Abraham Cowley - Poems
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Richard Crashaw
RICHARD CRASHAW “NARRATIVE HISTORY” AMOUNTS TO FABULATION, THE REAL STUFF BEING MERE CHRONOLOGY “Stack of the Artist of Kouroo” Project Richard Crashaw HDT WHAT? INDEX RICHARD CRASHAW RICHARD CRASHAW 1613 On some day in about this year Richard Crashaw was born at London, a son of that enemy of all things Catholic, the divine Dr. William Crashaw (1572-1626). NOBODY COULD GUESS WHAT WOULD HAPPEN NEXT Richard Crashaw “Stack of the Artist of Kouroo” Project HDT WHAT? INDEX RICHARD CRASHAW RICHARD CRASHAW 1631 July: Richard Crashaw had been at Charterhouse School near Godalming in Surrey, but at this point was admitted to Pembroke College of Cambridge University. LIFE IS LIVED FORWARD BUT UNDERSTOOD BACKWARD? — NO, THAT’S GIVING TOO MUCH TO THE HISTORIAN’S STORIES. LIFE ISN’T TO BE UNDERSTOOD EITHER FORWARD OR BACKWARD. “Stack of the Artist of Kouroo” Project Richard Crashaw HDT WHAT? INDEX RICHARD CRASHAW RICHARD CRASHAW 1633 Rector George Herbert’s THE TEMPLE: SACRED POEMS AND PRIVATE EJACULATIONS. GEORGE HERBERT This collection of poems seems to have had an influence immediately upon Richard Crashaw and in less than two generations of human life, it would have gone through a dozen reprintings. HDT WHAT? INDEX RICHARD CRASHAW RICHARD CRASHAW Eventually, it would be having an impact upon Harvard student David Henry Thoreau as well. Constancie. Who is the honest man? He that doth still and strongly good pursue, To God, his neighbour, and himself most true: Whom neither force nor fawning can Unpinne, or wrench from giving all their due. Whose honestie is not So loose or easie, that ruffling winde Can blow away, or glittering look it blinde: Who rides his sure and even trot, While the world now rides by, now lags behinde. -
Sacramental Signification: Eucharistic Poetics from Chaucer to Milton
Sacramental Signification: Eucharistic Poetics from Chaucer to Milton Shaun Ross Department of English McGill University, Montreal August 2016 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctor of Philosophy © Shaun Ross 2016 i Table of Contents Abstract……………………………………………………………………………………………ii Resumé……………………………………………………………………………………………iv Acknowledgements…………………………………………………………………………….....vi Introduction………………………………………………………………………………………..1 Chapter One: Medieval Sacraments: Immanence and Transcendence in The Pearl-poet and Chaucer………...23 Chapter Two: Southwell’s Mass: Sacrament and Self…………………………………………………………..76 Chapter Three: Herbert’s Eucharist: Giving More……………………………………………………………...123 Chapter Four: Donne’s Communions………………………………………………………………………….181 Chapter Five: Communion in Two Kinds: Milton’s Bread and Crashaw’s Wine……………………………. 252 Epilogue: The Future of Presence…………………………………………………………………………325 Works Cited…………………………………………………………………………………….330 ii Abstract This dissertation argues that in early modern England the primary theoretical models by which poets understood how language means what it means were applications of eucharistic theology. The logic of this thesis is twofold, based firstly on the cultural centrality of the theology and practice of the eucharist in early modern England, and secondly on the particular engagement of poets within that social and intellectual context. My study applies this conceptual relationship, what I call “eucharistic poetics,” to English religious and -
(Self-) Portraits in the Work of John Berryman, John Ashbery, Anne Carson, and Nan Goldin
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 5-2019 “Whispers Out of Time”: Memorializing (Self-) Portraits in the Work of John Berryman, John Ashbery, Anne Carson, and Nan Goldin Andrew D. King The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/3185 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] “WHISPERS OUT OF TIME”: MEMORIALIZING (SELF-) PORTRAITS IN THE WORK OF JOHN BERRYMAN, JOHN ASHBERY, ANNE CARSON, AND NAN GOLDIN By ANDREW D. KING A thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2019 © 2019 ANDREW D. KING All rights reserved ii “WHISPERS OUT OF TIME”: MEMORIALIZING (SELF-) PORTRAITS IN THE WORK OF JOHN BERRYMAN, JOHN ASHBERY, ANNE CARSON, AND NAN GOLDIN By Andrew D. King This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies in satisfaction of the thesis requirement for the degree of Master of Arts. Date George Fragopoulos Thesis Advisor Date Elizabeth Macaulay-Lewis Executive Officer THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT “Whispers Out of Time”: Memorializing (Self-)Portraits in the work of John Berryman, John Ashbery, Anne Carson, and Nan Goldin by Andrew D. King Advisor: George Fragopoulos This thesis documents four distinct post-WWII North American writers and artists—the poet John Berryman, the poet John Ashbery, the classicist and writer Anne Carson, and the photographer Nan Goldin—who expanded traditional definitions and practices of portraiture. -
