EAS3166 | University of Exeter

EAS3166 | University of Exeter

09/26/21 EAS3166 | University of Exeter EAS3166 View Online The Graphic Novel 1. McGuire, R.: Here [in] Comic Art. 2. Anders Nilsen: ‘Event’ [in] World Literature Today. World Literature Today. 81, 16–23 (2007). 3. Seth: George Sprott [Paperback]. Jonathan Cape (13 May 2010). 4. Spiegelman, A.: Prisoner on the Hell Planet [in] The complete Maus. In: The complete Maus. pp. 102–105. Penguin, London (2003). 5. Eisner, W.: The Frame [in] Comics & sequential art. In: Comics & sequential art. pp. 38–99. Poorhouse Press, Tamarac, Fla (2006). 6. McCloud, S.: Living in Line [in] Understanding comics : the invisible art. In: Understanding comics : the invisible art / [Scott McCloud]. pp. 118–137. 1/20 09/26/21 EAS3166 | University of Exeter 7. Eisner, Will, Eisner, Will, Eisner, Will, Eisner, Will: The Contract with God trilogy: life on Dropsie Avenue. W. W. Norton, New York (2005). 8. Beaty, B.: What If Comics Were Art? Defining a Comics Art World [in] Comics versus art. In: Comics versus art. pp. 17–48. Univ Of Toronto Press, Toronto (2011). 9. Bredehoft, T.A.: Comics Architecture, Multidimensionality, and Time [in] Modern fiction studies: a critical quarterly published by the Purdue University Department of English. Modern fiction studies: a critical quarterly published by the Purdue University Department of English. 52, 869–891 (2006). 10. Eco, U.: Four Ways of Talking About Comics [in] Comics Voyeur, http://comicsvoyeur.blogspot.co.uk/. 11. Groensteen, Thierry: The system of comics. University Press of Mississippi, Jackson, Miss (2007). 12. Wolk, D.: Pictures, Words, and the Space Between Them [in] Reading comics: how graphic novels work and what they mean. In: Reading comics: how graphic novels work and what they mean. pp. 118–134. Da Capo Press, Cambridge, MA (2007). 13. Moore, Alan, Higgins, John, Gibbons, Dave: Watchmen. Titan Books Ltd, London (1986). 14. 2/20 09/26/21 EAS3166 | University of Exeter Gabilliet, J.-P.: The Recovery of the 1980s (1980-1993) [in] Of comics and men. In: Of comics and men. pp. 85–97. 15. Sabin, R.: From Boom to Bust [in] Adult comics: an introduction. In: Adult comics: an introduction. pp. 96–115. Routledge, London (2010). 16. Miller, Frank, Janson, Klaus, Varley, Lynn: Batman: the Dark Knight returns. Titan, London (1997). 17. Moore, Alan, Berlatsky, Eric L.: Alan Moore: conversations. University Press of Mississippi, Jackson (2012). 18. Di Liddo, A.: Formal Considerations on Alan Moore’s Writing [in] Alan Moore: comics as performance, fiction as scalpel. In: Alan Moore: comics as performance, fiction as scalpel. pp. 27–62. University Press of Mississippi, Jackson, Miss (2009). 19. Gabilliet, Jean-Paul: Of comics and men: a cultural history of American comic books. University Press of Mississippi, Jackson (2010). 20. Hatfield, C.: Comix, Comic Shops, and the Rise of Alternative Comics, Post 1968 [in] Alternative comics: an emerging literature. In: Alternative comics: an emerging literature. pp. 3–31. University Press of Mississippi, Jackson (2005). 21. Reynolds, Richard.: Super heroes : a modern mythology / Richard Reynolds. 3/20 09/26/21 EAS3166 | University of Exeter 22. Sabin, Roger, 1961-: Adult comics : an introduction / Roger Sabin. 23. Saunders, Ben: Do the gods wear capes?: spirituality, fantasy, and superheroes. Continuum, London (2011). 