Ice Cube, Dr. Dre, NBC Universal Skirt Liability for Straight Outta Compton Death
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Eazy E Nwa Diss
Eazy e nwa diss Eazy E Leader Of NWA And Owned Of RUTHLESS Records. Dissing Dr Dre And Snoop Doggy Dogg. Here's a classic diss song from Compton Legend Eazy-E Feat B.G. Knocc Out & Dresta - Real. Eazy-E Dissed Ice Cube (Ice Crumbles) [Unreleased Eazy-E Songs]. Hip-Hop Ice Cube and Dr. Dre had. Ice Cube didn't hold back against his former N.W.A. pals after Ice Cube and the other members: Dr. Dre, Eazy-E, DJ Yella and MC Ren. "No Vaseline" is a diss track by Ice Cube from his second album, Death Certificate. The song was produced by Ice Cube and Sir Jinx. The UK release of Death Certificate omitted this song, along with the second long "Black Korea". The song contains vicious lyrics towards Ice Cube's former group, N.W.A, Dr. Dre and his protégé Snoop Dogg later dissed Eazy-E in the song "Fuck Information · Aftermath · In popular culture · Samples. MC Ren shares the family aspects of N.W.A even as former member MC Ren Explains Why N.W.A Didn't Record Ice Cube Diss Track After "No Vaseline" .. I think Ren should have done more interviews about Eazy E and. As most know by now Eric 'Eazy E' Wright and Andre 'Dr. Dre' Young were with Eazy E and together with Ice Cube and MC Ren they formed NWA. From harmless diss records like Kokane and Above The Law's “Don't. N.W.A is back in this motherfucker / And this is only the single / Wait until the motherfucking album comes out Real Niggaz. -
Death Row Records
The New Kings of Hip-Hop Death Row Records “You are now about to witness the strength of street knowledge.” —N.W.A. Contents Letter from the Director ................................................................................................... 4 Mandate .......................................................................................................................... 5 Background ...................................................................................................................... 7 Topics for Discussion ..................................................................................................... 10 East Coast vs. West Coast .................................................................................... 10 Internal Struggles................................................................................................. 11 Turmoil in Los Angeles ........................................................................................ 12 Positions ........................................................................................................................ 14 Letter from the Director Dear Delegates, Welcome to WUMUNS XII! I am a part of the class of 2022 here at Washington University in St. Louis, and I’ll be serving as your director. Though I haven’t officially declared a major yet, I’m planning on double majoring in political science and finance. I’ve been involved with Model UN since my freshman year of high school, and I have been an active participant ever since. I am also involved -
The Endless Fall of Suge Knight He Sold America on a West Coast Gangster Fantasy — and Embodied It
The Endless Fall of Suge Knight He sold America on a West Coast gangster fantasy — and embodied it. Then the bills came due BY MATT DIEHL July 6, 2015 Share Tweet Share Comment Email This could finally be the end of the road for Suge Knight, who helped bring West Coast gangsta rap to the mainstream. Photo illustration by Sean McCabe On March 20th, inside the high-security wing of Los Angeles' Clara Shortridge Foltz Criminal Justice Center, the man once called "the most feared man in hip-hop" is looking more like the 50-year-old with chronic health issues that he is. Suge Knight sits in shackles, wearing an orange prison jumpsuit and chunky glasses, his beard flecked with gray, listening impassively. It's the end of the day's proceedings, and Judge Ronald S. Coen is announcing the bail for Knight, who is facing charges of murder, attempted murder and hit-and-run: "In this court's opinion, $25 million is reasonable, and it is so set." A gasp erupts from Knight's row of supporters — some of whom sport red clothing or accessories, a color associated with the Bloods and Piru street gangs. The most shocked are Knight's family, who have attended nearly all of his court dates: his parents, along with his fiancee, Toilin Kelly, and sister Karen Anderson. "He's never had a bail like that before!" Anderson exclaims. SIDEBAR 30 Most Embarrassing Rock-Star Arrests » As attendees exit and Knight is escorted out by the bailiffs, Knight's attorney Matthew Fletcher pleads with Coen to reconsider. -
