DOCSLIB.ORG

To Read the Program Online

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
To Read the Program Online The Artistic Director’s Circle Season Sponsors Gail & Ralph Bryan Una K. Davis Brian & Silvija Devine Joan & Irwin Jacobs Sheri L. Jamieson Frank Marshall and Kathy Kennedy Becky Moores Jordan Ressler Charitable Fund of the The William Hall Tippett and Ruth Rathell Tippett Foundation, Jewish Community Foundation David C. Copley Foundation, Mandell Weiss Charitable Trust, Gary & Marlene Cohen, The Rich Family Foundation The Dow Divas, Foster Family Fund of the Jewish Community Foundation, The Fredman Family, Wendy Gillespie & Karen Tanz, Lynn Gorguze & The Honorable Dr. Seuss Fund at The San Diego Scott Peters, Kay & Bill Gurtin, Debby & Hal Jacobs, Lynelle & William Lynch, Foundation and Molli Wagner Steven Strauss & Lise Wilson JUNE 30 – JULY 28 PRODUCTION SPONSORS Una K. Davis Larry & Robin Rusinko The Paula Marie Black Endowment for Women’s Voices in the Art of Theatre Dear Friends, LA JOLLA PLAYHOUSE PRESENTS When I first read Melissa Ross’s new Christopher Ashley Debby Buchholz play, The Luckiest, I was confronted The Rich Family Artistic Director of La Jolla Playhouse Managing Director of La Jolla Playhouse by the fascinating irony of its title. The central character, Lissette, has consistently and voraciously devoured MISSION STATEMENT: life on her own terms. When she gets MISSION STATEMENT: diagnosed with a serious illness, it La Jolla Playhouse advances initially seems to be an event that is as Latheatre Jolla Playhouse as an art formadvances and astheatre a vital as unlucky as it gets. But the joy of Melissa’s play is that it asks us ansocial, art form moral and and as apolitical vital social, platform moral to reconsider what good fortune actually looks like, even in the andby providingpolitical platform unfettered by providing creative most extreme of circumstances. unfetteredopportunities creative for theopportunities leading artists As Lissette navigates her new reality alongside her mother Cheryl for the leading artists of today and BY of today and tomorrow. With our and her best friend Peter, what emerges is an essential story of tomorrow. With our youthful spirit and youthful spirit and eclectic, artist- how we choose to take care of each other – and ourselves. How MELISSA ROSS eclectic, artist-driven approach, we driven approach, we will continue can we exert control over our lives when seemingly all options will continue to cultivate a local and are closed off? How can we maintain our independence while still to cultivate a local and national national following with an insatiable being open to accepting help? appetitefollowing for with audacious an insatiable and diverse appetite DIRECTED BY work.for audacious In the future, and San diverse Diego’s work. La With surprising humor and startling insight, Melissa has created JAIME CASTAÑEDA JollaIn the Playhouse future, San will Diego’sbe considered La Jolla three richly-human characters who struggle to genuinely see each singularlyPlayhouse indispensable will be considered to the other, who fight and love with equal ferocity, who come to realize that true generosity and understanding from our family – and our worldwidesingularly theatreindispensable landscape, to the as we become a permanent safe harbor for chosen family – are among the luckiest things you can possess. worldwide theatre landscape, as FEATURING the unsafe and surprising. The day will we become a permanent safe In addition to introducing Melissa’s work to San Diego audiences, come when it will be essential to enter DEIRDRE LOVEJOY*, ALEQUE REID*, REGGIE D. WHITE* harbor for the unsafe and surprising. The Luckiest also reunites us with Jaime Castañeda, who served the La Jolla Playhouse village in order as the Playhouse’s Associate Artistic Director from 2014 to 