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Art in America the EPIC BANAL
Art in America THE EPIC BANAL BY: Amy Sherald, Tyler Mitchell May 7, 2021 10:08am Tyler Mitchell: Untitled (Blue Laundry Line), 2019. Amy Sherald (https://www.artnews.com/t/amy-sherald/): A Midsummer Afternoon Dream, 2020, oil on canvas, 106 by 101 inches. Tyler Mitchell and Amy Sherald—two Atlanta-born, New York–based artists—both capture everyday joy in their images of Black Americans. Recurring motifs in Mitchell’s photographs, installations, and videos include outdoor space and fashionable friends. Sherald, a painter, shares similar motifs: her colorful paintings with pastel palettes show Black people enjoying American moments, their skin painted in grayscale, the backgrounds and outfits flat. Both are best known for high-profile portrait commissions: in 2018 Mitchell became the first Black photographer to have a work grace the cover of Vogue. That shot of Beyoncé was followed, more recently, by a portrait of Kamala Harris for the same publication. Michelle Obama commissioned Amy Sherald to paint her portrait, and last year Vanity Fair asked Sherald to paint Breonna Taylor for a cover too. Below, the artists discuss the influence of the South on their work, and how they navigate art versus commercial projects. —Eds. Amy Sherald: Precious jewels by the sea, 2019, oil on canvas, 120 by 108 inches. TYLER MITCHELL: Amy, we spoke before about finding freedom and making your own moments of joy. I think of Precious jewels by the sea [2019]—your painting of two couples at the beach, showing the men standing with the women on their shoulders—as a moment that you constructed. -
Stations WNYE (FM) and WNYE-TV Are Equal Opportunity Employers
EEO PUBLIC FILE REPORT This Report covers full-time vacancy recruitment data for the period: January 23, 2018 – January 22, 2019. 1) Employment Unit: New York City Department of Information Technology and Telecommunications (“DoITT”)/Mayor’s Office of Media and Entertainment (“MOME”)/NYC Media 2) Unit Members (Stations and Communities of License): WNYE(FM), WNYE-TV 3) EEO Contact Information for Employment Unit: Chisom Ananaba Mailing Address: Telephone Number: (212) 974-4019 NYC Media Contact Person/Title: Chisom Ananaba, Assistant 1 Centre Street, 26th Floor General Counsel New York, NY 10007 E-mail Address: [email protected] 4) Full-Time Job Vacancies Filled by Each Station in the Employment Unit: Job Title Recruitment Source Referring Hiree (a) Graphic Designer Citywide distribution through www.nyc.gov (b) Master Control Operator Citywide distribution through www.nyc.gov (c) Broadcast and IT Support Engineer Citywide distribution through www.nyc.gov (d) Press Secretary/Director of Digital Media Citywide distribution through www.nyc.gov (e) Executive Assistant to Commissioner Citywide distribution through www.nyc.gov (f) Director of Gov’t and Legislative Affairs Citywide distribution through www.nyc.gov Consistent with City of New York policy, notice of each full-time vacancy was posted on www.nyc.gov. 5) Total # of Interviewees Referred: For the period from January 23, 2018 through January 22, 2019 this Employment Unit interviewed 44 interviewees for full-time job vacancies. 6) Recruitment Initiatives. List and briefly describe the Supplemental Recruitment Initiatives undertaken during the period covered by this Report. (a) Participation in Job Fairs DoITT hiring representatives attended 1 job fair in 2018--Tech Job Tour (LGBTQ Community) June 19, 2018. -
Annual Report 2018-2019