24. Wolk, Douglas: Reading comics: how graphic novels work and what they mean. Da Capo Press, Cambridge, MA (2007). 25. Wright, B.: From Social Consciousness to Cosmic Awareness: Superhero Comic Books and the Culture of Self-Interrogation, 1968-1974 [in] English language notes. English language notes. 46, 155–174 (2008). 26. Ware, Chris: Jimmy Corrigan: the smartest kid on earth. Jonathan Cape, London (2003). 27. Kuhlman, M.B., Ball, D.M.: Introduction: Chris Ware and the ‘Cult of Difficulty’ [in] The Comics of Chris Ware: Drawing is a Way of Thinking. In: The comics of Chris Ware: drawing is a way of thinking. pp. ix–xxiii. University Press of Mississippi, Jackson (2010). 28. Q and A With Comicbook Master Chris Ware - TIME, http://www.time.com/time/nation/article/0,8599,53887,00.html. 29. 4/20 09/26/21 EAS3166 | University of Exeter Burns, Charles, 1955-: Black hole / Charles Burns. 30. Mazzucchelli, David: Asterios Polyp. Pantheon Books, New York (2009). 31. Beaty, Bart: Comics versus art. Univ Of Toronto Press, Toronto (2011). 32. Graphic Whiteness and the Lessons of Chris Ware’s Jimmy Corrigan, http://www.english.ufl.edu/imagetext/archives/v5_1/bennett-jackson/. 33. Chute, H.: Comics as Literature? Reading Graphic Narrative [in] PMLA: Publications of the Modern Language Association of America. PMLA: Publications of the Modern Language Association of America. Proceedings and list of members of the Modern Language Association of America Publications of the Modern Language Association of America. PMLA: Publications of the Modern Language Association of America. 123, 452–465 (2008). 34. Eggers, D.: Chris Ware [in] Masters of American comics. In: Masters of American comics. pp. 308–317. Hammer Museum, Los Angeles (2005). 35. Gaudreault, A., Marion, P.: A medium is always born twice …1[in] Early popular visual culture. Early Popular Visual Culture. 3, 3–15 (2005). https://doi.org/10.1080/17460650500056964. 36. Gordon, I.: Making Comics Respectable: How Maus Helped Redefine a Medium [in] The 5/20 09/26/21 EAS3166 | University of Exeter rise of the American comics artist: creators and contexts. In: The rise of the American comics artist: creators and contexts. pp. 179–193. University Press of Mississippi, Jackson [Miss.] (2010). 37. Inge, M. Thomas.: Comics as culture / M. Thomas Inge. 38. Kannenberg, G.: The Comics of Chris Ware: Text, Image, and Visual Narrative Strategies [in] The language of comics: word and image. In: The language of comics: word and image. pp. 174–197. University Press of Mississippi, Jackson, Miss (2001). 39. Ball, David M., Kuhlman, Martha B.: The comics of Chris Ware: drawing is a way of thinking. University Press of Mississippi, Jackson (2010). 40. Ware, C.: Interview with Todd Hignite [in] In the studio: visits with contemporary cartoonists. In: In the studio: visits with contemporary cartoonists. pp. 228–259. Yale University Press, London (2006). 41. Wolk, Douglas.: Reading comics : how graphic novels work and what they mean / Douglas Wolk. 42. Abel, Jessica: La perdida. Pantheon Books, New York (2006). 43. Hernandez, G.: An American in Palomar.” [in] Heartbreak soup / Gilbert Hernandez. In: Heartbreak soup / Gilbert Hernandez. pp. 169–192. 6/20 09/26/21 EAS3166 | University of Exeter 44. Anzaldua, G.: Borderlands/La Frontera [in] Literary theory: an anthology. In: Literary theory: an anthology. pp. 1017–1030. Blackwell, Malden (Mass.) (2004). 