The Vineyard of Verse the State of Scholarship on Latin Poetry of the Old Society of Jesus
Journal of Jesuit Studies � (����) ��-�� brill.com/jjs The Vineyard of Verse The State of Scholarship on Latin Poetry of the Old Society of Jesus Yasmin Haskell Cassamarca Foundation Chair of Latin Humanism University of Western Australia [email protected] Abstract This review of scholarship on Jesuit humanistic literature and theater is Latin-oriented because the Society’s sixteenth-century code of studies, the Ratio Studiorum, in force for nearly two centuries, enjoined the study and imitation in Latin of the best classical authors. Notwithstanding this well-known fact, co-ordinated modern scholarship on the Latin poetry, poetics, and drama of the Old Society is patchy. We begin with ques- tions of sources, reception, and style. Then recent work on epic, didactic, and dramatic poetry is considered, and finally, on a handful of “minor” genres. Some genres and regions are well studied (drama in the German-speaking lands), others less so. There is a general scarcity of bilingual editions and commentaries of many “classic” Jesuit authors which would, in the first instance, bring them to the attention of mainstream modern philologists and literary historians, and, in the longer term, provide a firmer basis for more synoptic and synthetic studies of Jesuit intertextuality and style(s). Along with the interest and value of this poetry as world literature, I suspect that the extent to which the Jesuits’ Latin labors in the vineyard of the classroom formed the hearts and minds of their pupils, including those who went on to become Jesuits, -
This Electronic Thesis Or Dissertation Has Been Downloaded from the King’S Research Portal At
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ 'An image of the dead' : the modern role of elegy with special reference to John Berryman's Dream Songs. Jepson, Jeffrey The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 10. Oct. 2021 `An Image of the Dead': the Modern Role of Elegy with Special Reference to John Berryman's Dream Songs. by Jeffrey Jepson submitted for the degree of PhD University of London 1998 King's College London ß156 LONßMN Ut; IV. -
Edmund Quincy Sewall, Jr., the Gentle Boy Hdt What? Index
EDMUND QUINCY SEWALL, JR., THE GENTLE BOY HDT WHAT? INDEX EDMUND QUINCY SEWALL, JR. THE GENTLE BOY 1692 September 22, Thursday (Old Style): Magistrate Samuel Sewall –the progenitor of the Edmund Quincy Sewall, Jr. of Scituate in the Bay Colony who would begin to attend the Concord Academy in Concord in June 1839 and of the Ellen Devereux Sewall to whom Henry Thoreau would propose– was involved in the offing of 19 women of Salem for being in league with Satan. On this one day Martha Corey, Margaret Scott, Mary Towne Estey or Easty (whose sister, Goodwife Rebecca Towne Nurse, had already been taken to the gallows), Alice Parker, Ann Pudeator, Wilmott Redd, Samuel Wardwell, and Mary Parker were hanged. FINAL EXECUTIONS Jo. Wilkinson of Sowerby and final beheadings on the famous Halifax Gibbet December 30, 1648 Anthony Mitchell Martha Corey, Margaret Scott, hanged for witchcraft in the American colonies Mary Towne Estey or Easty, “...what a sad thing it is to see Eight Firebrands of September 22, 1692 Alice Parker, Ann Pudeator, Hell hanging there” Wilmott Redd, Samuel Wardwell, and Mary Parker last person to get actually hanged in England, for 1709 Henry Young being judged to have been defeated by his oppo- nent in a Trial by Combat Mary Towne Easty: “...if it be possible no more innocent blood be shed... ...I am clear of this sin.” The Reverend Nicholas Noyes: “What a sad thing to see eight firebrands of hell hanging there.” HDT WHAT? INDEX EDMUND QUINCY SEWALL, JR. THE GENTLE BOY William Hathorne’s son John Hathorne (1641-1717), a chip off the old block, a Colonel in the Massachusetts Militia and a deputy to the General Court in Boston, was a Magistrate during this episode in which in addition to the hangings of this day one woman had a short time before been tortured to death.1 WITCH 1. -