2018. The day will come when it will to get a glimpse of what is about to It’s our great fortune to welcome him back with this urgent, happenbe essential in American to enter theatre. the La Jolla compassionate and tender story. SCENIC DESIGN TIM MACKABEE Playhouse village in order to get a COSTUME DESIGN DENITSA BLIZNAKOVA glimpse of what is about to happen CHRISTOPHER ASHLEY in American theatre. THE RICH FAMILY ARTISTIC DIRECTOR LIGHTING DESIGN LAP CHI CHU OF LA JOLLA PLAYHOUSE COMPOSER AND SOUND DESIGN RYAN RUMERY DRAMATURG GABRIEL GREENE La Jolla Playhouse gives heartfelt thanks to our lead donors for their generous contributions CASTING TELSEY + COMPANY; KARYN CASL, C.S.A.; DESTINY LILLY to the Sheri L. Jamieson New Work Development Fund for La Jolla Playhouse: STAGE MANAGER ANJEE NERO* Sheri L. Jamieson Joan and Irwin Jacobs STAGE MANAGER DEAN REMINGTON* ASSISTANT STAGE MANAGER KIRA VINE PROJECT PRODUCTION MANAGER BECCA DUHAIME Developed with the support of New York Stage & Film's 2018 Winter Season. The deep commitment to developing new work is at the very core of the Playhouse’s identity and the Sheri L. Jamieson Developed, in part, with Rattlestick Playwrights Theater. New Work Development Fund for La Jolla Playhouse provides lasting resources to such vital programs as the DNA New Work Series, Page To Stage, artist commissions and residencies, and Without Walls programs, securing our legacy of new work development, as well as our place at the forefront of the American theatre landscape. THE COMPANY THE CAST DEIRDRE LOVEJOY, Cheryl JAIME CASTAÑEDA, Director (in alphabetical order) La Jolla Playhouse: Debut. Broadway: Nora Ephron’s Lucky served as La Jolla Playhouse’s Associate Artistic Director from 2014 to Guy (starring Tom Hanks), Six Degrees of Separation, The 2018, where he directed Will Power’s Seize the King, Rachel Bonds’ Cheryl ............................................................................................................................ Deirdre Lovejoy* Gathering, Getting and Spending. Off-Broadway: How I At the Old Place, Mike Lew’s Tiger Style! and Rajiv Joseph’s Guards at Learned to Drive (original production). Regional: Macbeth the Taj. Other productions include Vietgone (American Conservatory Lissette .................................................................................................................................Aleque Reid* (The Old Globe). Ms. Lovejoy has appeared in over 100 Theatre), The Elaborate Entrance of Chad Deity by Kristoffer Diaz (Dallas plays and episodes of television, including The Wire, The Blacklist, NCIS, Theater Center), Chimichangas and Zoloft by Fernanda Coppel (Atlantic Peter ..............................................................................................................................Reggie D. White* The West Wing, Girls, Bones (The Gravedigger) and the upcoming Theater Company), How We Got On by Idris Goodwin (Cleveland Play Raising Dion (Netflix, October). Recent film: The Post, Step Up, I Am House), The Royale by Marco Ramirez (American Theater Company), Elizabeth Smart (Wanda Barzee). B.F.A.: University of Evansville; M.F.A.: Welcome to Arroyo’s by Kristoffer Diaz (The Old Globe) and Red Light Time and Place: NYU. Currently developing her solo play Bird Elephant China. Thank you Winter by Adam Rapp (Perseverance Theatre). He has also developed Spanning the last decade or so Mr. Pickles & Mrs. Pickles. Visit DeirdreLovejoy.com. Social: @ddlovejoy. new plays with the Eugene O’Neill Theater Center, Rattlestick Theater, Portland Center Stage, Denver Center Theatre, The Kennedy Center and New York City and Vermont ALEQUE REID, Lissette the Atlantic Theater Company, where he spent five seasons as Artistic La Jolla Playhouse: Debut. Off-Broadway: Domesticated Associate. A Drama League Fellow, Jaime is the recipient of a