Beguine - Eddie Heywood [1964] Begin the Beguine/Downtown Cafe Boogie/I Can't Believe That You're in Love with Me/Carry Me Back to Old Virginny/Uptown Cafe Boogie/Love Me Or Leave Me/Lover Man/Save Your Sorrow 56002 mono, S 6002 stereo - Influence of Five - Hawkins, Young & Others [1964] Smack/My Ideal/Indiana/These Foolish Things/Memories Of You/I Got Rhythm/Way Down Yonder In New Orleans/Stardust/Sittin' In/Just A Riff 56003 mono, S 6003 stereo - Dixieland-New Orleans - Teagarden, Davison & Others [1964] That’s A- Plenty/Panama/Ugly Chile/Riverboat Shuffle/Royal Garden Blues/Clarinet -
03 (15. Februar 2017)
2017/03 ISSN 1661-8211 | 117. Jahrgang | 15. Februar 2017 Redaktion und Herausgeberin: Schweizerische Nationalbibliothek NB, Hallwylstrasse 15, CH-3003 Bern Erscheinungsweise: halbmonatlich, am 15. und 30. jeden Monats Hinweise unter: http://ead.nb.admin.ch/web/sb-pdf/ ISSN 1661-8211 © Schweizerische Nationalbibliothek NB, CH-3003 Bern. Alle Rechte vorbehalten Inhaltsverzeichnis - Table des matières - Sommario - Cuntegn - Table of contents Inhaltsverzeichnis - Table des matières - 220 Bibel / Bible / Bibbia / Bibla / Bible....................................... 6 Sommario - Cuntegn - Table of contents 230 Christentum, christliche Theologie / Christianisme, théologie chrétienne / Cristianesimo, teologia cristiana / Cristianissem, teologia cristiana / Christianity and Christian theology..................6 000 Allgemeine Werke, Informatik, Informationswissenschaft / Informatique, information, 290 Andere Religionen / Autres religions / Altre religioni / Autras ouvrages de référence / Informatica, scienza religiuns / Other religions............................................................... 9 dell'informazione, generalità / Informatica, infurmaziun e referenzas generalas / Computers, information and general reference........................................................................................ 1 300 Sozialwissenschaften / Sciences sociales / Scienze sociali / Scienzas socialas / Social sciences.......................... 10 000 Allgemeine Werke, Wissen, Systeme / Généralités, savoir, systèmes / Generalità, sapere, sistemi / Generalitads, -
Festival 30000 LP SERIES 1961-1989
AUSTRALIAN RECORD LABELS FESTIVAL 30,000 LP SERIES 1961-1989 COMPILED BY MICHAEL DE LOOPER AUGUST 2020 Festival 30,000 LP series FESTIVAL LP LABEL ABBREVIATIONS, 1961 TO 1973 AML, SAML, SML, SAM A&M SINL INFINITY SODL A&M - ODE SITFL INTERFUSION SASL A&M - SUSSEX SIVL INVICTUS SARL AMARET SIL ISLAND ML, SML AMPAR, ABC PARAMOUNT, KL KOMMOTION GRAND AWARD LL LEEDON SAT, SATAL ATA SLHL LEE HAZLEWOOD INTERNATIONAL AL, SAL ATLANTIC LYL, SLYL, SLY LIBERTY SAVL AVCO EMBASSY DL LINDA LEE SBNL BANNER SML, SMML METROMEDIA BCL, SBCL BARCLAY PL, SPL MONUMENT BBC BBC MRL MUSHROOM SBTL BLUE THUMB SPGL PAGE ONE BL BRUNSWICK PML, SPML PARAMOUNT CBYL, SCBYL CARNABY SPFL PENNY FARTHING SCHL CHART PJL, SPJL PROJECT 3 SCYL CHRYSALIS RGL REG GRUNDY MCL CLARION RL REX NDL, SNDL, SNC COMMAND JL, SJL SCEPTER SCUL COMMONWEALTH UNITED SKL STAX CML, CML, CMC CONCERT-DISC SBL STEADY CL, SCL CORAL NL, SNL SUN DDL, SDDL DAFFODIL QL, SQL SUNSHINE SDJL DJM EL, SEL SPIN ZL, SZL DOT TRL, STRL TOP RANK DML, SDML DU MONDE TAL, STAL TRANSATLANTIC SDRL DURIUM TL, STL 20TH CENTURY-FOX EL EMBER UAL, SUAL, SUL UNITED ARTISTS EC, SEC, EL, SEL EVEREST SVHL VIOLETS HOLIDAY SFYL FANTASY VL VOCALION DL, SDL FESTIVAL SVL VOGUE FC FESTIVAL APL VOX FL, SFL FESTIVAL WA WALLIS GNPL, SGNPL GNP CRESCENDO APC, WC, SWC WESTMINSTER HVL, SHVL HISPAVOX SWWL WHITE WHALE SHWL HOT WAX IRL, SIRL IMPERIAL IL IMPULSE 2 Festival 30,000 LP series FL 30,001 THE BEST OF THE TRAPP FAMILY SINGERS, RECORD 1 TRAPP FAMILY SINGERS FL 30,002 THE BEST OF THE TRAPP FAMILY SINGERS, RECORD 2 TRAPP FAMILY SINGERS SFL 930,003 BRAZAN BRASS HENRY JEROME ORCHESTRA SEC 930,004 THE LITTLE TRAIN OF THE CAIPIRA LONDON SYMPHONY ORCHESTRA SFL 930,005 CONCERTO FLAMENCO VINCENTE GOMEZ SFL 930,006 IRISH SING-ALONG BILL SHEPHERD SINGERS FL 30,007 FACE TO FACE, RECORD 1 INTERVIEWS BY PETE MARTIN FL 30,008 FACE TO FACE, RECORD 2 INTERVIEWS BY PETE MARTIN SCL 930,009 LIBERACE AT THE PALLADIUM LIBERACE RL 30,010 RENDEZVOUS WITH NOELINE BATLEY AUS NOELEEN BATLEY 6.61 30,011 30,012 RL 30,013 MORIAH COLLEGE JUNIOR CHOIR AUS ARR. -