ANNUAL REPORT 2018-2019 1 2 CONTENTS A Letter from Our Executive Director 4 A Letter from the Chair of the Board 5 Our Namesakes 6 Celebrating Our History: 50 Years of LGBTQ Health 8 Timeline 12 Reflections on our History 14-17 Our Patients 18 A Year in Photos 22 Our Staff 24 Callen-Lorde Brooklyn 26 Board of Directors 28 Senior Leadership 29 Howard J. Brown Society 30 Our Supporters 32 ABOUT US Callen-Lorde is the global leader in LGBTQ healthcare. Since the days of Stonewall, we have been transforming lives in LGBTQ communities through excellent comprehensive care, provided free of judgment and regardless of ability to pay. In addition, we are continuously pioneering research, advocacy and education to drive positive change around the world, because we believe healthcare is a human right. 3 A LETTER FROM OUR EXECUTIVE DIRECTOR Dear Friends, Supporters, and Community Members, Fifty years ago, Sylvia Rivera and Marsha P. Johnson were among the first brick throwers in the Stonewall Rebellions, igniting the fire that began – slowly – to change LGBTQ lives. That same year, the beginnings of Callen- Lorde started when two physicians opened the St. Mark’s Health Clinic to provide free healthcare services to the ‘hippies, freaks, and queers’ in the East Village. Today, that little clinic is Callen-Lorde Community Health Center - a network of health centers soon to be in three boroughs of New York City and improving LGBTQ health worldwide. What has not changed in 50 years is our commitment to serving people regardless of ability to pay, our passion for health equity and justice for our diverse LGBTQ communities and people living with HIV, and our belief that access to healthcare is a human right and not a privilege. -
Susan Arons, Managing Director Susie Oversees Rubenstein's
Susan Arons, Managing Director Susie oversees Rubenstein’s lifestyle and entertainment practice and has extensive experience in all aspects of cause-related, corporate entertainment, music, television and film publicity. Her work spans a wide range – from corporate public relations to film financing to publicity for individual films, shows and events; from marketing support and product launches to brand building; from crisis communications to reputation management. At Rubenstein, she has managed the agency’s representation and promotion of MGM Studios; BMW; Refinery29; Media Rights Capital; New Regency; Focus Features; Entertainment One; STARZ; AMC Networks; The Bowery Presents; AEG; Universal Music Group; Marlo Thomas’ THAT WOMAN!; Jimmy Iovine; Nina Jacobson and ColorForce; Tribeca Film Festival; St. Jude Children’s Research Hospital; and film and television campaigns, including “The Hunger Games” franchise, “LOVING,” “The Girlfriend Experience,” “Wall Street Money Never Sleeps,” “Saw” (films IV, V, VI, The Final Chapter and Legacy), “The People vs. OJ Simpson: American Crime Story,” “London Has Fallen,” “Inside Job,” “West of Memphis,” “Precious,” and the upcoming “The Circle” starring Tom Hanks and Emma Watson and the HBO documentary series, “The Defiant Ones.” Susie has also led sophisticated, strategic campaigns for causes including Autism Speaks, College Summit, and Nelson Mandela Day. Prior to joining Rubenstein, Susie was vice president of PR for Radio City Entertainment/MSG for six years. She developed promotional relationships and oversaw publicity for 300 annual music/entertainment events, including the MTV Music Awards, Barbra Streisand’s Farewell and Michael Jackson’s 30th Anniversary concerts. Earlier in her career, she owned her own public relations firm whose clients included Sports Illustrated, American Express, the Bolshoi Ballet, and the GRAMMY Awards and Grammy Foundation. -
The 2020 TJFP Team
On the Precipice of Trans Justice Funding Project 2020 Annual Report Contents 2 Acknowledgements 4 Terminology 5 Letter from the Executive Director 11 Our Grantmaking Year in Review 20 Grantees by Region and Issue Areas 22 The 2020 TJFP Team 27 Creating a Vision for Funding Trans Justice 29 Welcoming Growth 34 Funding Criteria 35 Some of the Things We Think About When We Make Grants 37 From Grantee to Fellow to Facilitator 40 Reflections From the Table 43 Our Funding Model as a Non-Charitable Trust 45 Map of 2020 Grantees 49 Our 2020 Grantees 71 Donor Reflections 72 Thank You to Our Donors! This report and more resources are available at transjusticefundingproject.org. Acknowledgements We recognize that none of this would have been possible without the support of generous individuals and fierce communities from across the nation. Thank you to everyone