Princess The Luckiest will be performed in one act without an intermission. (Lincoln Center Theater); All’s Well That Ends Well (Public Grace Award and a TCG New Generations Grant. He holds an M.F.A. in Theater); Nobody Loves You (Second Stage); Really Really Directing from The University of Texas at Austin. (MCC). National Tour: Hair (Jeanie). TV: Dying Up Here, Doubt. Film: Insidious: The Last Key, A Simple Wedding. TIM MACKABEE, Scenic Designer ADDITIONAL STAFF VO: Trolls: The Beat Goes On, Captain Underpants, Dragon Rescue La Jolla Playhouse: Debut. Broadway: The Elephant Man (starring Bradley Riders, Pitch Perfect 3, The Grinch Movie, Super Monsters. Education: Cooper), Mike Tyson: Undisputed Truth (dir. Spike Lee). West End: The UNCSA. For my loves, Heath and Reid. Elephant Man. Off-Broadway: Heathers The Musical, The Last Match ‡ Assistant Director .......................................Natalia Duong Scenic Design Resident Assistant .................Hsi-An Chen (Roundabout); Vietgone, Important Hats of the Twentieth Century (MTC); Assistant Scenic Designer ........................ Anna Robinson ALS Consultant............................................. Eric Andrews REGGIE D. WHITE, Peter Guards at the Taj (Lortel Award), Describe the Night, The Penitent, Our La Jolla Playhouse: Hundred Days, The Last Tiger in Haiti. New Girl (Atlantic Theater); Luce (Lincoln Center Theater); Gigantic Assistant Lighting Designer ......................Rachel Tibbetts Speech Consultant ..................................Joanna Burgess Off-Broadway: Hundred Days, I & You, For the Last Time. (Vineyard Theatre); Much Ado About Nothing (Public Theater). TV: Amy Assistant Sound Designer........................ Mason Pilevsky Physical Consultant .................................... Jesse J. Perez Selected Regional: The Bluest Eye (Arden Theatre), Eddie Schumer: Live at the Apollo (HBO), Mike Tyson: Undisputed Truth (HBO), the Marvelous... (O’Neill),
Load more

Recommended publications
  • SUMMIT ENTERTAINMENT in Associazione Con OFFSPRING ENTERTAINMENT
    Medusa Film presenta una produzione SUMMIT ENTERTAINMENT in associazione con OFFSPRING ENTERTAINMENT STEP UP Channing Tatum, Jenna Dewan Mario, Drew Sidora e Rachel Griffiths un film di ANNE FLETCHER prodotto da Patrick Wachsberger, Erik Feig, Adam Shankman, Jennifer Gibgot distribuzione www.medusa.it IL CAST Tyler Gage CHUNNING TATUM Nora Clark JENNA DEWAN Mac Carter DAMAINE RADCLIFF Skinny Carter DE’SHAWN WASHINGTON Miles Darby MARIO Lucy Avila DREW SIDORA Direttrice Gordon RACHEL GRIFFITHS Brett Dolan JOSH HENDERSEN Andrew TIM LACATENA Camille ALYSON STONER Omar HEAVY D Mamma di Nora/Katherine Clark DEIRDRE LOVEJOY 2 I REALIZZATORI Regia ANNE FLETCHER Sceneggiatura DUANE ADLER MELISSA ROSENBERG Produttori PATRICK WACHSBERGER ERIK FEIG ADAM SHANKMAN JENNIFER GIBGOT Produttori esecutivi BOB HAYWARD DAVID GARRETT JOHN H. STARKE Direttore della fotografia MICHAEL SERESIN Scenografo SHEPHERD FRANKEL Montaggio NANCY RICHARDSON Costumi ALIX HESTER Compositore AARON ZIGMAN Supervisore alle musiche BUCK DAMON Uscita 26 gennaio 2007 Nazionalità U.S.A. Durata 100 minuti 3 SINOSSI Lui è un ribelle spavaldo proveniente dalla parte degradata di Baltimora; lei una ballerina privilegiata di una scuola d’elite di arti dello spettacolo. I loro mondi non potrebbero essere più diversi ma quando i loro destini entrano in collisione, tra di loro volano scintille che accendono una favola esilarante alimentata dall’ hip- hop facendo realizzare un sogno improbabile grazie all’unica chance esistente. Con un interessante cast di giovani nuovi talenti del grande schermo, STEP UP è una storia realistica di trascendenza guidata da musica e danza. Tyler Gage (CHANNING TATUM) è cresciuto trascorrendo la propria vita sulle strade dure della città e sa che è improbabile che ce la possa mai fare ad andarsene.
