DOCSLIB.ORG

Boston Symphony Orchestra Concert Programs, Summer, 1970

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

« TANGLEWOOD i Jim BP^a '£- \ BOSTON :\ SYMPHONY \ ORCHESTRA WILLIAM STEINBERG Music Director J i** £ fy **&* BERKSHIRE FESTimL ^ RED RED SEAL SEAL RED SEAL nC/1 Brahms RED SEAL William Steinberg A German Requiem .^4ft\ a«#k ^ BEETHOVEN *>• Caballt . Milnei «^ BERLIOZ: Boston Symphony Orchestra .SYMPHONIES NOS. 9 AND 5 SYMPHONIE FANTASTIQUE New England Coniervatory Chorus I Marsh • Vtuey Domingo Mllnes GEORGES PRETRE Schubert • ERICH LEINSDORF fit MmMi i »«w taflaaa CMMnmry Ch BOSTON SYMPHONY I Gatna BOSTON SYMPHONY ORCHESTRA Symphony No. 9 " The Grtat" I A SURVIVOR FROM WARSAW, OP. 48 Mllnes. «i..«ioi . I BOSTON SYMPHONY/ERICH LEINSDORF LZ:* four Serious Songs, o P.izi Milnei LeinidoH, pi««ul j|| hi*Iktw jM Ml RED SEAL RED SEAL Earl Wild. Pianist RCil Boston Symphony Orchestra Boiton Symphony / Eric h Lriaidorf ^ ** BOSTON SYMPHONY SCHARWENKA "ERICH LEINSDORF' CmtiOt Nn. I. 0» a PROKOFIEFFI "Some of the finest and most H^ . ii'i.'han .1; EEE BALAKIREFF I0HN BROWNING satisfying symphonic hnUnM*! •! Cknka'i Of*', IWEILL ",,?rTHE ' » l.l. lo. Ike Tu. MEDTNER music-making of this decade." lmpriittuli«n. Op 31. No. I D ALBERT —Allen Hughes, Stasia, 0» 11. N..2 The New York Times Records ST^. RCil and Tapes BOSTON SYMPHONY ORCHESTRA WILLIAM STEINBERG Music Director MICHAEL TILSON THOMAS Associate Conductor EIGHTY-NINTH SEASON 1969-1970 TANGLEWOOD 1970 SEIJI OZAWA, GUNTHER SCHULLER Artistic Directors LEONARD BERNSTEIN Advisor THIRTY-THIRD BERKSHIRE FESTIVAL THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President MRS HARRIS FAHNESTOCK EDWARD M. KENNEDY PHILIP K. ALLEN Vice-President THEODORE P. FERRIS HENRY A. LAUGHLIN ROBERT H. GARDINER Vice-President FRANCIS W. HATCH EDWARD G. MURRAY JOHN L. THORNDIKE Treasurer HAROLD D. HODCKINSON JOHN T. NOONAN RICHARD P. CHAPMAN E. MORTON JENNINGS JR MRS JAMES H. PERKINS ABRAM T. COLLIER SIDNEY R. RABB TRUSTEES EMERITUS HENRY B. CABOT EDWARD A. TAFT PALFREY PERKINS RAYMOND S. WILKINS THE BOARD OF OVERSEERS OF THE BOSTON SYMPHONY ORCHESTRA INC. ABRAM T. COLLIER Chairman ROBERT CUTLER GEORGE H. KIDDER ERWIN D. CANHAM Vice-Chairman NELSON J. DARLING JR LAWRENCE K. MILLER LEONARD KAPLAN Secretary HENRY B. DEWEY MRS STEPHEN V. C MORRIS VERNON ALDEN RICHARD A. EHRLICH JOHN T. G. NICHOLS MRS FRANK ALLEN BYRON K. ELLIOTT LOUVILLE NILES ROBERT C. ALSOP PAUL FROMM DAVID R. POKROSS OLIVER F. AMES CARLTON P. FULLER HERBERT W. PRATT ALLEN G. BARRY MRS ALBERT GOODHUE NATHAN M. PUSEY LEO L. BERANEK MRS JOHN L. GRANDIN MRS FAIRFIELD E. RAYMOND DAVID W. BERNSTEIN STEPHEN W. GRANT PAUL C. REARDON MRS CURTIS B. BROOKS SAMUEL A. GROVES MRS GEORGE R. ROWLAND J. CARTER BROWN FRANCIS W. HATCH JR DONALD B. SINCLAIR GARDNER L. BROWN MRS C D. JACKSON MRS LEE STANTON MRS LOUIS W. CABOT HOWARD W. JOHNSON SIDNEY S. STONEMAN MRS NORMAN L. CAHNERS W. SEAVEY JOYCE JOHN HOYT STOOKEY LEVIN H. CAMPBELL III MRS LOUIS I. KANE ROBERT G. WIESE JOHN L. COOPER VINCENT C ZIEGLER CHAIRMEN OF THE BOARDS OF SELECTMEN (ex officio) ROBERT G. WILLIAMS JOHN PIGNATELLI ANDREW JAOUEN Stockbridge Lenox Lee ADMINISTRATION OF THE BOSTON SYMPHONY ORCHESTRA THOMAS D. PERRY JR Manager JAMES J. BROSNAHAN HARRY J. KRAUT MARY H. SMITH Associate Manager, Associate Manager, Concert Manager Business Affairs Public Affairs THOMAS W. MORRIS JAMES F. KILEY MARVIN Y. SCHOFER Assistant Treasurer Tanglewood Superintendent Press and Public