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EAS3166 | University of Exeter 09/26/21 EAS3166 | University of Exeter EAS3166 View Online The Graphic Novel 1. McGuire, R.: Here [in] Comic Art. 2. Anders Nilsen: ‘Event’ [in] World Literature Today. World Literature Today. 81, 16–23 (2007). 3. Seth: George Sprott [Paperback]. Jonathan Cape (13 May 2010). 4. Spiegelman, A.: Prisoner on the Hell Planet [in] The complete Maus. In: The complete Maus. pp. 102–105. Penguin, London (2003). 5. Eisner, W.: The Frame [in] Comics & sequential art. In: Comics & sequential art. pp. 38–99. Poorhouse Press, Tamarac, Fla (2006). 6. McCloud, S.: Living in Line [in] Understanding comics : the invisible art. In: Understanding comics : the invisible art / [Scott McCloud]. pp. 118–137. 1/20 09/26/21 EAS3166 | University of Exeter 7. Eisner, Will, Eisner, Will, Eisner, Will, Eisner, Will: The Contract with God trilogy: life on Dropsie Avenue. W. W. Norton, New York (2005). 8. Beaty, B.: What If Comics Were Art? 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Kuhlman, M.B., Ball, D.M.: Introduction: Chris Ware and the ‘Cult of Difficulty’ [in] The Comics of Chris Ware: Drawing is a Way of Thinking. In: The comics of Chris Ware: drawing is a way of thinking. pp. ix–xxiii. University Press of Mississippi, Jackson (2010). 28. Q and A With Comicbook Master Chris Ware - TIME, http://www.time.com/time/nation/article/0,8599,53887,00.html. 29. 4/20 09/26/21 EAS3166 | University of Exeter Burns, Charles, 1955-: Black hole / Charles Burns. 30. Mazzucchelli, David: Asterios Polyp. Pantheon Books, New York (2009). 31. Beaty, Bart: Comics versus art. Univ Of Toronto Press, Toronto (2011). 32. Graphic Whiteness and the Lessons of Chris Ware’s Jimmy Corrigan, http://www.english.ufl.edu/imagetext/archives/v5_1/bennett-jackson/. 33. Chute, H.: Comics as Literature? Reading Graphic Narrative [in] PMLA: Publications of the Modern Language Association of America. PMLA: Publications of the Modern Language Association of America. 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Anzaldua, G.: Borderlands/La Frontera [in] Literary theory: an anthology. In: Literary theory: an anthology. pp. 1017–1030. Blackwell, Malden (Mass.) (2004). 45. Hernandez, G.: Palomar and Beyond: An Interview with Gilbert Hernandez [in] MELUS Society for the Study of the Multi Ethnic Literature of the United States. In: MELUS Society for the Study of the Multi Ethnic Literature of the United States. pp. 221–246 (2007). 46. Hernandez, Gilbert: Heartbreak soup. Titan, London (2007). 47. Love and Rockets: Human Diastrophism v. 4 (Love & Rockets 4) [Paperback]. Titan Books Ltd (28 Sep 2007). 48. Hernandez, Jaime: Love and rockets: The girl from H.O.P.P.E.R.S. Titan Books Ltd, London (2007). 49. Hatfield, C.: How to Read A… [in] English language notes. In: English language notes. pp. 129–149. University of Colorado, Boulder, Colo (2008). 50. Williams, Paul, Lyons, James: The rise of the American comics artist: creators and contexts. University Press of Mississippi, Jackson [Miss.] (2010). 51. 7/20 09/26/21 EAS3166 | University of Exeter Sabin, R.: Alternative Visions [in] Comics, comix & graphic novels: a history of graphic novels. In: Comics, comix & graphic novels: a history of graphic novels. pp. 177–215. Phaidon Press, London. 52. Michaels, W.B.: Plots Against America: Neoliberalism and Antiracism [in] American literary history. American literary history. 18, 288–302 (2006). 53. Rothberg, M.: Against Zero-Sum Logic: A Response to Walter Benn Michaels [in] American Literary History. American Literary History. 18, 303–311 (2006). https://doi.org/10.1093/alh/ajj018. 54. Spiegelman, Art: The complete Maus. Penguin, London (2003). 55. Tucker, K.: Cats, Mice and History -- The Avant-Garde of the Comic Strip - ProQuest, https://uoelibrary.idm.oclc.org/login?url=http://search.proquest.com/docview/111107046/f ulltextPDF/13B85CA1C593D5CD2D0/1?accountid=10792. 56. Witek, J.: History and Talking Animals: Art Spiegelman’s Maus [in] Comic books as history: the narrative art of Jack Jackson, Art Spiegelman, and Harvey Pekar. In: Comic books as history: the narrative art of Jack Jackson, Art Spiegelman, and Harvey Pekar. pp. 96–120. University Press of Mississippi, Jackson, Miss (1989). 57. Brown, J.: Of Mice and Memor [in] Oral History Review. Oral History Review. 16, 91–109 (1988). https://doi.org/10.1093/ohr/16.1.91. 58. 8/20 09/26/21 EAS3166 | University of Exeter Chute, H.: ’The Shadow of a Past Time’: History and Graphic Representation in Maus [in] Twentieth century literature. Twentieth century literature. 52, 199–230 (2006). 59. Geis, Deborah R.: Considering Maus: approaches to Art Spiegelman’s ‘Survivor’s tale’ of the Holocaust. University of Alabama Press, Tuscaloosa, Al (2003). 60. Hartman, Geoffrey H.: The longest shadow: in the aftermath of the Holocaust. Palgrave Macmillan, New York (2002). 61. Marianne Hirsch: The Generation of Postmemory [in] Poetics Today. Poetics Today. 29, 103–128 (2008). 62. Humanities International Complete. EBSCO Information Services. 63. Andreas Huyssen: Of Mice and Mimesis: Reading Spiegelman with Adorno [in] New German Critique. New German Critique. 65–82 (2000). 64. LaCapra, Dominick: History and memory after Auschwitz. Cornell University Press, Ithaca, NY (1998). 65. Williams, Paul, Lyons, James: The rise of the American comics artist: creators and contexts. University Press of Mississippi, Jackson [Miss.] (2010). 9/20 09/26/21 EAS3166 | University of Exeter 66. Witek, Joseph: Art Spiegelman: conversations. University Press of Mississippi, Jackson (2007).
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