    [Show full text]
  • National Endowment for the Arts Annual Report 1990
    National Endowment For The Arts Annual Report National Endowment For The Arts 1990 Annual Report National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts for the Fiscal Year ended September 30, 1990. Respectfully, Jc Frohnmayer Chairman The President The White House Washington, D.C. April 1991 CONTENTS Chairman’s Statement ............................................................5 The Agency and its Functions .............................................29 . The National Council on the Arts ........................................30 Programs Dance ........................................................................................ 32 Design Arts .............................................................................. 53 Expansion Arts .....................................................................66 ... Folk Arts .................................................................................. 92 Inter-Arts ..................................................................................103. Literature ..............................................................................121 .... Media Arts: Film/Radio/Television ..................................137 .. Museum ................................................................................155 .... Music ....................................................................................186 .... 236 ~O~eera-Musicalater ................................................................................
    [Show full text]
  • Partners Handbook 2020/2021 Season
    The cast of Cambodian Rock Band; photo by Jim Carmody. Partners Handbook 2020/2021 Season Mission Statement La Jolla Playhouse Partners shall: Promote La Jolla Playhouse Donate time and services to the Playhouse Strengthen Playhouse ties with the community by participating in special projects of the Playhouse and community TABLE OF CONTENTS 1. HISTORY OF LA JOLLA PLAYHOUSE ............................................................................................................................. 3 2. GENERAL INFORMATION ........................................................................................................................................... 4 2.1 Additional Benefits ...................................................................................................................................... 5 2.2 Partners Board ............................................................................................................................................ 5 2.3 New Member Services ................................................................................................................................. 7 2.4 Name Badges .............................................................................................................................................. 7 2.5 Ticket Opportunities .................................................................................................................................... 7 2.6 Volunteer Hours .........................................................................................................................................
    [Show full text]
  • As Writers of Film and Television and Members of the Writers Guild Of
    July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C.
    [Show full text]
  • The Wire the Complete Guide
    The Wire The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Tue, 29 Jan 2013 02:03:03 UTC Contents Articles Overview 1 The Wire 1 David Simon 24 Writers and directors 36 Awards and nominations 38 Seasons and episodes 42 List of The Wire episodes 42 Season 1 46 Season 2 54 Season 3 61 Season 4 70 Season 5 79 Characters 86 List of The Wire characters 86 Police 95 Police of The Wire 95 Jimmy McNulty 118 Kima Greggs 124 Bunk Moreland 128 Lester Freamon 131 Herc Hauk 135 Roland Pryzbylewski 138 Ellis Carver 141 Leander Sydnor 145 Beadie Russell 147 Cedric Daniels 150 William Rawls 156 Ervin Burrell 160 Stanislaus Valchek 165 Jay Landsman 168 Law enforcement 172 Law enforcement characters of The Wire 172 Rhonda Pearlman 178 Maurice Levy 181 Street-level characters 184 Street-level characters of The Wire 184 Omar Little 190 Bubbles 196 Dennis "Cutty" Wise 199 Stringer Bell 202 Avon Barksdale 206 Marlo Stanfield 212 Proposition Joe 218 Spiros Vondas 222 The Greek 224 Chris Partlow 226 Snoop (The Wire) 230 Wee-Bey Brice 232 Bodie Broadus 235 Poot Carr 239 D'Angelo Barksdale 242 Cheese Wagstaff 245 Wallace 247 Docks 249 Characters from the docks of The Wire 249 Frank Sobotka 254 Nick Sobotka 256 Ziggy Sobotka 258 Sergei Malatov 261 Politicians 263 Politicians of The Wire 263 Tommy Carcetti 271 Clarence Royce 275 Clay Davis 279 Norman Wilson 282 School 284 School system of The Wire 284 Howard "Bunny" Colvin 290 Michael Lee 293 Duquan "Dukie" Weems 296 Namond Brice 298 Randy Wagstaff 301 Journalists 304 Journalists of The Wire 304 Augustus Haynes 309 Scott Templeton 312 Alma Gutierrez 315 Miscellany 317 And All the Pieces Matter — Five Years of Music from The Wire 317 References Article Sources and Contributors 320 Image Sources, Licenses and Contributors 324 Article Licenses License 325 1 Overview The Wire The Wire Second season intertitle Genre Crime drama Format Serial drama Created by David Simon Starring Dominic West John Doman Idris Elba Frankie Faison Larry Gilliard, Jr.