Information ANDREW RAEBURN Program Editor copyright © 1970 by Boston Symphony Orchestra Inc. TANGLEWOOD LENOX MASSACHUSETTS \e Outperformer that fulfills the impossible dream Here's the brilliant realization of sound, beyond your found only in much more expensive units. Versatile, it fondest dream. The new Pioneer SX-990 solid state offers: 2 phono, tape monitor, microphone, auxiliary and AM-FM multiplex stereo receiver was designed with you main amplifier inputs. Outputs for two pairs of speakers in mind. Thoroughly flexible, you can plan a complete make it ideal as a power source for any fine stereo sys- stereo system around it. Rated according to the Institute tem. Elegantly styled in an oiled walnut cabinet, it's the of High Fidelity standards (as all Pioneer units are), it perfect complement to the most discriminating decor. contains top quality circuitry plus many refinements Hear it at your local Pioneer dealer. Only $299.95 CD PIONEER PIONEER ELECTRONICS U.S.A. CORPORATION, 140 Smith Street, Farmingdale, N. Y. 11735 • (516) 694-7720 West Coast: 1335 West 134th Street, Gardena, Calif. 90247 / (213) 323-2374 & 321-1076 • In Canada: S. H. Parker Co., Ontario . BOSTON SYMPHONY ORCHESTRA WILLIAM STEINBERG Music Director MICHAEL TILSON THOMAS Associate Conductor first violins cellos bassoons Sherman Walt Joseph Silverstein Jules Eskin concertmaster Philip R. Allen chair Ernst Panenka Charles Munch chair Martin Hoherman Matthew Ruggiero Alfred Krips Mischa Nieland Max Hobart Karl Zeise contra bassoon Rolland Tapley Robert Ripley Roger Shermont Luis Leguia Richard Plaster Max Winder Stephen Geber Harry Dickson Carol Procter horns Gottfried Wilfinger Jerome Patterson BASF Fredy Ostrovsky Ronald Feldman James Stagliano Leo Panasevich William Stokking Charles Yancich Noah Bielski Herman Silberman Harry Shapiro Stanley Benson basses David Ohanian Sheldon Rotenberg Thomas Newell Alfred Schneider Henry Portnoi Paul Keaney Ralph Pottle more Julius Schulman William Rhein Gerald Gelbloom Joseph Hearne Raymond Sird Bela Wurtzler trumpets Leslie Martin John Salkowski Armando Ghitalla John Barwicki Roger Voisin Every time you choose BASF, you get Buell Neidlinger Andre Come more for your money . more than you Robert Olson Gerard Goguen get with any other quality tape. second violins First, you get superlative recording qual- ity. BASF is made with a special formu- flutes trombones Clarence Knudson lation that creates superb sound repro- duction with extra-low tape noise. William Marshall William Gibson Michel Sasson Doriot Anthony Dwyer and there's more . Walter Piston chair Josef Orosz Ronald Knudsen BASF tape is ageless. Your recordings Pappoutsakis Kauko Kahila Leonard Moss James will last a lifetime, unaffected by tem- William Waterhouse Phillip Kaplan perature, humidity or time. Ayrton Pinto tuba and there's more . Amnon Levy piccolo Chester Schmitz BASF tape reels are packaged in the Laszlo Nagy ex- clusive plastic "Perma-Store" box . Michael Vitale Schaefer the one that makes your tape library look Victor Manusevitch Lois timpani as good as it sounds. John Korman Everett Firth and there's more . Christopher Kimber oboes Spencer Larrison BASF tape reels come with color-coded Ikuko Mizuno leads and switching foils at both ends. Ralph Gomberg percussion and there's more . John Holmes Charles Smith Now BASF cassettes, with the same su- Hugh Matheny Arthur Press perior tape quality, come in handsome assistant timpanist mini versions of the