who submitted an application, selected grantees, volunteered, spoke on behalf of the project, shared your wisdom and feedback with us, asked how you could help, made a donation, and cheered us on. Most of all, we thank you for trusting and supporting trans leadership. A special shoutout to our TJFP team, our Community Grantmaking Fellows and facilitators; Karen Pittelman; Nico Amador; Cristina Herrera; Zakia Mckensey; V Varun Chaudhry; Stephen Switzer at Rye Financials; Raquel Willis; Team Dresh, Jasper Lotti; butch.queen; Shakina; Nat Stratton-Clarke and the staff at Cafe Flora; Rebecca Fox; Alex Lee of the Grantmakers United for Trans Communities program at Funders for LGBT Issues; Kris -
From Ordinary Teenager to Superstar
From ordinary teenager to superstar: The construction of a micro-celebrity status using the affordances of social media platforms Master Thesis: New media & digital culture Utrecht University, april 2017 Hanneke van de Put, 5695821 Supervisor, René Glas Second reader, Anne Kustritz Abstract The changing technological advances made by contemporary social media platforms have led to a situation where, in theory, everyone can become famous. This thesis explores the role of the affordances of social media platforms and the requirements for achieving such a do-it-yourself celebrity status, also known as micro-celebrity. First, it focuses on the concept of micro-celebrity; the course where individuals market themselves by adopting self- consciously constructed personas, like brands or celebrities, when presenting themselves to an audience or fan base. The analysis focuses on the affordances of the platforms Musical.ly, YouTube and Instagram and the notion of micro-celebrity as illustrated by three micro-celebrities: Baby Ariel, Jacob Sartorius and Loren Gray. The relationships between the technical affordances of three social media platforms and the use of self-representation techniques employed in the pursuit of micro-celebrity, viewed from a political economy perspective, are the central focus of this research. The analysis shows that both the platforms and micro-celebrities intelligently exploit the possibilities afford by each other in order to increase their (economic) capital. Keywords: Micro-celebrity, affordances, social media, political economy Image on the first page: Loren Gray (2017) 2 Acknowledgement The past two years, pre-master and master, felt like a rollercoaster with highs and lows. I’d like to take this opportunity to thank some people. -
Annual Report 2019 - 2020
ANNUAL REPORT 2019 - 2020 1 2 ABOUT US Callen-Lorde is the global leader in LGBTQ healthcare. Since the days of Stonewall, we have been transforming lives in LGBTQ communities through excellent comprehensive care, provided free of judgment and regardless of ability to pay. In addition, we are continuously pioneering research, advocacy and education to drive positive change around the world, because we believe healthcare is a human right. CONTENTS History and Namesakes . 4 A Letter from our Executive Director Wendy Stark . 6 A Letter from our Board Chair Lanita Ward-Jones ������������������������������������������������������������ 7 COVID-19 Impact . 8 Callen-Lorde Brooklyn ������������������������������������������������������������������������������������������������������������������������������������������������10 Advocacy & Policy ��������������������������������������������������������������������������������������������������������������������������������������������������������������10 The Keith Haring Nurse Practitioner Postgraduate Fellowship in LGBTQ+ Health ������������������������������������������������������������������������������������������������������������������������������������������������������������������������ 12 Callen-Lorde by the Numbers . 14 Senior Staff and Board of Directors ������������������������������������������������������������������������������������������������������ 16 Howard J. Brown Society . .17 John B. Montana Society �����������������������������������������������������������������������������������������������������������������������������������������17 -