    [Show full text]
  • PRESS RELEASE (858) 228-3094 | [email protected]
    Contact: Becky Biegelsen PRESS RELEASE (858) 228-3094 | [email protected] LA JOLLA PLAYHOUSE ANNOUNCES HUNDRED DAYS, THE BENGSONS’ “LUMINOUS MUSICAL MEMOIR,” AS FINAL PRODUCTION OF 2018/2019 SEASON RUN DATES SET FOR FULL SEASON SLATE La Jolla, CA – La Jolla Playhouse announces Hundred Days, book by The Bengsons and Sarah Gancher, music and lyrics by The Bengsons, directed by Anne Kauffman, and movement direction by Sonya Tayeh, as the final production of its 2018/2019 season, to run September 22 – October 21 in the Mandell Weiss Forum. Dubbed “a luminous musical memoir” and a Critic’s Pick by The New York Times, Hundred Days is an exhilarating and heartrending autobiographical piece, written and performed by husband-and-wife team Abigail and Shaun Bengson, about embracing uncertainty, taking a leap, and loving as if you only had a hundred days to live. With their magnetic chemistry and unique musical style, the Bengsons explore the fundamental question of how to make the most of the time you have. “This deeply honest and life-affirming show is a terrific addition to the 2018/2109 season,” said Playhouse Artistic Director and 2017 Tony Award winner Christopher Ashley. “I’m always looking for vibrant and distinct new voices – as well as unique ways of storytelling – and the Bengsons speak to both these aims, culminating in a singular piece of theatre that defies genres. I can’t wait to share with our audiences.” Hundred Days joins the previously-announced 2018/2019 season productions of The Squirrels (June 5 – July 1), queens (July 3 – 29), Seize the King (August 21 – September 16), The Year to Come (December 4 – 30) and Diana (February 19 – March 31, 2019).
    [Show full text]
  • PRESS RELEASE Contact: Becky Biegelsen (858) 228-3092 | [email protected]
    PRESS RELEASE Contact: Becky Biegelsen (858) 228-3092 | [email protected] LA JOLLA PLAYHOUSE ANNOUNCES CAST AND CREATIVE TEAM FOR WORLD PREMIERE OF PUT YOUR HOUSE IN ORDER PLAYHOUSE KICKS OFF 2019/2020 SEASON WITH NEW WORK BY ACCLAIMED CHICAGO PLAYWRIGHT IKE HOLTER La Jolla, CA – La Jolla Playhouse announces the cast and creative team for its world-premiere production of Put Your House in Order, by acclaimed Chicago playwright Ike Holter (Lottery Day), directed by Lili-Anne Brown. The show kicks off the Playhouse’s 2019/2020 season, running in the Playhouse’s Mandell Weiss Forum June 2 – 30 (press opening: Saturday, June 8 at 8:00pm). The cast features Behzad Dabu (TV’s How to Get Away with Murder) as “Rolan,” local actress Linda Libby as “Josephine” and Shannon Matesky as “Caroline.” The creative team includes Arnel Sancianco, Scenic Designer; David Israel Reynoso (Playhouse’s Queens, Waking La Llorona, and many others), Costume Designer; Amanda Zieve, Lighting Designer; Victoria Deiorio, Sound Designer; Steve Rankin (Playhouse’s SUMMER: The Donna Summer Musical, Jersey Boys, and many others), Fight Director; Gabriel Greene, Dramaturg; Phyllis Schuringa, Casting; and Marie Jahelka, Stage Manager. “Rising Chicago playwright Ike Holter has created a funny yet suspenseful, genre-bending piece that I’ve never seen on stage – a play that had me laughing out loud and made the hair stand up on the back of my neck. I can’t think of a better way to launch our new season,” said Playhouse Artistic Director Christopher Ashley. In Put Your House in Order, Caroline and Rolan’s first date begins as a pretty average night that ends at her house in an upscale Chicago suburb.