Perma-Store Box, Thomas Gauger english horn for looks, convenience and protection. violas Frank Epstein and there's more . a Laurence Thorstenberg BASF tape reels and cassettes cost no Burton Fine harps more than other quality recording tapes. Charles S. chair Dana Ask to see BASF tape at your favorite clarinets Bernard Zighera Reuben Green dealer's today. Eugene Lehner Ann Hobson George Humphrey Gino Cioffi BASF SYSTEMS INC Jerome Lipson Pasquale Cardillo librarians Crosby Drive Robert Karol Peter Hadcock Bedford, Masachusetts 01730 Victor Alpert Bernard Kadinoff fb clarinet Vincent Mauricci William Shisler Earl Hedberg Joseph Pietropaolo bass clarinet stage manager Robert Barnes Yizhak Schotten Felix Viscuglia Alfred Robison personnel manager William Moyer ) BERKSHIRE THEATRE FESTIVAL '70 Stockbridge, Mass. 10262 CALL IT RELAX-IN(g) July 1-11 OTHER PEOPLE . exCITing, EXHILARATING, or reFRESHing . call a new play by Thomas Berger July 16-26 it soPHISTICATed INFORMALity, conVIVIALity, THE CHRISTMAS DINNER FUN . call it 1600 acres of EVERYTHING! (Golf, a new play by William Devane Tennis, riding, shooting, music, entertainment, enjoyable July 30-August 9 POSTSCRIPT PEOPLE) . call it unUSUAL accomMODATIONS, a new play by Merritt Abrash Cooling GROG and COUNTRY FOOD . call it a August 13-23 comPLETE RESORT with new separate CHILDREN'S THE ENEMY IS DEAD a new play by Don Peterson PROGRAM, so adult and child can both RELAX without intrusion . call it anything, DO, DO CALL Area Special Barn Productions BUT August 12-16 code 413, Tel. 528-0434, and SOON! PINKVILLE a new play by George Tabori August 20-23 ALICE'S ADVENTURES UNDERGROUND Jug SkA based on the classic by Lewis Carroll Box Office Hours.- Tues.-Sat. 10 am to 9 pm; ft fiie Berkshires Mon. 10 am to 6 pm; Sun. 12 noon to 8 pm. For ticket information and reservations, write So. Egremont, Mass., 01258 or call the box office (413) 298-5536. HANCOCK YEAR-ROUND VACATION-LAND APARTMENTS SHAKER VILLAGE NEAR TANGLEWOOD Brand New 1 & 2 Bedroom Garden Apartments in Lenox, Mass. Cultural Center of America in Summer — Ski in Winter • Walking distance to Tanglewood • Jacob's Pillow Dance Festival nearby • Berkshire Playhouse & Williamstown Theatre nearby • Music Barn Jazz Festival nearby A unique farm-and- craft • 12 Nearby ski areas; ski schools; slopes up to 6000 ft. settlement dating • Apartments are in heart of Lenox—shopping around corner from 1790 • Wooded area; lovely landscaping; country atmosphere Ten dwellings and shops Famous • Platform Tennis Court garages available 1826 Round Stone Barn • Most spacious rooms—giant kitchens; giant bathrooms; now fully restored • Resident Super to serve your needs; no second-home burdens • One bedroom apt.—$1980 yearly; two bedroom—$2340 yearly DAILY 9:30 TO 5 ADULTS $1.50 -CHILDREN 5 Or MORGAN MANOR (Kitchen Festival Aug. 3-8 113 Walker Street, Lenox LUNCH SHOP One block east of Curtis Hotel See Superintendent on premises Routes 20 and 41 or Call (413) 637-2676 or 5 Miles West of Pittsfield Isgood Realty — (413) 443-4416 TANGLEWOOD PRESENTS THE GREAT MUSICIANS OF TODAY AND BUILDS THE GREAT MUSICIANS OF TOMORROW . .with your help In addition to offering twenty-four concerts each summer with the Boston Symphony Orchestra and prominent visiting artists, Tanglewood operates the BERKSHIRE MUSIC CENTER, a world-famous summer program for gifted young artists seeking a career in music.
Recommended publications
  • Boston Symphony Orchestra Concert Programs, Summer