45. Hernandez, G.: Palomar and Beyond: An Interview with Gilbert Hernandez [in] MELUS Society for the Study of the Multi Ethnic Literature of the United States. In: MELUS Society for the Study of the Multi Ethnic Literature of the United States. pp. 221–246 (2007). 46. Hernandez, Gilbert: Heartbreak soup. Titan, London (2007). 47. Love and Rockets: Human Diastrophism v. 4 (Love & Rockets 4) [Paperback]. Titan Books Ltd (28 Sep 2007). 48. Hernandez, Jaime: Love and rockets: The girl from H.O.P.P.E.R.S. Titan Books Ltd, London (2007). 49. Hatfield, C.: How to Read A… [in] English language notes. In: English language notes. pp. 129–149. University of Colorado, Boulder, Colo (2008). 50. Williams, Paul, Lyons, James: The rise of the American comics artist: creators and contexts. University Press of Mississippi, Jackson [Miss.] (2010). 51. 7/20 09/26/21 EAS3166 | University of Exeter Sabin, R.: Alternative Visions [in] Comics, comix & graphic novels: a history of graphic novels. In: Comics, comix & graphic novels: a history of graphic novels. pp. 177–215. Phaidon Press, London. 52. Michaels, W.B.: Plots Against America: Neoliberalism and Antiracism [in] American literary history. American literary history. 18, 288–302 (2006). 53. Rothberg, M.: Against Zero-Sum Logic: A Response to Walter Benn Michaels [in] American Literary History. American Literary History. 18, 303–311 (2006). https://doi.org/10.1093/alh/ajj018. 54. Spiegelman, Art: The complete Maus. Penguin, London (2003). 55. Tucker, K.: Cats, Mice and History -- The Avant-Garde of the Comic Strip - ProQuest, https://uoelibrary.idm.oclc.org/login?url=http://search.proquest.com/docview/111107046/f ulltextPDF/13B85CA1C593D5CD2D0/1?accountid=10792. 56. Witek, J.: History and Talking Animals: Art Spiegelman’s Maus [in] Comic books as history: the narrative art of Jack Jackson, Art Spiegelman, and Harvey Pekar. In: Comic books as history: the narrative art of Jack Jackson, Art Spiegelman, and Harvey Pekar. pp. 96–120. University Press of Mississippi, Jackson, Miss (1989). 57. Brown, J.: Of Mice and Memor [in] Oral History Review. Oral History Review. 16, 91–109 (1988). https://doi.org/10.1093/ohr/16.1.91. 58. 8/20 09/26/21 EAS3166 | University of Exeter Chute, H.: ’The Shadow of a Past Time’: History and Graphic Representation in Maus [in] Twentieth century literature. Twentieth century literature. 52, 199–230 (2006). 59. Geis, Deborah R.: Considering Maus: approaches to Art Spiegelman’s ‘Survivor’s tale’ of the Holocaust. University of Alabama Press, Tuscaloosa, Al (2003). 60. Hartman, Geoffrey H.: The longest shadow: in the aftermath of the Holocaust. Palgrave Macmillan, New York (2002). 61. Marianne Hirsch: The Generation of Postmemory [in] Poetics Today. Poetics Today. 29, 103–128 (2008). 62. Humanities International Complete. EBSCO Information Services. 63. Andreas Huyssen: Of Mice and Mimesis: Reading Spiegelman with Adorno [in] New German Critique. New German Critique. 65–82 (2000). 64. LaCapra, Dominick: History and memory after Auschwitz. Cornell University Press, Ithaca, NY (1998). 65. Williams, Paul, Lyons, James: The rise of the American comics artist: creators and contexts. University Press of Mississippi, Jackson [Miss.] (2010). 9/20 09/26/21 EAS3166 | University of Exeter 66. Witek, Joseph: Art Spiegelman: conversations. University Press of Mississippi, Jackson (2007).

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