GG CV GPD.Indd
GENEVIEVE GAIGNARD Born 1981 in Orange, MA, US Lives and works in Los Angeles, CA, US EDUCATION: 2014 MFA, Photography, Yale University, New Haven, CT, US 2007 BA, Photography, Massachusetts College of Art and Design, Boston, MA, US SOLO EXHIBITIONS: 2019 I’m Sorry I Never Told You That You’re Beautiful, Vielmetter Los Angeles, Los Angeles, CA, US In Passing, The Art Galleries at Black Studies, University of Texas, Austin, TX, US Black White and Red All Over, Monique Meloche, Chicago, IL, US 2018 Counterfeit Currency, The FLAG Art Foundation, New York, NY, US Hidden Fences, Praz-Delavallade, Paris, FR 2017 Genevieve Gaignard, Shulamit Nazarian, Expo Chicago, IL, US Grassroots, Prospect.4, New Orleans, LA, US In Passing, Houston Center for Photography, Houston, TX, US The Powder Room, Shulamit Nazarian, Los Angeles, CA, US 2016 Smell the Roses, California African American Museum, Los Angeles, CA, US Apt #3104, Shulamit Nazarian, SPRING/BREAK Art Show, New York, NY, US 2015 Us Only, Shulamit Nazarian, Los Angeles, CA, US A Golden State of Mind, Diane Rosenstein Presents at The Cabin LA, Los Angeles, CA, US GROUP EXHIBITIONS: 2019 Millard Sheets Art Center, Pomona, CA, US (forthcoming) Still I Rise, MASS MoCA, North Adams, MA, US Quiet as It’s Kept: Passing Subjects, Contested Identities, Frances Lehman Loeb Art Center at Vassar College, Poughkeepsie, NY, US Politically Private: The Interplay of Personal Identity and Public Performance, Guggenheim Gallery at Chapman University, Orange, CA, US Lost and Found in America, Florida Museum of Photorgaphic -
Sci-Fi Sisters with Attitude Television September 2013 1 LOVE TV? SO DO WE!
April 2021 Sky’s Intergalactic: Sci-fi sisters with attitude Television www.rts.org.uk September 2013 1 LOVE TV? SO DO WE! R o y a l T e l e v i s i o n S o c i e t y b u r s a r i e s o f f e r f i n a n c i a l s u p p o r t a n d m e n t o r i n g t o p e o p l e s t u d y i n g : TTEELLEEVVIISSIIOONN PPRROODDUUCCTTIIOONN JJOOUURRNNAALLIISSMM EENNGGIINNEEEERRIINNGG CCOOMMPPUUTTEERR SSCCIIEENNCCEE PPHHYYSSIICCSS MMAATTHHSS F i r s t y e a r a n d s o o n - t o - b e s t u d e n t s s t u d y i n g r e l e v a n t u n d e r g r a d u a t e a n d H N D c o u r s e s a t L e v e l 5 o r 6 a r e e n c o u r a g e d t o a p p l y . F i n d o u t m o r e a t r t s . o r g . u k / b u r s a r i e s # R T S B u r s a r i e s Journal of The Royal Television Society April 2021 l Volume 58/4 From the CEO It’s been all systems winners were “an incredibly diverse” Finally, I am delighted to announce go this past month selection. -
Ryan Mcginley
Akeem Flavors Artist Research Paper #3 Kelly – T.A. (PM) Ryan McGinley Many artists strive to create visual representations of events, symbols, and scenes that accurately reflect their lifestyles - with few of them ever being successful. However, by depicting himself, close friends, and mere acquaintances skateboarding, running, and moving by day as well as partying, taking drugs, and having sex by night, Ryan McGinley has easily surpassed this goal. The innocent yet edgy world captured by McGinley is far from fiction and closer to the documentation of his reality of being young, beautiful, and killing time in New York City. McGinley was born and raised in New Jersey until moving to New York to attend Parsons School of Design to study graphic design. After an inevitable introduction to the lifestyle of Manhattan’s artsy lower East Side and three years at Parsons McGinley became interested in photography. He explains that “For me the reason to go out to a party was to photograph,” (Gefter 2007). This is evident in Dash the almost voyeuristic style of his early photographs, in which he abandoned all concernBombing ,for 2000 detail and focused solely on the spirit of his subjects. For example, in Dash Bombing, McGinley captures a young graffiti artist tagging the wall of a building high above New York City. The lack of his attention to technicality in handling the camera is far from distracting. Instead, the viewer’s attention is absorbed by the subject’s concentration on his craft and the energy radiating from the city lights below. McGinley is simply a fly on the wall in capturing this fleeting moment of beauty and freedom. -