    Boston Symphony Orchestra Concert Programs, Summer

    m^^^^j^^fjSjmggU ^^If0jisdii^ Accompanist to Boston Symphony Orchestra Berkshire Festival • Berkshire Music Center and to these Tanglewood 1971 artists Leonard Bernstein • Arthur Fiedler • Byron Janis • Ruth Laredo Seiji Ozawa • Gunther SchuIIer • Michael Tilson Thomas • Earl Wild BOSTON SYMPHONY ORCHESTRA WILLIAM STEINBERG Music Director MICHAEL TILSON THOMAS Associate Conductor NINETIETH ANNIVERSARY SEASON 1970-1971 TANGLEWOOD 1971 SEIJI OZAWA, GUNTHER SCHULLER Artistic Directors LEONARD BERNSTEIN Advisor THIRTY-FOURTH BERKSHIRE FESTIVAL THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President ABRAM T. COLLIER HENRY A. LAUGHLIN PHILIP K. ALLEN Vice-President MRS HARRIS FAHNESTOCK EDWARD G. MURRAY ROBERT H. GARDINER Vice-President THEODORE P. FERRIS JOHN T. NOONAN JOHN L. THORNDIKE Treasurer FRANCIS W. HATCH MRS JAMES H. PERKINS ALLEN G. BARRY HAROLD D. HODGKINSON IRVING W. RABB RICHARD P. CHAPMAN E. MORTON JENNINGS JR SIDNEY STONEMAN EDWARD M. KENNEDY TRUSTEES EMERITUS HENRY B. CABOT PALFREY PERKINS EDWARD A. TAFT THE BOARD OF OVERSEERS OF THE BOSTON SYMPHONY ORCHESTRA INC. ERWIN D. CANHAM Chairman HENRY B. DEWEY LAWRENCE K. MILLER VERNON ALDEN Vice-Chairman RICHARD A. EHRLICH FRANK E. MORRIS LEONARD KAPLAN Secretary/ BYRON K. ELLIOTT MRS STEPHEN V. C. MORRIS HAZEN H. AYER ARCHIE C. EPPS III JOHN T. G. NICHOLS MRS FRANK G. ALLEN PAUL FROMM LOUVILLE NILES ROBERT C. ALSOP CARLTON P. FULLER DAVID R. POKROSS LEO L. BERANEK MRS ALBERT GOODHUE MRS BROOKS POTTER DAVID W. BERNSTEIN MRS JOHN L. GRANDIN HERBERT W. PRATT MRS CURTIS B. BROOKS STEPHEN W. GRANT MRS FAIRFIELD E. RAYMOND J. CARTER BROWN SAMUEL A. GROVES PAUL C. REARDON MRS LOUIS W.
  • William Steinberg Conducting the Pittsburgh Symphony Orchestra - Till Eulenspiegel's Merry Pranks, Op

    William Steinberg Conducting the Pittsburgh Symphony Orchestra - Till Eulenspiegel's Merry Pranks, Op

    William Steinberg Bolero, La Valse, Pavane Pour Une Infante Defunte mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Bolero, La Valse, Pavane Pour Une Infante Defunte Country: UK Released: 1959 Style: Impressionist MP3 version RAR size: 1841 mb FLAC version RAR size: 1290 mb WMA version RAR size: 1716 mb Rating: 4.8 Votes: 202 Other Formats: DTS APE MP1 AA AC3 XM AIFF Tracklist Hide Credits Bolero A1 –William Steinberg Composed By – Maurice RavelPerformer – The Pittsburgh Symphony Orchestra Pavane Pour Une Infante Defunte B1 –W. Steinberg* Composed By – Maurice RavelPerformer – The Pittsburgh Symphony Orchestra La Valse B2 –W. Steinberg* Composed By – Maurice RavelPerformer – The Pittsburgh Symphony Orchestra Companies, etc. Printed By – Garrod & Lofthouse Ltd. Other versions Category Artist Title (Format) Label Category Country Year William Steinberg Conducting William Steinberg The Pittsburgh Symphony Conducting The Orchestra / Maurice Ravel - Capitol P8475 Pittsburgh P8475 US 1959 Bolero, La Valse, Pavane Pour Records Symphony Orchestra Une Infante Defunte (LP, / Maurice Ravel Album, Mono) Related Music albums to Bolero, La Valse, Pavane Pour Une Infante Defunte by William Steinberg Mendelssohn - Bruch - Nathan Milstein, The Pittsburgh Symphony Orchestra, William Steinberg - Concerto In E Minor Op. 64, Concerto No.1 In G Minor, Op. 26 Beethoven / Steinberg Conducting The Pittsburgh Symphony Orchestra - Beethoven Symphony No. 7 Strauss : William Steinberg Conducting The Pittsburgh Symphony Orchestra - Till Eulenspiegel's Merry Pranks, Op. 28 / Death And Transfiguration, Op. 24 Milstein, Pittsburgh Symphony Orchestra, Steinberg, Tchaikovsky - Violin Concerto In D Major Steinberg Conducts The Pittsburgh Symphony Orchestra - Beethoven - Symphony No. 6 "Pastoral" William Steinberg Conducting The Pittsburgh Symphony Orchestra - Symphony No.
  • Boston Symphony Orchestra Concert Programs, Summer, 1961-1962