    [Show full text]
  • Newsletter 15/10 DIGITAL EDITION Nr
    ISSN 1610-2606 ISSN 1610-2606 newsletter 15/10 DIGITAL EDITION Nr. 278 - September 2010 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 15/10 (Nr. 278) September 2010 editorial Hallo Laserdisc- und DVD-Fans, auch jede Menge Filme auf dem liebe Filmfreunde! Fantasy Filmfest inspiziert. Diese sind Herzlich willkommen zum ersten jedoch in seinem Blog nicht enthalten, Newsletter nach unserer Sommer- sondern werden wie üblich zu einem pause. Es ist schon erstaunlich, wie späteren Zeitpunkt in einem separaten schnell so ein Urlaub vorbeigehen Artikel besprochen werden. Als ganz kann. Aber wie sollten wir es auch besonderes Bonbon werden wir in ei- merken? Denn die meiste Zeit ha- ner der nächsten Ausgaben ein exklu- ben wir im Kino verbracht. Unser sives Interview mit dem deutschstäm- Filmblogger Wolfram Hannemann migen Regisseur Daniel Stamm prä- hat es während dieser Zeit immer- sentieren, das unser Filmblogger wäh- hin auf satte 61 Filme gebracht! Da rend des Fantasy Filmfests anlässlich bleibt nicht viel Zeit für andere Ak- des Screenings von Stamms Film DER tivitäten, zumal einer der gesichte- LETZTE EXORZISMUS geführt ten Filme mit einer Lauflänge von 5 hat. ½ Stunden aufwartete. Während wir dieses Editorial schreiben ist er Sie sehen – es bleibt spannend! schon längst wieder dabei, Filmein- führungen für das bevorstehende Ihr Laser Hotline Team 70mm-Filmfestival der Karlsruher Schauburg zu schreiben. Am 1. Ok- tober geht’s los und hält uns und viele andere wieder für drei ganze Tage und Nächte auf Trab.
    [Show full text]
  • National Endowment for the Arts Annual Report 1989
    National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1989. Respectfully, John E. Frohnmayer Chairman The President The White House Washington, D.C. July 1990 Contents CHAIRMAN’S STATEMENT ............................iv THE AGENCY AND ITS FUNCTIONS ..............xxvii THE NATIONAL COUNCIL ON THE ARTS .......xxviii PROGRAMS ............................................... 1 Dance ........................................................2 Design Arts ................................................20 . Expansion Arts .............................................30 . Folk Arts ....................................................48 Inter-Arts ...................................................58 Literature ...................................................74 Media Arts: Film/Radio/Television ......................86 .... Museum.................................................... 100 Music ......................................................124 Opera-Musical Theater .....................................160 Theater ..................................................... 172 Visual Arts .................................................186 OFFICE FOR PUBLIC PARTNERSHIP ...............203 . Arts in Education ..........................................204 Local Programs ............................................212 States Program .............................................216
    [Show full text]
  • UE Theatre Viewbook
    Department of Theatre 1800 Lincoln Avenue Evansville, Indiana 47722 theatre.evansville.edu [email protected] University of Evansville Theatre 812.488.2744 Educating future professionals. PERFORMANCE Bachelor of Fine Arts Bachelor of Science PEER GYNT, May Studio Theatre EXPERIENCE Performance majors experience in-depth UE THEATRE... classroom training in improvisation, games, clowning, voice and speech, movement, UE Theatre encourages students to explore the script analysis, character and scene study full breadth of career development opportunities (utilizing contemporary and classical texts), available to them throughout the entertainment as well as advanced audition techniques. industry. The mentoring of each student’s This comprehensive curriculum prepares HAMLET, Shanklin Theatre particular strengths and talents is coupled with them to work on a wide range of material practical experiences in auditions, mock job in multiple mediums. interviews, portfolio development, and a true desire to foster personal and professional success for Mainstage and studio productions, student- every graduate. directed projects, classroom work, and UE Theatre productions provide purposeful experiences tailored to challenge and cultivate growth in an staged readings, as well as a traveling individual student’s path as a theatre artist. Students have the opportunity to work in all three venues: Shakespeare troupe, allow actors to the 482-seat Shanklin Theatre, the versatile May Studio Theatre, and the newly created John David Lutz further develop and perfect their craft in a Theatre Lab. variety of hands-on settings. THE WOLVES, May Studio Theatre Theatre Studies majors must be of the highest THEATRE STUDIES academic caliber, possess demonstrated talent, THEATRE MANAGEMENT and exhibit an interest and proficiency in Bachelor of Science several areas of theatre.