The Poet Feels That He Must Remain Submissive to God
The Pulley -- Summary Metaphysical poets belonged to the 17th century. The works of the metaphysical poets are marked by philosophical exploration, colloquial diction, ingenious conceits, irony and metrically flexible lines. They wrote poems on love, religion and mortality. The metaphysical poets described these topics through unusual comparisons, frequently employing unexpected similies and metaphors in displays of wit. John Donne is the foremost figure along with George Herbert, Andrew Marvell, Abraham Cowley, Richard Crashaw and Henry Vaughan. Conceit is a striking, strained or affected modes of expression. Conceits are common in Elizabethan poetry and metaphysical verse. Metaphysical conceits are bolder and more ingenious. For example, Donne uses “stiff twin compasses” to express the souls of two lovers. ‘The Pulley’ by George Herbert is a metaphysical poem. It is one of Herbert’s best-known poems. In the first stanza, the speaker describes the creation of mankind. The speaker is retelling the story of creation with a few more details. After the creation of mankind, God decided to “pour on him” “a glass of blessings.” The world’s riches, which lie dispersed, have come together in to a span. Strength made a way and beauty followed. Then came wisdom, honour and pleasure. When everything was over, God made a stay. Of all his treasure, rest lies in the bottom. God is not interested in giving ‘rest’ to humanity. Had God bestowed the jewel of ‘rest’on humanity, man would His gifts instead of Him. They would spend their time worshipping nature and not God. They should appreciate ‘the God of Nature.’ So, both should be losers. -
Metaphysical Poets and John Donne
Metaphysical Poets and John Donne “Metaphysical poetry” (玄学派诗歌) is used to refer to the works of the poets such as John Donne, Andrew Marvell, Abraham Cowley, John Cleveland and George Herbert, etc. John Donne is the leading figure of Metaphysical poets. The Features of Metaphysical Poetry With a rebellious spirit, the metaphysical poets tried to break away from the conventional fashion of the Elizabethan love poetry. The diction is simple as compared with that of the Elizabethan or the Neoclassic periods, and echoes the words and cadences of common speech. The imagery is drawn from the actual life. The form is frequently that of an argument with the poet's beloved, with God, or with himself. Mysticism in content and fantasticality in form Favored for a more colloquial language Use of conceits (奇喻) , paradoxes and far-fetched imagery. The Definition of Conceit : It is an unusually far-fetched or elaborate metaphor or simile presenting a surprisingly apt parallel between apparantly dissimilar things or feelings. E.g. love – a twin compasses, marriage, love – a flea Prefer to use words which call the mind to play, rather than those that appeal to the senses or evoke emotional response. Use paradox or contrast to avoid smoothness and plainness. E.g. “They in the sea being burnt, they in the burnt ship drowned.” (Burnt Ship) Intellectual, analytical, anti-romantic John Donne (1572-1631) 1. His position: the leading Metaphysical poet 2. His life experience Features of Donne’s Poetry Conceit At the heart of Donne’s poetry is the conceit, which brings together things that are primarily unlike, so the comparison is novel. -
Stony Brook University
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... From Mourning to Meditation: Theorizing Ecopoetics, Thinking Ecology A Dissertation Presented by Jessica Lee Curran to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English Stony Brook University August 2012 Copyright by Jessica Lee Curran 2012 Stony Brook University The Graduate School Jessica Lee Curran We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Rowan Ricardo Phillips – Dissertation Advisor Associate Professor, Department of English Susan Scheckel - Chairperson of Defense Associate Professor, Department of English Peter Manning – Committee Member Professor, Department of English Lynn Keller Professor, Department of English – University of Wisconsin, Madison This dissertation is accepted by the Graduate School Charles Taber Interim Dean of the