Listening to Compton's Hip-Hop Landscape" (2016)
University of Mary Washington Eagle Scholar Student Research Submissions Spring 4-29-2016 "Yo, Dre, I've Got Something To Say": Listening to Compton's Hip- Hop Landscape Ian T. Spangler Follow this and additional works at: https://scholar.umw.edu/student_research Part of the Geography Commons Recommended Citation Spangler, Ian T., ""Yo, Dre, I've Got Something To Say": Listening to Compton's Hip-Hop Landscape" (2016). Student Research Submissions. 55. https://scholar.umw.edu/student_research/55 This Honors Project is brought to you for free and open access by Eagle Scholar. It has been accepted for inclusion in Student Research Submissions by an authorized administrator of Eagle Scholar. For more information, please contact [email protected]. "YO, DRE, I'VE GOT SOMETHING TO SAY": LISTENING TO COMPTON'S HIP-HOP LANDSCAPE An honors paper submitted to the Department of Geography of the University of Mary Washington in partial fulfillment of the requirements for Departmental Honors Ian T Spangler April 2016 By signing your name below, you affirm that this work is the complete and final version of your paper submitted in partial fulfillment of a degree from the University of Mary Washington. You affirm the University of Mary Washington honor pledge: "I hereby declare upon my word of honor that I have neither given nor received unauthorized help on this work." Ian T. Spangler 04/29/16 (digital signature) o'Yo, Dre,I've Got Something to Say:" Listening to Compton's Hip-Hop Landscape By Ian Spangler A Thesis Submitted in Fulfillment of the Requirements for Honors in Geography Department of Geography University of Mary Washington Fredericksburg, VA 2240I April29,2016 Stephen P. -
Ice Cube Hello
Hello Ice Cube Look at these Niggaz With Attitudes Look at these Niggaz With Attitudes Look at these Niggaz With Attitudes Look at these Niggaz With Attitudes {Hello..} I started this gangsta shit And this the motherfuckin thanks I get? {Hello..} I started this gangsta shit And this the motherfuckin thanks I get? {Hello..} The motherfuckin world is a ghetto Full of magazines, full clips, and heavy metal When the smoke settle.. .. I'm just lookin for a big yellow; in six inch stilletos Dr. Dre {Hello..} perculatin keep em waitin While you sittin here hatin, yo' bitch is hyperventilatin' Hopin that we penetratin, you gets natin cause I never been to Satan, for hardcore administratin Gangbang affiliatin; MC Ren'll have you wildin off a zone and a whole half a gallon {Get to dialin..} 9 1 1 emergency {And you can tell em..} It's my son he's hurtin me {And he's a felon..} On parole for robbery Ain't no coppin a plea, ain't no stoppin a G I'm in the 6 you got to hop in the 3, company monopoly You handle shit sloppily I drop a ki properly They call me the Don Dada Pop a collar, drop a dollar if you hear me you can holla Even rottweilers, follow, the Impala Wanna talk about this concrete? Nigga I'm a scholar The incredible, hetero-sexual, credible Beg a hoe, let it go, dick ain't edible Nigga ain't federal, I plan shit while you hand picked motherfuckers givin up transcripts Look at these Niggaz With Attitudes Look at these Niggaz With Attitudes {Hello..} I started this gangsta shit And this the motherfuckin thanks I get? {Hello..} I started -
A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature Christopher Darnell Campbell Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Campbell, Christopher Darnell, "A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature" (2002). Theses Digitization Project. 2130. https://scholarworks.lib.csusb.edu/etd-project/2130 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: English Composition by Christopher Darnell Campbell September 2002 A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino by Christopher Darnell Campbell September 2002 Approved.by: 7=12 Date Bruce Golden, English ABSTRACT 2pac Shakur (a.k.a Makaveli) was a prolific rapper, poet, revolutionary, and thug. His lyrics were bold, unconventional, truthful, controversial, metaphorical and vulgar. -
Get Ebook ^ Suge Knight: the Rise, Fall and Rise of Death Row Records