    [Show full text]
  • PRESS RELEASE (619) 316-5196 | [email protected]
    Contact: Becky Biegelsen PRESS RELEASE (619) 316-5196 | [email protected] LA JOLLA PLAYHOUSE ANNOUNCES SPECIAL ENGAGEMENT OF NEW SHOW BY ACCLAIMED COMEDIAN HASAN MINHAJ LA JOLLA, CA — La Jolla Playhouse is pleased to announce a special engagement of Hasan Minhaj – Experiment Time, written and performed by Hasan Minhaj (Netflix’s Patriot Act with Hasan Minhaj). The event features the acclaimed comedian as he showcases and prepares material for his new one-man show in the Playhouse’s intimate setting. Performances will take place July 30 and July 31 at 7:00pm and 9:30pm in the Mandell Weiss Forum. Patrons are encouraged to arrive early to enjoy food trucks and pre-show atmosphere. Tickets ($39 - $59) go on sale July 8 and will be available at www.LaJollaPlayhouse.org. “Hasan Minhaj’s inimitable brand of comedy has its finger squarely on the pulse of our national zeitgeist. I’ve been a fan of his work for years, and it’s a true pleasure to welcome him to the Playhouse to develop his new show,” said Christopher Ashley, the Rich Family Artistic Director of La Jolla Playhouse. Hasan Minhaj was the host and creator of the weekly comedy show Patriot Act with Hasan Minhaj that premiered on Netflix in October 2018. The series explored the modern cultural and political landscape with depth and sincerity through his unique comedic voice. The show received a 2019 Peabody Award, a 2019 Primetime Emmy Award for “Outstanding Motion Design,” and was recognized for a 2020 Television Academy Honor. In 2017, Minhaj earned rave reviews for his performance hosting the 2017 White House Correspondents Dinner, and for his one-hour Netflix comedy special Hasan Minhaj: Homecoming King, which earned him a 2018 Peabody Award.
    [Show full text]
  • Borrero, C.A.S
    FELIPE “FLIP” BORRERO, C.A.S. Production Sound Mixer Member, IATSE 695 & 479 Felipe Borrero, or Flip as he prefers to be called, has been mixing sound since the late seventies. He’s had the opportunity to work on a very diverse and long list of shows, both in Features and Television. His career started in New York City. In 1993 Flip moved to sunny Los Angeles and is currently based in Atlanta where he has lived and remained busy for several years. Flip won an Emmy Award for Outstanding Sound Mixing on HBO’s acclaimed telefilm The Rat Pack. Flip enjoys alternating between Features and Television and has seen and adapted to the changes in both mediums as well as keeping up to date with constantly evolving sound technology. On set, Flip’s philosophy of respect and admiration for all is one of the reasons he and his professional sound crew get repeat business and praise from producers, talent and directors. When not working, Flip enjoys kayaking, cooking for friends, meeting new people and of course watching films. Flip works Atlanta and Los Angeles local. Television (Selected credits) Production Director/Producer/Company/Network DOOM PATROL (Season 2) Various / Greg Berlanti / Warner Bros TV/ DC Universe LOVESTRUCK (2019 dramedy pilot) Sanna Hamri Tom Kapinos / 20th Fox TV / Fox RAISING DION (Season 1) Various / Dennis A Liu, Michael B. Jordan / Netflix OZARK (Seasons 2 - 4 and last 2 eps Season 1) Various / Jason Bateman / Zero Gravity /Netflix 2020 Emmy Nomination – Outstanding Sound Mixing for a Comedy or Drama Series (One Hour) 2019 Emmy Nomination –Outstanding Sound Mixing for a Comedy or Drama Series (One Hour) 2018 C.A.S.
    [Show full text]