Graduate School ii Abstract of the Dissertation From Mourning to Meditation: Theorizing Ecopoetics, Thinking Ecology by Jessica Lee Curran Doctor of Philosophy in English Stony Brook University 2012 Composed of twelve chapters and argued through the months of the year, this dissertation analyzes the works of Emily Dickinson and Henry David Thoreau, situating them in a contemporary ecocritical context, but more importantly, in a widened sense of ecopoetics. The project’s thesis states that the ecopoet, in mourning the loss of nature as idealization and salvation, embraces a state of radical metaphor-making, which in turn allows for a heightened sense of intimacy and necessitates a commitment to meditation. -
Prophecy for Sale: on American Rails
San Jose State University SJSU ScholarWorks Master's Theses Master's Theses and Graduate Research Summer 2018 Prophecy for Sale: On American Rails Erik Bryan White San Jose State University Follow this and additional works at: https://scholarworks.sjsu.edu/etd_theses Recommended Citation White, Erik Bryan, "Prophecy for Sale: On American Rails" (2018). Master's Theses. 4958. DOI: https://doi.org/10.31979/etd.x9t7-334z https://scholarworks.sjsu.edu/etd_theses/4958 This Thesis is brought to you for free and open access by the Master's Theses and Graduate Research at SJSU ScholarWorks. It has been accepted for inclusion in Master's Theses by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. PROPHECY FOR SALE: ON AMERICAN RAILS A Creative Project Report Presented to The Faculty of the Department of English and Comparative Literature San José State University In Partial Fulfillment of the Requirements for the Degree Master of Fine Arts by Erik White August 2018 © 2018 Erik White ALL RIGHTS RESERVED The Designated Thesis Committee Approves the Thesis Titled PROPHECY FOR SALE: ON AMERICAN RAILS by Erik White APPROVED FOR THE DEPARTMENT OF ENGLISH AND COMPARATIVE LITERATURE SAN JOSÉ STATE UNIVERSITY August 2018 Alan Soldofsky, MFA Department of English and Comparative Literature Malcolm Paul Douglass, Jr., Ph.D. Department of English and Comparative Literature Selena Anderson, Ph. D. Department of English and Comparative Literature ABSTRACT PROPHECY FOR SALE: ON AMERICAN RAILS by Erik White Prophecy for Sale: On American Rails follows the poetic tradition of Walt Whitman and Lawrence Ferlinghetti. This collection contains five numbered sections which show a progression of the human consciousness. -
Cowley and 'Orinda'
COWLEY AND 'ORINDA'. AUTOGRAPH FAIR COPIES HILTON KELLIHER ABRAHAM COWLEY'S elegy 'On the Death of Mr.Crashaw' was his tribute to a fellow- poet with whom he had exchanged verses at Cambridge and whom he had later befriended in exile at Paris where, according to Anthony Wood, he presented the destitute Crashaw to Henrietta Maria. The elegy has generally been recognized as one of Cowley's finest poems: 'In these verses', wrote Johnson, 'there are beauties which common authors may justly think not only above their attainment, but above their ambition.' A calli- graphic fair copy by Cowley himself, representing a slightly earlier stage of composition than the text printed in the 'Miscellanies' of 1656, has now come to light among the papers of the Marquess of Ormonde, on loan to the British Museum and then to the British Library (Department of Manuscripts Loan 37/6) since 1950 (fig. i). In the Calendar of Ormonde Manuscripts' that was compiled by John T.Gilbert in 189s niay be found a detailed description of the collection of verses addressed at various stages of his career to James Butler (1610-88), Marquess and subsequently ist Duke of Ormonde. Endorse- ments made on the separate sheets that comprise this collection show that they were brought together by Sir George Lane, later Viscount Lanesborough, who was private secretary to the Marquess when Lord Lieutenant of Ireland and, in i6sSi to Charles II. Many of these verses are transcribed in the autographs of their rather obscure authors, while the better-known topical pieces are generally commonplace-copies. -
2017 Spearing Caroline 12603
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Abraham Cowley’s Plantarum Libri Sex A Cavalier Poet and the Classical Canon Spearing, Caroline Jane Ibbetson Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 28. Sep. 2021 Abraham Cowley’s Plantarum Libri Sex A Cavalier Poet and the Classical Canon by Caroline