LZ7GTCCNG86C ^ PDF Suge Knight: The Rise, Fall and Rise of Death Row Records (Paperback) Suge Knight: The Rise, Fall and Rise of Death Row Records (Paperback) Filesize: 4.97 MB Reviews Merely no phrases to describe. Better then never, though i am quite late in start reading this one. Its been written in an extremely easy way which is merely following i finished reading this publication through which in fact transformed me, change the way in my opinion. (Pedro Renner) DISCLAIMER | DMCA 5YTRAE5VMOFD ~ PDF \ Suge Knight: The Rise, Fall and Rise of Death Row Records (Paperback) SUGE KNIGHT: THE RISE, FALL AND RISE OF DEATH ROW RECORDS (PAPERBACK) Amber Books (AZ), United States, 2002. Paperback. Condition: New. Language: English . Brand New Book ***** Print on Demand *****. Suge Knight - The Rise, Fall Rise of Death Row Records - The Story of Marion Suge Knight - A Hard-Hitting Study of One Man, One Company that Changed the Course of American Music Forever is the most controversial and up-to-date account of Hip Hop in the decade. The Suge Knight and Death Row Story is based upon a lifestyle that set the tone for GANGSTA rap in the 90 s, which significantly changed the course of American music history. Author Jake Brown has woven a tale of intense drama that paved the way for some of the world s biggest stars, including: Tupac Shakur, Dr. Dre and Snoop Dogg. The Suge Knight and Death Row Story details the visionary entrepreneur s life story, encompassing his meteoric rise to the top of the charts aer partnering with Dre to found Death Row Records. -
“Straight Outta Compton”—NWA (1988)
“Straight Outta Compton”—N.W.A (1988) Added to the National Registry: 2016 Essay by Ben Westhoff (guest post)* “Straight Outta Compton” LP N..W.A Gangsta rap existed before “Straight Outta Compton,” but N.W.A’s landmark 1988 album popularized the genre and serves as its standard bearer even today. The mythology of the artists behind its creation also continues to loom large: Eazy-E, the Compton crack dealer who used his profits to finance a hip-hop career; Dr. Dre, his neighbor who’d most recently been DJ-ing in flamboyant, sequined outfits for a song-and-dance group; Ice Cube, the ostentatious high school rapper from South Central Los Angeles whose writing gifts matched his aggressive delivery. But it was the characters they imagined--both militarized street kids sick of being humiliated by the cops and brash punks on the hunt for sex and cheap booze--that shaped the album, marching in time to Dr. Dre’s assault of chopped samples, wailing sirens, guitar riffs, and rapid drum machine beats, all of it more tuneful than it sounds on paper. Rounded out by the group’s other firebrand rapper, MC Ren, Dr. Dre’s production partner, MC Yella, and electro-rap holdover Arabian Prince--not to mention hugely influential ghostwriter D.O.C.--N.W.A reshaped hip-hop music in their own image. They called it “reality rap,” but in the beginning it was far from clear that N.W.A would rap unvarnished lyrics threatening the status quo. Dr. Dre and Ice Cube’s earlier music disparaged the gang lifestyle, and just about everyone in the group admired Prince. -
Knight's Gang Feuds
Knight’s gang feuds Marion “Suge” Knight glorified gang violence and hired gang members as he built Death Row Records into the world’s leading rap label. Along the way, he became entangled in bloody gang feuds. Summer 1996 April 3, 2002 Knight fires one of his bodyguards Alton “Buntry” after police inform him that the McDonald, 37, man, a Compton gang member, Knight’s best had orchestrated several killings. friend and chief The man vows revenge against bodyguard, is Knight. shot dead at a gas station in Compton. The June 1, 1997 slaying sets off Aaron “Heron” tit-for-tat shootings among rival Palmer, 30, a factions of the Bloods. member of Knight’s inner circle, is shot June 7, 2002 dead while Eric “Scar” Daniel, 29, a Compton stopped at a red gang member, is shot and killed. light in Police say it was in retaliation for Compton. the slaying of McDonald. April 4, 2000 Oct. 16, 2002 William “Chin” Henry “Hen Walker, 37, is Dog” Smith, 33, killed and a longtime Wardell friend of “Poochie” Knight’s who Fouse, 40, a designed the Knight Death Row logo, associate, is is shot dead seriously injured near a fried- when assailants shoot into their chicken stand in South-Central Chevrolet van on a dead-end L.A. The connection to the earlier street in Compton. slayings is unclear. April 27, 2000 Oct. 22, 2002 Vence “V” Police say they intervened to Buchanan, 35, prevent a Death Row employee an alleged drug from shooting a member of the dealer and Denver Lane faction of the member of the Bloods. -
Filed 8/19/03 Brumflield V. Death Row Records CA2/2 NOT to BE PUBLISHED in the OFFICIAL REPORTS