Aists Msa 2012 Application Form
AISTS MSA 2012 APPLICATION FORM The AISTS MSA is a postgraduate programme organised by the International Academy of Sports Science and Technology and co- signed by the Ecole Polytechnique Fédérale de Lausanne (EPFL), the University of Lausanne, the University of Geneva and the Swiss Graduate School of Public Administration (IDHEAP) Please include the following information and documents in your application file: [ ] Application Form, filled (4 pages) Passport Photo Passport Photo (35mm x 45mm) (35mm x 45mm) [ ] Two Passport Photos [ ] Motivation Letter [ ] Curriculum Vitae - Résumé [ ] Two letters of Recommendation [ ] Copies of University Degree(s) and Grades* *Please include both: • A certified copy of the diploma, conforming to the original issued by the institution or, in certain cases, by legal authorities such as embassies or notaries (The original copy of the diploma must be presented at the beginning of your AISTS MSA studies). • An original copy of your transcripts/grades. If these documents are not in English or French, a certified translation, in either English or French, must be provided along with the aforementioned documents. Motivation Letter The Scientific Committee will very carefully consider your motivation letter (2-3 pages). Please include in your letter at least the following points: • What do you consider to be the key problems facing sport today? • What are your motivations for applying to the AISTS MSA? • Where and in which sector of activity do you intend to work after obtaining your Master’s degree? Make note of any sports organisations/companies that you are in close contact with / are planning to work for. • How do you plan to finance your course fees and living costs during the duration of the course? (Note that the course takes place over a full year) Letters of Recommendation Please provide two letters of recommendation in English. -
2021 Aists Client Team Project Presentations
2021 AISTS CLIENT TEAM PROJECT PRESENTATIONS Master of Advanced Studies (MAS) in Sport Administration and Technology 28th and 29th June 2021 at Le Synathlon, Lausanne, Switzerland The World’s No.1 Program in Sports Management by Eduniversal since 2015 The AISTS MAS is co-signed by: SCHEDULE MONDAY TUESDAY 28 JUNE 29 JUNE 9:00 - 10:00 9:00 - 10:00 Analysis of the impact of the IOC FEI Sustainability Handbook for Event Athletes’ Commission Strategy on the Organisers 2.0 global network of athletes’ commissions Client: International Federation for and recommendations for the future Equestrian Sports Client: International Olympic Committee THIS PRESENTATION IS CLOSED TO THE PUBLIC. THIS PRESENTATION IS CLOSED TO THE PUBLIC. 10:20 - 11:20 10:20 - 11:20 Lausanne Hockey Club: Academy World Curling Family: A Membership Development Club Feasibility Study Client: Lausanne Hockey Club Client: World Curling Federation 11:40 - 12:40 11:40 - 12:40 Sustainability Regulations for Sporting Athletics Geek Bot Goods Manufacturers Client: World Athletics Client: Scott Sports SA 13:45 - 14:45 All presentation times are in CET (Swiss Time). Building a social value legacy through major events Client: ARUP Follow the livestream on Register to attend AISTS YouTube Channel MONDAY 28 JUNE 09:00 - 10:00 10:20 - 11:20 Analysis of the impact of the IOC Athletes’ Lausanne Hockey Club: Academy Commission Strategy on the global network Development of athletes’ commissions and recommenda- Client: Lausanne Hockey Club tions for the future Client: International Olympic Committee The Lausanne Hockey Club wants to become the European reference in ice hockey. -
Master Thesis the PERCEPTION of OPINION LEADERSHIP FOR