VICE Media Group Announces Special Coverage for LGBTQ Pride Throughout June May 26, 2021
VICE Media Group Announces Special Coverage for LGBTQ Pride Throughout June VICE News, VICE TV, VICE.com, VICE Studios, Refinery29 and i-D Will Feature Special Programming to Commemorate the Community’s Fight for Civil Rights NEW YORK, May 26, 2021 -- VICE Media Group, the global multi-platform media company, announced today special coverage for LGBTQ Pride month beginning Tuesday, June 1, 2021. Across all its lines of business, including VICE News, VICE TV, VICE.com, VICE Studios, Refinery29 and i-D, VMG will feature special programming to celebrate and shine a light on equality and civil rights. “VICE is committed to representation and equal rights for all,” said Nadja Bellan-White, Global Chief Marketing Officer, VICE Media Group. “Our continued coverage of LGBTQ issues across all of our platforms remains paramount to us, especially at a time when certain factions of the country are stripping away rights from the community. VICE will continue to shine a light on injustices and raise awareness with content that focuses on the hopes and struggles of people across the US and globally." VICE News presents Transnational, a groundbreaking new VICE World News digital series about transgender rights and resilience around the world, shaped and hosted by an international team of trans storytellers. From Detroit to Lagos, correspondents immerse viewers into both the struggles and joys of trans life to tell stories about how trans people are building community in the face of violence and fighting at the forefront of human rights. The series will kick off in June. VICE TV, America’s fastest growing entertainment cable network, will present Killing Patient Zero, a documentary which details how a Canadian flight attendant was falsely accused of bringing AIDS to America, airing Wednesday, June 2 at 8 pm ET/PT. -
FILM MANUFACTURERS INC. Presents MAPPLETHORPE: LOOK at the PICTURES a Film by Fenton Bailey & Randy Barbato
FILM MANUFACTURERS INC. Presents MAPPLETHORPE: LOOK AT THE PICTURES A film by Fenton Bailey & Randy BArbAto BERLINALE SCREENING SCHEDULE (PREMIERE) Sunday, February 14th at 5:00 PM @ (P&I SCREENING) Sunday, FebruAry 14th At 9:00 PM @ Running Time: 1:48:24 minutes For press materials, please visit: Press ContAct Press ContAct Public Insight Dogwoof Andrea Klasterer Yung Kha Office: +49/ 89/ 78 79 799-12 Office: +44(0)20 7253 6244 Andrea cell: +49 163 680 51 37 Yung cell: +44 7788546706 Email: [email protected] Email: [email protected] InternAtionAl Sales InternAtionAl Press DOGWOOF [email protected] Vesna Cudic [email protected] / +44 7977 051 577 www.mapplethorpefilm.com www.facebook.com/MapplethorpeFilm www.twitter.com/Mapplethorpedoc www.filminc.com MAPPLETHORPE: LOOK AT THE PICTURES A film by Fenton Bailey & Randy Barbato SHORT SYNOPSIS MAPPLETHORPE: LOOK AT THE PICTURES is the first definitive, feature length portrait of the controversial artist since his untimely death in 1989. A catalyst and an illuminator, but also a magnet for scandal, Robert Mapplethorpe had but one goal: to ‘make it’ as an artist and as an art celebrity. He could not have picked a better time: the Manhattan of Warhol’s Factory, Studio 54, and an era of unbridled hedonistic sexuality. His first solo exhibition in 1976 already unveils his subjects: flowers, portraits and nudes. Mapplethorpe quickly gains notoriety through his explicitly sexual photographs from the gay sadomasochistic scene as well as nude pictures of black men. Directors Fenton Bailey and Randy Barbato were given unrestricted access to Mapplethorpe’s archives for their documentary Mapplethorpe: Look at the Pictures, in which this exceptional artist talks candidly about himself in recently discovered interviews.