    Boston Symphony Orchestra Concert Programs, Summer, 1961-1962

    Music Shed — Tanglewood Lenox, Massachusetts Thursday, August 2, 1962, at 8:00 For the Benefit of the Berkshire Music Center THE BOSTON POPS ARTHUR FIEDLER, Conductor Soloist EARL WILD, Piano PROGRAM *The Stars and Stripes Forever Sousa *Suite from "Le Cid" Massenet Castiliane — Aragonaise — Aubade — Navarraise #Mein Lebenslauf ist Lieb' und Lust, Waltzes Josef Strauss Pines of Rome Respighi I. The Pines of the Villa Borghese II. The Pines near a Catacomb III. The Pines of the Janiculum IV. The Pines of the Appian Way Intermission *Concerto in F for Piano and Orchestra Gershwin I. Allegro II. Adagio; Andante con moto III. Allegro agitato Soloist: Earl Wild *Selection from "West Side Story" Bernstein I Feel Pretty — Maria — Something's Coming — Tonight — One Hand, One Heart — Cool — A-mer-i-ca Mr. Wild plays the Baldwin Piano Baldwin Piano *RCA Victor Recording Special Event at Tanglewood Thursday, August 23 A GALA EVENING of Performances by the Students For the Benefit of the Berkshire Music Center ORDER OF EVENTS 4 :00 Chamber Music in the Theatre 5 :00 Music by Tanglewood Composers in the Chamber Music Hall 6:00 Picnic Hour 7 :00 Tanglewood Choir on the Main House Porch 8 :00 The Berkshire Music Center Orchestra Concert in the Shed In Mahler's Third Symphony, with the Festival Chorus and Florence Kopleff, Contralto Conductor—Richard Burgin Admission tickets . (All seats unreserved except boxes) $2.50 — Box Seats $5.00 Grounds open for admission at 3 :00 p.m. REMAINING FESTIVAL CONCERTS (The final concerts of Charles Munch as Music Director of the Boston Symphony Orchestra) EVENINGS — 8 :00 P.M.
  • Commemorative Concert the Suntory Music Award

    Commemorative Concert the Suntory Music Award

    Commemorative Concert of the Suntory Music Award Suntory Foundation for Arts ●Abbreviations picc Piccolo p-p Prepared piano S Soprano fl Flute org Organ Ms Mezzo-soprano A-fl Alto flute cemb Cembalo, Harpsichord A Alto fl.trv Flauto traverso, Baroque flute cimb Cimbalom T Tenor ob Oboe cel Celesta Br Baritone obd’a Oboe d’amore harm Harmonium Bs Bass e.hrn English horn, cor anglais ond.m Ondes Martenot b-sop Boy soprano cl Clarinet acc Accordion F-chor Female chorus B-cl Bass Clarinet E-k Electric Keyboard M-chor Male chorus fg Bassoon, Fagot synth Synthesizer Mix-chor Mixed chorus c.fg Contrabassoon, Contrafagot electro Electro acoustic music C-chor Children chorus rec Recorder mar Marimba n Narrator hrn Horn xylo Xylophone vo Vocal or Voice tp Trumpet vib Vibraphone cond Conductor tb Trombone h-b Handbell orch Orchestra sax Saxophone timp Timpani brass Brass ensemble euph Euphonium perc Percussion wind Wind ensemble tub Tuba hichi Hichiriki b. … Baroque … vn Violin ryu Ryuteki Elec… Electric… va Viola shaku Shakuhachi str. … String … vc Violoncello shino Shinobue ch. … Chamber… cb Contrabass shami Shamisen, Sangen ch-orch Chamber Orchestra viol Violone 17-gen Jushichi-gen-so …ens … Ensemble g Guitar 20-gen Niju-gen-so …tri … Trio hp Harp 25-gen Nijugo-gen-so …qu … Quartet banj Banjo …qt … Quintet mand Mandolin …ins … Instruments p Piano J-ins Japanese instruments ● Titles in italics : Works commissioned by the Suntory Foudation for Arts Commemorative Concert of the Suntory Music Award Awardees and concert details, commissioned works 1974 In Celebration of the 5thAnniversary of Torii Music Award Ⅰ Organ Committee of International Christian University 6 Aug.
  • PRELUDE, FUGUE News for Friends of Leonard Bernstein RIFFS Spring/Summer 2004 the Leonard Bernstein School Improvement Model: More Findings Along the Way by Dr

    PRELUDE, FUGUE News for Friends of Leonard Bernstein RIFFS Spring/Summer 2004 the Leonard Bernstein School Improvement Model: More Findings Along the Way by Dr