Master Thesis THE PERCEPTION OF OPINION LEADERSHIP FOR POLITICAL AND CIVIC PARTICIPATION AMONG DANCE MUSIC ARTISTS Emilija Kučytė Political communication Student identification number: 10841830 Thesis supervisor: Dr. M.E. Wojcieszak Word count: 1443 2 MUSICIANS AS OPINION LEADERS STIMULATING POLITICAL PARTICIPATION Abstract This research combines the fields of entertainment, politics and media. The patterns of political participation are especially changing among youth. In this context popular artists, acting as opinion leaders, have the forum to shape the public opinion and instigate political behavior. Thus by conducting qualitative interviews with dance music artists, this thesis provides an insight on their motives to act as opinion leaders, who stimulate civic participation among their fans. It has showed that the motives to instigate political engagement depend on the interplay between the views towards the freedom of speech, hierarchy and representation in democracy; the level of interpretation of an artist as a public versus private person and the level of perceived influence of artists. The motivation was moderated by the medium and the level of issue controversy. Keywords: Political participation, media, music, entertainment, civic engagement, opinion leadership 3 MUSICIANS AS OPINION LEADERS STIMULATING POLITICAL PARTICIPATION Introduction “I am a D.J., I am what I say[..] I've got believers I've got believers in me” - David Bowie. In this song the late David Bowie talks about the influence of a DJ, a face of now billion dollar growing industry and the genre most popular among the millennial generation. Among other forms of entertainment, music has always had an important role in influencing the political landscape, mobilizing nations or being a form of protest, while becoming “the voice of the generation” (Van Zoonen, 2005). -
Singles 1970 to 1983
AUSTRALIAN RECORD LABELS PHILIPS–PHONOGRAM 7”, EP’s and 12” singles 1970 to 1983 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 PHILIPS-PHONOGRAM, 1970-83 2001 POLYDOR, ROCKY ROAD, JET 2001 007 SYMPATHY / MOONSHINE MARY STEVE ROWLAND & FAMILY DOGG 5.70 2001 072 SPILL THE WINE / MAGIC MOUNTAIN ERIC BURDON & WAR 8.70 2001 073 BACK HOME / THIS IS THE TIME OF THE YEAR GOLDEN EARRING 10.70 2001 096 AFTER MIDNIGHT / EASY NOW ERIC CLAPTON 10.70 2001 112 CAROLINA IN MY MIND / IF I LIVE CRYSTAL MANSION 11.70 2001 120 MAMA / A MOTHER’S TEARS HEINTJE 3.71 2001 122 HEAVY MAKES YOU HAPPY / GIVE ‘EM A HAND BOBBY BLOOM 1.71 2001 127 I DIG EVERYTHING ABOUT YOU / LOVE HAS GOT A HOLD ON ME THE MOB 1.71 2001 134 HOUSE OF THE KING / BLACK BEAUTY FOCUS 3.71 2001 135 HOLY, HOLY LIFE / JESSICA GOLDEN EARING 4.71 2001 140 MAKE ME HAPPY / THIS THING I’VE GOTTEN INTO BOBBY BLOOM 4.71 2001 163 SOUL POWER (PT.1) / (PTS.2 & 3) JAMES BROWN 4.71 2001 164 MIXED UP GUY / LOVED YOU DARLIN’ FROM THE VERY START JOEY SCARBURY 3.71 2001 172 LAYLA / I AM YOURS DEREK AND THE DOMINOS 7.72 2001 203 HOT PANTS (PT.1) / (PT.2) JAMES BROWN 10.71 2001 206 MONEY / GIVE IT TO ME THE MOB 7.71 2001 215 BLOSSOM LADY / IS THIS A DREAM SHOCKING BLUE 10.71 2001 223 MAKE IT FUNKY (PART 1) / (PART 2) JAMES BROWN 11.71 2001 233 I’VE GOT YOU ON MY MIND / GIVE ME YOUR LOVE CAROLYN DAYE LTD. -
The Art of the Metropolitan Museum of New York
tCbe Hrt of tbe flftetiopoUtan fIDuseum 3Bg tbe Same Butbor 2L XTbe art of tbe IRetberlanb (Balleriea Being a History of the Dutch School of Painting Illuminated and Demonstrated by Critical Descriptions of the Great Paintings in the many Galleries With 48 Illustrations. Price, $2.00 net £ L. C. PAGE & COMPANY New England Building, Boston, Mass. GIBBS - C HANNING PORTRAIT OF GEORGE WASHINGTON. By Gilbert Stuart. (See page 287) fje gtrt of iWetcopolitany 3*1 it scnut of 3Ul” Motfe & Giving a descriptive and critical account of its treasures, which represent the arts and crafts from remote antiquity to the present time. ^ By David C. Preyer, M. A. Author of “ The Art of the Netherland Galleries,” etc. Illustrated Boston L. C. Page & Company MDCCCC1 X Copyright, 1909 By L. C. Page & Company (incorporated) All rights reservea First Impression, November, 1909 Electrotyped and Printed at THE COLONIAL PRESS C.H . Simonas Sr