Filed 8/19/03 Brumflield v. Death Row Records CA2/2 NOT TO BE PUBLISHED IN THE OFFICIAL REPORTS California Rules of Court, rule 977(a), prohibits courts and parties from citing or relying on opinions not certified for publication or ordered published, except as specified by rule 977(b). This opinion has not been certified for publication or ordered published for purposes of rule 977. IN THE COURT OF APPEAL OF THE STATE OF CALIFORNIA SECOND APPELLATE DISTRICT DIVISION TWO LAMONT BRUMFIELD et al., B149561 Plaintiffs and Appellants, (Los Angeles County Super. Ct. No. BC135461) v. DEATH ROW RECORDS, INC., et al., Defendants and Appellants. APPEAL from the judgment and order of the Superior Court of Los Angeles County. Emilie H. Elias, Judge. Affirmed. Christensen, Miller, Fink, Jacobs, Glaser, Weil & Shapiro, Sean Riley and Steven L. Weinberg for Defendants and Appellants. Esner & Chang, Stuart B. Esner and Andrew N. Chang for Plaintiffs and Appellants. * * * * * * Death Row Records, Inc. (hereafter Death Row Records), and its owner Marion Knight (hereafter Knight; sometimes collectively referred to as Death Row) appeal from a judgment entered after a jury found Death Row liable for: (1) interference with contract; (2) interference with prospective economic advantage; and (3) false promise. The jury awarded plaintiffs Lamont and Kenneth Brumfield (individually, Lamont and Kenneth, collectively the Brumfields) $14,344,000. The trial court reduced the damage award to $5,519,000, finding that the damages were duplicative and in excess of the -
MTV Studios to Reimagine “Celebrity Deathmatch” for a New Generation
MTV Studios to Reimagine “Celebrity Deathmatch” for a New Generation December 5, 2018 Ice Cube and Cube Vision Set to Executive Produce, With Ice Cube to Lend Voice Talent in a Lead Role Original Creator Eric Fogel to also Executive Produce, With Additional Talent to Come NEW YORK--(BUSINESS WIRE)--Dec. 5, 2018-- MTV Studios today announced plans to reimagine “Celebrity Deathmatch,” the seminal stop-motion satire that skewered celebrities, politicians and everyone in between during its famed original run. Ice Cube joins the franchise for the first time and will both star and executive produce alongside his partner Jeff Kwatinetz through his Cube Vision production company. Series creator Eric Fogel will return to executive produce as well, with additional showrunners and talent to be named shortly. The all-new “Celebrity Deathmatch” will be available as a weekly series for an exclusive SVOD or premium broadcast partner in 2019. The move marks the first step in reinventing the franchise across consumer products, gaming, theatrical and more. Ice Cube/Cube Vision are represented by WME. “Celebrity Deathmatch” expands Ice Cube’s long-standing relationship with the MTV family, with Cube Vision currently producing “Hip Hop Squares” for MTV sister brand VH1. “We’re excited to grow our partnership with Ice Cube and Cube Vision to reimagine this fan favorite,” said Chris McCarthy, President of MTV, VH1 and CMT. “’Deathmatch’ was the meme before memes, remains a hot topic on social media and will be a smart, funny way to tackle the over-the-top rhetoric of today’s pop culture where it belongs – in the wrestling ring.” “Happy to once again be working with Viacom and MTV on a fan favorite like ‘Celebrity Deathmatch’ and to continue our success together,” said Ice Cube. -
Federal Bureau of Investigation
O O FEDERAL BUREAU OF INVESTIGATION FREEDOM OF INFORMATION AND PRIVACY ACTS SUBJECT: TUPAC SHAKUR FEDERALOF BUREAU INVESTICQION FOIPA DELETED PAGE INFORMATION SHEET Serial Description " COVER SHEET O1/03/1997 Total Deleted Page s! " 28 ~ Page Duplicate -| Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate -I Page Duplicate ~ Page Duplicate -: Page Duplicate ~ Page Duplicate 4-: Page Duplicate ~ Page b7C ~ Page b7C FREEDOM OF INFORMATION AND PRIVACY ACTS SUBJECTT O Tupap _S11:;kyr___ ii I _ FILE NUMBER __ 266A-OLA-2Q1_8Q74 VI-IQ!_ _ _ _ _ _ SECTION NUMBER: _ ,7 _1_ _ _ _ FEDERAL BUREAUOF INVESTIGATION 2/3:/1995! FEDERAL BUREAU OF INVESTIGATION Precedence: ROUTINE Date: 01/03/1997 4/{oz FBIHeadquarters Attn: NSD, CTBranch, DTS,DTOU From! Los Angeles NSD~6 ApprovedI By:I Drafted By: mpbh}I92'I'I'M' Case ID #= 266A-LA-2o1so7,¬3 - ECEASED!;I _ ERIC WRIGHT,AKA EAZY~EVICTIM DECEASED!; WC AOTDTDEATH THREATS 00; LOS ANGELES ARMED AND DANGEROUS synopsis: Status of investigation and request for extension to PI. Previous Title: | _| ET AL; TUPAC SHAKURVICTIM DECEASED!; EAZY-EVICTIM DECEASED!; ACT-DT-DEATH THREATS; O02 LOS ANGELE$ Preliminary Inquiry Initiated: 10/1'7/1996, set to expire 01/17/1995. Enclosures: One original and five copies of a Letterhead Memorandum, dated 01/O3/1997. Details: Title marked changed to reflect the true name of EAZY-E. Enclosed for the Bureau are one original and five copies of a Letterhead Memorandum, dated O1/03/1997, which contains the current status of captioned matter.