    PRELUDE, FUGUE News for Friends of Leonard Bernstein RIFFS Spring/Summer 2004 The Leonard Bernstein School Improvement Model: More Findings Along the Way by Dr. Richard Benjamin THE GRAMMY® FOUNDATION eonard Bernstein is cele­ brated as an artist, a CENTER FOP LEAR ll I IJ G teacher, and a scholar. His Lbook Findings expresses the joy he found in lifelong learning, and expounds his belief that the use of the arts in all aspects of education would instill that same joy in others. The Young People's Concerts were but one example of his teaching and scholarship. One of those concerts was devoted to celebrating teachers and the teaching profession. He said: "Teaching is probably the noblest profession in the world - the most unselfish, difficult, and hon­ orable profession. But it is also the most unappreciated, underrat­ Los Angeles. Devoted to improv­ There was an entrepreneurial ed, underpaid, and under-praised ing schools through the use of dimension from the start, with profession in the world." the arts, and driven by teacher each school using a few core leadership, the Center seeks to principles and local teachers Just before his death, Bernstein build the capacity in teachers and designing and customizing their established the Leonard Bernstein students to be a combination of local applications. That spirit Center for Learning Through the artist, teacher, and scholar. remains today. School teams went Arts, then in Nashville Tennessee. The early days in Nashville, their own way, collaborating That Center, and its incarnations were, from an educator's point of internally as well as with their along the way, has led to what is view, a splendid blend of rigorous own communities, to create better now a major educational reform research and talented expertise, schools using the "best practices" model, located within the with a solid reliance on teacher from within and from elsewhere.
  • Boston Symphony Orchestra Concert Programs

    Boston Symphony Orchestra Concert Programs

    m fl ^ j- ? i 1 9 if /i THE GREAT OUTDOORS THE GREAT INDOORS Beautiful, spacious country condominiums on 55 magnificent acres with lake, swimming pool and tennis courts, minutes from Tanglewood and the charms of Lenox and Stockbridge. FOR INFORMATION CONTACT (413) 443-3330 1136 Barker Road (on the Pittsfield-Richmond line) GREAT LIVING IN THE BERKSHIRES Seiji Ozawa, Music Director Carl St. Clair and Pascal Verrot, Assistant Conductors One Hundred and Seventh Season, 1987-88 Trustees of the Boston Symphony Orchestra, Inc. Kidder, President Nelson J. Darling, Jr., Chairman George H. T Mrs. John M. Bradley, Vice-Chairman J. P. Barger, V ice-Chairman Archie C. Epps, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Vernon R. Alden Mrs. Michael H. Davis Roderick M. MacDougall David B. Arnold, Jr. Mrs. Eugene B. Doggett Mrs. August R. Meyer Mrs. Norman L. Cahners Mrs. John H. Fitzpatrick David G. Mugar James F. Cleary Avram J. Goldberg Mrs. George R. Rowland William M. Crozier, Jr. Mrs. John L. Grandin Richard A. Smith Mrs. Lewis S. Dabney Francis W. Hatch, Jr. Ray Stata Harvey Chet Krentzman Trustees Emeriti Philip K. Allen Mrs. Harris Fahnestock Irving W. Rabb Allen G. Barry E. Morton Jennings, Jr. Paul C. Reardon Leo L. Beranek Edward M. Kennedy Mrs. George L. Sargent Richard P. Chapman Albert L. Nickerson Sidney Stoneman Abram T. Collier Thomas D. Perry, Jr. John Hoyt Stookey George H.A. Clowes, Jr. John L. Thorndike Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Jay B. Wailes, Assistant Treasurer Daniel R. Gustin, Clerk Administration of the Boston Symphony Orchestra, Inc.
  • Boston Symphony Orchestra Concert Programs, Season 89, 1969-1970

    Boston Symphony Orchestra Concert Programs, Season 89, 1969-1970

    SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON FRIDAY — SATURDAY 12 TUESDAY A 5 EIGHTY-NINTH SEASON 1969-1970 I£a#i/> Exquisite Sound .. From the palaces f of ancient Egypt to the concert halls of our modern cities, the wondrous music of the harp has compelled attention from all peoples and all countries. Through this passage of time many changes have been made mm in the original design. The //.' w¥ ear^y instruments shown in y drawings on the tomb of m Rameses II (1292-1225 B.C.) were richly decorated but mm lacked the fore-pillar. Later the "Kinner" developed by the Sr Hebrews took the form as we |Jr know it today. The pedal harp ||F was invented about 1720 by a Wr Bavarian named Hochbrucker and mm through this ingenious device it be- W came possible to play in eight major f and five minor scales complete. Today the harp is an important and familiar instrument providing the "Exquisite Sound" and special effects so important to modern orchestration and arrange- ment. The certainty of change makes necessary a continuous review of your insurance protection. We welcome the opportunity of providing this service for your business or personal needs. We respectfully invite your inquiry CHARLES H. WATKINS & CO. Richard P. Nyquist — Charles G. Carleton 147 Milk Street Boston, Massachusetts Telephone 542-1250 PAIGE OBRION RUSSELL Insurance Since 1876 BOSTON SYMPHONY ORCHESTRA WILLIAM STEINBERG Music Director MICHAEL TILSON THOMAS Assistant Conductor EIGHTY-NINTH SEASON 1969-1970 THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President ANDREW HEISKELL PHILIP K.
  • ACRL News Issue (B) of College & Research Libraries