Co., Boston U.S.A. , preface A visit to a museum with a guide book is not inspiring. Works of art when viewed should con- vey their own message, and leave their own im- pression. And yet, the deeper this impression, the more inspiring this message, the more anxious we will be for some further information than that conveyed by the attached tablet, or the catalogue reference. The aim of this book is to gratify this desire, to enable us to have a better understanding of the works of art exhibited in the Metropolitan Museum, to point out their corelation, and thus increase our appreciation of the treasures we have seen and admired. -
Thieves Steal Firearms from St Johns Hardware
Clinton County News 117th Year Vol.21 ST JOHNS, MICHIGAN 48879 * * 36 Pages September 27,1972 15 Cents Thieves steal firearms from St Johns hardware ST JOHNS - Police are continuing robbery happened Sunday night", Are you concerned about their investigation into the robbery of reported Chief Glazier while adding it getting the straight facts.on a Dean's Hardware in St Johns Sunday was impossible to determine an exact question which arises but don't night where thieves carted off over time'of the crime, know where to,find the answer? $3600 in merchandise including a large " We'll find the facts for ques quantity of firearms and ammunition. THE WHOLESALE VALUE of $3628 tions submitted by our readers. According to St Johns Police Chief arrived at by police was obtained from Everett Glazier and Sgt Lyle French, a price list of the missing items com Just drop us a line at FACT partially empty ammo boxes were piled by the store owner, Al Dean. FINDER,'Clinton County News found on the counter when the burglars Detectives from the Michigan State St Johns 48879. apparently loaded handguns stolen Police Crime Lab were at the scene Q~The traffic signal at the corner of from a display case. Two pair of gloves Monday morning checking for US-27 and M-21 does not adequately were also missing From the store. fingerprints and taking photographs. allow smooth flow of East-West traffic. Police also circulated a list of serial Can FACT FINDER find out why? RE, A LIST of the stolen items included 27 numbers on the stolen firearms among ST JOHNS handguns, l shotgun, 2 rifles, 10 boxes- law enforcement agencies throughout of assorted ammo, 2 portable color the country. -
Issue 496 Spotify: a Massive AMT? Streaming Services’ Impact, Or Lack Thereof, in Paying Rights Holders Remains a Thorny Topic Across All Levels of the Business
April 25, 2016, Issue 496 Spotify: A Massive AMT? Streaming services’ impact, or lack thereof, in paying rights holders remains a thorny topic across all levels of the business. Just ask Taylor Swift, whose music is still not available on Spotify. However, a growing number of artists are celebrating and celebrated by that company’s ability to positively impact careers. From Sam Hunt to Maren Morris and beyond, Spotify’s growing music listening ecosystem offers unique fan connections and perhaps unprecedented information about listening behavior. Taken together, those factors are making a difference in the music business and, to a lesser degree, at radio. “These are people who are active listeners – a captive audience we’ve never had before that allows us to do research we’ve never Kenny Watchers: Blue Chair/Columbia’s Kenny been able to do,” says artist manager Greg Chesney hangs with radio friends at Saturday’s Hill. “We could never have afforded research (4/23) launch of the Spread The Love Tour in Auburn, AL. on a sample size as large as what the streaming services are giving us.” The first time Hill felt Spotify’s influence was Greg Hill with Jana Kramer and “I Got The Boy.” “We’re Kenny Lays Out Big Spread in a battle [at radio] with a female artist and Blue Chair/Columbia’s Kenny Chesney and 50,000 fans saw it pop up on Spotify’s Viral 50,” he says. launched his Spread the Love Tour Saturday (4/23) in Alabama at “Last June was touch-and-go [on the singles charts], but on Spotify Auburn University’s Jordan-Hare Stadium.