    ACRL News Issue (B) of College & Research Libraries

    News from the Field ACQUISITIONS There is also a complete set of all publica­ tions of the Nonesuch Press, one of the finest • On September 27 Archbishop Fulton John commercial presses of all time, and 67 books Sheen, dedicated the Sheen Room to house his published by the Golden Cockerell Press, in­ personal and public archives which he has giv­ cluding its four-volume edition of The Canter­ en to St. Bernard’s Seminary, Rochester, bury Tales illustrated by Eric Gill and a spe­ N.Y. These consist of books and pamphlets cially bound copy of Keats’ Endymion. which he has written since 1925; about 1,500 There is a copy of Thomas Browne’s Urne tapes of sermons, retreats, lectures, and infor­ Buriall illustrated by Paul Nash, one of the mal talks; phono-recordings and TV tapes of most notable books published by Cassell in the “Life Is Worth Living” series, 1951-1957; London in the 1920s, and a copy of the ex­ radio and TV tapes of the Catholic Hour broad­ tremely rare translation of Homer’s Odyssey by casts, 1930-1952; newspaper clippings and T. E. Lawrence (of Arabia), privately pub­ photographs; correspondence and memorabilia. lished by Bruce Rogers and Emery Walker. The dedication of the Sheen Room marked There are books from the Gregynog Press, the the beginning of a major library renovation for Eragny Press, and the Vale Press, many in un­ the 83-year-old seminary to house its 80,000- usually fine special bindings. plus-volume collection. The Sheen Archives The collection includes many books by fol­ have not yet been cataloged and will be subject lowers of the tradition of printing as a fine art, to standard archival practices.
  • Boston Symphony Orchestra Concert Programs, Summer, 1992, Tanglewood

    Boston Symphony Orchestra Concert Programs, Summer, 1992, Tanglewood

    LEWOOD I 77 2 g Tools ofExcellence In every discipline, outstanding performance springs from the combination of skill, vision and commitment. As a technology leader, GE Plastics is dedicated to the development of advanced materials: engineering thermoplastics, silicones, superabrasives and circuit board substrates. Like the lively arts that thrive in this inspiring environment, we enrich life's quality through creative excellence. GE Plastics Seiji Ozawa, Music Director One Hundred and Eleventh Season, 1991-92 Trustees of the Boston Symphony Orchestra, Inc. Emeritus Nelson J. Darling, Jr., Chairman George H. Kidder, President J. P. Barger, Chairman Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, Vice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Dean Freed Mrs. August R. Meyer Peter A. Brooke Avram J. Goldberg Molly Millman James E Cleary Francis W Hatch Mrs. Robert B. Newman John F. Cogan,Jr. Julian T. Houston Peter C. Read Julian Cohen Mrs. BelaT. Kalman Richard A. Smith William M. Crozier, Jr. Mrs. George I. Kaplan Ray Stata Deborah B. Davis Harvey Chet Krentzman Nicholas T. Zervas Nina L. Doggett R. Willis Leith, Jr. Trustees Emeriti Vernon R. Alden Mrs. Harris Fahnestock Mrs. George R. Rowland Philip K. Allen Mrs. John L. Grandin Mrs. George Lee Sargent Allen G. Barry E. Morton Jennings, Jr. Sidney Stoneman Leo L. Beranek Albert L. Nickerson John Hoyt Stookey Mrs. John M. Bradley Thomas D. Perry, Jr. John L. Thorndike Abram T. Collier Irving W. Rabb Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Michael G.
  • PROGRAM NOTES Gustav Mahler Symphony No. 1 in D Major

    PROGRAM NOTES Gustav Mahler Symphony No. 1 in D Major

    PROGRAM NOTES by Phillip Huscher Gustav Mahler Born July 7, 1860, Kalischt, Bohemia. Died May 18, 1911, Vienna, Austria. Symphony No. 1 in D Major Mahler did most of the work on his First Symphony in February and March of 1888, incorporating music that had been written much earlier. He revised the score on several occasions. The first performance was given on November 20, 1889, in Budapest, with the composer conducting. The score calls for four flutes and three piccolos, four oboes and english horn, four clarinets, two E-flat clarinets and bass clarinet, three bassoons and contrabassoon, seven horns, four trumpets, three trombones and tuba, timpani, bass drum, cymbals, triangle, tam-tam, harp, and strings. Performance time is approximately fifty-seven minutes. The Chicago Symphony Orchestra's first subscription concert performances of Mahler's First Symphony were given at Orchestra Hall on November 6 and 7, 1914, with Frederick Stock conducting. Our most recent subscription concert performances were given on April 5, 6, 7, and 10, 2007, with Gustavo Dudamel conducting. The Orchestra first performed this symphony at the Ravinia Festival on July 19, 1949, with William Steinberg conducting, and most recently on June 24, 2005, with James Conlon conducting. When Alma Schindler first met Gustav Mahler, whom she later married, she could only remember how much she had disliked his First Symphony. She wasn't alone. The history of this symphony, even into relatively recent times, is one of misunderstanding and rejection. The first performance, in Budapest in 1889, was greeted with indifference, bewilderment, and, in the words of the local critic, "a small, but, for all that, audible element of opposition." Mahler seldom understood the animosity his music aroused.
  • Boris Godunov Biographies

    Boris Godunov Biographies

    Boris Godunov Biographies Cast Stanislav Trofimov (Boris Godunov) began his operatic career in the Chelyabinsk Opera House in 2008, and went on to perform leading bass roles at the Ekaterinburg Opera House (the Bolshoi Theatre) and other opera theaters across Russia. He became a soloist at the Mariinsky Theatre in 2016. Mr. Trofimov has portrayed numerous leading roles including Boris Godunov (Boris Godunov), Philip II (Don Carlos), Procida (I vespri siciliani), Fiesco (Simon Boccanegra), Konchak (Prince Igor), Ivan Susanin (Life of the Tsar), Sobakin (Tsar’s Bride), Prince Yuri Vsevolodovich (The Legend of the Invisible City of Kitezh and the Maiden Fevronia), Prince Gremin (Eugene Onegin), Ferrando (Il Trovatore), Don Bartolo (Le nozze di Figaro), and Old Hebrew (Samson et Dalila). Recent performances include Procida in Mariinsky’s new production of I vespri siciliani, Zaccaria in Nabucco at the opening of Arena di Verona Summer Festival, a tour with the Bolshoi Theatre as Archbishop in The Maid of Orleans in France, and performances at the Salzburg Festival as Priest in the new production of Lady Macbeth of the Mtsensk District. Mr. Trofimov will appear at the 2018 Salzburg Festival and at Teatro alla Scala in 2019. These performances mark his San Francisco Symphony debut. This season, Cuban-American mezzo-soprano Eliza Bonet (Fyodor) made her debut at the Kennedy Center as a member of the Washington National Opera’s Domingo-Cafritz Young Artist Program, singing the role of Bradamante in Handel’s Alcina. As a part of this season’s nationwide Bernstein at 100 celebrations, Ms. Bonet performs as Paquette in Candide with the WNO, and with National Symphony Orchestra in West Side Story.
  • Edgar Meyer Biography by IMG Artists - IMG Artists Imgartists.Com

    Edgar Meyer Biography by IMG Artists - IMG Artists Imgartists.Com

    Edgar Meyer Biography by IMG Artists - IMG Artists imgartists.com Edgar Meyer In demand as both a performer and a composer, Edgar Meyer has formed a role in the music world unlike any other. Hailed by The New Yorker as “...the most remarkable virtuoso in the relatively un-chronicled history of his instrument”, Mr. Meyer’s unparalleled technique and musicianship in combination with his gift for composition have brought him to the fore, where he is appreciated by a vast, varied audience. His uniqueness in the field was recognized by a MacArthur Award in 2002. As a solo classical bassist, Mr. Meyer can be heard on a concerto album with the St. Paul Chamber Orchestra conducted by Hugh Wolff featuring Bottesini’s Gran Duo with Joshua Bell, Meyer’s own Double Concerto for Bass and Cello with Yo-Yo Ma, Bottesini’s Bass Concerto No. 2, and Meyer’s own Concerto in D for Bass. He has also recorded an album featuring three of Bach’s Unaccompanied Suites for Cello. In 2006, he released a self-titled solo recording on which he wrote and recorded all of the music, incorporating piano, guitar, mandolin, dobro, banjo, gamba, and double bass. In 2007, recognizing his wide-ranging recording achievements, Sony/BMG released a compilation of “The Best of Edgar Meyer”. In 2011 Mr. Meyer joined cellist Yo-Yo Ma, mandolinist Chris Thile, and fiddler Stuart Duncan for the Sony Masterworks recording “The Goat Rodeo Sessions” which was awarded the 2012 Grammy® Award for Best Folk Album. As a composer, Mr. Meyer has carved out a remarkable and unique niche in the musical world.